“John, let’s do a shot for the warden,” photographer Jim Marshall reportedly implored Johnny Cash during the singer’s 1969 performance at San Quentin Prison. Cash’s snarling response, with his middle finger in air, made for one of the most famous music photographs of all time. Cropping up on T-shirts, posters and the like, Marshall captured the outlaw side of Johnny Cash like no photographer before or since. Though it might have, indeed, been worth a thousand words, the image still only
Happy Birthday, Doris Day! Screen Legend Celebrated With "Ultimate Collection" and TCM "Smile and a Song"
Doris Day made quite a splash in 2011 when My Heart, her first album of primarily original material in some seventeen years, entered the British album charts with a Top 10 placement. The singer, actress and animal rights activist turns 88 today, April 3. Day remains greatly beloved around the world, and our coverage of My Heart quickly became one of The Second Disc’s most-visited articles since our inception in January 2010. Now, two new releases are looking back on her rich musical legacy.
Review: Tom Northcott, "Sunny Goodge Street: The Warner Bros. Recordings"
Extra! Extra! Lost Folk Singer Found! His name is Tom Northcott, and had things turned out a little differently, he might be remembered in the same breath as Joni Mitchell or Gordon Lightfoot, fellow Canadian troubadours. After founding the Tom Northcott Trio, he headed for California during perhaps the most fertile period ever for creative, boundary-breaking musical exploration, the mid-1960s. Northcott opened for The Who, The Doors and Jefferson Airplane, and was signed to Warner Bros.
Just The Way He Is: Starbucks Brews Billy Joel "Opus Collection"
Though Billy Joel retired from the business of writing and recording new pop music in 1993 following his River of Dreams, and has largely kept his word in the ensuing almost-twenty years, the music legend has hardly lowered his profile. Since River of Dreams, Joel, now 62, has written an album’s worth of classical compositions, overseen a hit Broadway musical, staged lucrative tours and issued numerous live albums and career-overview collections. As recently as last week, Joel’s catalogue was
Bowie, McCartney, Joplin, Springsteen, Clash, Davis, Small Faces, More Lead Record Store Day Pack
We're just three weeks away from Record Store Day on April 21, and following individual announcements from fantastic labels like Omnivore Recordings, Concord Records, Sundazed Music and Rhino/Warner Bros., we can finally reveal the full line-up of RSD-related goodies! These limited editions, available at independent music retailers across the U.S. and even internationally, are primarily vinyl releases in various formats (7-inch, 10-inch, 12-inch, etc.) and range from replicas of classic albums
My Huckleberry Friend: El Records Offers Variations on Mancini's "Moon River and Me"
Quick - think of your favorite Blake Edwards movie. Okay, now be honest: when conjuring up an image of one of Edwards' signature comic set pieces, didn't you automatically start hearing a famous theme? If you did, chances are it was composed by Henry Mancini. Edwards and Mancini worked hand in hand for some 30 projects over a 35-year period, from 1958's groundbreaking television series Peter Gunn through 1993's Son of the Pink Panther, Edwards' final motion picture. One of the most cherished
The Road to Tarkio: Brewer and Shipley's Debut "Down in L.A." Remastered and Expanded By Now Sounds
Oklahoma-born Michael Brewer and Ohio native Tom Shipley found fame on Missouri's mythical Tarkio Road, thousands of miles away from Hollywood's La Brea Avenue and the headquarters of A&M Records. But before they took one pivotal toke over the line into stardom, Brewer and Shipley recorded an album for Herb Alpert and Jerry Moss' label that couldn't have been recorded at any other time and place than Los Angeles, circa 1967-1968. Down in L.A. was almost entirely written by Brewer and
All Around the World, Or the Myth of "Graceland" Revisited: 25th Anniversary Box Set Due in June
Paul Simon was back. With a vengeance. The sixties wunderkind and one-half of Simon and Garfunkel had greeted the 1980s uneasily. The film One-Trick Pony, for which he served as writer, star and composer in 1980, was tepidly-received. An underperforming LP (Hearts and Bones) followed in 1983, his first solo album since 1965 not to hit the Billboard Top 10. It peaked at No. 35. Simon’s biggest success of the first half of the decade was a headline-making reunion concert with his old friend
Paul McCartney, Little Richard, Dave Brubeck Due From Concord on Record Store Day
What do Paul McCartney, Dave Brubeck and Little Richard have in common? All three will be recipients of exclusive, limited edition Record Store Day releases from our friends at Concord Records. Since its founding in 2007, Record Store Day has become an institution at many independent shops, and has even gone global with the participation of international retailers. As previously reported, a 7-inch vinyl single from Paul McCartney will prove a highlight of Concord's roster and kick off the
Review: Frankie Avalon, "Muscle Beach Party: The United Artists Sessions"
By the time of 1964’s Muscle Beach Party, Philadelphia-born Frankie Avalon had already racked up some 31 hits on the U.S. Billboard charts, including two at Number One, “Why” and “Venus.” On the urging of his Chancellor Records mentor Bob Marcucci, Avalon had welcomed the 1960s by diversifying his talents into film, appearing opposite John Wayne in The Alamo and Walter Pidgeon in Voyage to the Bottom of the Sea. 1963’s Beach Party, however, was something else altogether. Directed by William
Bring Back That Lovin' Feelin': Righteous Brothers' Philles Albums Arrive on CD...In Japan!
