If you've got guitars on the mind, look no further than a pair of new releases from those compilation experts at the Ace label! Fender: The Golden Age 1950-1970 (Ace CDCHD 1315) is a new 28-track anthology that manages to be both comprehensive and the tip of the iceberg, where the famous guitar is concerned! A new companion to the 2010 book of almost the same name (Fender: The Golden Age 1946-1970 by Martin Kelly), this set offers a rare chance to appreciate both the talent on the record label
Chicago Reissues Return From Friday Music, “Hot Streets” Kicks Off Campaign
On 1971’s Chicago III, one of the band's passionate anthems went, “I just want to be free…” But it took until 1978 for the band to be truly free, and that year’s Hot Streets was an album of firsts. The freedom largely came as a result of the group having severed its ties with longtime producer/manager James William Guercio; hence, Hot Streets was Chicago’s first album in many years not recorded at Guercio’s famed Caribou Ranch. It was also the first to lack a number in its title and first to
Andy Gibb’s Greatest Hits Reprised, and Flashback with Iron Butterfly
Two long out-of-print greatest hits collections are back in print today thanks to the fine folks at Rhino Records. Iron Butterfly’s Evolution: The Best of Iron Butterfly arrived on the Atco label in 1971 and brought together 11 tracks from the hard rock pioneers’ first four albums. Andy Gibb’s 1991 Greatest Hits, originally on the Polydor label, differed from the 1980 RSO Records hits compilation, and offered 12 prime pop cuts from the youngest of the Brothers Gibb. Although Rhino’s Light
Holiday Gift Guide Review: The Rolling Stones, “Some Girls: Deluxe Edition”
Welcome to our Second Disc Holiday Gift Guide, in which we review some titles we might have missed over the past few weeks! The titles we’re spotlighting in this occasional series just might be candidates on your own holiday shopping list! In a vintage clip that brings one of the biggest laughs in Martin Scorsese’s 2008 concert film Shine a Light, Mick Jagger tells an interviewer that he doesn’t anticipate getting old as a Rolling Stone…yet, nearly fifty years after the band first formed,
Review: The Beach Boys, “The Smile Sessions” Part Three: It’s In Great Shape
Welcome to the third and final part of our review series celebrating the release of The Beach Boys’ The SMiLE Sessions. In Part 1, we revisited the history of the album, and in Part 2, we examined the music and lyrics of Brian Wilson and Van Dyke Parks that created the legend. In today’s concluding chapter, we explore "the sessions" of The SMiLE Sessions and compare the various releases! What’s the biggest surprise of The SMiLE Sessions? It’s the sound of five young men optimistically
Review: The Beach Boys, “The Smile Sessions” Part Two: Surf’s Up, At Last
Today sees the first release, after 47 years, of The Beach Boys’ SMiLE. The Second Disc celebrates this event with a three-part review series dedicated to what was once the greatest lost album of all time. In Part 1, we looked back at the story of SMiLE. In today’s Part 2, we explore the most legendary aspect of the album: the music itself, created by Brian Wilson and Van Dyke Parks, as recorded by The Beach Boys. The SMiLE Shop is finally open for business! It’s only taken some 44
Review: The Beach Boys, “The Smile Sessions” Part One: What’s Past is Prologue
Tomorrow, November 1, marks the release of The Beach Boys’ SMiLE, the most legendary lost album of all time. In recognition of this landmark, The Second Disc is launching a three-part series looking at the SMiLE mythos, including a review of the various editions of The SMiLE Sessions. Before we begin to explore these collections, however, we’d like to offer a bit of perspective and back story on SMiLE: what was, what is, and what might have been. Welcome to Part One: What’s Past is
Pink Floyd, Beatles, Nirvana, Doors Lead Off Record Store Day Exclusives On “Black Friday”
For those of us who still savor the experience of shopping in a physical environment, Record Store Day has become a yearly tradition. It’s sometimes frustrating and sometimes exciting, but few could argue with an event that spotlights the hard-working independent music retailers out there who believe that brick-and-mortar retail can still thrive in the iTunes era. (Amen to that!) A more recent offshoot of Record Store Day has been the mini-event held each Black Friday, or the day after
Short Takes: Beatles May Finally “Let It Be” on DVD, Big Country Goes Back to “The Crossing”
Could a release of Let It Be, The Beatles' harrowing 1970 documentary/epitaph, finally be happening? Director Michael Lindsay-Hogg says so. In an interview with WNYC-FM, Lindsay-Hogg discussed the film, saying, "we have been been working on it pretty much every year for the last couple of years. And the plan is, at the moment, to have it come out, I think, in 2013." A premiere release of the DVD, featuring outtakes and additional footage highlighting the making of the film, would follow a
Listen To The Music: Doobie Brothers Catalogue Expanded In The U.K.
