Lift the lid off the giant box set (and objet d'art) The John Lennon Signature Box (EMI/Capitol 50999 906509 2 5) and you'll see the word "YES" jumping out at you. YES is a good reaction to the thought of having (mostly) all of John Lennon's solo studio output available in one place, remastered largely by the same team responsible for last year's Beatles reissues, and accompanied by a hardcover book and art print. Is The John Lennon Signature Box, and its companion discs, an unqualified YES,
Review: "Curse of the Pink Panther: Original MGM Motion Picture Soundtrack"
Sometimes the most rewarding soundtrack releases are the least expected. 1983's Curse of the Pink Panther marked the end - well, for a decade, anyway - of Blake Edwards' long-running series of comedies which began with 1963's The Pink Panther. Edwards' seventh and eighth Panther films had been shot following the death of series star Peter Sellers, who proved to be irreplaceable as bumbling Inspector Jacques Clouseau. (A previous attempt to do Clouseau sans Sellers was 1968's Inspector Clouseau,
A Very Merry Catalogue Christmas: Crosby, Como & Cameo Trio Due
Chestnuts roasting on an open fire. Frosted windowpanes, candles gleaming inside. Sleigh bells jingling (ring-ting-tingling too)! All of these images are among the most evocative in popular song, and all are linked to the most wonderful time of the year: the holiday season. Catalogue enthusiasts traditionally have their holiday wishes granted each year with a spate of new/old releases, and this year is no exception. In November, Collectors' Choice Music offers a trio of remastered holiday
Friday Feature: "The Karate Kid"
[youtube=http://www.youtube.com/watch?v=yDi3an8WgN4] There's probably no worse reminder of your own mortality than the idea of remaking a movie. "How long has it been since they made the original?" you wonder in silent horror. "Was it that long ago? Have people forgotten that quickly? Am I that old?" There's no accurate litmus test to determine when the best elapsed time between originals and remakes is. George Clooney's Ocean's 11 came out in 2001, 41 years after the original Rat Pack
Short Takes: Legacy’s First Paul Simon Release, James Taylor Goes Gold, and Spector Set Due
With the fall officially underway, we’re now in the busiest time of the year for the music biz, and as this week hits its halfway point, we’re here to offer a few announcements you might have missed. Audio Fidelity offers on November 2 a 24K Gold CD version of James Taylor’s seminal 1972 album originally released on Warner Bros. Records, One Man Dog. Remastered by audio guru Steve Hoffman, One Man Dog has among its highlights the now-standard “Don’t Let Me Be Lonely Tonight.” One Man Dog joins
A Little Bit o' Soul: A Busy Fall from Big Break and Superbird
Funky Town Grooves announced quite a lineup of soul classics to hit shelves this fall, as reported yesterday by The Second Disc, and we're happy to follow up with news of the latest exciting releases coming from two Cherry Red labels across the pond, Big Break Records and Superbird. First up, Big Break (BBR) delves further into the Philadelphia International (PIR) catalogue, dormant here in the United States but also being mined concurrently by the U.K.'s Edsel label. September 20 sees the
Tartare and Cameo Parkway Heat Up: Morris Day, Ric Ocasek, Dee Dee Sharp, Dino, Desi & Billy On Tap
On September 9, The Second Disc sadly reported on the axe falling on more of the beleaguered Rhino Records staff, and the company's plans to delve further into the on-demand CD realm. One such initiative is the Tartare imprint being offered by WMG/Rhino in conjunction with Collectors' Choice Music. Another 20 Tartare titles are on the way from Collectors' Choice, and this group again spans decades, from the 1950s through the 1990s. Track listings are not available (indeed, not every title has
Back Tracks: Laura Nyro
Laura Nyro (1947-1997) never became as famous as her songs. In an all-too-short 49 years, Nyro provided major hits for a diverse array of artists from Three Dog Night and Blood, Sweat & Tears to Barbra Streisand and most famously, The Fifth Dimension. Yet her own albums never achieved mainstream success, with audiences largely preferring to hear her compositions performed by others. (In this respect, she could be compared to her contemporary Jimmy Webb.) Perhaps this was just as well for the
Review: Frank Sinatra, "September of My Years"
