Hello everybody, Garden Spot is on the air/So just relax and listen in your easy rocking chair/Music for the family in the good old-fashioned way/I hope that we can please you, bring you sunshine every day! That bucolic, peppy introduction opened Naughton Farms' Garden Spot radio program, "the show that brings you all your favorite folk music singers." One such "folk music singer" in 1950 was Hank Williams. Omnivore Recordings' new The Garden Spot Programs, 1950 (OVCD-87, 2014) preserves 24
Lovely Day: Aretha, Sly, Andy, Marvin and Billie Headline "The Brazil Connection"
Well, summer is officially upon us! Already there's talk about which songs will be anointed the perfect summer jams for 2014 - songs by artists like Ariana Grande, Iggy Azalea and the ubiquitous Pharrell Williams. If those names don't set your pulse racing, however, Legacy Recordings has an alternative that's bound to conjure up images of tropical sunsets, refreshing drinks and summer breeze. Studio Rio Presents The Brazil Connection makes over 12 pop classics from the Sony vaults by melding the
Big Break Big Round-Up, Divas Edition: Label Reissues Carolyn Franklin, Gloria Gaynor, Patti LaBelle
As the youngest daughter of The Reverend C.L. Franklin, Carolyn Franklin was destined to live in the shadow her older sister Aretha. But like eldest sister Erma, Carolyn carved out an impressive career of her own. During her too-short life, sadly curbed by cancer at age 43 in 1988, Carolyn recorded for both the independent Double L label and the major RCA Victor. In addition to serving as a background singer on such classics as "Respect" and contributing to its now-famous arrangement, she wrote
The Entertainer: Marvin Hamlisch's "D.A.R.Y.L." Premieres on CD, Features Teddy Pendergrass and Nile Rodgers
It's appropriate that Marvin Hamlisch's only children's book was titled Marvin Makes Music, for making music was indeed what the man did - music for Broadway, music for television, music for the concert hall, music for the silver screen. In any genre, Marvin made music overflowing with melody, wit and heart, and his populist approach earned him the nickname "the people's composer." Hamlisch's film career began in 1968 with the score to the cult film The Swimmer and ended with his
Ramble On! Review: The Led Zeppelin Remasters - "I," "II" and "III"
Led Zeppelin wasn’t built in a day. “Good Times Bad Times,” the first track off the hard rock combo’s first album, today sounds very much of its time and also unusually forward-thinking. The crunchy riff that introduces the track augured for the amped-up sound of metal to come, but the opening verse and chorus still have one foot in mod pop. Yet the sheer attack that marks Zeppelin’s best work was already there. Jimmy Page’s guitar cuts loose at about the minute-and-a-half point, John Bonham’s
Review: Roy Orbison, "Mystery Girl: 25th Anniversary Deluxe Edition"
Roy Orbison never intended Mystery Girl to be an epitaph. Yet The Big O never had the chance to enjoy the overwhelming success of the 1989 album, as he passed away almost two months to the day prior to its release. Still, as far as epitaphs go, Mystery Girl was – and is – a stunner, a parting gift from one of the most distinctive and resonant voices in rock and roll. Roy’s Boys, the company formed by Orbison’s sons, and Legacy Recordings have teamed for a 25th anniversary reissue of Orbison’s
Sign of the Times: "Look For A Star" Collects Early Songs of Tony Hatch
Encouraged by his publisher to pen a song for a Norman Wisdom film in pre-production, teenager Tony Hatch wrote "Follow a Star." Though the beloved British comedian passed on it, the tune found its way into a B-movie called Circus of Horrors with a new title: "Look for a Star." The same week in June 1960, four recordings of the pretty little tune entered the Billboard Hot 100 across the pond. Dean Hawley reached No. 29, Billy Vaughn made it to No. 19, Garry Miles hit No. 16, and the original
I Know A Place: Petula Clark, Scott Walker, Connie Francis Celebrate "The Songs of Tony Hatch"
Ace Records’ latest addition to its Songwriters Series, Colour My World: The Songs of Tony Hatch, should come with a warning label – CAUTION: THESE SONGS WILL MAKE YOU HAPPY. A composer, lyricist, producer, arranger and A&R man (whew!), Hatch was a hitmaker par excellence, and one of no small skill for imparting joy through his music. Petula Clark’s bright 1964 single “Downtown” alone would likely have assured Hatch a place in the Book of Pop, Swingin’ Sixties chapter. But listening to a
Vikki Carr's "Love Again: The Lost Columbia Masters" Unearths Never-Before-Heard Recordings
