For Neil Diamond, good times never felt so good. The venerable singer-songwriter, a robust 73, continues his late-career winning streak with Melody Road, his 32nd studio album. It’s a record of firsts – his first LP under a new agreement with Capitol Records following 40+ years with Columbia Records, and his first of original material since 2008’s Home Before Dark. On this 12-track set, Diamond is in a contemplative mood, offering songs of age and experience in his still-resonant voice. But
Review: Pugwash, "A Rose in a Garden of Weeds" (Or: The Best Band You Never Heard?)
Pugwash is currently wrapping up its first-ever U.S. tour with two more performances scheduled in Los Angeles: this Sunday, October 19, on a bill alongside Wings' great guitarist Laurence Juber and Now Sounds' musical guru and all-around renaissance man Steve Stanley; and next Friday, October 24, with Love Revisited! If you're in the area, you just might want to check the lads out! The first track on the first-ever North American release by Irish band Pugwash implores “Take Me Away,” but
Now Sounds Celebrates 50th Release With Paul Parrish's Trippy "Forest"
On a map of the psychedelic landscape, down a ways from the windmills of your mind and not too far from Strawberry Fields, somewhere between Itchycoo and MacArthur Parks, you might find the forest of Paul Parrish’s mind. The Michigan native could be best remembered for a couple of singer-songwriter albums on the Reprise and ABC labels in the 1970s, or as one-half of Parrish and Toppano in the 1980s…or perhaps as the lead vocalist of The Brady Bunch theme during the sitcom’s first season! But
Baby Let's Swing: Edsel Continues Todd Rundgren Deluxe Series
Once he wraps up the current leg of Ringo Starr’s sold-out All-Starr Band tour, Todd Rundgren will embark on a series of solo dates billed as “An Unpredictable Evening.” But in fairness, isn’t every solo concert with Rundgren an unpredictable evening? A typical (?) night with Todd could draw upon impeccable AM pop, heavy metal, prog rock, electronica, Gilbert and Sullivan and even bossa nova – and still not present every side of the musical iconoclast. As Rundgren has amassed a back catalogue
Review: Spanky and Our Gang, "The Complete Mercury Singles"
Between 1966 and 1970, Spanky and Our Gang released three studio albums, one greatest-hits collection, one live set and 21 single sides. Though the gang was, in Spanky McFarlane’ s words, “eclectic as hell”– they covered John Denver and The Music Man on their first LP alone – they’re best remembered for three AM radio staples released in 1967 and 1968: “Sunday Will Never Be the Same,” “Lazy Day” and “Like to Get to Know You.” These three tunes are inextricably tied to the period in which they
Reviews: The Posies, "Failure" and Game Theory, "Blaze of Glory"
There’s something about power pop. In this era of EDM and songwriting-by-committee (not that there’s anything wrong with that – is there?), there’s still something about a couple of guys armed with little but guitars, harmonies, and their own imaginations, driven to create a joyful noise. In this era when radio is dominated by music that can’t be duplicated onstage without benefit of technology, there’s something about the thought of musicians just plugging in and getting
All The Way To Paradise: BBR Revisits Stephanie Mills, Burt Bacharach, Hal David's Motown Gem "For The First Time"
Following the commercial failure of the big-budget 1973 movie musical Lost Horizon, Burt Bacharach retreated. Tension over the film had led to a split with his longtime songwriting partner Hal David, and their split had in turn led to a breakup of their “triangle marriage” with singer Dionne Warwick. Lawsuits ensued. Only one new Bacharach song emerged in 1974, Gladys Knight and the Pips’ “Seconds,” co-written with playwright Neil Simon for a proposed movie version of the 1968
Review: Big Star, "#1 Record" and "Radio City"
Our mini-Power Pop Festival begins here! Next, look for our reviews of new reissues from The Posies and Game Theory! O My Soul! Big Star is back! Despite an amazingly small catalogue – four studio albums, a handful of live releases, an even bigger handful of compilations, a key soundtrack, and one stunning box set – there never seems to be a shortage of releases for the biggest band that never was. Two of the most recent have arrived from Stax Records and Concord Music Group, and they’re
Review: The George Harrison Remasters - "The Apple Years 1968-1975"
“Silence often says much more/Than trying to say what’s been said before/But that is all I want to do/To give my love to you…” Those lyrics, penned by George Harrison for his song “That is All,” could be directed to a female lover or to a higher power, but the sentiment rang true for the artist in any circumstance. Harrison’s lifetime of work was marked by its forward thinking, a trajectory that is eloquently expressed on the new box set The Apple Years 1968-1975. Over the six albums
