When the 67-year old pianist and composer Herbie Hancock picked up the Grammy Award for Album of the Year at the 50th annual awards ceremony in 2008, he was making history. His River: The Joni Letters became only the second jazz album to take the prize, and the first in over four decades - since 1964’s Getz/Gilberto, from Stan (Getz) and Joao (Gilberto). Hancock, who earlier in the night had participated in a tribute to those who came before – including Miles Davis, with whom he famously
Signed, Sealed, Delivered, It's Yours: SoulMusic Reissues Motown Gem "Syreeta"
Though Syreeta Wright never received the same level of acclaim as many of her Motown contemporaries, her stamp on the company is indelible. The late artist (1946-2004) wasn’t just a distinctive vocalist, but also a songwriter with credits like The Spinners’ “It’s a Shame” and Stevie Wonder’s “Signed, Sealed, Delivered (I’m Yours)” and “If You Really Love Me.” SoulMusic Records has just followed up its recent reissue of Syreeta’s 1977 One on One with her very next Motown solo album, 1980’s
Review: Nilsson, "The RCA Albums Collection"
A largess universal like the sun His liberal eye doth give to every one, Thawing cold fear, that mean and gentle all, Behold, as may unworthiness define, A little touch of Harry in the night. - William Shakespeare, Henry V, Act IV He's a pretty nifty guy Always looks you in the eye Everybody passing by will sigh For Harry... - Eric Idle, "Harry" Harry Nilsson had the voice of an angel, and raised hell like the devil. A consummate songwriter, he had his biggest hits with two songs
"Preminger At Fox" Salutes Director's Hollywood Film Noir Music
During Otto Preminger’s long and distinguished career, the director tackled virtually every genre of film: drama, thriller, musical, even absurdist comedy. For the musicals, Preminger had scores by George and Ira Gershwin and DuBose Heyward (Porgy and Bess) and Oscar Hammerstein II and 19th century composer Georges Bizet (Carmen Jones). His non-musical films also featured scores by illustrious talents, including David Raksin, Elmer Bernstein, Duke Ellington, and even Harry Nilsson! A number
Life Is a Carnival with The Band's Box Set "Live at the Academy of Music: The Rock of Ages Concerts"
The Band’s Rock of Ages has long been a mighty document of a mighty quintet at the height of its powers. And it’s about to get even mightier. Robbie Robertson, Levon Helm, Garth Hudson, Rick Danko and Richard Manuel closed 1971 with four nights at New York City’s Academy of Music, reveling in new horn arrangements by New Orleans’ legendary Allen Toussaint and jamming with old mate Bob Dylan on New Year’s Eve. Highlights from the concert spawned the Top 10 album Rock of Ages, and a 2001
Real Gone Music Updates: Label Confirms Portsmouth Sinfonia Cancellation, Resolves Cat Mother Mastering Problem
Tomorrow, Real Gone Music releases what might be its most exciting batch of titles yet, with offerings from Dionne Warwick, Marilyn McCoo and Billy Davis, Jr., Tonto's Expanding Head Band, and George Clinton's Parlet. The line-up will be one title short, however, from that of the original announcement. The scheduled reissue of Portsmouth Sinfonia's Plays the Popular Classics has, according to the label's Facebook page, been "canceled until further notice." On June 13, we described this
Review: Otis Redding, "The Complete Stax/Volt Singles Collection"
Otis Redding was just 21 years of age when Volt Records issued his first single for the label, “These Arms of Mine” b/w “Hey Hey Baby,” in October 1962. The latter is a solid if unremarkable riff on rockabilly (“Hey, hey, pretty baby/Baby, you sure is fine...Every time I look at you/You drive me out of my mind!”) but the torrid, smoldering A-side reveals a singer-songwriter far older than his years. Otis Redding couldn’t have known then that he was living on borrowed time; he would, in fact,
Can't Stop the Music: Hall and Oates' "No Goodbyes" Arrives on CD
John Oates, the famously mustachioed half of the legendary blue-eyed soul duo Hall and Oates, once described their tenure at Atlantic Records as “three steps towards finding a sound. Whole Oats had a folksiness to it, Abandoned Luncheonette started combining acoustic folk with a little bit of funk, and War Babies was our more adventurous rock ‘n’ roll side.” He keenly observed of these early records with Daryl Hall that “the albums that followed drew on all of those elements.” So, when Hall and
Little River Band Is "Reminiscing" With New Reissues Of Four Classic Albums
Friday night I was late, I was walking you home, we got down to the gate, and I was dreaming of the night…would it turn out right? With those conversational lyrics to the song “Reminiscing,” The Little River Band finally saw their commercial breakthrough in 1978. The catchy, soft-rock track came from the Australian group’s fourth album, Sleeper Catcher; largely on the strength of the single, it also became the LRB’s first U.S. platinum selling LP. Cherry Red’s recent Lemon label is hoping
