The San Francisco Bay Area music scene of the 1960s was certainly one of the most fertile at that time or any other; groups of such prodigious invention as The Grateful Dead, Creedence Clearwater Revival and Quicksilver Messenger Service all thrived and found a national audience. With apologies to The Dead, though, the longest and strangest trip of all may have been taken by the Bay Area's own Jefferson Airplane. Drawing on blues, rock, folk, jazz and psychedelia, the Airplane carved out a niche
Romantic Hamlisch Coming Soon from Kritzerland
This is shaping up to be an exciting week for classic soundtrack fans. Hot on the heels of Film Score Monthly’s announcement of a Bronislau Kaper collection, Kritzerland unveiled its latest release Monday morning: Marvin Hamlisch’s score to the 1983 film Romantic Comedy. Hamlisch is too often underrated in the film scoring department, although can you really call someone underrated who has amassed three Academy Awards, three Golden Globes, four Emmy Awards, four Grammy Awards, a Tony Award and
News Round-Up: New Stage and Screen Releases from Kaper, Loesser and More
There's rarely such a thing as a Monday matinee, but that won't keep The Second Disc from ushering in the week with news of a quintet of reissues from our friends at Film Score Monthly and Sepia Records. These exciting releases are sure to please devotees of both soundtracks and cast albums. Film Score Monthly kicks things off with their new release of BUtterfield 8: Bronislau Kaper at M-G-M, Volume 1 (FSM 1309). Kaper rarely seems to be afforded the acclaim given to many of his contemporaries,
Back Tracks: Rupert Holmes
“If you like pina coladas, and getting caught in the rain”…Come on, you know how it goes, sing along…“If you’re not into yoga, if you have half a brain…” So goes the song that got Rupert Holmes into the record books as singer/songwriter of the last No. 1 hit of the 1970s and the first of the 1980s. While it may be the most famous song penned by the idiosyncratic artist/composer/producer (and collaborator of artists ranging from Streisand to Sparks!), it’s merely the tip of the iceberg for Rupert
News Round-Up: Coming Soon from Audio Fidelity, Kritzerland & Masterworks Broadway
There's lots of label action to report today, so let's just jump right in: Hot on the heels of this week's release of Stevie Wonder's Talking Book and Laura Nyro's Time and Love: The Essential Masters, Audio Fidelity has announced two more titles to receive the 24K Gold CD reissue treatment. Coming up are two 1980s classics: Rickie Lee Jones' 1989 Flying Cowboys, produced by Walter Becker of Steely Dan, and Billy Idol's Rebel Yell, the 1983 album that catapulted Idol to superstardom. Steve
Starr-Struck: Vini Poncia and Jackie Lomax, Reissued
Oh my, my! Ringo Starr turned 70 on July 7 and celebrated with a concert at Radio City Music Hall and an afternoon “Peace and Love” celebration. After the breakup of The Beatles, few would have believed what a prolific career the former Richard Starkey would have; his 15th studio album, Y Not, saw release via Hip-O Records just this past January. Ringo’s always gotten by, well, with a little help from his friends. His first solo LP, 1970’s Sentimental Journey, found George Martin in the
Review: Harry Nilsson and John Stewart, "Spotlight on Nilsson/Willard"
Whenever the temptation exists to get depressed about the state of the catalogue business, a reissue comes along as a reminder of a couple things. One, that good things, indeed, do come to those who wait. Two, that sooner or later most everything will see the light of day. One such reissue arrived from DRG Records on June 29 to sadly little fanfare. This totally unexpected set joins albums by two disparate artists, yet stands as a cohesive and altogether rewarding listening experience. Harry
Review: "Promises, Promises: Original MGM Broadway Cast Recording"
The Fourth of July isn’t usually a holiday known for gifts. But your humble reviewer felt as if he got a gift, and what a gift!, on July 3 when Kritzerland’s limited edition deluxe 2-CD reissue of the original cast album of Promises, Promises (KR 20015-9) arrived in the mail. As a result, much of the weekend was spent listening to an album I’ve known for years, but hearing it as if for the first time. For background on this release, see The Second Disc’s post of June 14 and join us after
Come Back When You Grow Up: Lost Bobby Vee Tracks to See Release
The early 1960s could be thought of as the era of the Bobbys: Darin, Rydell, Vee. Despite rising to prominence in the unfairly-derided period between the birth of rock & roll and the British Invasion, these post-Elvis pop stars all stormed the charts and left behind great recorded legacies. Darin was a multi-faceted entertainer who touched on pop, standards and folk-rock with equal ability before passing away at a too-young age, Rydell waxed some of the most indelible pop confections out of
July 4th Special Review: Frank Sinatra, "America, I Hear You Singing"
“I hear America singing, the varied carols I hear,” Walt Whitman famously wrote in 1900. In early 1964, the country was still recovering from the assassination of President John F. Kennedy, and as in so many times of turmoil, artists stepped up to raise their voices in song and perhaps lend comfort and assurance. One such artist was Frank Sinatra. While his many other loves have been well-documented, love of country surely ranked high among them. A lifelong civil rights champion and proud
Loesser is Always More: Happy Birthday, Frank Loesser!