Are you ready to listen to the music? If you are, you're in for quite a treat. The U.K.'s Edsel label has just launched a series of expanded Doobie Brothers remasters, encompassing the band's first eight studio albums (1971-1978) as four 2-CD packages. Doobie Brothers/Toulouse Street and The Captain and Me/What Once Were Vices were just released this past Monday, while Stampede/Takin' It to the Streets and Livin' On The Fault Line/Minute by Minute follow on September 26. These eight albums
BREAKING NEWS! Good, Good, Good Vibrations: The Beach Boys’ “SMiLE” Arrives November 1
Surf's up. At long last, we can finally announce that SMiLE is coming to a shop near you. On November 1, Capitol Records will release The Beach Boys' 1967 lost masterwork as The SMiLE Sessions in three editions: a 5-CD/2-LP/2 7-inch single box (yes, 9 discs!), a slimmer 2-CD version and a 2-LP set. Where to start? First, I recommend digging that artwork at your left. Has it settled in that this set is becoming a reality? Good. Read on, friends. The saga of SMiLE, 2011, was becoming
Reach Out For Them: New 2-CD Comps Coming In September For Dionne, Chicago
Following collections devoted to Foreigner, Christopher Cross, Otis Redding and Yes, the U.K.’s Music Club Deluxe label (a member of the Demon Music Group family) continues its exploration of the Warner Music Group catalogue with new compilations focusing on the long, diverse careers of Dionne Warwick and Chicago. Either of these esteemed acts would be solid candidates for our Greater Hits feature, in which we compare an artist’s “greatest hits” output. Both certainly have been the subjects of
Jethro Tull’s “Aqualung” Turns 40, Gets Deluxe Edition From EMI
First Quadrophenia, now Aqualung! Yes, in advance of an official announcement, remix producer Steven Wilson has spilled the beans on an upcoming deluxe reissue of Jethro Tull’s Aqualung! (Big thanks to our friends at MusicTAP for passing the news on!) The British band’s fourth album, Aqualung remains Jethro Tull’s all-time biggest seller, not to mention one of the most beloved rock albums of all time. It’s tentatively scheduled for September release from struggling juggernaut EMI, and like
Review: Chicago, “Live in ’75”
When they took the stage at Largo, Maryland’s Capital Centre in June, 1975, nostalgia was foremost on the minds of the members of Chicago. Early in the set so immaculately preserved by Rhino on the new Live in ’75 (Rhino Handmade RHM2 526436, 2011), comments are made from the stage with a great deal of surprise: “[Here’s] another blast from the past!” “Nostalgia is in nowadays.” “We would like to be nostalgic.” Would the Robert Lamm, Walter Parazaider, Lee Loughnane and James Pankow of 1975
Rhino Knows What Time It Is: Chicago “Live in ’75” Coming from Handmade (UPDATED 4/11)
UPDATE 4/11: The link just before the jump takes you directly to the order page for this set. Original post: Billboard has certified them as the second-most successful American rock band in music history, only following The Beach Boys. The RIAA places them handily in the Top Ten of all-time album sales from an American group. So it's fair to say that Chicago is still perhaps the most successful American rock band to have been wholly ignored by the Rock and Roll Hall of Fame. The band has
Review: Leon Russell, “The Best of Leon Russell”
There wasn't a dry eye in the house when Leon Russell, upon accepting his induction to the Rock and Roll Hall of Fame, thanked Elton John for rescuing him from "a ditch beside the highway of life." Thanks to the success of The Union, the collaborative album between John and his early idol, Leon Russell's profile has been considerably high of late. It's been so high, in fact, that one member of the Steve Hoffman Music Forums even queried of the community, "Is Leon Russell getting too much
Review: Neil Diamond, “The Bang Years 1966-1968”