Divine, Marvelous: "Gal Costa" Bridges Bossa Nova and Tropicalia
Blame it on the bossa nova. So pervasive was that intoxicating, romantic and gentle Brazilian beat that an alternative had to arrive. It came in the form of tropicalia, or tropicalismo, blending the popular with the avant-garde, fusing Brazilian and African rhythms with that old-time rock and roll. Tropicalia rose to prominence along with música popular brasileira (MPB), offering young people an alternative to bossa nova, which had by that point risen to international prominence. Emerging
Review: Bob Wills and His Texas Playboys, "Riding Your Way: The Lost Transcriptions for Tiffany Music 1946-1947"
"Pull another chair at the table," comes the invitation that opens Bob Wills and His Texas Playboys' Riding Your Way, the new deluxe 2-CD set from Real Gone Music (RGM-0244). "Make room in your heart for a friend," goes the second song on this collection featuring 50 of the never-before-released Lost Transcriptions for Tiffany Music circa 1946-1947. You'll want to pull up that chair, and make room for Wills, with this remarkable (and remarkably entertaining) historical find filled with good,
You Gotta Have Faith (Hope, and Charity): Real Gone Reissues Lost R&B Gems
Real Gone Music is moving to the sound of a disco beat! In conjunction with SoulMusic Records, Real Gone has tapped the vaults of RCA Records to present two world-premiere CD reissues, both with rare bonus tracks. Perhaps no other genre has inspired as many songs imploring listeners to suppress their inhibitions and put their dancing shoes on as disco has. “Let’s Go to the Disco/’Cause I feel like dancing tonight/Let’s go to the disco/Where the music is outta sight!” The call to arms “Let’s
Review: Nils Lofgren, "Face the Music"
I. See What a Love Can Do Nils Lofgren was just seventeen years old when Neil Young called upon him to play piano on his third solo album, After the Gold Rush. The guitarist, songwriter, multi-instrumentalist and onetime child prodigy joined Jack Nitzsche and the men of Crazy Horse – Danny Whitten, Billy Talbot and Ralph Molina – on an instrument which was largely unfamiliar to him. He added the understated, stark and raw piano parts that Young and producer David Briggs were looking for, and
Review: Lulu, "The Atco Sessions 1969-1972"
Muscle Shoals, Alabama is a long way from Glasgow, Scotland. But when Lulu took the trek in 1969, the “To Sir with Love” songbird proved that she could play with the big boys. Though neither New Routes nor its Miami-recorded, Dixie Flyers-assisted follow-up Melody Fair scaled the heights commercially, both projects proved the versatility of the vocal dynamo. In 2007, Rhino U.K. issued The Atco Sessions 1969-72 collecting both of Lulu’s lost southern soul forays in one deluxe 2-CD package. Upon
Review: Omnivore Goes New Wave with Lost Songs of "Billy Thermal"
“Eternal Flame,” “So Emotional,” “Like a Virgin,” “True Colors” – the songs of Billy Steinberg not only nearly defined the sound of eighties pop, but have endured to the present day. Yet before Steinberg joined with Tom Kelly to pen those songs and so many others, he was fronting a power pop/new wave quartet with the unlikely name of Billy Thermal – Billy for Steinberg, Thermal for the city in which his father’s vineyards were located. The group, consisting of Steinberg, guitarist Craig Hull,
Review: Elvis Presley, "That's The Way It Is: Deluxe Editions"
In 1992, American voters were asked to vote on not one, but two, matters of national importance: who should be the next President of the United States – and which image of Elvis Presley should grace a postage stamp. Bill Clinton won the former with roughly 43% of the popular vote, and as for the latter decision? It was “young Elvis” by a reported 75% landslide. The lithe, “Heartbreak Hotel”-era image of the pelvis-swiveling icon had triumphed over the jumpsuit-clad “old Elvis” – who, in fact,
Friday Feature: Roy Budd's "Phantom of the Opera" Score Premieres For Classic Film
Welcome to the return of the Friday Feature, in which we turn the Second Disc spotlight onto classic film soundtracks and their various releases! Today, the Friday Feature is the 1925 Universal horror classic The Phantom of the Opera, and the rarely-heard score is by the late Roy Budd! Cue Mr. Budd's music of the night... When author Gaston Leroux introduced Le Fantôme de l'Opéra as a serialized novel in the pages of newspaper Le Gaulois in 1909, it was hardly likely that the former
