The 75th anniversary campaign for Blue Note Records is continuing with a trio of titles from some of the venerable jazz label's all-time greatest artists. Following up on the recent deluxe presentation from Miles Davis of his Complete Blue Note Recordings, the label has announced new collections for Clifford Brown, John Coltrane and Thelonious Monk. The Miles volume represented his complete Blue Note recordings as a leader, derived from his 10-inch LPs Young Man with a Horn, Miles Davis Volume
Favorite Things: Resonance Celebrates Wes Montgomery, Charles Lloyd For Record Store Day, Plans Lost John Coltrane Concert For Fall
Resonance Records, known for its deluxe archival packages of recently-discovered recordings from jazz greats including Bill Evans and Wes Montgomery, has a busy 2014 ahead. The label has recently announced plans for two Record Store Day releases with more unheard Montgomery music and one RSD exclusive with never-before-released material from Charles Lloyd. Then, this fall, the label will premiere a live performance from John Coltrane for the first time on commercially released
Review: Miles Davis, "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3"
Miles Davis was never one to embrace the predictable. When many of his peers were turning to orchestrated pop-jazz and embellishing the era's AM radio hits, he was embracing rock and roll - not just the sound, but moreover, the spirit - with the vivacity of a younger man. Davis was 44 when he stepped onstage at Manhattan's Fillmore East for the series of concerts recently issued in full for the very first time as the third volume of his Bootleg Series. The title, Miles at the Fillmore - Miles
Reviews: Bayeté, Sandra Rhodes and Sid Selvidge Arrive from Omnivore
If you’re looking for a record label to do your deep crate-digging for you, look no further than Omnivore Records. The musical archaeologists there have unearthed three all-but-unknown records from artists on the fringe. But these fresh and vital discoveries from Sid Selvidge, Sandra Rhodes and Todd Cochran a.k.a. Bayeté will likely leave you wondering, “How have I missed this music until now?” Likely on the strength of his work on Bobby Hutcherson’s 1971 Blue Note LP Head On,
Little Esther, All Grown Up: Raven Collects Esther Phillips' First CTI Albums
As the premier vocalist on CTI Records' Kudu imprint, Esther Phillips (1935-1984) played a key role in producer Creed Taylor's "Cool Revolution" at CTI. A gifted vocalist, Phillips nonetheless struggled with personal demons throughout her too-short life. The former "Little Esther" had her first taste of success in 1949, just fourteen years old, and a taste of heroin not long after; stories of her mercurial behavior have entered into legend. But her talent was never in doubt. CTI recorded
Hank Williams, Jaco Pastorius Lead Off Omnivore's RSD Slate
[youtube=http://www.youtube.com/watch?v=yUKPRPWCDHg] That change in the air pressure you're probably feeling around your favorite indie record store can only mean one thing: Record Store Day 2014 is coming your way. April 19 will see a host of beloved major and independent labels celebrating the good old resilient brick-and-mortar store with various titles sold exclusively at participating stores. And the beloved cratediggers at Omnivore Recordings have four exciting titles prepared for the big
Billy Paul Is "Feelin' Good" On BBR Reissue Of His First Studio Album
Big Break Records and Billy Paul - they've got a thing going on. The label, an imprint of the Cherry Red Group, has just returned to the soul titan's catalogue for the sixth time - and with this release has gone back to the very beginning. BBR's previous reissues from the "Me and Mrs. Jones" singer have explored his Philadelphia International discography as well as his Neptune release Ebony Woman and a post-PIR album for Total Experience Records. Now, the label has turned its attention to
Heavy "Drama": SoulMusic Slate Includes The Dramatics, Nancy Wilson, D.J. Rogers
As the old expression goes, all good things must come to an end. And so Nancy Wilson's 37-album, 20-year tenure at Capitol Records ended in 1980 with the release of Take My Love. At Capitol, Wilson had proved her mastery of Broadway, Hollywood, traditional vocal jazz, fusion jazz, pop and soul, and had collaborated with the likes of George Shearing, Cannonball Adderley, Kenny Gamble and Leon Huff, Thom Bell, and Oliver Nelson. On her final Capitol LP, Wilson enlisted producers Larry Farrow
Review: Miles Davis, "The Original Mono Recordings"
