/ Soundtracks

Film score collectors are among the most insatiable music purchasers, but luckily, there’s frequently a steady stream of releases. Three new and exciting titles have just been announced. Direct from Los Angeles on the estimable Kritzerland label comes Phillipe Sarde’s score to Roman Polanski’s 1986 film Pirates. A continent away in Spain, the Quartet Records label has been growing an impressive library of soundtracks, and the label has recently announced two new additions: John Barry’s 1965

Blake Edwards’ Trail of the Pink Panther, from 1982, is best remembered as the final film in the long-running series to feature Peter Sellers. The extraordinarily talented, mercurial actor had died in 1980, but Edwards paid tribute to his colleague by stitching together outtakes and old material to continue the story of the bumbling Inspector Clouseau. (1983’s Curse of the Pink Panther was shot concurrently by Edwards, introducing Ted Wass as Clifton Sleigh, an inept New York policeman on the

Priscilla: Queen of the Desert. Sister Act. Catch Me If You Can. Today’s Broadway is populated by adaptations of familiar movies; in 1961, such screen-to-stage transfers were rare. When they did occur, the authors usually changed the title of the film to signify that their musical version was, indeed, a new work. (Imagine producers today allowing authors to diverge from a famous property's title!) Such creative freedom resulted in some of the most inspired musicals in stage history, and one such

As previously reported, Film Score Monthly's two newest titles are the premiere releases of three great scores: an underrated sci-fi epic and two TV-movies with music from legendary film composers. Robinson Crusoe on Mars (1964) is exactly what it sounds like: the Daniel Defoe classic on the surface of Mars. Paul Mantee is the marooned astronaut and Victor Lundin is "Friday," the Martian slave laborer who escapes and befriends him. (Also appearing as Mantee's doomed co-pilot was a pre-Batman

Just a quick heads-up to our film score fans: La-La Land's new reissue of It's a Mad, Mad, Mad, Mad World is now live and ready to order. Two thousand copies will be made of this set, which we originally posted on here. Order it here and hit the jump for the full track list.

It's not too great an exaggeration to state that without Alfred Newman, we probably wouldn't be discussing film music here at The Second Disc, or anywhere else. In a career spanning 40 years and some 200 films, Newman played an integral, early role in the art of composing original music for cinema. He was rewarded with a whopping 45 Academy Award nominations and nine wins, and even made music the family business. Brothers Lionel and Emil had impressive careers, while sons Thomas and David

Not too long ago, La-La Land Records announced it had only one title due out March 15. Now they've revealed what score they've unearthed - but it's something that's been reissued before. It's a Mad, Mad, Mad, Mad World (1963) is one of the most madcap comedies ever released by Hollywood. Part road picture - groups of people working against each other to find a hidden stash of cash in California - and part Tinseltown epic (dozens of comedians and movie stars appear in the film, including Sid

Intrada's first releases for March involve two premiere score releases from two very different eras - a roadshow flick from the '60s and an action satire from the late '90s. First up is Those Magnificent Men in Their Flying Machines, a 1965 ensemble comedy from England starring luminaries including Benny Hill, Terry-Thomas and Red Skelton. Ron Goodwin's light, poppy theme went on to have some success as a pop single, although the resultant album was an odd one, featuring music and dialogue in

We've got some soundtrack news from all over the place to share with you today. Film Score Monthly has prepped its latest release, a double-premiere of dramatic scores by Lalo Schifrin (for the 1977 Charles Bronson thriller Telefon) and Leonard Rosenman (for the 1980 James Caan vehicle Hide in Plain Sight). Rosenman's score is particularly notable on this disc, as almost none of it ended up in the final film. This set is limited to 2,000 copies. The label has also announced their next few

It's not often here at The Second Disc that we get to report on a reissue project devoted to a release that's only three months old.  But that's just the case of Daft Punk's acclaimed score to Tron: Legacy. The novice film composers deftly paid homage to Wendy Carlos' score to the original TRON, judiciously incorporating it into their work while carving out their own territory with a mix of ambient sounds, techno-style synthpop and traditional orchestral motifs. While the Academy Awards

The newest scores to order from La-La Land are from films both old and new: Mark Mancina's score to Money Train (1995) and Abel Korzenlowski's soundtrack to Copernicus' Star (2009). Money Train was an action-comedy flick starring Wesley Snipes and Woody Harrelson as New York City two transit cops. The film was not a success, but is known for being one of the earliest mainstream appearances of Jennifer Lopez and its killer action score by Mark Mancina, who at the time was making quite a mark on

Kritzerland’s restoration of Pino Donaggio’s complete score to Carrie was one of the most lauded film score releases of 2010. Today, the label announced a title that could be considered a follow-up: the premiere of Donaggio’s shelved score to the 1985 film Ordeal by Innocence. This Cannon Films adaptation of Agatha Christie’s 1958 novel was directed by Desmond Davis of 1981’s Clash of the Titans, and featured a starry ensemble including Christopher Plummer, Faye Dunaway and Ian McShane. The

Film Score Monthly's latest release is a nice reissue of a pair of LPs from the classic comedy I Spy. The show, riding high on a wave of '60s spy mania thanks to the likes of James Bond, was a deft blend of action and comedy, featuring a groundbreaking pair of actors as secret agents: Robert Culp and Bill Cosby. It was the first major role for a black actor on television, and through all their jet-setting adventures, Cosby's race was smartly never even acknowledged, let alone played for

Despite his acclaimed scores to films such as Klute, The Parallax View, Marathon Man and The China Syndrome, Michael Small (1939-2003) remains one of the most underrated names in the film score pantheon. Too few a number of Small’s works have been made available on CD, yet his singular voice enhanced a number of great films (and even some bad ones - Ed.). This is especially true during his 1970s peak in which he collaborated with directors as celebrated as Alan J. Pakula, Bryan Forbes, Sidney

Intrada knows how to make film score fans hang onto every release: their latest batch includes a long-unreleased, underrated suspense score and the long-awaited deluxe reissue of a classic early '90s action score. Released in 1993, Cliffhanger, starring Sylvester Stallone as a mountaineer unwillingly forced into a heist led by John Lithgow was a critical and commercial success, and featured a great action score by Trevor Jones. The soundtrack called back to classic scores by luminaries like

La-La Land's got two soundtracks ready to order today, including their first-ever expansion of a score by Hans Zimmer. The German composer is one of a remaining few "household name" composers to even the least knowledgeable of film scores thanks to titles like the Oscar-winning The Lion King, Gladiator, Rain Man, Gladiator, the Pirates of the Caribbean series and Inception. But only last year was he treated to an expanded reissue - Perseverance's new Rain Man CD - and it was criticized for less