Today bought a major dark cloud over the days of Morrissey and The Smiths fans everywhere, even more so than the reissue of Viva Hate. Passions Just Like Mine, the long-running discography/videography/gigography for Manchester's favorite singer/songwriter, has closed up shop. In a statement, the site's founder, Stephane, announced a desire to pursue "a few other personal projects in mind (unrelated to Morrissey)" but was still taking suggestions as to "what to do with the body." (The body of
Just The Tracks, Ma'am: Ace Collects "Criminal Records" On New Compilation
Long before CSI, there was Dragnet. The granddaddy of the television procedural drama, Dragnet actually began on radio in 1949, moving to television in 1951, where it has remained a staple ever since in both repeats and revivals. So it’s appropriate that the ominous theme to Dragnet both opens and closes Ace’s rip-roaring new compilation, Criminal Records, subtitled “Law, Disorder and the Pursuit of Vinyl Justice.” Between Ray Anthony’s treatment of that famous theme and Stan Freberg’s
Just The Way He Is: Starbucks Brews Billy Joel "Opus Collection"
Though Billy Joel retired from the business of writing and recording new pop music in 1993 following his River of Dreams, and has largely kept his word in the ensuing almost-twenty years, the music legend has hardly lowered his profile. Since River of Dreams, Joel, now 62, has written an album’s worth of classical compositions, overseen a hit Broadway musical, staged lucrative tours and issued numerous live albums and career-overview collections. As recently as last week, Joel’s catalogue was
In Case You Missed It: Join the (Music) Club!
If you're a British compilation hunter or fan of imports, it's tough to go wrong with Demon Music Group's Music Club Deluxe label. The relatively inexpensive double-disc sets the label turns out might look simple or quickly assembled, but they're in fact often packed with a few rarities for your buck. In recent weeks, Music Club Deluxe has issued a half-dozen compilations, all for '80s pop/rock artists. You likely know their hits, but there are some great album cuts, B-sides and remixes to go
Review: Frankie Avalon, "Muscle Beach Party: The United Artists Sessions"
By the time of 1964’s Muscle Beach Party, Philadelphia-born Frankie Avalon had already racked up some 31 hits on the U.S. Billboard charts, including two at Number One, “Why” and “Venus.” On the urging of his Chancellor Records mentor Bob Marcucci, Avalon had welcomed the 1960s by diversifying his talents into film, appearing opposite John Wayne in The Alamo and Walter Pidgeon in Voyage to the Bottom of the Sea. 1963’s Beach Party, however, was something else altogether. Directed by William
Bring Back That Lovin' Feelin': Righteous Brothers' Philles Albums Arrive on CD...In Japan!
It’s time to get Righteous…at least if you’re in Japan, that is, or willing to shell out big bucks from an import retailer. Though they have eluded U.S. CD release to date, The Righteous Brothers’ three long-players from Phil Spector’s Philles label will be reissued on April 3 as limited edition SHM-CDs from Universal Music Japan. 1965’s You’ve Lost That Lovin’ Feelin’ and Just Once in My Life, as well as 1966’s Back to Back, are all anchored by key Spector-produced tracks. The remaining
Hang On To Yourself: 40th Anniversary Edition of David Bowie's "Ziggy Stardust" Coming In June From EMI
In 1972, you would have found David Bowie at the crossroads of music, fashion and theatre when he introduced Ziggy Stardust on his now-iconic breakthrough LP The Rise and Fall of Ziggy Stardust and the Spiders from Mars. If the album hardly sounded like any other, “alien” might have been too much of an understatement for Ziggy himself. The concept behind the album was light but the songs were heavy, and among the best Bowie had penned to date. Hard rock riffs melded with evocative
The People Tree: Anthony Newley, Leslie Bricusse and Hugo Friedhofer Classics Reissued by Kritzerland
Barbarians, Man, God, The Devil… Kritzerland’s latest two reissues sure aren’t shying away from big subjects! The label began accepting pre-orders today for one never-before-on-CD cast recording and one first-time soundtrack pairing. Both titles are sure to send your temperatures rising! Two Golden Age film scores from Hugo Friedhofer, a Kritzerland favorite, are brought together for the first time on one CD with The Barbarian and the Geisha/Violent Saturday, while the legendary team of
Keep On Dancing: Elvis, Dusty, The Wicked Pickett All Appear on "Memphis Boys"
