On 1971’s Chicago III, one of the band’s passionate anthems went, “I just want to be free…” But it took until 1978 for the band to be truly free, and that year’s Hot Streets was an album of firsts. The freedom largely came as a result of the group having severed its ties with longtime producer/manager James William Guercio; hence, Hot Streets was Chicago’s first album in many years not recorded at Guercio’s famed Caribou Ranch. It was also the first to lack a number in its title and first to feature a band portrait on…
Reissue Theory: Whitney Houston, “Whitney”
We remember Whitney Houston (1963-2012) and her timeless legacy of song. We’re sharing this feature in her memory, and will return with a tribute to this musical legend, gone too soon. Welcome to another installment of Reissue Theory, where we focus on notable album and the reissues they could someday see. Today’s entry: a 25th anniversary spotlight on one of the best dance-pop albums of any era, and a tribute to a powerhouse R&B voice. In a word: Whitney. Around this time in 2010, right when The Second Disc was starting out,…
Short Takes: “Meet Glen Campbell” and “Matter of Time” Reissued, A Rare Earth Curio and More From Impulse!
The legendary Glen Campbell has seen a number of his classic albums reissued this year by labels including BGO, Real Gone Music and New Haven. Our friends at Rockbeat Records have lined up the next Campbell release, revisiting his 1985 LP for the Atlantic label, It’s Just a Matter of Time. Produced by Harold Shedd, the album found Campbell revisiting some of his past triumphs. Longtime collaborator and friend Jimmy Webb contributed three songs: the oft-covered “Do What You Gotta Do,” “Shattered,” and “Cowboy Hall of Fame.” Al DeLory, the producer of…
Movin’, Kickin’, Groovin’: A Barry White Classic Expanded by Hip-o Select
Hip-o Select turns its focus away from Motown for some more satin soul from the inimitable Barry White, with a nicely-expanded release of his 1976 LP Let the Music Play. By the time the title track from the album – an underrated plea for music to soothe the pain of a lost love over some of the lushest strings from The Love Unlimited Orchestra – was released as a single in late 1975, White was virtually his own brand. He’d recently come off a triplet of Top 10 singles in 1974…
Review: Hugh Martin, “Hidden Treasures: Songs for Stage and Screen 1941-2010”
Did a cork pop? Did the world stop? Am I just in love…with the music and lyrics of Hugh Martin? Even if you don’t know the name of the late Mr. Martin, you certainly know his songs: “Meet Me in St. Louis,” “The Trolley Song,” and a little song heard every season, year after year, by the name of “Have Yourself a Merry Little Christmas.” But these songs from the MGM musical Meet Me in St. Louis are just the tip of the iceberg of Hugh Martin’s catalogue, a few highlights of…
Epic Jazz and Funk: George Duke and Stanley Clarke Complete Boxes Coming Soon
With the latest two additions to its growing Complete Albums Collections roster, Legacy Recordings and Epic Records are looking to two musical pioneers for which the description “jazz artist” seems largely inadequate. George Duke, keyboard virtuoso, and Stanley Clarke, electric and acoustic bass pro, have extensively toured and recorded together, but these forthcoming box sets turn the clock back to their solo periods on the Epic label. George Duke has proven himself equally adept at jazz, funk, R&B and pop, but over a lengthy career, he’s refused to be boxed in by…
A Grande Cup of Burt: Starbucks Brews “Music By Bacharach”
If you see me walking down the street, and I start to cry…or smile…or laugh…there’s a good chance I might be listening to a song by Burt Bacharach. Since beginning his songwriting career with 1952’s instrumental “Once in a Blue Moon” as recorded by Nat King Cole, Bacharach has provided the soundtrack to many of our lives, often in tandem with lyricist Hal David. (Their first collaborations date to 1956, including The Harry Carter Singers’ “Tell the Truth and Shame the Devil,” and Sherry Parsons’ “Peggy’s in the Pantry,” a song Bacharach…
Review: The Monkees, “Instant Replay: Deluxe Edition”
When The Monkees’ Instant Replay was released in February 1969, less than three years had passed since the band’s vinyl debut in October 1966. But the pop world of 1966 might have been a lifetime ago. Five days before Instant Replay‘s February 15 release, The Beach Boys unveiled the album 20/20, on which America’s band surreptitiously recorded a song by Charles Manson. Two days after, The Temptations skyrocketed to Cloud Nine, meeting psychedelia head-on. By the year’s end, the dream of peace that had flowered at Woodstock seemed shattered in the violence…
Andy Gibb’s Greatest Hits Reprised, and Flashback with Iron Butterfly
Two long out-of-print greatest hits collections are back in print today thanks to the fine folks at Rhino Records. Iron Butterfly’s Evolution: The Best of Iron Butterfly arrived on the Atco label in 1971 and brought together 11 tracks from the hard rock pioneers’ first four albums. Andy Gibb’s 1991 Greatest Hits, originally on the Polydor label, differed from the 1980 RSO Records hits compilation, and offered 12 prime pop cuts from the youngest of the Brothers Gibb. Although Rhino’s Light and Heavy: The Best of Iron Butterfly upped the number of…