“Mono featured less audio trickery and fewer audio distractions, so you can actually hear the musical conversation between Miles and the other musicians as it occurred in the studio.” That’s producer George Avakian as quoted in the liner notes for Columbia and Legacy’s new nine-album box set Miles Davis: The Original Mono Recordings. And that purity of sound - further described by the producer of Davis’ first two Columbia albums as “truer to the studio sound and the original intent” – is
Back to Black: Legacy Unveils Record Store Day Black Friday Exclusives From Simon, Dylan, Davis, Nilsson, Hendrix & More
It's that time of year again! Though Black Friday has taken a backseat in recent years to the once-unheard-of Thanksgiving Day sales, the folks at Record Store Day still hold the day after Thanksgiving in high esteem. News has begun to trickle out about this year's RSD Back to Black Friday exclusives, and the team at Legacy has certainly put together a collection of special vinyl releases - and a handful of CDs, too - that look back to recent releases from the label and forward to future
Review: Tony Bennett, "Live at the Sahara: Las Vegas 1964"
It's been a busy week for Tony Bennett, one of the few artists today for whom "legendary" truly applies. Bennett, 87, supported the release of Live at the Sahara: Las Vegas, 1964 as well as the digital release of his entire Columbia Records catalogue with a "digital day" for the books. Bennett engaged in a HuffPost Live Chat, took questions on Twitter via the hashtag #AskTony, shared videos on Facebook, and even participated in a reddit AMA. Here's to the next 87, Tony! Though named for
In His "Reality": Philly Soul Meets Jazz On Monk Montgomery Reissue
UPDATE 9/10/13: Just yesterday, we published the following review of Monk Montgomery's 1974 album Reality, produced, arranged, and co-written by a true legend of soul music and architect of The Sound of Philadelphia, Mr. Bobby Martin. Today, word has arrived that Martin, 83, has passed away following a brief illness. A masterful orchestrator of horns and strings with a background steeped in jazz, Martin created music that was sweet and sophisticated, romantic and wrenching. and always
Favorite Things: Concord Reissues, Expands John Coltrane's "Afro Blue Impressions"
When John Coltrane's Afro Blue Impressions was released on LP by Pablo Records in 1977, it marked the tenth anniversary of the saxophone great's 1967 passing. Capturing his classic quartet in its prime, Afro Blue was recorded live in 1963 in Stockholm and Berlin. Now, on the occasion of the fiftieth anniversary of its recording, and the fortieth anniversary of Pablo, Concord Music Group has remastered and expanded Afro Blue Impressions. The roots of Coltrane's great quartet can be traced to
BBR Unveils Trio of "Winners" From The Jazz Crusaders, Inner Life and Kleeer
Odds and Ends Dept.: In the excitement over Big Break Records' recent quartet of titles from Philadelphia's Baker-Harris-Young production partnership, we temporarily overlooked three no-less-worthy, just-released reissues from the busy Cherry Red imprint: The Jazz Crusaders' Give Peace a Chance, Kleeer's Winners, and Inner Life's self-titled album. Prior to reinventing themselves as The Crusaders in 1971 and emphasizing a funkier electric style, Joe Sample (piano), Wilton Felder (saxophone),
SoulMusic Records Is "Born to Love" With Reissues from Peabo and Roberta, Nancy Wilson and Tavares
With its latest batch of reissues, including titles from Peabo Bryson and Roberta Flack, Tavares, and Nancy Wilson, Cherry Red's SoulMusic Records imprint can truly be said to cover a wide swath of the soulful spectrum. Duets have long been staples of great R&B. Marvin Gaye and Tammi Terrell, Roberta Flack and Donny Hathaway, James Ingram and Patti Austin, and Otis Redding and Carla Thomas - just to name a few in the pantheon - all proved that "it takes two." (That title, in fact, gave
Review: Tony Bennett and Dave Brubeck, "Bennett/Brubeck: The White House Sessions, Live 1962"
It was a Tuesday afternoon in Camelot when giants met. These giants weren’t the types who resided in the clouds atop beanstalks, of course. These were giants of a decidedly more earthy variety. It was at the behest of John F. Kennedy’s White House that Tony Bennett and Dave Brubeck came together. On August 28, 1962, they shared a bill at the base of the Washington Monument as a parting gift to an audience of college-age interns who had served that summer in the nation’s capital. Following
Good Love: SoulMusic Expands Two From Nancy Wilson and Meli'sa Morgan
Following its 2012 reissue of R&B songstress Meli'sa Morgan's Capitol Records debut Do Me Baby, Cherry Red's SoulMusic Records imprint has turned its attention to Morgan's second long-player for the label. Good Love built on the success of Do Me Baby. Besides boasting a No. 1 R&B title track, the album established the Queens-born Morgan as a top R&B talent in her own right. She had previously sung on background vocals for the likes of Whitney Houston and Kashif, and fronted the