Just last year, Ace Records' Kent imprint issued a definitive 3-CD survey of Fame Studios, the Muscle Shoals, Alabama home of many of the greatest soul records ever committed to vinyl. Over in Tennessee, however, another joyful noise was arriving courtesy of the musicians at Memphis, Tennessee's American Studios. Ace is celebrating the multifaceted sounds of Chips Moman and Don Crews' American Studios with the new Memphis Boys: The Story of American Studios, a 24-track tribute featuring such
Couldn't I Just Tell You: Shout! Factory Premieres Vintage Rundgren and Utopia Concert
We kicked off our week here at Second Disc HQ yesterday with a veritable smorgasbord of Utopia news, and today that feast grows even more bountiful! The Shout! Factory label is joining the ranks of Edsel, Esoteric and Rockbeat as yet another purveyor of all things Rundgren. Live at Hammersmith Odeon ’75 has been set for release on April 10, and the 10-track CD (also available as a digital download) captures the first U.K. concert of the band then billed as Todd Rundgren’s Utopia. Recorded by
Review: Big Brother and the Holding Company Featuring Janis Joplin, "Live at the Carousel Ballroom 1968"
Journey back with me to 1968, will you? Your time machine is courtesy Owsley “Bear” Stanley, visionary sound engineer and renowned LSD chemist. But you don’t need any lysergic acid to enjoy the music contained on the little silver disc known as Live at the Carousel Ballroom 1968 (Columbia/Legacy 88697 96409 2, 2012), billed as the first release from Bear’s Sonic Journals. That said, a little Southern Comfort probably wouldn’t hurt. (Or a toke or two, as per the suggestion of Stanley’s son
Natural Woman: Hear Music Unveils Carole King's "Legendary Demos" At Long Last
Some years back, I was attending a performance of Carole King’s Living Room Tour at New York’s theatre-in-the round then known as the Westbury Music Fair, its cozy environs just perfect for King’s intimate show. Midway through the set, a fan shouted to the stage, “Release your demos, Carole!” King smiled knowingly. “Talk to the publisher!” she replied. It clearly wasn’t the first time she had heard the request; indeed, legendary isn’t too strong a word for the original vocal-and-piano tracks
Soundtrackus Maximus: "Ben-Hur" Gets Five-Disc Expansion by FSM
UPDATE: After selling through its initial pressing of 2,000 in two weeks, Film Score Monthly has pressed another 2,000. As label head Lukas Kendall cheekily explained, "I NEED THE MONEY!" Original post: One of Hollywood's greatest film scores and one of the catalogue world's greatest soundtrack labels have finally, excitedly joined forces to produce a definitive box set edition of the Oscar-winning soundtrack William Wyler's classic Ben-Hur. Metro-Goldwyn-Mayer's Ben-Hur, released in 1959 (and
Ooh Wah, Ooh Wah, Cool Cool Kitty: Grateful Dead, Ad Libs, Eddie Rabbitt Coming From Real Gone Music
Yee-haw! Real Gone Music has announced its late April/early May slate of releases, and you can count on plenty of country plus helping heapings of R&B, pop and, well, The Grateful Dead! On April 17, the label will release the Complete Hit Singles As and Bs from soul legend Little Willie John as well as a vintage Complete Hit Singles As and Bs collection for “Cowboy” Copas. Then on May 1 comes The Complete Blue Cat Recordings of The Ad Libs, straight from the vaults of Leiber and
Un homme et une Femme: Classic Francis Lai Score Reissued, Plus Billy May, Maurice Chevalier and More
Johnny Mathis, Robert Goulet and Engelbert Humperdinck sang it. Ella Fitzgerald sang it. Claudine Longet even sang it in its original French! The song was “A Man and a Woman,” or “Un Homme et une Femme,” from the 1966 film of the same name. The Francis Lai composition was a favorite of pop singers and jazz musicians alike, and was quite ubiquitous; as Kritzerland’s Bruce Kimmel asks, “Is there a person anywhere in the world who was around in the 1960s and 1970s who could not instantly
Cowboy in Sweden: Light in the Attic Preps Lee Hazlewood Retrospective, Plus Rare Stax Recordings of Wendy Rene Collected
Though he had many chapters in his career, there was only one Barton Lee Hazlewood. The man who famously taught Nancy Sinatra to “sing like a 16-year old who goes out with 45-year old truckers” also played a pivotal role in the career of Duane Eddy and produced hits by Dean Martin, Dino (Martin), Desi (Arnaz, Jr.) and Billy (Hinsche), and the Chairman of the Board himself. But Hazlewood continued to create works of both eccentricity and beauty long after he departed Reprise Records in the
Back Tracks: Whitney Houston
Music was in both the bloodline and the spirit of Whitney Elizabeth Houston (1963-2012). The native of Newark, New Jersey called Cissy Houston of The Sweet Inspirations her mom, while Dionne Warwick and Dee Dee Warwick were her beloved cousins. Aretha Franklin was a close family friend and honorary aunt. Following in her mother's footsteps, she began performing at Newark's New Hope Baptist Church, singing in the gospel choir as a featured soloist, and began to make inroads in the music