Review: The Buckaroos, "Play Buck and Merle" and Don Rich, "That Fiddlin' Man"
“Who’s going to want to listen to the band with Don [Rich] playing the melody line to the song, when you could hear Buck [Owens] doing the real deal?” queried drummer Willie Cantu of The Buckaroos when called upon to record 1965’s all-instrumental The Buck Owens Song Book. Capitol Records surely thought there would be an audience for the LP, proclaiming on its back cover that “you too can sing Buck’s country-western songs to the rousing, rhythmic playing of his buddy Don Rich and The
Darlene Love, Nino Tempo, The Sweet Inspirations Feature On Jeff Barry's "The Idolmaker" Soundtrack
Perhaps the time just wasn’t right for The Idolmaker. Director Taylor Hackford (An Officer and a Gentleman, Ray) made his feature-length motion picture debut with the 1980 film based on the life of Philadelphia impresario Bob Marcucci, enlisting Ray Sharkey to play the fictionalized manager Vincent Vacari. In reality, Marcucci had discovered Frankie Avalon and Fabian; in the film, the teen idols were Tommy Dee (Paul Land) and Caesare (Peter Gallagher). The United Artists picture received some
It's a Real Gone September with Jefferson Starship, The Paley Brothers, Joanie Sommers and More
While we await previously announced titles coming later this month from Dionne Warwick, Marilyn McCoo and Billy Davis, Jr., P-Funk offshoot Parlet and more, Real Gone Music is already looking forward to summer's end with a new release slate due on September 3. Real Gone is making a couple of very contemporary connections with releases from Claudia Lennear and Ponderosa Twins Plus One. Lennear, a longtime background singer, recently stepped to the fore as one of the artists featured in
The Anita Kerr Singers Step Out of the Background On Reissue of "The Genius in Harmony"
The release of director Morgan Neville's documentary 20 Feet from Stardom has rightfully placed the spotlight on those dynamite vocalists who toil in the shadows on record and onstage, often without credit. Background singers are part and parcel of the story of popular music, and Neville's film has given richly-deserved attention to Darlene Love, Merry Clayton, Claudia Lennear, Judith Hill, and other greats of the field. The story of background groups like The Breakaways, The Jordanaires, The
All The Night's Magic: Van Morrison's "Moondance" Is Expanded and Remastered This Fall
On September 30, it’s going to be a marvelous night – and day – for a Moondance. For that’s when Warner Bros. Records will celebrate Van Morrison’s classic 1970 album in 1-CD, 2-CD and 4-CD/1-BD configurations. The latter expanded versions comprehensively explore the album’s sessions via outtakes, alternate takes and previously unheard mixes. Following one 1967 album for Bert Berns’ Bang Records, Van Morrison made his debut at the famous Burbank label in 1968 with Astral Weeks. It was a
Hallejulah! It's (Still) Raining Men with The Weather Girls' Deluxe Reissue
Everything about The Weather Girls’ debut album, Success, was big. The 1983 LP was the brainchild of producer/songwriter Paul Jabara, who modestly noted on the LP’s back cover, “After working with Barbra, Donna and Diana – I began to get spoiled – I felt I could only work with ‘giants in the industry!’ I think I found them!” And so the “Last Dance” and “No More Tears (Enough is Enough)” auteur turned his attention to Two Tons o’ Fun. Izora Rhodes Armstead and Martha Wash had toured with the
Bob Dylan's "Bootleg Series Vol. 10" Answers Burning Question: "What is This Shit?"
The Bootleg Series is back. Almost three years after the release of Bob Dylan’s The Bootleg Series Vol. 9 - The Witmark Demos 1962-1964, Columbia Records has announced a tenth volume in the acclaimed series dedicated to the unreleased recordings of The Bard of Hibbing. On August 27, the label will deliver Vol. 10 - Another Self Portrait (1969-1971), drawing on the treasure trove of material mainly used to assemble the 1970 studio albums New Morning and Self Portrait. This new, 35-song
There's "A Place in the Sun": Classic Hollywood Score Receives World Premiere Release
1951’s six-time Oscar winner A Place in the Sun wasn’t Hollywood’s first adaptation of Theodore Dreiser’s 1925 novel An American Tragedy. The very first film version of the haunting novel came from Paramount Pictures and director Josef von Sternberg in 1931. But the 1951 motion picture – starring Montgomery Clift, Elizabeth Taylor and Shelley Winters, directed by George Stevens – is the one most remembered by generations transfixed by Dreiser’s sad tale of desperation and ill-fated romance.