It’s time to get Righteous…at least if you’re in Japan, that is, or willing to shell out big bucks from an import retailer. Though they have eluded U.S. CD release to date, The Righteous Brothers’ three long-players from Phil Spector’s Philles label will be reissued on April 3 as limited edition SHM-CDs from Universal Music Japan. 1965’s You’ve Lost That Lovin’ Feelin’ and Just Once in My Life, as well as 1966’s Back to Back, are all anchored by key Spector-produced tracks. The remaining
Review: Randy Vanwarmer, "Warmer/Terraform" and "Beat of Love/The Things That You Dream"
Bespectacled singer/songwriter Randy Vanwarmer became one of the unlikeliest radio heroes of the late 1970s when his gentle ballad “Just When I Needed You Most” began its ascent up the Billboard chart amidst an onslaught of disco (“I Will Survive,” “Hot Stuff”) and New Wave (“Heart of Glass”). Vanwarmer’s bittersweet memory of a long-gone lover hit a nerve with listeners looking for an escape from the dance floor. Although the song would qualify him as a one-hit wonder, Vanwarmer continued to
Don't Pass Him By: Get Acquainted With Paul Korda's "Passing Stranger"
If you don’t know the name of Paul Korda, you might have reason to be grateful that the compilers at RPM Records do! Korda’s story is one dotted with familiar personages: P.P. Arnold, Roger Daltrey, Chris Spedding, Madeline Bell, Doris Troy, Andrew Loog Oldham, Onnie McIntyre and Alan Gorrie (Average White Band), Vic Smith (The Jam) on the musical side, Cat Stevens and even Johnny Depp on the personal side. Korda’s career has taken him from the original West End cast of Hair (alongside Paul
Behind That Locked Door: George Harrison Demos Surface on "Early Takes Volume 1"
As if yesterday's announcement of Paul McCartney's reissue plans for Ram wasn't enough... Martin Scorsese's documentary Living in the Material World, exploring the life and legacy of George Harrison, premiered in October 2011, broadcast in the United States on HBO. Roger Ebert wrote of the film, "Scorsese has accomplished the best documentary that is probably possible," noting that the film is a "more objective, less personal documentary than Scorsese usually makes." Todd McCarthy in The
Hang On To Yourself: 40th Anniversary Edition of David Bowie's "Ziggy Stardust" Coming In June From EMI
In 1972, you would have found David Bowie at the crossroads of music, fashion and theatre when he introduced Ziggy Stardust on his now-iconic breakthrough LP The Rise and Fall of Ziggy Stardust and the Spiders from Mars. If the album hardly sounded like any other, “alien” might have been too much of an understatement for Ziggy himself. The concept behind the album was light but the songs were heavy, and among the best Bowie had penned to date. Hard rock riffs melded with evocative
Review: John Cale, "Conflict and Catalysis: Productions and Arrangements 1966-2006"
Catalysis (ca-tal-y-sis): The action of a catalyst, especially an increase in the rate of a chemical reaction. With his induction into Ace Records’ Producers series, John Cale joins an esteemed group including Jerry Leiber and Mike Stoller, Sly Stone, Phil Spector and Burt Bacharach. If Cale isn’t always thought of in the same breath as those giants, it’s simply because his career has been so diverse, encompassing writing, performing and arranging for artists ranging from The Stooges to
Higher Ground: Audio Fidelity Reissues Vintage Stevie Wonder, James Taylor on 24K Gold CD
For its April 3 release slate, the Audio Fidelity label is returning to the catalogues of two tried-and-true artists and label favorites. Having tackled James Taylor’s second, fourth and fifth albums, Audio Fidelity fills the gap in Taylor’s Warner Bros. catalogue with the release of the singer/songwriter’s third LP, 1971’s Mud Slide Slim and the Blue Horizon. Similarly, the label has given the remastered 24K Gold CD treatment to four of the five albums from Wonder’s “golden era” at Motown
I Want You To Want Me: Cheap Trick "Complete Epic Albums" Box Offers Remastered Classics, U.S. CD Debuts
"ELO kiddies, ELO kiddies, whatcha gonna do when the lights start shining?" went the musical question in the first song on Cheap Trick's very first album. But one question, naturally, leads to another. Was the song title simply saying a British 'elo in a cheeky salute? Or was it alluding to ELO, a.k.a. Electric Light Orchestra, the orchestral rock outfit founded by Jeff Lynne and Roy Wood? Why the heck does the song sound more like Gary Glitter than those Brummies? And where did the boys