Verve Select Offers "Divine" Selection of Sarah Vaughan LPs on CD
The latest from Verve Select, released earlier this week, is a collection of over a half-dozen vintage albums by jazz legend Sarah Vaughan on four discs. Divine: The Jazz Albums encapsulates Vaughan's first round on the Mercury label, after finding earlier success for the previous decade on first the Musicraft label (where she cut hit versions of "Tenderly" and "Nature Boy") and later for Columbia Records, a run characterized by contemporary pop balladry. Once signed to Mercury, she was
Nancy Wilson Goes Pop and Philly Soul With New Two-For-One CD Reissue
By 1970, Nancy Wilson had already been a marquee recording artist for Capitol Records for a decade. The supreme song stylist never allowed herself to be pigeonholed into one musical style, having made her successful debut single with a Broadway showtune ("Guess Who I Saw Today"), dabbled in R&B ("Save Your Love for Me") and collaborated with jazz greats such as Cannonball Adderley and George Shearing. All in all, Wilson was a leading light of adult pop, selling out nightclubs and even
Él is Flying High with Ennio Morricone and Joao Donato
Cherry Red's Él Records label is going 'round the world with a pair of recent releases. Morricone Pops focuses on an oft-overlooked part of Italian composer Ennio Morricone's ouevre: that of his early sixties arrangements not just for film, but also for pop singers. Él also turns its attention to a favorite country, Brazil, for Sambou, Sambou, a collection of two albums of tunes by composer-pianist Joao Donato. With a staggering body of work including more than 500 films and television
Review: The Miles Davis Quintet, "The Bootleg Series Volume 2: Live in Europe 1969"
“Directions in music by Miles Davis,” read the subtitle of the trumpeter’s late-1968 Columbia album Filles de Kilimanjaro. It was the first, but not the last, of his albums to bear those words. But listeners couldn’t have been expected to know which direction Davis would take with each album. Nefertiti, recorded in June-July 1967 but released in March 1968, turned out to be Davis’ last fully acoustic LP, with its follow-up Miles in the Sky (recorded January and May ’68 and released in
Quiet Nights of Quiet Stars: Él Collects Vintage Gilberto, Jobim, Bonfá on CD
Fewer images in music are more evocative than that of the tall and tan and young and lovely girl from Ipanema, walking like a samba and inspiring passersby to go, "Aaaah." Jazz musicians of every stripe and every instrument latched onto Brazil's bossa nova sound after it exploded to popularity in the wake of Antonio Carlos Jobim, Luis Bonfá, Vinicius de Moraes and João Gilberto's soundtrack to the 1959 film Black Orpheus. Though Black Orpheus was the breakthrough, it wasn't the birth of bossa
Big Break Serves Up Soul, Jazz and Funk from Carmen McRae, Billy Paul, Azteca and More
Timeless soul music knows no regional boundaries, at least based on the latest quintet of releases from Cherry Red's Big Break Records imprint. With this group of reissues, you'll travel to Philadelphia by way of Hawaii, Oakland, Harlem and Chicago. All of the titles previewed below are available now in the U.K. and next Tuesday, February 5, in the U.S.! Two new titles hail from the Philadelphia International Records catalogue. Perhaps most exciting is the first CD release outside of Japan
Dusty Groove Label Returns From Real Gone Music with Steig, Humphrey, Harris
The venerable Blue Note Records label was founded in 1939, and from the late 1940s onward emphasized what was most modern about jazz. Blue Note became well known, of course, for the hard bop classics recorded under its aegis. But the varied influences that created hard bop led Blue Note to explore how the avenues of soul, rock and blues intersected with that of jazz. Three new releases from Real Gone Music and the reactivated Dusty Groove Records label explore three sonically-diverse titles
Little Bit O'Soul: Thelma Houston, Syreeta, Nancy Wilson, Brecker Brothers, George Duke Reissued
Soul music was alive and well in 2012, and some of the finest reissues arrived courtesy of Cherry Red's SoulMusic Records label. With the label already looking forward to 2013 releases from artists including Ronnie Laws, Patti Austin, Stephanie Mills, George Duke, Gwen Guthrie and Freda Payne (more on those soon), the time is right to revisit some of the year-end titles that might have fallen under the radar! In addition to celebrating the post-Motown recordings of Mary Wells at 20th Century