Edsel January Preview: Rundgren, Chapin, Gosdin, Manhattan Transfer, Jo Jo Gunne Kick Off 2012
What kind of year will 2012 be? If the first batch of releases, slated for January 30 release, from the Edsel label is any indication, there’s plenty of rare and well-done music on the way! A three albums-on-two-CDs package collects the entirety of Todd Rundgren’s Warner Bros. Records period. A Cappella/Nearly Human/2nd Wind continues Edsel’s definitive series which brings Rundgren’s solo and Utopia output on both Bearsville and Warner Bros. under one umbrella. The studio wizard’s decision to record an album with nothing other than his own voice caused dissension between the…
Review: Elvis Presley, “Elvis Country: Legacy Edition”
The title of Elvis Presley’s 1969 double album said it all: From Memphis to Vegas, or if you turned the jacket over, From Vegas to Memphis. Both sides of the singer were on display both on the album and in its title: the superstar showman who had triumphed at Las Vegas’ International Hotel and the onetime Sun Records prodigy who’d periodically returned to his R&B roots. Though no studio album was released in 1970, the singer returned in January 1971 with Elvis Country: I’m 10,000 Years Old, and again the artist was…
Holiday Gift Guide Review: Tony Bennett, “The Complete Collection”
Welcome back to our Second Disc Holiday Gift Guide, in which we review some titles we might have missed over the past few weeks! The titles we’re spotlighting in this occasional series just might be candidates on your own holiday shopping list! Tony Bennett’s heart may be in San Francisco, but his soul can be found in a case measuring roughly 11 x 5.5 x 5.5 inches. For within those modest dimensions is housed some 65 years of music, spanning 1946 to 2011, over 73 CDs and 3 DVDs. And modesty might…
UPDATE 12/15: Amazing Grace: Glen Campbell’s “Jesus and Me” Anthology Reissued and Expanded, Joined by “Home for the Holidays”
In a career spanning nearly fifty years, there’s little musical ground that Glen Campbell hasn’t covered. He’s explored bluegrass, country and pop, played on many of the most famous records of all time as a session guitarist and “Wrecking Crew” member, and even served a brief stint as a Beach Boy. A steady stream of reissues has reminded listeners of Campbell’s mightiest accomplishments, and despite the admission of an Alzheimer’s diagnosis, the singer recently recorded an acclaimed new album and continues touring as of this writing. Campbell’s career hasn’t been without its…
Holiday Gift Guide Review: The Rolling Stones, “Some Girls: Deluxe Edition”
Welcome to our Second Disc Holiday Gift Guide, in which we review some titles we might have missed over the past few weeks! The titles we’re spotlighting in this occasional series just might be candidates on your own holiday shopping list! In a vintage clip that brings one of the biggest laughs in Martin Scorsese’s 2008 concert film Shine a Light, Mick Jagger tells an interviewer that he doesn’t anticipate getting old as a Rolling Stone…yet, nearly fifty years after the band first formed, Jagger and co. are doing just that. But…
Come to the Sunshine: Now Sounds Expands, Remasters Harpers Bizarre’s “Feelin’ Groovy”
Leon Russell might have been reluctant to return to his pop music roots when producer Lenny Waronker invited him to sit in the arranger’s chair for Harpers Bizarre’s 1967 debut album. But in retrospect, a Master of Time and Space must have been involved in any LP that listed among its credits Randy Newman, Van Dyke Parks, Paul Simon, Richard Rodgers and Sergei Prokofiev! The California quintet’s Feelin’ Groovy long-player is still one of the boldest, most imaginative and most fun debut albums of all time, and it’s getting the red carpet…
UPDATE: Doris Day Opens The Vaults For “My Heart” and There’s Plenty For Beach Boys Fans, Album Gets U.S. Release
The vault has finally been opened! Sony Music U.K. has confirmed a release date and track listing for singing legend Doris Day’s long-awaited My Heart, on which your humble correspondent first reported in August 2010 and revisited back in November! Thanks to the fine folks at Doris Day Tribute for spreading this news! My Heart marks Doris’ first album of original studio material in some seventeen years, since The Love Album, and it features a number of tracks that will be of interest to the Beach Boys fan and collector communities. Day’s 29th studio…
Review: The Cool Revolution Continues – Four From CTI and Kudu
When he established Kudu as an offshoot of his titanic jazz label CTI, Creed Taylor wore his ambitions on his sleeve. The label was named after the long-horned African mammal and its logo adorned with Afro-centric colors, as Taylor intended to do no less than make Kudu a home for releases “indigenous to the black popular music of the United States.” Taylor always knew the importance of a visual, and much as CTi releases were recognizable for their striking, provocative cover photographs and lavish gatefolds, Kudu’s were no-frills, with bold, plain print…
