When James Burton was inducted into the Rock and Roll Hall of Fame in 2001, no less a legend than Keith Richards delivered his induction speech. Richards was just one of the many guitarists influenced over the years by Burton, a talent whose C.V. boasts names like Rick Nelson, Johnny Cash, Merle Haggard, Elvis Costello, Roy Orbison, Jerry Lee Lewis, Joni Mitchell, John Denver, and oh yeah, Elvis Presley. Burton’s talent has transcended genre and classification, and at the age of 72, he
From Monro With Love: "The Singer's Singer" Box Set Due From EMI
Matt Monro never met a genre of music he didn’t like. Whether covering standards, tackling contemporary pop hits or singing in Spanish, that reassuring, velvet croon, unerring interpretive skills and all-around good taste made Matt Monro “the singer’s singer.” A 2001 EMI box set of that title was a limited edition of 3,000 copies, and quickly disappeared from store shelves, but EMI will re-offer that 103-track box set in a budget-priced reissue due in the U.K. on September 12. And it gets
It Might As Well Be Swing, Again: Complete "Sinatra-Basie" Coming Soon From Concord
When Frank Sinatra launched Reprise Records in 1961 with Ring-a-Ding Ding!, the greats of the jazz world came to the future Chairman of the Board. Johnny Mandel arranged that volcanic first offering, and Sinatra’s next concept albums teamed the singer’s singer with a top flight of talents, past and present: Billy May, Sy Oliver, Don Costa, Gordon Jenkins, Robert Farnon and a trumpeter, arranger and composer named Neal Hefti. That last-named gent would figure prominently in a 1963 collaboration
Review: Patti Smith, "Outside Society"
The calling came early for Patti Smith. At twelve years of age, a family excursion to the Museum of Art in Philadelphia brought the young Smith in contact with Modigliani, Sargent and Picasso, the latter affecting her with his “brutal confidence.” It was with a similar confidence that Smith, not even in her teenage years, concluded that “to be an artist was to see what others could not.” Smith was steadfast in her determination to make her mark in the turbulent art world of New York in the
Live From D23: When We Wish Upon A Star
Greetings from beautiful downtown Anaheim! Your catalogue correspondent is reporting from the D23 Expo, or "The Ultimate Disney Fan Event." Every arm of The Walt Disney Company is here on the packed show floor, with special panels, presentations, signings and giveaways pertaining to each aspect of the company: film, television, theme parks, animation, publishing, and of course, music. As I'm immersed in all things Disney this weekend, both Mike and I thought it would be the perfect time to
Review: Three From Dave Grusin, Cy Coleman and Henry Mancini
With hyperbole the norm, it's questionable just how many buyers took notice of a 1957 album on the Liberty label entitled The Versatile Henry Mancini. Yet fewer record titles have proven as apt. As frequent collaborator Blake Edwards noted, "Whether the situation is romantic, humorous, tragic, ironic or full of action, Mancini creates exactly the right musical mood." Mancini's breakthrough came two years after that LP's release, when Edwards enlisted him to provide the cool jazz-inflected
Ride That Train: Johnny Cash "Bootleg III" Takes the Live Route
“Ah, I’d love to wear a rainbow every day/And tell the world that everything’s okay. But I’ll try to carry a little darkness on my back/Till things are brighter, I’m the Man in Black.” And though Johnny Cash appeared as that Man in Black, immortalized in his song, he was in reality a man of many colors. His music reflected a crucial empathy that guided his career as he embraced the various strains of America itself, both its people and its music. Records preserve Cash walking with superstars
Wounded Bird Helps "The Hawk" Take Flight Again
It’s very possible that you might be enjoying Bobby Charles, reviewed yesterday in this very space! But whether you’re grooving to Bobby or not, you might be interested in some more Band-related news! Long before Rick Danko produced Bobby Charles’ Bearsville LP, Danko joined Levon Helm, Robbie Robertson, Richard Manuel and Garth Hudson in supporting the one and only Mr. Ronnie Hawkins as his Hawks. Though colorful rockabilly legend Hawkins was born in Arkansas, he found his greatest success
On Target: Audio Fidelity Introduces New Retro Reissue Line