I recently had the great pleasure of providing the liner notes for Real Gone Music’s first-ever CD reissue of Vikki Carr’s Columbia Records album The First Time Ever (I Saw Your Face). That title arrived in stores last week joined by a collection of previously unreleased material from the great vocalist. Love Again: The Lost Columbia Masters is a major find for fans of Carr and in large part presents her voice in a new, contemporary country setting.- JM Have forty years really passed since
Review: The Grass Roots, "The Complete Dunhill/ABC Hit Singles"
The tale of The Grass Roots is a convoluted one, involving a couple of bands, a pair of auteur songwriter-producers, and a handful of famed session men. But if the behind-the-scenes story is one with numerous twists and turns, the appeal of the music recorded under The Grass Roots’ name is blissfully simple: great songs, great productions, great performances. 24 polished nuggets from the Los Angeles pop-rockers – many of which still remain in rotation on oldies radio today - have been collected
Couldn't I Just Tell You: Todd Rundgren Goes Deluxe In New Edsel Series
On the first side of his fifth LP, Todd Rundgren proclaimed, “A man would simply have to be as mad as a hatter/To try and change the world with a plastic platter...” Yet forty years on, Rundgren is still “trying to make a living off an elpee’s worth of toons.” As such, he’s accumulated quite a back catalogue, for which Demon Music Group’s Edsel label has been the most recent steward. In 2011, Edsel began reissuing Rundgren’s Bearsville catalogue, both solo and with Utopia, and continued onto
Review: Billy Joel, "A Matter of Trust: The Bridge to Russia"
Billy Joel has been famously prickly in recent years about many of the archival releases bearing his name. But one hopes that the troubadour, currently in the midst of his tenure as a “franchise” at New York’s Madison Square Garden, is beaming with pride at A Matter of Trust – The Bridge to Russia. This set, available in a variety of audio and video formats from Columbia Records and Legacy Recordings, not only splendidly chronicles Joel’s historic 1987 trek to the Soviet Union but vividly
Review: Vanilla Fudge, "The Complete Atco Singles"
It’s hard to believe that Real Gone Music’s The Complete Atco Singles (RGM-0239, 2014) is the first such overview for Vanilla Fudge. Between 1966 and 1970, the Long Island quartet delivered heavy riff-rock that bridged the gap between psychedelia and the nascent hard rock form that would come to be known as heavy metal, transforming popular songs with a raw, visceral, punch-in-the-gut sound. This tasty, single-disc collection brings together every one of the 18 sides released on the Atco label
Review: Bee Gees, "The Warner Bros. Years: 1987-1991"
Tonight, Barry Gibb’s Mythology tour continues making its way through the United States, as the surviving member of The Bee Gees celebrates his family’s legacy in song. From humble beginnings in Australia (1965’s The Bee Gees Sing and Play 14 Barry Gibb Songs) through international stardom and a final studio farewell (2001’s This is Where I Came In), Barry, Robin and Maurice Gibb mastered an ever-shifting array of styles. Baroque, lightly psychedelic pop/rock ceded to tough funk-infused R&B,
The Salsoul Orchestra Goes "High," "Up the Yellow Brick Road"
Big Break Records' non-chronological series of remastered and expanded reissues for The Salsoul Orchestra has already taken listeners from 1975's eponymous debut to 1982's farewell release Heat It Up. With the recent releases of 1978's Up the Yellow Brick Road and 1979's How High, the label has filled in the gaps of its lavishly produced program of the Orchestra's classic non-holiday studio albums. (No fear, however - there are other collaborative albums and even a collection credited to The
Review: Rod Stewart, "Live 1976-1998: Tonight's the Night"
After more than a decade mining the Great American Songbook, seventies rock, vintage soul and Christmas carols, Rod Stewart returned to original rock material with the 2013 release of Time. And while much of the titular subject had indeed passed since his last album of new songs, Stewart’s distinctive voice and joie de vivre were happily intact. The spirit that has kept Stewart a superstar is fully on display in the new 4-CD box set Tonight’s the Night – Live 1976-1998. Over its four discs and
Review: Real Gone Offers Temptations From David Ruffin and Eddie Kendricks
Three recent releases from the team at Real Gone Music feature the solo music of David Ruffin and Eddie Kendricks, two-fifths of the original Temptations line-up. The label has reissued Ruffin's first four albums on two single CDs, two to each CD, and has premiered Kendricks' post-Motown LP Love Keys, for Atlantic Records, on CD. David Ruffin had departed The Temptations after the April 1968 release of the Wish It Would Rain album, with Dennis Edwards officially joining the group onstage in