Splish Splash! Bobby Darin's "The Milk Shows" Premieres Two Discs of Never-Before-Heard Recordings
Bobby Darin knew he was in a race with time. If it was a race he would inevitably lose as a result of the heart condition he fought for his 37 years, Darin accomplished more in that short period of time than many artists who lived twice as long. A master of reinvention, Darin successfully transformed himself from teen idol to sophisticated hipster to folk troubadour and back again before his death in 1973. He also left behind a catalogue of impressive size at Atlantic, Capitol, Motown and his
Love Is: Carol Williams, The Salsoul Orchestra Make Sweet Music on "'lectric Lady"
Carol Williams signed to New York’s Salsoul Records label in 1975 for one single, but stuck around for one memorable album. That lone long-player, titled ‘lectric Lady, paired the New Jersey-born vocalist – Salsoul’s first female contract signing – with the label’s premier musical outfit, The Salsoul Orchestra, for an alluring blend of disco and sleek soul. Cherry Red’s Big Break Records imprint is now feeling electric with an expanded and remastered reissue of ‘lectric Lady. Williams came to
Razor and Tie Revisits Emerson Lake and Palmer's "Brain Salad Surgery" For 40th Anniversary
For Emerson, Lake and Palmer, the fourth time was the charm. Keyboardist Keith Emerson, vocalist/bassist/guitarist Greg Lake and drummer/percussionist Carl Palmer were innovators in the progressive rock genre, fusing classical, jazz and heavy rock on a regular basis since their 1970 self-titled debut album. ELP was an answer both to the compact, three-minute pop songs that dominated the airwaves and to the blues-rock genre epitomized by the likes of Led Zeppelin, and the group pursued a
Calling "Gloria": Laura Branigan's Debut Album Gets Expanded Reissue
“What kind of an artist are you?” The question has been asked again and again in this age of music reality shows in which a fickle public can make a recording star – at least for fifteen minutes – by dialing an 800 number or sending a text message. Truth to tell, Laura Branigan could have been any kind of artist she desired. Armed with a powerful, resonant and highly individual voice, Branigan worked her way up the ranks of stardom. She ultimately chose to embrace the sounds of contemporary
Look Up To The Sun: Ruthann Friedman Goes Beyond "Windy" On Now Sounds' "Complete Constant Companion"
Roughly one year ago, Now Sounds released Windy: A Ruthann Friedman Songbook. Its colorful cover was adorned with a striking photograph of the artist, intense and beautiful, in a verdant setting. The label has now continued the Ruthann Friedman story with The Complete Constant Companion Sessions, and its cover is as to Windy’s as night is to day. Its stark black-and-white line art by Peter Kaukonen appears to depict an angel on a landscape of rolling hills, conjuring cryptic text and an
Old School: Soul Man Willie Jones Has "Fire In My Soul" On Comeback Album, Welcomes Frank Black, Steve Cropper and Felix Cavaliere
We interrupt our regularly scheduled programming for a special news bulletin: Willie Jones, vocalist for The Five Jokers back in the early 1960s, has returned to recording for the first time in decades! His new solo album, Fire in My Soul, arrived this week in the U.K. from Cherry Red Records’ Shout! label, and we’re happy to report that it’s a treat for vintage soul enthusiasts! Much has been made of today’s crop of “neo-soul” artists, fusing organic elements of traditional R&B into more
Review: Real Gone Goes Soulful With Patti LaBelle and the Bluebelles, Irma Thomas
During its mid- to late-sixties heyday, Atlantic had two “girl groups” on its roster: The Sweet Inspirations and Patti LaBelle and the Bluebelles. It’s appropriate, then, that SoulMusic and Real Gone has a companion release to The Sweet Inspirations’ singles anthology with Patti LaBelle and the Bluebelles’ 2-CD set The Complete Atlantic Sides Plus (RGM-0237/OPCD-8839) featuring Patti LaBelle, Nona Hendryx, Sarah Dash and Cindy Birdsong. Like The Sweet Inspirations and Irma Thomas collections,
Shaken, Not Stirred: Ace Mines "The Secret Agent Songbook" With "Come Spy with Us"
For many, the sound of John Barry epitomizes the sound of the spy thriller. It’s no surprise – with 12 James Bond films under his belt, the late, great British composer imbued his melodies with the right amount of adventure, humor, tension, sophistication, and well, sex. It’s fitting that Barry opens Ace Records’ superlatively entertaining new anthology Come Spy with Me: The Secret Agent Songbook, collecting 25 samples of swinging music from spies and secret agents (and even a handful of
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