Last year, rumors began abounding that Paul Simon was back in the studio recording a new album which would be his first since 2018's In the Blue Light and first of original material since 2016's Stranger to Stranger. 2018 was also the year when Simon said goodbye to the road with his Homeward Bound tour. That farewell tour culminated on September 22 in an unforgettable hometown show at Queens' Flushing Meadows Corona Park, but Simon has revealed that he's far from done with music. Those
Where the Devil Don't Stay: Drive-By Truckers Plan "Director's Cut" of 'The Dirty South'
Nearly 20 years ago, genre-bending Southern rock outfit Drive-By Truckers got their first shot of mainstream success with an intriguing concept album called The Dirty South. Now, the group is revisiting that release on The Complete Dirty South. It's a release that frontman Patterson Hood is deeming a "director's cut" of the original work, featuring an expanded, altered track list and a few songs that are remixed, featuring new vocals or both. (All tracks have been remastered by Greg
It's Raining Discs: SoulMusic Promises Tons O' Fun with Weather Girls/Martha Wash Collection
According to our forecast, SoulMusic Records has got an incredible opportunity to soak up two of the most unique singers of the '80s: the dance duo The Weather Girls! Carry On: The Deluxe Collection 1982-1992 is a long-overdue assessment of Martha Wash and Izora Armstead's unlikely journey toward the top of the pop charts, some fascinating music that came before it - and a triumphant second act by Wash following some truly bizarre situations that only could have happened in the music
Rated X: Second Disc, Real Gone Expose "The Flasher" With First-Ever Reissue of Psych-Rock Rarity from Pool-Pah, Rupert Holmes
1973: the sexual revolution was on, streaking was taking college campuses by storm, and Deep Throat was edging pornography ever closer to the mainstream. Against this backdrop, a talented New York band with the unlikely moniker of Pool-Pah teamed up with up-and-coming singer-songwriter, musician, and arranger Rupert Holmes to write and record an unforgettably far-out soundtrack blending rock, psychedelia, jazz, prog, pop, and electronica. It had to be heard to be believed...and far too few
Fragile Thing: Cherry Red Expands Big Country's Final Album with Stuart Adamson
Today would have been the 65th birthday of Stuart Adamson, the brilliant leader of Scottish rock group Big Country. Sadly, Adamson left us far too soon in 2001, losing a battle with depression and alcoholism - so perhaps it is fitting that today we bring the news of Cherry Red expanding the last work by the classic line-up of the band. Following similar releases for the band's material through the '90s from the label (including the expansive Out Beyond the River set and a deluxe edition of
Still Beatin': Huey Lewis and The News Get Expanded Japanese Albums, CD/DVD Collection
Have you heard The News? The sweet pop/rock/soul sound of San Francisco's Huey Lewis & The News has sadly gone silent in recent years, thanks to its one-of-a-kind frontman's battle with Ménière's disease, which causes intermittent hearing loss. But a surprise new reissue campaign courtesy of Universal Music Group's Japanese division promises the most comprehensive look at the band's blockbuster catalogue of the '80s and early '90s. UMG will remaster, expand and reissue the six albums the
Mighty Real: Second Disc Records, Real Gone Music Celebrate Sylvester on "Disco Heat: The Fantasy Years"
When the self-described "disco queen" known as Sylvester stepped on a New York stage opening for Chaka Khan, the local press was entranced. One newspaper approvingly noted that he made "David Bowie look like Lawrence Welk." Nothing was too outrageous for Sylvester. But at his core, he was serious about music and about breaking down the walls of identity. In appearance and demeanor, the unapologetically gay San Francisco star challenged the gender binary long before such discussions were in
You Made Me Love You: Judy Garland's Nightclub Debut Restored for Premiere Release
Judy Garland wasn't even 35 years of age when she quipped on the stage of Las Vegas' New Frontier Hotel, "That's the noisiest, loudest opening number...I'm getting a little old for it! Without taking a step, I get tired!" If the superstar was, in fact, tired, she hardly showed it. Thanks to the High Definition Tape Transfers label, the opening night of Garland's first Las Vegas engagement is now available in sparkling sound for all to enjoy. The Lost Vegas Show premieres the ebullient
Continuing: 7a Reissues, Expands Michael Nesmith's "Ranch Stash" on CD and Vinyl