Ain't That The Shames! Now Sounds Reissues, Expands The Cryan' Shames' Psych-Pop LP "A Scratch In The Sky"
Put “California Girls” in a blender with “Cherish” and you might well wind up with something like “A Carol for Lorelei,” the bright, harmony-drenched pop nugget that opens The Cryan’ Shames’ sophomore album, 1968’s A Scratch in the Sky. Though the Chicago band recorded the LP in New York City, the good vibrations of the Summer of Love were clearly in the air back east for the Columbia Records artists. Whereas the band’s debut album Sugar and Spice was a blast of energetic rock and roll by way of
Henry Mancini's "Who Is Killing The Great Chefs of Europe?" Inaugurates New Vintage Soundtrack Series From Varese
The 1978 film Who is Killing the Great Chefs of Europe? billed itself as "a delicious mystery." Naturally, a delicious mystery would require a delicious score. To accompany the film's recipe of drama, suspense, comedy and action, director Ted Kotcheff turned to "top chef" Henry Mancini. No stranger to all of those genres and more, composer-arranger-conductor Mancini crafted a score that became one of the film's most memorable assets. The long out-of-print soundtrack album, originally
Ace's "Black America Sings Bacharach and David" Features Dionne, Aretha, Cissy, Nina and More
In retrospect, it might be telling that Burt Bacharach’s first recorded song, “Once in a Blue Moon,” was cut in 1952 by Nat “King” Cole. From those earliest days, Bacharach and his lyrical partner Hal David saw their songs recorded by a host of African-American artists: Johnny Mathis, Gene McDaniels, Joe Williams, Lena Horne, and Etta James among them. Once the duo began to change the sound of American music with their ultra-cool, sophisticated pop-soul compositions, those songs were most
Special Review: Jack Bruce, "Silver Rails"
As bassist, songwriter and singer for the power trio Cream, Jack Bruce ensured his place in the classic rock pantheon. Yet in a career spanning over 50 years, Bruce’s time in Cream was incredibly brief: 1966-1968, with two very brief reunions thereafter. That Cream existed for such a short time seems almost unbelievable in light of how influential the band’s music became. But both B.C. and A.C. – Before Cream and After Cream – Jack Bruce has been a working musician. His first studio album since
Isn't That The Look of Love: Ace Reissues and Expands Lesley Gore's "Girl Talk"
The inviting cover image of Lesley Gore’s 1964 LP features the teenage star on the telephone, poised for some Girl Talk with her best girlfriends. Ace Records, following its expanded version of Gore’s shelved album Magic Colors, has recently reissued Girl Talk in similarly lavish fashion, with thirteen bonus tracks (Ace CDCHD 1383). Ace’s disc spotlights one of the great, largely unheralded “triangle marriages” in pop music – artist Lesley Gore, producer Quincy Jones and arranger Claus
Review: The Everly Brothers, "Songs Our Daddy Taught Us" Expanded Edition
When Phil Everly passed away earlier this year, his legacy was celebrated by both those who knew him and those who were influenced by him. Chanteuse Norah Jones commented, “The high harmonies Phil sang were so fluid and beautiful and always sound effortless in a way that just washes over the listener.” Jones’ partner on the tribute album Foreverly, Billie Joe Armstrong, wrote, “Those harmonies will live on forever.” Iggy Pop observed, “The Everlys were the real deal when it comes to American
Donna Loren's Complete Capitol Anthology Reveals A Wealth Of Pop Treasures
“I’m just a little girl, but I feel a woman’s love for you,” Donna Loren sings on the first track of Now Sounds’ delicious new anthology These Are The Good Times: The Complete Capitol Recordings. Those familiar with the teen starlet’s lone Capitol long-player, Beach Blanket Bingo, might be forgiven for thinking this release would be more of the same sand-and-surf fun. But as Gerry Goffin and Carole King’s “Just a Little Girl” reveals, there’s much more to the music of Donna Loren. The newly
Review: Miles Davis, "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3"
Miles Davis was never one to embrace the predictable. When many of his peers were turning to orchestrated pop-jazz and embellishing the era's AM radio hits, he was embracing rock and roll - not just the sound, but moreover, the spirit - with the vivacity of a younger man. Davis was 44 when he stepped onstage at Manhattan's Fillmore East for the series of concerts recently issued in full for the very first time as the third volume of his Bootleg Series. The title, Miles at the Fillmore - Miles
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