Frank Sinatra was always one to face the world head-on. So it was with his turning 50. The man who had pioneered the “concept album” with a string of themed records for Capitol began thinking of an LP that would allow him to plant his feet squarely in the present, 1965, and reflect with every ounce of experience he’d acquired in the many lives he’d led over a mere 50 years. The album that would become September of My Years began its life inspired by Kurt Weill and Maxwell Anderson’s “September
Review: Various Artists, "Book a Trip: The Psych Pop Sounds of Capitol Records"
In 1970, Griffin’s “Yours Till Forever,” written by a young songwriter named Kenny Nolan, skyrocketed to No. 1 on the Billboard pop singles chart. A band called The Exception, led by singer/bassist Peter Cetera, became one of the biggest acts of the decade and kicked off their international success with the horn-driven hit “My Mind Goes Traveling.” And, of course, the Lettermen, those pioneers of psychedelic pop, are still remembered for their ode to “Mr. Sun.” Okay, none of that really
Mining Audiophile Treasures: Coming Soon from Audio Fidelity and MFSL
Some of rock’s finest will be receiving the deluxe treatment from audiophile specialist labels Audio Fidelity and Mobile Fidelity Sound Lab (MFSL) in the coming months: The Beach Boys, The Band, Gram Parsons, Deep Purple, Foreigner, The Pretenders and Billy Joel. The earliest release in this bunch is also one of the most exciting. The Beach Boys' Today! was released in 1965 and is generally remembered as one of the first albums on which Brian Wilson displayed the sensitive studio wizardry that
Wake Up, Everybody: Edsel Reissues Seven from Philadelphia International
When Sony Music Entertainment reacquired the rights to the full Philadelphia International Records (PIR) catalog in 2007 (after losing control of the post-1976 output in 1984 to EMI), hopes were high that much of that storied hit factory’s catalogue would finally be reissued on CD. Arguably the 1970s’ answer to Berry Gordy’s Motown empire, Kenneth Gamble and Leon Huff’s label boasted a top-notch roster: Lou Rawls, The O’Jays, Harold Melvin and The Blue Notes, Teddy Pendergrass, The Three Degrees
Apple Announcements and Additions
Apple has announced the full, final specs for its upcoming swath of reissues, and they've managed to include some surprises that weren't previously known about. The Second Disc posted a rundown last month of some planned bonus tracks based on a beta version of Apple Records' Web site. Now, the site offers a full press release and track list details for every one of the upcoming releases. Not only does nearly every reissue now contain bonus tracks (including the James Taylor and Jackie Lomax
Review: Danny Elfman, "Batman: Expanded Archival Collection"
It's a safe guess that your enjoyment of La La Land's new expansion of Danny Elfman's score to Batman (1989) (LLLCD 1140), like so many soundtracks, hinges on your enjoyment of the film itself. That sentiment, in turn, hinges on how much you can separate the idea of a fun movie from a good one. The blockbuster - drawn from the immortal DC Comics superhero - never falls short on action, thrills or compelling visuals. But it is too long and bloated, with thin characterization and a
"Listen" to Gary Lewis' Solo Reissue, Coming Soon from Now Sounds
Everybody loves a clown, so why don't you? Many did indeed love acclaimed comedian and filmmaker Jerry Lewis, but it must have been a surprise when his 20-year old son, Gary, received quite a lot of chart love in 1965. Discovered at Disneyland and signed to Liberty Records by ace producer Snuff Garrett, Gary Lewis and the Playboys had a smash right out of the gate with "This Diamond Ring." Hitting No. 1 in the middle of the British Invasion, that Al Kooper/Bob Brass/Irwin Levine song remains a
News Round-Up: New Stage and Screen Releases from Kaper, Loesser and More
There's rarely such a thing as a Monday matinee, but that won't keep The Second Disc from ushering in the week with news of a quintet of reissues from our friends at Film Score Monthly and Sepia Records. These exciting releases are sure to please devotees of both soundtracks and cast albums. Film Score Monthly kicks things off with their new release of BUtterfield 8: Bronislau Kaper at M-G-M, Volume 1 (FSM 1309). Kaper rarely seems to be afforded the acclaim given to many of his contemporaries,
The Finer-er Things
As many of our readers know, Island released a new-ish Steve Winwood box set, Revolutions: The Very Best of Steve Winwood. I say "new-ish" because the offerings weren't terribly different from the last expansive anthology of Winwood material, 1995's The Finer Things. Predictably, the set didn't do terribly well - a shame because Winwood is a solid, enjoyable performer to listen to, but simultaneously not a shame since it doesn't offer enough new stuff for catalogue enthusiasts to savor. But the