Review: Frank Sinatra, “Best of the Best”
There’s simply no getting around it: Frank Sinatra is the voice of the Great American Songbook. That’s not to discount the dozens of other significant voices that brought life to the House That George, Ira, Irving, Cole, Jerome, Richard and Lorenz Built. (Again, just to name a few.) But Frank Sinatra’s voice, as well as his persona, has become such a deeply ingrained part of the American musical fabric that it’s hard to find new ways to present it. The body of work created by Sinatra at Capitol and Reprise, not to…
“Gremlins” Are Loose! FSM Bows Long-Awaited Complete Score
Here is one of the most exciting sentences we could ever type for soundtrack fans on The Second Disc: Jerry Goldsmith’s score to Gremlins is coming to CD from Film Score Monthly. “Cute. Cuddly. Mischevious. Intelligent. Dangerous.” Those five words roped audiences into one of the most exciting horror-comedies of the 1980s, Joe Dante’s Gremlins. The tale of a storybook American small town rocked by wacky creatures with razor-sharp claws on Christmas Eve was a perfect marriage of humor and macabre cinema. Director Dante – who got his start building scares on the…
Review: The Beach Boys, “The Smile Sessions” Part Three: It’s In Great Shape
Welcome to the third and final part of our review series celebrating the release of The Beach Boys’ The SMiLE Sessions. In Part 1, we revisited the history of the album, and in Part 2, we examined the music and lyrics of Brian Wilson and Van Dyke Parks that created the legend. In today’s concluding chapter, we explore “the sessions” of The SMiLE Sessions and compare the various releases! What’s the biggest surprise of The SMiLE Sessions? It’s the sound of five young men optimistically working together to create an album that,…
Review: The Beach Boys, “The Smile Sessions” Part Two: Surf’s Up, At Last
Today sees the first release, after 47 years, of The Beach Boys’ SMiLE. The Second Disc celebrates this event with a three-part review series dedicated to what was once the greatest lost album of all time. In Part 1, we looked back at the story of SMiLE. In today’s Part 2, we explore the most legendary aspect of the album: the music itself, created by Brian Wilson and Van Dyke Parks, as recorded by The Beach Boys. The SMiLE Shop is finally open for business! It’s only taken some 44 years for…
Review: The Beach Boys, “The Smile Sessions” Part One: What’s Past is Prologue
Tomorrow, November 1, marks the release of The Beach Boys’ SMiLE, the most legendary lost album of all time. In recognition of this landmark, The Second Disc is launching a three-part series looking at the SMiLE mythos, including a review of the various editions of The SMiLE Sessions. Before we begin to explore these collections, however, we’d like to offer a bit of perspective and back story on SMiLE: what was, what is, and what might have been. Welcome to Part One: What’s Past is Prologue. This is not a dream! Not…
Gilbert O’Sullivan “Himself” Coming Soon, Naturally
In a little while from now, if I’m not feeling any less sour, I promise myself to treat myself…and listen to a Gilbert O’Sullivan record. The quirky Irish singer/songwriter topped the charts in 1972 with “Alone Again, Naturally,” proclaimed by American Top 40 as the fifth most popular song of the entire decade. But it’s also one of the most unusual. As the song begins, the narrator is left at the altar and is contemplating “climbing to the top” of a “nearby tower” to throw himself off. He imagines what people are saying about…
Stephen Sondheim, Angela Lansbury, Mary Martin Feature in Latest Masterworks Line-Up
Some of The Great White Way’s brightest stars will be on the receiving end of the latest reissue bonanza from Sony’s Masterworks Broadway label. Leading the pack is the 1985 Original Cast Recording of Stephen Sondheim’s Follies in Concert. Lee Remick, Barbara Cook, Mandy Patinkin and George Hearn star in the 1985 recording of Sondheim’s 1971 musical currently enjoying a critically-acclaimed, hit revival on Broadway. Follies in Concert will arrive at general retail on CD in a new eco-friendly digipak format, while the long out-of-print soundtrack to Jerry Herman’s 1996 television film Mrs. Santa Claus…
Short Takes: Beatles May Finally “Let It Be” on DVD, Big Country Goes Back to “The Crossing”
Could a release of Let It Be, The Beatles’ harrowing 1970 documentary/epitaph, finally be happening? Director Michael Lindsay-Hogg says so. In an interview with WNYC-FM, Lindsay-Hogg discussed the film, saying, “we have been been working on it pretty much every year for the last couple of years. And the plan is, at the moment, to have it come out, I think, in 2013.” A premiere release of the DVD, featuring outtakes and additional footage highlighting the making of the film, would follow a planned DVD release of the Magical Mystery Tour film in 2012….