Can anybody doubt that Audio Fidelity knows its audience? The audiophile label is taking niche marketing to another level with the introduction of its new line of reissues. To the average consumer, a “Target CD” might be one purchased at that retail giant. To certain collectors, though, the words “Target CD” have a different meaning altogether. In the infancy of the compact disc, target CDs were pressings released by WEA (Warner-Elektra-Atlantic) in the early-to-mid 1980s. Most were
Review: The Beau Brummels, "Bradley's Barn: Expanded Edition"
Before Abbey Road or Caribou, The Beau Brummels immortalized a famous recording studio as the title of Bradley’s Barn, their 1968 album for Warner Bros. Records. The San Francisco pop-rock outfit had travelled to Nashville, Tennessee to record at Owen Bradley’s storied venue at roughly the same time their contemporaries, The Byrds, were on the other side of town cutting Sweetheart of the Rodeo. Though the “Mr. Tambourine Man” and “Turn! Turn! Turn!” hitmakers beat the Brummels to the punch
Reissue Theory: The Time, "All-Time Greatest"
Welcome to another installment of Reissue Theory, where we focus on notable albums and the reissues they could someday see. On the 30th anniversary of the first album by one of Prince's most notable associated acts, we picture a release that's never happened: a career-spanning compilation for The Time. Thirty years ago, a major musical milestone occurred: Prince started transforming from a freaky, funk-rock gem of the Minneapolis music scene into an all-consuming musical entity. The conduit
Reach Out For Them: New 2-CD Comps Coming In September For Dionne, Chicago
Following collections devoted to Foreigner, Christopher Cross, Otis Redding and Yes, the U.K.’s Music Club Deluxe label (a member of the Demon Music Group family) continues its exploration of the Warner Music Group catalogue with new compilations focusing on the long, diverse careers of Dionne Warwick and Chicago. Either of these esteemed acts would be solid candidates for our Greater Hits feature, in which we compare an artist’s “greatest hits” output. Both certainly have been the subjects of
A Box Set for a Brand New Day: Sting Compiled on 3 CD/1 DVD Set
Twenty-six years ago, Sting firmly established himself as a solo artist away from The Police with the jazzy The Dream of the Blue Turtles. Yesterday, Universal announced the first-ever career-spanning box set for the iconic singer, entitled 25 Years. Okay, so music geeks aren't good at math. But what Universal did do a pretty decent job at was chronicling Sting's greatest moments over a wildly varied career - one that plumbed personal depths for great artistic effect in the late '80s and early
Smells Like More Details on 20th Anniversary "Nevermind" (UPDATED WITH TRACK LIST)
UPDATE: The track listing is now at the bottom of the post, courtesy of the NME! Original post: Back on June 22, we reported on Geffen Records/Universal Music Enterprises' plans for a 20th anniversary edition of Nirvana's 1991 Nevermind, originally released on September 24 of that year. New details have been released on the set which will arrive in stores on September 27, just three days after the exact anniversary. Universal has stopped short of providing a complete track listing, but one
The Adventure Begins With Safan's "Remo Williams" and Mancini's "Moneychangers"
Raise your hand if you remember the golden age of the television miniseries! Once upon a time, the miniseries was king: Rich Man, Poor Man, QB VII, North and South, Roots, The Thorn Birds. Sprawling novels were translated into multiple evenings of rich, dramatic television, with the small screen taking advantage of a length that even big screen fare couldn’t offer. One such miniseries was 1976’s The Moneychangers, based on a novel by Arthur Hailey (Hotel, Airport) and scored by the same man
Miles Ahead: Legacy Launches "Bootleg Series" For Davis
Move over, Bob Dylan. Another legendary Columbia Records artist just a couple of spaces over on the CD shelf is receiving the Bootleg Series treatment with the September 20 release of The Miles Davis Quintet – Live in Europe 1967: The Bootleg Series Volume 1. And this release looks every inch as lavish and essential as the releases in Dylan’s similarly titled, long-running series. It’s drawn from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and
Omnivore to Sting Fans with Jellyfish Vinyl Reissues
The reign of Jellyfish was a devilishly short one. Yet with only two albums and a cataclysmic lineup change at the halfway point, Jellyfish's output deserves a place in the edifice of power pop, alongside such luminaries as Badfinger, Cheap Trick and XTC. And now, fans will be able to enjoy those two albums on vinyl - one for the first time in the U.S. and one of them for the first time anywhere - thanks to the good folks at Omnivore Recordings. Jellyfish was the brainchild of singer/drummer