While his name may not be instantly recognizable today, many of the songs penned by Frank Loesser most certainly are: “Baby, It’s Cold Outside,” “Heart and Soul,” “What Are You Doing New Year’s Eve?,” “Sit Down, You’re Rockin’ the Boat.” The man himself passed away in 1969, but his catalog lives on. June 29 would have marked Loesser's 100th birthday, and Sony’s Masterworks Broadway division marks the centennial with this week’s release of the 19-track compilation Heart and Soul: Celebrating the
Review: John Fogerty, "Centerfield: 25th Anniversary"
John Fogerty can be called many things. Prolific, though, isn't one of them. Fogerty's 1985 Centerfield, originally issued on Warner Bros. Records, marked the former Creedence Clearwater Revival frontman's return to a prominent place in the rock pantheon after a near decade-long absence. After acrimoniously parting ways with his famous band, Fogerty recorded a collection of rootsy country covers (1973's The Blue Ridge Rangers) for CCR's longtime label, Fantasy Records. Yet Fogerty was locked in
Rhino Handmade Redux: Introducing Tartare
One would think Collectors' Choice Music would have had its hands full with July's release of the complete Allan Sherman catalog. Not so. The fine folks at Collectors' Choice have joined forces with Warner Music Group to introduce a new label designed to reissue LPs so rare, even WMG's Rhino Handmade wouldn't tackle them. With that in mind, the new label is named Tartare, and its first 10 releases are all due to ship on July 6. Any new reissue label is cause for readers of The Second Disc to
My Son, the Reissue Campaign
In the pantheon of American comedy, there's a special corner reserved for the work of song parodists. The form arguably reached its greatest heights under the aegis of Stan Freberg in the 1950s. Freberg and his stable of talented voice artists (including animation legends Daws Butler, Paul Frees and June Foray) knew no sacred cows and their amazing body of work still inspires gales of laughter today. (Any comedy fan unfamiliar with the Freberg oeuvre is advised to seek out Rhino's exhaustive
Reissue Theory: Brian Wilson, "Imagination"
Monday, June 21 marks the first day of Summer 2010. How appropriate, then, that the 68th birthday of Brian Wilson was a mere day earlier on June 20. Few musicians, if any, have contributed as much to the American myth of summer as Beach Boys leader Wilson. Years after galvanizing popular music with albums like 1966's much-reissued Pet Sounds and singles such as the same year's psychedelic "Good Vibrations," Wilson embarked on a solo career in 1988. Like so much of the man's journey through life,
News Round-up: A Soulful Tuesday
Soul music enthusiasts have had a lot to cheer about this year, with boutique labels (Reel Music, Cherry Red’s Big Break and Super-Bird) and majors (Hip-O Select) alike delivering the goods with deluxe reissues of many classic albums. Soulmusic.com is offering two new releases this week, one on its own label and one coming from Expansion Records. Thelma Houston’s 1969 LP Sunshower (Dunhill 50054) was previously available on CD as an expensive Japanese import, but Soulmusic.com brings it to the
Bacharach: Reissued, Remastered and Remixed
Hot on the heels of The Second Disc’s look at the solo recordings of Burt Bacharach, news just broke that one of the maestro’s most famous non-solo albums is receiving the limited-edition deluxe reissue treatment from the Kritzerland label. United Artists’ cast recording of the 1968 Broadway musical Promises, Promises has long been a favorite recording of Bacharach & David aficionados for introducing their songs “I’ll Never Fall in Love Again,” “Promises, Promises” and “Knowing When to
Tangled Up in Bob: Dylan To Be Boxed Again?
