It’s never been easy to describe Kim Fowley in just a word or two. Fowley is a producer, a songwriter, an actor, a manager, a publisher, a raconteur, and a promoter – both of himself and of various other acts. Gray Newell, writing the liner notes for Tune In Records’ new Fowley anthology, adds a few more words: “musical maverick, Svengali of Sunset Strip, Son of Frankenstein, Lord of Garbage, King of the Creeps, Underground animal, rock ‘n’ roll survivor, Living Legend.” Fowley’s career has
This Is It: Michael Jackson's Epic Years Newly Compiled with Bonus Tracks for iTunes Initiative
More than four years following his death, Michael Jackson’s presence is still felt. Every night on Broadway, the young Michael is conjured onstage in Berry Gordy’s sprawling Motown: The Musical. Cirque du Soleil's new Michael Jackson ONE is ensconced at Las Vegas' Mandalay Bay. His brothers, The Jacksons, are continuing their successful Unity Tour this summer. And, alas, hardly a day goes by when news media outlets aren't reporting on Jackson’s family in and out of the courtroom. Yet
If Music Be The Food Of Love: Fleetwood Mac's "Then Play On" Joins "1969-1972" Box Set In August
For many, the story of Fleetwood Mac begins with 1975’s self-titled album. But that album, which introduced Lindsey Buckingham and Stevie Nicks to the group’s line-up, was in fact the band’s tenth. Long before locking into the L.A. pop-rock sound epitomized by “Say You Love Me” or “Over My Head,” the Mac had already experienced a number of transformations, from its blues-based roots to folk, rock and even a retro rockabilly style. On August 20, Reprise Records will revisit that early period
John Williams Welcomed to Kritzerland with Complete "Missouri Breaks" Soundtrack
In 1976, John Williams was between Oscars – for Jaws and Star Wars, to be exact. The year was filled with great film scores from the future legend – among them, Family Plot, Black Sunday and Midway. Another of his fine works during America’s bicentennial year was for Arthur Penn’s western The Missouri Breaks, headlined by Marlon Brando and Jack Nicholson. The actual score tracks heard in the United Artists picture have never been released, either on LP or CD; Williams re-recorded his
Isn't It Rich: Masterworks Broadway Reissues Sondheim's "A Little Night Music" Soundtrack, Plus Rare Monk, Coward
Where are the clowns? Following the release last month of Clownaround, one of the rarest cast recordings of all time, Masterworks Broadway is again sending in the clowns. In August, the label will deliver the long-awaited reissue of the film soundtrack to Stephen Sondheim’s A Little Night Music with Elizabeth Taylor following in the footsteps of Glynis Johns, Frank Sinatra and Judy Collins and singing “Send in the Clowns.” A Little Night Music will be expanded with previously unreleased
Fire In Her Heart: Madleen Kane's Disco Classic Returns From Gold Legion
Madleen Kane’s 1978 debut albums played on words for its title, Rough Diamond. But there was nothing too rough about the album’s sleek disco grooves or about the fashion model-turned-singer at its center. In 2011, the Gold Legion label reissued Rough Diamond on CD with three bonus tracks. Its follow-up, 1979’s Cheri, has just recently been given the Gold Legion treatment with one bonus cut of its own. Born in Sweden to a Swedish mother and American father, Madleen Kane found her first
Stax, Motown, Chess Go Country with Second Volume of "Where Country Meets Soul"
Ace’s first volume of Where Country Meets Soul arrived late last year, proving that those two venerable genres intersect more often than one might think. After all, many of the most enduring records in both styles revolve around the vagaries of heartbreak, so the fine folks at Ace’s Kent imprint brought together 23 tracks from artists well-versed in the torrid ways of love: Solomon Burke (“He’ll Have to Go”), Percy Sledge (“Take Time to Know Her”), Clarence Carter (“Set Me Free”), Esther
Review: The Three O'Clock, "The Hidden World Revealed"
Could it be time, once again, for The Three O’Clock? The California group took its place alongside the likes of The Bangles and Dream Syndicate as part of the “Paisley Underground” movement of eighties rockers who looked to the sixties’ psychedelic pop and folk-rock scenes for inspiration. In fact, the band’s bassist/lead vocalist Michael Quercio is said to have even coined that evocative name. Between 1982 and 1988, The Three O’Clock recorded one LP for Frontier Records, two for I.R.S., and
"Windy: A Ruthann Friedman Songbook" Explores The Solo Side of The Songwriter
A look at the intense visage of Ruthann Friedman on the cover photograph of Now Sounds’ Windy: A Ruthann Friedman Songbook reveals those “stormy eyes that flash at the sound of lies,” but a listen to the sounds within shows the artist spreading her “wings to fly above the clouds.” For here is an entire disc’s worth of never-before-heard pop nuggets, crafted with a delicacy and beauty to match that photo. Windy, of course, is so named, of course, for The Association’s 1967 No. 1 hit penned by
Numero Group Uncovers The Pioneering Electronic Soundscapes of Iasos' "Celestial Soul Portrait"