In Defense of Playlist
In today’s radically-changed music climate, it should come as no surprise that record labels are trying many different series and business models to figure out just what the heck will sell. These releases aren’t necessarily aimed at the audience reading this site, most often targeting the casual music buyer. As such, these greatest hits series – whether Sony’s The Essential…, Universal’s 20th Century Masters or EMI’s Classic Masters, just to name a few – tend to be scorned by many collectors as
Review: Otis Redding, "Live on the Sunset Strip"
“Are you ready for star time?” Considering that the star in question was “the one and only, Volt recording star Otis Redding," the answer was bound to be in the affirmative. That was the introduction granted Redding by emcee Al Brisko Clark at West Hollywood’s Whisky A Go Go on the evenings of April 8, 9 and 10, 1966. The Whisky was the happening nightspot on the Sunset Strip in ’66, immortalized by Johnny Rivers on a 1964 LP and frequented by a who’s who of the Los Angeles music scene. (See
Review: The Rolling Stones, "Exile on Main Street" Deluxe Edition
Few records hold the mystique of the Rolling Stones’ Exile on Main St. Myths have grown and books have been published in an attempt to explain the sprawling album. The story generally goes that 1972 found the band, literally, as tax exiles, seeking refuge across the English Channel in France. A villa in Villefranche-sur-Mer named Nellcote is rented. Music is made. Sex and drugs abound. Somehow in all this debauchery a record is produced, and that record is Exile on Main St. When Universal Music
Back Tracks: The Solo Bacharach
May 12, 2012: Happy 84th birthday, Burt Bacharach! The living legend was recently the recipient, with longtime lyricist Hal David, of The Library of Congress' Gershwin Prize for Popular Song, bestowed upon the team by President Barack Obama. In celebration of the maestro's birthday and this great honor, we're republishing this special installment of Back Tracks, exploring Bacharach's solo career from 1965's Hit Maker! through 2008's Live at the Sydney Opera House! Age hasn’t slowed Burt
Back Tracks: Barry Manilow, Part 2 (1985-2010)
Back Tracks left Barry Manilow in 1984 after the release of his first genre-specific album, the jazz-inflected 2:00 a.m. Paradise Café. We pick up with him shifting gears in an attempt to once again court the pop market. He’s left his longtime label, Arista, and signed a new deal with RCA. This union would be a short-lived one, producing just four albums: two sets of his greatest hits as sung in Spanish and Portuguese, and the following two discs... Manilow (RCA, 1985 - reissued Legacy,
Back Tracks: Barry Manilow, Part 1 (1973-1984)
Where Barry Manilow is concerned, it's best to let the facts speak for themselves. A Grammy, Emmy and Tony Award winner, Manilow scored his first Billboard No. 1 album in 1977, his most recent in 2006. His string of hit singles extended from 1974's chart-topping "Mandy" to 1983's Top 20 "Read 'Em and Weep," with 38 songs hitting the Top 40. He's recorded over 25 studio albums and released countless more live discs, compilations and soundtracks, and regularly plays to sell-out houses after over
Review: Frank Sinatra and Antonio Carlos Jobim, "Sinatra/Jobim: The Complete Reprise Recordings"
"Tall and tan and young and handsome..." Those lyrics to Antonio Carlos Jobim's "The Boy from Ipanema" kicked off a bossa nova boom that saw virtually every noteworthy vocalist and jazz musician of the 1960s recording in the mellow Brazilian style. Frank Sinatra, though, was hardly one to follow a trend for hipness' sake. By 1967, the label he founded, Reprise, was turning its sights to Laurel Canyon and Haight-Ashbury, and the bossa craze was on the wane. Sinatra would, as always, record on his
Review: "Batman - The Movie: Original Motion Picture Score"
It's somewhat ironic that a man so closely associated with the lush, timeless music of Frank Sinatra would find such great fame (or notoriety?) as a composer scoring one of the most over-the-top television series ever. Yet such was the case of Nelson Riddle, who as arranger and conductor was a chief sonic architect of Sinatra's unprecedented run of Capitol concept albums and beyond. His television credits included such groundbreaking programs as The Man from U.N.C.L.E., Naked City and Route