More than half a century after visionary music impresario Norman Granz founded his third and arguably most successful label, Verve Records, the label will be celebrated in style next month with a new book and a five-disc box set, The Sound of America: The Singles Collection. Granz had previously come to prominence in the jazz world a decade before, when he organized a diverse jam session of a concert at Los Angeles' Philharmonic Auditorium in 1944. This regular session turned into a
Kritzerland "Taps" Maurice Jarre For a Pair of Soundtracks
Three-time Academy Award-winning composer Maurice Jarre (1924-2009) makes his debut on the Kritzerland label with a newly-announced two-for-one release of his scores to 1981’s Taps and 1970’s The Only Game in Town. Hollywood couldn’t help but take notice of the French-born Jarre when he scored director David Lean’s 1962 epic drama Lawrence of Arabia, and the Lean/Jarre collaboration was so successful that Jarre was asked to score each of Lean’s subsequent films. He won his first Oscar for
Release Round-Up: Week of November 19
There's a Dream I've Been Saving: Lee Hazlewood Industries 1966 - 1971 (Light in the Attic) The legendary psychedelic cowboy shone brighter than ever as a singer-songwriter-producer on his own label in the latter half of the decade. This 4CD/1DVD/1 flexidisc box (also available with an extra three data DVDs!) covers that period of his career in exhaustive detail. Standard box: Amazon U.S. / Amazon U.K. Deluxe box: Amazon U.S. / Amazon U.K. Frank Sinatra, Duets: 20th Anniversary
Taste the Happy: Varese Compiles Score Tracks from "Arrested Development"
The folks at Varese Sarabande have not made a huge mistake with one of their latest, somewhat archival soundtrack releases: a compilation of songs and score from the acclaimed television series Arrested Development. "Now, the story of a wealthy family who lost everything, and the one son who had no choice but to keep them all together." A catchy intro from the show's narrator/executive producer, an uncredited Ron Howard - but for a number of semi-explainable reasons, Arrested Development failed
Are We Having Fun Yet? Nickelback Release Hits Compilation
What happens when a band seemingly despised by the entirety of the universe releases a compilation? We're about to find out with tomorrow's release of The Best of Nickelback Volume 1. The Canadian quartet have, in an era dominated largely by dance pop and hip-hop, eked out considerable success with straightforward rock 'n' roll. Breakthrough single "How You Remind Me," released in 2001, remains one of the last traditional rock songs to hit the top of the Billboard Hot 100; follow-up singles
Slices of Bread: David Gates and James Griffin's Solo Records, Reissued and Remastered
Bread occupied a unique place on the Elektra Records roster. The so-called “soft rock” band shared a label with the likes of Love, The Doors, The Stooges and The MC5, and regularly visited the charts with such signature songs as “Make It with You” (No. 1, 1970), “It Don’t Matter to Me” (No. 10, 1970), “If” (No. 4, 1971), “Baby I’m-a Want You” (No. 3, 1971), “Everything I Own” (No. 5, 1972) and “The Guitar Man” (No. 11, 1972). All of those staples were written and sung by David Gates, the
Review: The Jimi Hendrix Experience, "Miami Pop Festival"
By the time Jimi Hendrix took the stage at Hallandale, Florida’s Gulfstream Park on May 18, 1968, the 25-year old guitarist, songwriter and visionary’s reputation preceded him. He had already released two studio albums (1967’s Are You Experienced and Axis: Bold as Love released in 1967 in the U.K. and 1968 in the U.S.) and established himself as an unpredictable performer not to be missed when he set his guitar ablaze amidst the peace and love of the Monterey Pop Festival in June 1967. With
Legacy Expands Orbison's "Last Concert" with Rare Video, Reissues "A Black and White Night"
Roy Orbison's catalogue has been the subject of some interesting reissues of late from Legacy Recordings: the label recently reissued In Dreams: The Greatest Hits, a 1987 compilation of newly recorded versions of his old classics, and will reissue all three of his Monument Records albums (with a bonus "fourth," posthumously assembled by his family) in a vinyl box set for Record Store Day. Legacy now adds two more latter-day archival projects to the schedule: a DVD reissue of the 1988 special A
Black Oak Arkansas Rarities Sail Under the Radar