7a Records, hot off its recent reissue of Macy Gray's jazz/R&B gem Stripped, has returned to the milieu of The Monkees with the latest in its series of expanded and remastered 50th anniversary reissues from the catalogue of Michael Nesmith. Pretty Much Your Standard Ranch Stash is out now in CD and 180-gram gray vinyl formats, both of which add the alternate RCA version of "Marie's Theme" as a bonus track. As detailed in the always-compelling liner notes by Andrew Sandoval, Nesmith's
Speed of Sound: Real Gone's April Line-Up Features Voivod, "Nick & Norah's Infinite Playlist," and More
We've already told you about one of Real Gonem Music's April projects: the 3-CD collection The Complete Scepter Singles 1962-1973 from Dionne Warwick. Now we've got the details on an additional six releases, due to hit shelves tomorrow, April 7: five vinyl reissues from the 1980s-2000s with genres encompassing soul, disco, gospel, heavy metal, and soundtracks, plus an all-new CD from the co-founder of Real Gone. First up are two albums by artists with very small discographies. 1980's Mother
The Precious Moments: Cherry Red Collects Matt Monro's "Complete EMI Recordings 1971-1984"
Thanks to the herculean efforts of Michele Monro and the Matt Monro Estate and engineer/restoration specialist Richard Moore, the music of Matt Monro (1930-1985) has been particularly well served in the CD/digital era. The late singer so closely identified with such classics as "If I Never Sing Another Song," "My Kind of Girl," and "Walk Away" was admired by Frank Sinatra, Paul McCartney, Bing Crosby, Quincy Jones, and Michael Jackson for his warm, clear baritone and direct, understated way
Ring Them Bells: Mike Oldfield's "Tubular Bells" Returns in Various Formats
Mike Oldfield was just 19 years old when he recorded Tubular Bells, the 1973 album consisting of just two long, primarily instrumental tracks for which he played almost all of the instruments himself. The debut album on Richard Branson's fledgling Virgin Records label, Tubular found its audience gradually. When its opening theme was used in director William Friedkin's horror film The Exorcist, sales skyrocketed. Beginning in March 1974, the LP remained in the top ten of the U.K. Albums Chart
In Memoriam: Seymour Stein (1942-2023)
Just Say Yes. None other than Bugs Bunny himself was featured on the cover of Sire Records' 1987 promotional release, the first in a series of collections spotlighting the label's wealth of musical riches. Long before Warner Bros. said "yes" to Sire, though, the company was a scrappy independent thanks to the vision of its co-founder, Seymour Stein. The music mogul who spearheaded the careers of Madonna, Ramones, Talking Heads, The Pretenders, and countless others died yesterday at the age of
My Cup Runneth Over: Stage Door Reissues London Cast Recording of "I Do! I Do!"
Stage Door Records has said "I Do!" to the classic musical by the team of Tom Jones and Harvey Schmidt. I Do, I Do! opened on November 5, 1966 at Broadway's 46th Street Theatre (today, the home of Hamilton) in producer David Merrick and director-choreographer Gower Champion's production starring Mary Martin and Robert Preston. The London production made its premiere on May 16, 1968 at the Lyric Theatre, soon to host 2:22: A Ghost Story. Lucia Victor's recreation of Gower Champion's original
Release Round-Up: Week of March 31
Welcome to this week's Release Round-Up, featuring a selection of new titles in stores today! The Who, The Who with Orchestra Live at Wembley (Polydor/UMC) 2CD/Blu-ray: Amazon U.S. / Amazon U.K. / Amazon Canada 3LP Colored Vinyl: The Who Official Store 3LP Black Vinyl: Amazon U.S. / Amazon U.K. / Amazon Canada The Who brings their 2019 Wembley Stadium concert to a host of audio formats. The show featured Pete Townshend, Roger Daltrey, and their band including Simon Townshend and
Love Comes Quickly: Pet Shop Boys Collect 35 Years of Singles on "Smash"
Pet Shop Boys are looking back on 35 years of music with a newly remastered singles collection to be released on June 16 in a variety of formats. Synthpop duo Neil Tennant and Chris Lowe released their debut single in 1984 with "West End Girls." The strikingly original song melding catchy pop and irresistible dance rhythms was generally well-received but Tennant and Lowe suspected it hadn't met its full potential. The following year, they re-recorded a new version with producer Stephen Hague
Miles Runs The Voodoo Down: Vinyl Me, Please Collects Davis' "Electric Years" on New Box Set
TSD welcomes back Sam Stone for a guest post about Vinyl Me, Please's upcoming Anthology of Miles Davis' landmark electric period in which he redefined the sound of jazz alongside such key sidemen as Wayne Shorter, John McLaughlin, Chick Corea, Herbie Hancock, Joe Zawinul, Dave Holland, Tony Williams, Harvey Brooks, Jack DeJohnette, Michael Henderson, Billy Cobham, Keith Jarrett, Airto Moreira, James Mtume, and many others. Vinyl Me, Please has announced the latest volume in its ongoing VMP