Mary Wells, Ben E. King, Johnnie Taylor Join Kent's Celebration of "The Phillip Mitchell Songbook"
“Prince” Phillip Mitchell is in some mighty good company. The Kentucky-born singer and songwriter, who rose to prominence composing songs for deeply soulful artists including Millie Jackson and Bobby Womack, is the latest to receive a career retrospective from Ace Records’ Songwriters and Producers series. With the Ace/Kent release of Something New to Do: The Phillip Mitchell Songbook (CDKEND 394), he joins such illustrious talents as Dan Penn, Burt Bacharach, Randy Newman, Jerry Leiber and
Review: Hackamore Brick, "One Kiss Leads to Another"
For the title of their 1970 album on the Kama Sutra label, the members of Hackamore Brick opined that One Kiss Leads to Another. One album clearly didn’t lead to another, though, as the four-man Brooklyn band didn’t release more music until 2009 – and even then, with only two of the founding members. Yet Hackamore Brick’s one and only record has grown in stature over the years, well-regarded in cult circles for its proto-punk, Velvet Underground-like mood. Real Gone has just reissued One Kiss
Wherever He Lays His Hat: Cherry Pop Collects Paul Young's "Remixes and Rarities"
For Daryl Hall, "Every Time You Go Away" might have been "the one that got away." Hall recorded his song on Hall and Oates' 1980 album Voices, where it languished as an album track in the shadow of hit singles "Kiss on My List," "You Make My Dreams," "How Does It Feel to Be Back," and "You've Lost That Lovin' Feelin'." But you can't keep a great blue-eyed soul ballad down. In 1985, Hall's composition became the centerpiece of British-born Paul Young's sophomore album The Secret of
Heart and Salsoul: BBR Reissues First Choice, Loleatta Holloway, Baker-Harris-Young and Love Committee
One could call bassist Ronnie Baker, guitarist Norman Harris and drummer Earl Young unsung heroes, but it’s not quite accurate to describe the triumvirate of musicians, songwriters, producers and arrangers as unsung. Individually or collectively, Baker, Harris and Young helmed productions by Blue Magic, The Trammps, First Choice, Ben E. King, Eddie Kendricks, The Whispers, The Persuaders, and so many more. As part of its ongoing series restoring the Salsoul Records catalogue to R&B
Review: Merry Clayton, "The Best of Merry Clayton"
Say “yes” to Merry Clayton! It takes a certain kind of talent to exercise restraint, to be able to generously support another artist while maintaining your own high standard of art, expression and individuality. That’s the story of the background singer, and the story told by director Morgan Neville in his new film 20 Feet from Stardom. Merry Clayton is seen in the film, both savoring and gently ribbing her role as the “diva” of the background singing clique – as the “lead background singer,”
Have a Cuppa "Muswell Hillbillies": Deluxe Reissue of Kinks Klassic Slated for October
For The Kinks’ first album with RCA Records, Ray Davies didn’t stray too far from the style which he had perfected. Muswell Hillbillies, the band’s ninth studio album, was named after Muswell Hill, the area of North London that Davies and brother Dave once called home. Like The Kinks’ classic Village Green Preservation Society before it, Muswell concerned itself with themes relevant to British life, wryly addressing working-class conditions and the changes affecting the populace. Sanctuary
It's Good For The Soul! The Salsoul Orchestra's "Nice 'n' Naasty" Arrives In Expanded Edition
The third song on the first side of The Salsoul Orchestra's second album proclaims "It Don't Have to Be Funky (To Be a Groove)." But under the leadership of vibraphonist Vince Montana, Jr., the grooves were most certainly funky...as well as soulful, jazzy, and above all, danceable. 1976's Nice 'n' Naasty, just reissued in an expanded edition by Big Break Records, is an even more eclectic collection than its predecessor. It continues Big Break's top-flight program celebrating all aspects of
Review: Big Star, "Nothing Can Hurt Me: Original Soundtrack"
The feature-length documentary Big Star: Nothing Can Hurt Me opens today at New York’s IFC Center and on Friday at Los Angeles’ Nuart Theatre. In conjunction with its release, Omnivore Recordings has recently unveiled a soundtrack album collecting 21 previously unissued songs from the legendary Memphis band. Rare is the cult band that actually lives up to its legend. Yet, with each listen - time after time, year after year - Big Star not only meets the hype, but surpasses it. Chances are, if
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