The People Tree: Anthony Newley, Leslie Bricusse and Hugo Friedhofer Classics Reissued by Kritzerland
Barbarians, Man, God, The Devil… Kritzerland’s latest two reissues sure aren’t shying away from big subjects! The label began accepting pre-orders today for one never-before-on-CD cast recording and one first-time soundtrack pairing. Both titles are sure to send your temperatures rising! Two Golden Age film scores from Hugo Friedhofer, a Kritzerland favorite, are brought together for the first time on one CD with The Barbarian and the Geisha/Violent Saturday, while the legendary team of
Keep On Dancing: Elvis, Dusty, The Wicked Pickett All Appear on "Memphis Boys"
Just last year, Ace Records' Kent imprint issued a definitive 3-CD survey of Fame Studios, the Muscle Shoals, Alabama home of many of the greatest soul records ever committed to vinyl. Over in Tennessee, however, another joyful noise was arriving courtesy of the musicians at Memphis, Tennessee's American Studios. Ace is celebrating the multifaceted sounds of Chips Moman and Don Crews' American Studios with the new Memphis Boys: The Story of American Studios, a 24-track tribute featuring such
Guitars A Go-Go: "Fender: The Golden Age" and Jerry Cole's "Psychedelic Guitars" Celebrated by Ace
If you've got guitars on the mind, look no further than a pair of new releases from those compilation experts at the Ace label! Fender: The Golden Age 1950-1970 (Ace CDCHD 1315) is a new 28-track anthology that manages to be both comprehensive and the tip of the iceberg, where the famous guitar is concerned! A new companion to the 2010 book of almost the same name (Fender: The Golden Age 1946-1970 by Martin Kelly), this set offers a rare chance to appreciate both the talent on the record label
Broadway Babies: Sony's Masterworks Label Reissues Julie Andrews and Carol Burnett Classics on CD
In 1962, Carol Burnett was one of America's fastest-rising comedy stars, having reigned on Broadway as a brassy princess in Once Upon a Mattress and endeared herself to the rest of America as a regular on The Garry Moore Show. Julie Andrews shared a stage pedigree with Burnett, a performer since childhood and the originator of iconic roles in Alan Jay Lerner and Frederick Loewe's My Fair Lady and Camelot. When Andrews teamed with Burnett as a guest on Moore's program, the chemistry was all too
Couldn't I Just Tell You: Shout! Factory Premieres Vintage Rundgren and Utopia Concert
We kicked off our week here at Second Disc HQ yesterday with a veritable smorgasbord of Utopia news, and today that feast grows even more bountiful! The Shout! Factory label is joining the ranks of Edsel, Esoteric and Rockbeat as yet another purveyor of all things Rundgren. Live at Hammersmith Odeon ’75 has been set for release on April 10, and the 10-track CD (also available as a digital download) captures the first U.K. concert of the band then billed as Todd Rundgren’s Utopia. Recorded by
Love in Action: Todd Rundgren Goes "Back to the Bars," To "Mink Hollow" and Beyond
Welcome back to our Rundgren Round-Up, spotlighting the final installments in Edsel’s series of the complete Bearsville Todd Rundgren and Utopia reissues! On 1978’s Back to the Bars, Todd Rundgren was in gentle, intimate mode, feeding off audiences in New York, Los Angeles and Cleveland eager to hear his most accessible tunes on a “retrospective” tour. For this look back at a near-decade’s worth of music making, Rundgren enlisted the classic Utopia line-up of Kasim Sulton, Willie Wilcox and
Review: Big Brother and the Holding Company Featuring Janis Joplin, "Live at the Carousel Ballroom 1968"
Journey back with me to 1968, will you? Your time machine is courtesy Owsley “Bear” Stanley, visionary sound engineer and renowned LSD chemist. But you don’t need any lysergic acid to enjoy the music contained on the little silver disc known as Live at the Carousel Ballroom 1968 (Columbia/Legacy 88697 96409 2, 2012), billed as the first release from Bear’s Sonic Journals. That said, a little Southern Comfort probably wouldn’t hurt. (Or a toke or two, as per the suggestion of Stanley’s son
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