Quartet Records Is In a "Frenzy" With Mancini and Goodwin's Scores for Hitchcock Classic
Alfred Hitchcock's 1972 film Frenzy was widely considered a return to form for the master of suspense, then in his seventh decade. "This is the kind of thriller Hitchcock was making in the 1940s, filled with macabre details, incongruous humor, and the desperation of a man convicted of a crime he didn't commit," wrote Roger Ebert. "We are nearly back in the days of his great English films," opined Penelope Gilliatt in The New Yorker, while Vincent Canby in The New York Times praised it as a
Back on the Morning Train: Cherry Pop Reissues, Expands Sheena Easton's Debut "Take My Time"
Sheena Easton's debut album was called Take My Time, but truth to tell, the Scottish singer didn't need to take much time to leave international audiences spellbound. Now, the original version of that 1981 album - it had been retitled as Sheena Easton for the North American market, resequenced and sans two tracks - has returned in a splendid CD/DVD Deluxe Edition from Cherry Red's Cherry Pop imprint. Long before reality television was de rigeur, the teenaged Sheena captivated U.K. audiences
Chemistry: Rush Revisits "Signals" For 40th Anniversary
Rush's ninth studio album, Signals, had the unenviable task of following up the band's 1981 commercial breakthrough, Moving Pictures. Canadian rockers Geddy Lee, Alex Lifeson, and Neil Peart built on the sound of Moving Pictures with their continued use of electronic instrumentation and were rewarded when the album reached the top ten in the United States as well as the top five in the United Kingdom and No. 1 in their native Canada. The album produced by Rush and longtime collaborator Terry
Do You Feel Like We Do: "Frampton@50" Celebration Coming from Intervention Records with Vinyl and Hybrid SACD Releases
Peter Frampton made his solo debut with 1972's Wind of Change, following successful stints with The Herd and Humble Pie. The album put his acoustic guitar up front, while he also demonstrated his virtuosity on the organ, keyboards, drums, percussion, dulcimer, harmonium, and, of course, the lead vocals. Now, more than half a century later, Frampton has teamed with Intervention Records for a limited edition vinyl box set and a series of hybrid SACD reissues celebrating his early solo years.
Call the Fire Brigade: Iconoclassic Premieres Rick Springfield's Lost 1974 Album "Springfield" in Expanded Edition
Rick Springfield was the real deal, and the record business knew it. Already a veteran of multiple bands including Zoot, the Australian singer-songwriter had good looks and good songs - not to mention a great voice and strong chops. Yet international superstardom didn't come easily for the future General Hospital star and chart-topping "Jessie's Girl" artist. He paid his dues, including a short-lived, uneasy tenure at Columbia Records. Rick had scored a top 20 Pop and AC success of 1972's
What a Day That Was: Talking Heads' 'Stop Making Sense' Expanded for Vinyl, Film Reissue
Why Stop Making Sense? Why a movie? Why tour? Why do the musicians come out gradually? What will the band do next? Whe do the odd instruments come from? Are live concerts better or worse than records? Why no "special effects" in the movie? Why a big suit? Why was a digital system used for the sound? Talking Heads' now-legendary live project Stop Making Sense asked a lot of questions of the listener when it was released in 1984. Here's another one: why reissue the album? That one's easy to
In Your Own Sweet Way: Craft Announces Original Jazz Classics Relaunch with Miles Davis, Monk and Coltrane
Launched in 1982 by Fantasy Records, the Original Jazz Classics banner subsequently appeared on more than 850 reissues over the next three decades from the venerable catalogues of Fantasy, Prestige, Milestone, Riverside, Galaxy, Debut, Contemporary, Pablo, and Jazzland Records. Now, Craft Recordings has announced the relaunch of the series whose logo remains a familiar sight to jazz fans and collectors alike. On April 28, Craft will reissue two classic titles in audiophile quality on the OJC
Saw Your Name in the Paper: Morello Reissues Loudon Wainwright III's Atlantic Albums
Upon the release of his 1970 self-titled debut for Atlantic Records, Loudon Wainwright III was hailed as a "new Dylan." The comparison wasn't completely off-the-mark, given the artist's incisive, alternately wrenching and wry songwriting; and pinched, somewhat nasal voice as he accompanied himself on acoustic guitar. But the lyrical content of Wainwright's songs was far-removed from The Bard of Hibbing's. Having been born to an affluent family (his father wrote the column "The View from Here"
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