When it comes to Neil Diamond, I'm a believer. There's not a trace of doubt in my mind that Diamond burst onto the scene at the right time - not necessarily the night time, though I, too, thank the lord for it. No, Diamond made a big noise in the corridors of Bang Records in the period between 1966 and 1968, an era when the music business was experiencing change more rapidly than anyone could have predicted. And it was far from predictable that the somber and intense young man pictured on The
Review: Bruce Springsteen, “The Promise: The Darkness on the Edge of Town Story”
In 1978, Bruce Springsteen famously mined the darkness on the edge of town, but it was unknown until recently that he considered living in the light of those same New Jersey streets. Flush with the success of Born to Run but drained from a prolonged battle with his former manager, Springsteen considered all avenues in creating the follow-up to the album that changed everything. And much like the eventually-resulting Darkness on the Edge of Town upped the ante from that 1975 landmark, the
Review: David Bowie, “Station to Station” (2010)
There are box sets, and then there are box sets. EMI's hulking, monster of a box dedicated to David Bowie's 1976 Station to Station (EMI BOWSTSD2010) is one such box set. It's even more massive than The John Lennon Signature Box, itself a lavish and large affair containing 11 discs. The multi-disc box celebrating a single album isn't a new concept, although in the past such offerings were largely based upon session material. The format has proliferated in recent times as record labels have
Review: John Fogerty, “Centerfield: 25th Anniversary”
John Fogerty can be called many things. Prolific, though, isn't one of them. Fogerty's 1985 Centerfield, originally issued on Warner Bros. Records, marked the former Creedence Clearwater Revival frontman's return to a prominent place in the rock pantheon after a near decade-long absence. After acrimoniously parting ways with his famous band, Fogerty recorded a collection of rootsy country covers (1973's The Blue Ridge Rangers) for CCR's longtime label, Fantasy Records. Yet Fogerty was locked in
Review: The Rolling Stones, “Exile on Main Street” Deluxe Edition
Few records hold the mystique of the Rolling Stones’ Exile on Main St. Myths have grown and books have been published in an attempt to explain the sprawling album. The story generally goes that 1972 found the band, literally, as tax exiles, seeking refuge across the English Channel in France. A villa in Villefranche-sur-Mer named Nellcote is rented. Music is made. Sex and drugs abound. Somehow in all this debauchery a record is produced, and that record is Exile on Main St. When Universal Music
Review: Chicago – “Chicago Transit Authority” Quadradisc
What is Quadio? That's the question currently being posed by the fine folks over at Rhino.com. For an answer and some fun interactivity, click here. But in short, Quadio describes the new series of four-channel audio DVDs (or "Quadradiscs") being introduced by Rhino with the reissue of 1969's Chicago Transit Authority, the first album by the band later known simply as Chicago. This release is a landmark in a number of ways. For one thing, it signals a new attempt to court the dedicated
Reissue Theory x2: Phil Collins – “No Jacket Required” and Peter Gabriel – “So”
It has been encouraging to see, in light of Genesis' impending induction into the Rock and Roll Hall of Fame, a number of commenters showing their respect for the Phil Collins-led, pop-savvy incarnation of the band. The group's output was always listenable - one could argue the 1990s was largely an exception - but it always seemed popular opinion was against them around the Invisible Touch era. This is ironic, since the same year Invisible Touch was released, former Genesis frontman Peter
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