The expert crate-diggers at Numero Group have recently offered up one of its most adventurous releases – the Celestial Soul of the single-named musician Iasos (pronounced ya' sos). Before the genres of ambient and New Age were classified as such, the Greek-born musician was experimenting with electronic instruments to create the “Paradise Music” now being reissued by Numero in the anthology Celestial Soul Portrait. Born in Greece in 1947 but a U.S. resident since 1951, Iasos moved to
Don't Just Stand There! Real Gone Reissues Patty Duke, Johnny Lytle
They laugh alike, they walk alike, at times they even talk alike! You can lose your mind, when cousins are two of a kind! So went the theme song to television’s The Patty Duke Show, starring the former Anna Marie Duke as “identical cousins” Patty and Cathy Lane. We’re told in Sid Ramin and Robert Wells’ theme song that the worldly Cathy “adores a minuet, The Ballets Russes and crepe suzette,” but the normal New York teen Patty “loves to rock and roll!” So, apparently, did Patty Duke, based
Gimme Some Lovin': Cherry Red Distills Spencer Davis Group's Live, Studio Tracks on "Keep On Running"
Between 1964 and 1968, Birmingham’s Spencer Davis Group charted seven U.K. Top 40 hits (including two No. 1s) and two in the U.S. Top 10. Although the R&B band was short-lived, songs like “Gimme Some Lovin’,” “Keep On Running” and “I’m a Man” remain classic rock staples today. A collection of odds and ends has just been released by Cherry Red Records as part of its PressPlay series. The label describes the PressPlay initiative as offering “the perfect introduction to the music of its most
Set The Controls For The Heart Of The Sun: Red Temple Spirits' Post-Punk Albums Return To CD
Words like “unique” and “singular” are thrown around far too often, but they truly apply to the Red Temple Spirits. The Los Angeles quartet, described in 1989 by one pundit as “enigmatic,” recorded two albums in the waning days of the 1980s, Dancing to Restore an Eclipsed Moon and If Tomorrow I Were Leaving for Lhasa, I Wouldn’t Stay a Minute More... The post-punk group toured in 1990, and even gained airplay on MTV, but before 1992 was out, Red Temple Spirits had gone quietly into the night.
Jerry Lee Lewis, The Ronettes, Del Shannon, Louis Armstrong Feature On "The London American Label 1964"
1964 will forever be remembered on American shores as the year of Beatlemania, when those four moptops from Liverpool led the British Invasion to the top of the pop charts. That tale has been chronicled many times, but one of the most recent releases from U.K.-based label Ace tells the story of the year's American Invasion - via the American records imported to London on the London American label. This latest volume in the long-running series (which now features an entry for each year between
Phyllis Hyman's "Goddess of Love" Is Revisited By SoulMusic Records
Phyllis Hyman sure looked like a Goddess of Love on the cover of her 1983 album of the same name. Now, the striking and statuesque former fashion model’s fourth and final album for Arista Records is back. It's just been reissued by Cherry Red’s SoulMusic imprint in an expanded edition that boasts two more tracks than Reel Music’s 2010 release. In a quest to find Hyman a degree of commercial success commensurate with her great talent, Clive Davis paired her with different producers for each
Review: "Woody Guthrie at 100! Live at the Kennedy Center"
The new CD/DVD set is entitled Woody Guthrie at 100! Live at the Kennedy Center, but in fact, Woody never made it past 55. This document of an altogether lively concert program from a wide assortment of admirers proves, however, that his music has not only lasted ‘til 100, but will likely survive us all. This is a celebration, yes, but a celebration with a conscience. A strong thread of morality and social awareness ran through all of Guthrie’s songs, as he believed music could make a
Reviews: Eddy Arnold, "Complete No. 1 Hits" and David Allan Coe, "Texas Moon"
When 1965’s “Make the World Go Away” entered the Pop Top 10, it was unusual, even for those heady days of pop diversity. The singer, Eddy Arnold, had first signed to RCA Victor in 1943. The Musicians’ Union’s strike prohibited the young vocalist from recording until it was settled in December, 1944, but when Arnold finally entered WSM’s radio studios to record four songs, he was making history. His session was the first for a major label to be held in Nashville, Tennessee. His star was soon
High Adventure: Kritzerland Heads To "The Far Horizons," Uncovers "Secret of the Incas"
There’s even more film soundtrack news coming your way today, thanks to Kritzerland’s latest announcement! The label will release a special two-for-one CD combining the scores to two vintage adventure films starring Charlton Heston: 1955’s Lewis and Clark drama The Far Horizons and 1954’s exotic Secret of the Incas, the latter of which is frequently cited as a direct inspiration for Steven Spielberg’s Raiders of the Lost Ark. This 1,000-unit limited edition is set for release by the first week
Review: Burt Bacharach, "Anyone Who Had a Heart: The Art of the Songwriter" Box Set
Time stands still for Burt Bacharach. Rumer’s 2010 single “Some Lovers,” from Bacharach and Steven Sater’s musical of the same name, is the most recent track on Universal U.K.’s new box set Anyone Who Had a Heart: The Art of the Songwriter. Yet 2010 melts into 1965 like a ray of sunshine on the “cloudy Christmas morning” in the song lyric. Sleigh bells gently underscore wistful flugelhorns as it begins, with Rumer’s dreamy, comforting vocals gracefully gliding over the bittersweet melody.