Comic-Con Special Reissue Theory: "Jan and Dean Meet Batman"
Welcome to another installment of Reissue Theory, where we take a look back at notable albums and the reissues they could someday see. 2011 marks 41 years of Comic-Con International, and record labels like La-La Land and Shout! Factory are joining the traditional publishing houses and film studios this weekend on the show floor. But the comic biz and the music world have long been intertwined, on screen, on stage and on record. Today’s Reissue Theory spotlights one of the most bizarre albums
Judy Garland at Decca: Track Listing Revealed For JSP Box Set
When you think of Judy Garland, do you think of the awestruck young girl who, transported to the Land of Oz, finds there’s no place like home? The soul-baring actress of A Star is Born? Or the electrifying performer who could keep 3,165 people in the palm of her hand at Carnegie Hall? Whichever aspect of Garland’s great legacy has most affected you, there’s no denying that many enduring accomplishments came between 1936 and 1947, the period when she was a Decca recording artist. This was the
Review: Michael Giacchino, "Up: Original Motion Picture Soundtrack"
Well, the release of Up is such big news here at Second Disc HQ that we felt one review just wasn’t enough! We hope you’re as excited as we are about our first-ever “tag team” review. To start things off, here’s Mike Duquette… It's fitting, really, that Intrada's first soundtrack reissue in conjunction with The Walt Disney Company is a score to a film about fulfilling a lifelong dream. It's been a dream of Disney fans for years to see some sort of stable catalogue presentation from the
"Lonely" No More: Lost Motels Album to Be Released in August
One of the most desired unreleased records of the New Wave era will finally receive an official release, nearly three decades after it was put on the shelf. The Motels' Apocalypso was rejected for its lack of commercial appeal by Capitol Records, which accidentally led the band to a path of brief fame in the 1980s...but it's going to be fun to wonder "what if?" with this set. In 1981, The Motels - lead singer Martha Davis, guitarist Tim McGovern, keyboardist/saxophonist Marty Jourard, bassist
Back Tracks: Sly and The Family Stone
[youtube=http://www.youtube.com/watch?v=4G861C3J9ms] Today being the Fourth of July, there are few better reasons to give a spin to Sly and The Family Stone's Greatest Hits, arguably one of the best single-artist compilations in pop history. Those danceable grooves will get you moving at any barbecue, family reunion, pool party or whatever you might be celebrating this holiday weekend. But revisiting Sly has another purpose as of late: to get set up for one of the most unexpected comebacks in
Review: Neil Young, "A Treasure"
Are you ready for the country? In 1984, Neil Young certainly was. His Geffen Records debut, Trans, had just a couple of years earlier plunged Young into a “high tech” world of vocoders, synthesizers and dance beats while the singer ruminated about “The Computer Age,” “Computer Cowboy” and “Transformer Man.” 1983’s Everybody’s Rockin’ was an exercise in recreating rockabilly, with Young’s band billed as The Shocking Pinks. Originals like “Kinda Fonda Wanda” blended right in with covers of
Review: Sam Cooke, "The RCA Albums Collection"
In 1963, RCA Victor dubbed its young star Sam Cooke “Mr. Soul” as the title of his latest LP. Today, few would argue with that appellation as we remember the roof- (and consciousness-) raising “A Change is Gonna Come,” the ultimate festive anthem “Havin’ a Party” or the bluesy R&B “Chain Gang.” But Mr. Soul, the album, offered a more complex portrait of the artist, offering “These Foolish Things,” “I Wish You Love” and “Cry Me a River” alongside Ahmet Ertegun’s “Chains of Love,” Johnny
Ipanema, Again: "Getz/Gilberto" Restored To Original Mix For New SACD and Vinyl LP
Bossa nova, translated, literally means "new trend." And as 1964 began, with the British Invasion taking flight, America was also experiencing a Brazilian Invasion thanks to this new trend in popular music and jazz. Identified by gentle acoustic guitar and sometimes piano, and often adorned with subtle string or horn accents, bossa nova was based on the rhythms of the samba. It soon was adapted on stages from the concert hall to Broadway, spawned the "lounge" genre and influenced countless
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