Anyone Who Had a Heart: Shelby Lynne's Dusty Springfield Tribute, Reissued
When I Am Shelby Lynne appeared on the Mercury label in 2000, its eponymous singer finally hit on an approach that synthesized her varied influences (country, soul, R&B, rock-and-roll) into a relevant and contemporary whole. Lynne picked up the Best New Artist Grammy, despite having released her first album in 1989, and the album’s title indicated that, finally, the artist knew who she was, and was ready to share her music with the world. Fast-forward eight years, and a number of albums
Finally, The Second Disc Has an Excuse to Address This Whole Lana Del Rey Thing
Although we make our claim as tireless reporters on all things in the catalogue music world, we at Second Disc HQ are music lovers first and foremost, regardless of the era. So it gives me a bit of weird pleasure to speak a little bit out of the usual comfort zone for a second and talk about one of pop music's weirdest current trend stories, which actually, tenuously, has some ties to our usual reportage. If you're a voracious consumer of all topics musical, you've probably read anywhere from
The Hills of Yesterday: Henry Mancini, Charles Strouse Offer "Molly Maguires" Scores
A victim of the blacklist, director Martin Ritt (The Front, The Great White Hope and Norma Rae) felt passionately about using film to explore relevant social issues. So it would have been no surprise that he was taken with the story of the Molly Maguires, the Irish-American coal miners who formed a secret society (some might say, of terrorists) to fight their oppressive employers in 19th century Pennsylvania. Ritt enlisted an all-star cast including Sean Connery (still in his James Bond
Chicago Reissues Return From Friday Music, "Hot Streets" Kicks Off Campaign
On 1971’s Chicago III, one of the band's passionate anthems went, “I just want to be free…” But it took until 1978 for the band to be truly free, and that year’s Hot Streets was an album of firsts. The freedom largely came as a result of the group having severed its ties with longtime producer/manager James William Guercio; hence, Hot Streets was Chicago’s first album in many years not recorded at Guercio’s famed Caribou Ranch. It was also the first to lack a number in its title and first to
The Story of US: Shout! Factory Starts Series for '80s Music Fest (UPDATED 2/8)
Following a pair of DVD releases, Shout! Factory has announced the release of several performances on CD from the famous US Festival in California. Spearheaded by Apple Computer co-founder Steve Wozniak, the US Festival intended to be a celebration of technology and culture, with a temporary stage and open-air venue paid for by Wozniak himself just for the purposes of the festival. (Initially called the Glen Helen Pavilion, the San Manuel Amphitheater, where the festival was held, remains the
Reissue Theory: Whitney Houston, "Whitney"
We remember Whitney Houston (1963-2012) and her timeless legacy of song. We're sharing this feature in her memory, and will return with a tribute to this musical legend, gone too soon. Welcome to another installment of Reissue Theory, where we focus on notable album and the reissues they could someday see. Today's entry: a 25th anniversary spotlight on one of the best dance-pop albums of any era, and a tribute to a powerhouse R&B voice. In a word: Whitney. Around this time in 2010,
Reissues on Target: Retail-Exclusive Expansions Available for Adele, Blake Shelton
If you're in the U.S. and are heading to Target after work for a few household items, you might want to keep an eye out for two recent hit albums, both newly expanded in sets exclusive to the retail chain. First up, a familiar expansion of last year's biggest album, 21, by British soul singer Adele. Unless you've been living underneath a rock for the past year, you know that the 21-year-old Grammy Award winner for Best New Artist has had a precedent-shattering year with this record. In an age
10538 Overture: Electric Light Orchestra Debut Turns 40, Expanded with Quad DVD and Bonus Tracks
The musical partnership of Jeff Lynne and Roy Wood was a short-lived one, but EMI will soon give listeners a chance to revisit their acclaimed collaboration. A 40th Anniversary Edition of the debut album from Electric Light Orchestra is set to arrive on March 12. Self-titled for its original U.K. release and re-titled No Answer for the U.S., the album announced a bold new sound, reportedly created when Wood urged Lynne to add cellos to his song “10538 Overture.” That track leads off this
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