Surprise! While we were focusing on the biggest of box sets over at The Second Disc, Atlantic quietly released a disc of unreleased vintage material from Southern rockers Black Oak Arkansas. One of the top touring acts of the early 1970s, Black Oak Arkansas - with its triple-guitar lineup and idiosyncratic vocal style of Jim "Dandy" Mangrum - earned a great deal of acclaim in studio and on the road. Earlier this year, Mangrum reunited with original members Rickie Lee "Risky" Reynolds (rhythm
Review: Miles Davis, "The Original Mono Recordings"
“Mono featured less audio trickery and fewer audio distractions, so you can actually hear the musical conversation between Miles and the other musicians as it occurred in the studio.” That’s producer George Avakian as quoted in the liner notes for Columbia and Legacy’s new nine-album box set Miles Davis: The Original Mono Recordings. And that purity of sound - further described by the producer of Davis’ first two Columbia albums as “truer to the studio sound and the original intent” – is
Dido Says "Thank You" with First Compilation
At the arguable height of controversy over Eminem in 2001, the Detroit rapper released, from his sophomore album The Marshall Mathers LP, one of the greatest and most haunting singles in the genre's history. "Stan," told from the perspective of an increasingly unhinged fan of Mathers, whose erratic (and ultimately fatal) rants are counterpointed by a minor-key refrain - the first verse of "Thank You" by British singer Dido Armstrong. Her debut album, No Angel, had been available in the U.S. for
Magic in a Box: Decades of Disney Compiled on New Set
A new box set released today chronicles the musical legacy of The Walt Disney Company with a variety that hasn't been seen in quite awhile. The new Disney Classics celebrates nearly every medium of entertainment the animation studio-turned-film-titan has dabbled in, from film and television to revolutionary theme park attractions. Disney Classics is touted in a press release as being released in honor of 90 years of musical history as it pertains to the work of Walter Elias Disney (1901-1966).
Review: The Beatles, "On Air: Live at the BBC Volume Two"
Meet the Beatles...again. The new Apple/Capitol/Universal release On Air: Live at the BBC Volume Two sets the Wayback Machine at Destination: 1963 and 1964, when four Liverpool lads named John, Paul, George and Ringo ignited a British Invasion that continues to this very day. All 63 tracks (both spoken-word introductions and songs) on this new 2-CD time capsule date back to those two years, when the Fabs recorded unique performances for such BBC programs as Saturday Club and Pop Go the
Release Round-Up: Week of November 11/12
The Beatles, Live At The BBC / On Air: Live At The BBC Volume 2 (Capitol) What's better than a remaster of The Fab Four's 1994 double-disc set of live BBC sessions? How about another two-disc set of those sessions? Live At The BBC (2CD): Amazon U.S. / Amazon U.K. Live At The BBC (3LP): Amazon U.S. / Amazon U.K. On Air: Live At The BBC Volume 2 (2CD): Amazon U.S. / Amazon U.K. On Air: Live At The BBC Volume 2 (3LP): Amazon U.S. / Amazon U.K. Live At The BBC: The Collection (4CD): Amazon U.S. /
Wild Swans' "Coldest Winter" Heats Up on Occultation Recordings
British postpunk band The Wild Swans, led by singer/songwriter/keyboardist Paul Simpson, have recently reissued their most recent album with a raft of bonus material. The haunting work of Simpson first came to prominence in the late '70s as member of the short-lived A Shallow Madness, which featured two future frontmen from the same genre: Julian Cope of The Teardrop Explodes and Ian McCulloch of Echo & The Bunnymen. His Wild Swans project has existed in three phases: once from 1980 to
Celebrate Good Times, Come On! BBR Reissues, Expands Four Kool and the Gang Classics
You can't keep a Kool man down. This week, Robert "Kool" Bell (now known as Muhammad Bayyan) leads the legendary funk-soul-R&B-disco outfit Kool and the Gang through its latest studio album, the Best Buy/Wal-Mart exclusive Kool for the Holidays. But for nearly 45 years, the music of Kool and the Gang has been celebrated for all seasons. Big Break Records last revisited the Kool catalogue in 2011 with an expanded edition of 1976's Open Sesame, but the label is returning to the group in a
Dial-a-Reissue: Edsel to Release Two-Fers by They Might Be Giants
"I'm your only friend I'm not your only friend But I'm a little glowing friend But really I'm not actually your friend But I am" If those lyrics mean anything to you, you'll probably dig Edsel's next round of two-fers: all four albums released by quirk-rock band They Might Be Giants on the Elektra label. Formed by John Flansburgh and John Linnell, two teenage friends from Massachusetts who found themselves moving to the same building in Brooklyn on the same day, TMBG gained early cult success