The music of Bob Dylan is widely credited with introducing the concept of the box set to the CD era with the 1985 release Biograph (Columbia C3K 38830, reissued as C3K 86568). Further Dylan box sets have followed including 1991's The Bootleg Series Volumes 1-3 (Rare and Unreleased): 1961-1991 (Columbia C3K 47382, reissued as C3K 65302), 2003's limited edition catalog reissue box simply collecting 15 individually-available hybrid Super Audio CD editions of his catalog (Columbia 90615), and most
The Sweetest Punch: Costello Compiles the Universal Years
Upon its acquisition of the Elvis Costello catalog in 2007, UMe wasted no time in releasing The Best of Elvis Costello: The First 10 Years (Hip-O B0008640-02). That self-explanatory set was compiled by Costello himself, and so it’s fitting that some three years later, Costello and Hip-O are bookending that disc with Pomp & Pout: The Universal Years. This 18-track compilation, slated for a July 13 release, draws from the 10 years Costello spent at various Universal labels between 1998 and
Paul Simon to Embrace His Legacy
It may not be as big a news item as Paul McCartney shifting his solo catalog from sinking ship major EMI to rising indie Concord, but Paul Simon has told Showbiz411’s Roger Friedman of his plans to move his entire output from Warner Music Group to Sony/Columbia. Or more accurately, back to Sony/Columbia. Simon recorded his very first solo album, The Paul Simon Songbook, for Columbia’s U.K. arm in 1965, and of course, the entire Simon and Garfunkel catalog has long resided there. When Simon and
In Defense of Playlist
In today’s radically-changed music climate, it should come as no surprise that record labels are trying many different series and business models to figure out just what the heck will sell. These releases aren’t necessarily aimed at the audience reading this site, most often targeting the casual music buyer. As such, these greatest hits series – whether Sony’s The Essential…, Universal’s 20th Century Masters or EMI’s Classic Masters, just to name a few – tend to be scorned by many collectors as
Review: Otis Redding, "Live on the Sunset Strip"
“Are you ready for star time?” Considering that the star in question was “the one and only, Volt recording star Otis Redding," the answer was bound to be in the affirmative. That was the introduction granted Redding by emcee Al Brisko Clark at West Hollywood’s Whisky A Go Go on the evenings of April 8, 9 and 10, 1966. The Whisky was the happening nightspot on the Sunset Strip in ’66, immortalized by Johnny Rivers on a 1964 LP and frequented by a who’s who of the Los Angeles music scene. (See
News Roundup: Going for the Gold
Yet another sub-genre of the catalogue world is the audiophile reissue. Companies like Mobile Fidelity Sound Lab, Audio Fidelity and Analogue Productions specialize in reissuing classic titles for an audiophile audience, often utilizing the original master tapes for a release on gold CD, hybrid SACD or high-quality LP. With excellent sound quality as the main mandate, bonus tracks and new liner notes are rare on these releases which generally intend to replicate the original artwork and
From The King of the New York Streets to The Wolf King of L.A.
It seems that the Cherry Red family of labels' slogan should be "expect the unexpected." Each label is run by a different team, resulting in an extremely diverse array of offerings. Steve Stanley's Now Sounds celebrates, but isn't strictly limited to, the musical era of 1964-1972. Past reissues have encompassed such styles as harmony and sunshine pop (Roger Nichols and the Small Circle of Friends, The Association), folk (Janis Ian), light psychedelia (Colours), "Bacharock" (The Golden Gate) and
Review: The Rolling Stones, "Exile on Main Street" Deluxe Edition
Few records hold the mystique of the Rolling Stones’ Exile on Main St. Myths have grown and books have been published in an attempt to explain the sprawling album. The story generally goes that 1972 found the band, literally, as tax exiles, seeking refuge across the English Channel in France. A villa in Villefranche-sur-Mer named Nellcote is rented. Music is made. Sex and drugs abound. Somehow in all this debauchery a record is produced, and that record is Exile on Main St. When Universal Music