Where There's a Will: Derek and the Dominos' Bobby Whitlock Joined by Clapton, Harrison, Delaney and Bonnie On Reissued Solo LPs
The story of Bobby Whitlock is one that intersects with rock royalty like George Harrison and Eric Clapton – and now Light in the Attic’s Future Days Recordings imprint is getting ready to tell the story of the Derek and the Dominos pianist-organist. On June 25, Future Days will reissue Whitlock’s two solo albums for ABC-Dunhill, Bobby Whitlock and Raw Velvet (both from 1972), as one 2-CD set entitled Where There’s a Will, There’s a Way: The ABC-Dunhill Recordings. For purists, the label will
Marilyn McCoo and Billy Davis, Jr., P-Funk Offshoot Parlet and More Join Dionne Warwick on Real Gone's July Slate
The July slate for Real Gone Music has been announced, and things are really heating up! We've already filled you in at length about the pair of anthologies coming your way from Dionne Warwick, We Need To Go Back: The Unissued Warner Bros. Masters and The Complete Warner Bros. Singles, two of the most ambitious releases yet from the prolific label. But that's not all. Real Gone is completing their July 30 release schedule with a pair of long-awaited titles from Marilyn McCoo and Billy Davis,
Gene Pitney Is "Looking Through the Eyes of Love" On New RPM Two-Fers
After a long hiatus, Cherry Red's RPM label is continuing its series of reissues dedicated to the late Gene Pitney ("Twenty Four Hours from Tulsa," "Town Without Pity," "The Man Who Shot Liberty Valance"). The singer's long out-of-print albums for Aaron Schroeder's Musicor label were reissued on CD in a series of two-fers by Sequel Records in the late 1990s, but upon their deletion from the catalogue, they began commanding high prices on the second-hand market. Since then, the Pitney
Little Anthony and the Imperials Move to a "New Street"...In Philadelphia!
Paul Simon once said, "Little Anthony Gourdine has one of the purest voices to come out of the New York doo-wop scene. [The Imperials] will be remembered as great musicians from the streets of my hometown." Bob Dylan was also a fan: "The Beatles weren't rock and roll, nor were The Rolling Stones. Rock and roll ended with Little Anthony and the Imperials." But by 1973, the group was ready for a new direction, or a "new street," as it were. The group first worked with then-budding producer
If Everybody Had An Ocean: The Beach Boys' 6-CD Box Set "Made in California" Premieres 60 Previously Unreleased Tracks
On my way to sunny California, on my way to spend another sunny day… The sounds of summer will be in perfect harmony on August 27 when Capitol Records releases the Beach Boys’ long-awaited, retrospective box set Made in California. Word first came last summer of the 50th anniversary box, as the reunited group of Brian Wilson, Mike Love, Al Jardine, Bruce Johnston and David Marks were winding down a phenomenally successful world tour. Since then, the Love/Johnston faction of the band has
The Bright Side of Life: Harry Nilsson's "Flash Harry" (Finally!) Comes To CD In Expanded Form
What should have been a new beginning became a rather inauspicious end to a remarkable career. Harry Nilsson's final studio album, 1980's amusingly-titled Flash Harry, was his first on the Mercury label. It followed a decade-plus stint at RCA and signaled a fresh start. But despite its starry array of musicians, and typically solid songwriting, the album produced by Stax guitar legend Steve Cropper with engineer Bruce Robb was withheld from release in North America. Flash Harry only was
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