Review, "Released! The Human Rights Concerts 1986-1989" On DVD and CD
Sex, drugs and rock and roll have been closely linked since, well, the dawn of rock and roll itself. But those who have been lucky enough to make a living in the rough-and-tumble world of rock have also frequently given themselves over to more noble pursuits. George Harrison’s 1971 Concert for Bangla Desh wasn’t the first time a rock superstar had performed for charity, but The Quiet Beatle’s star-studded event is rightfully considered the first benefit concert of such stature. Since then,
Purple Reign: Numero Anthologizes Early Minneapolis Funk Bands
It was something like Sly Stone or James Brown for the New Wave set: tight, sparse R&B jams peppered with funky guitar and pulsating bass, sweetened with electronic accoutrements in the percussion section and dazzling synthesizers where a horn section might be. The "Minneapolis sound" changed soul music dramatically in the '80s, with Prince and his collaborators, associates and followers (The Time, Andre Cymone, Jimmy Jam & Terry Lewis, Alexander O'Neal) helping rewrite musical style for
BBR Completes Pointer Sisters' Planet Catalogue with "Priority" and "Black and White" Remasters
Between 1978 and 1988, The Pointer Sisters recorded a stunning series of nine albums with producer Richard Perry (Barbra Streisand, Harry Nilsson), first for his Elektra-distributed Planet Records label, and then for RCA, to whom Perry eventually sold Planet. During this period, June, Ruth and Anita finally were able to Break Out on the U.S. charts - to quote the title of the group's multi-platinum 1983 album which introduced four U.S. Top 10 hits. Previously the Pointers had mastered jazz,
Something to Remember: How Alex Chilton (and Jeff Vargon) Generated "Electricity by Candlelight"
The recent release of Alex Chilton's Electricity by Candlelight on Bar/None Records turns a "you had to be there" moment into a "you are there moment." The late, great singer/songwriter and Big Star frontman took a major setback - a sudden power outage between two sets at New York City's Knitting Factory in 1997 - and spun it into a most magical listening experience: Chilton picked up an acoustic guitar and regaled a small audience with a clutch of covers, from standards ("My Baby Just Cares for
Review: Bob Dylan, "The Complete Album Collection Volume One"
Tucked away on Bob Dylan’s 23rd studio album Empire Burlesque, the troubadour sings simply but sternly, “Trust yourself/Trust yourself to do the things that only you know best/Trust yourself/Trust yourself to do what’s right and not be second-guessed...” Dylan had trusted himself since he first arrived on the scene in 1962, engaging in a series of transformations that enthralled, angered, transfixed and bewildered those that followed his career – from folk troubadour to electric rocker to
Don't Deceive Your Free Will At All: New Yes Box Compiles Studio Album Remasters
If that recently-released Japanese SACD box is out of your price range, but you really want to get to know the catalogue of prog rockers Yes intensely well, Rhino has a new "studio albums" box you'll want to order. The Studio Albums 1969-1987 includes every remastered and expanded album originally released for the Atlantic and ATCO labels over a two-decade period. What started as a dense progressive band featuring the likes of vocalist Jon Anderson, bassist Chris Squire, drummers Bill Bruford
Review: Jefferson Starship, "Live in Central Park NYC May 12, 1975"
“The police say you guys in the trees are causing problems...you can either jump out or they’ll...do something!” So went one of the colorful and increasingly adamant stage announcements about tree-dwelling audience members made throughout the near-entirety of Jefferson Starship’s free concert at New York City’s Central Park on May 12, 1975. The eight-strong band line-up of Paul Kantner, Grace Slick, Marty Balin, Craig Chaquico, Papa John Creach, John Barbata, David Freiberg and Pete Sears was
The Ballad of Big Star: Legacy Collects Live, Studio Recordings On New "Playlist"
On November 26, the Memphis boys of Big Star will be back “In the Street” – and on store shelves. On that date, Magnolia Home Entertainment releases the acclaimed documentary Big Star: Nothing Can Hurt Me on DVD and Blu-ray, and Sony’s Legacy Recordings unleashes Playlist: The Very Best of Big Star. Reviewing Omnivore Recordings’ soundtrack to the film, we wrote, “Rare is the cult band that actually lives up to its legend. Yet, with each listen – time after time, year after year – Big Star
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