Whenever the temptation exists to get depressed about the state of the catalogue business, a reissue comes along as a reminder of a couple things. One, that good things, indeed, do come to those who wait. Two, that sooner or later most everything will see the light of day. One such reissue arrived from DRG Records on June 29 to sadly little fanfare. This totally unexpected set joins albums by two disparate artists, yet stands as a cohesive and altogether rewarding listening experience. Harry
Review: John Fogerty, “Centerfield: 25th Anniversary”
John Fogerty can be called many things. Prolific, though, isn't one of them. Fogerty's 1985 Centerfield, originally issued on Warner Bros. Records, marked the former Creedence Clearwater Revival frontman's return to a prominent place in the rock pantheon after a near decade-long absence. After acrimoniously parting ways with his famous band, Fogerty recorded a collection of rootsy country covers (1973's The Blue Ridge Rangers) for CCR's longtime label, Fantasy Records. Yet Fogerty was locked in
Box Set Round-Up: Hank Williams and Level 42
There's a pair you'd never expect to see in the same title. A few bits of news around the way regarding a few box sets coming up. First up, Time-Life has got a really large box set of Hank Williams material coming out. The Complete Mother's Best Recordings...Plus! is a 16-disc box set (including a DVD) of all Williams legendary, surviving recordings for Nashville radio station WSM (where he had his own show sponsored by Mother's Best Flour). These 72 acetates were recorded through 1951, two
If You’ve Been Seeking P.F. Sloan…
"I have been seeking P.F. Sloan/But no one knows where he has gone..." With those lyrics, Jimmy Webb immortalized the reclusive songwriter, admonishing listeners, "Don't sing this song, it belongs to P.F. Sloan." But when Webb wrote those words in 1971, Sloan had only been away from the music scene for three or four years; in fact, he was a quite prolific writer in the years between 1964 and 1967, often in collaboration with Steve Barri. Sloan, already an established writer of pure pop songs
Review: Carole King, “The Essential Carole King”
“Will You Still Love Me Tomorrow.” “(You Make Me Feel Like a) Natural Woman.” “Up on the Roof.” “You’ve Got a Friend.” All of these songs have found a permanent home as part of The Great American Songbook, and all come from the pen of one Carole King. Her repertoire as both singer and songwriter is celebrated with this week’s release of Legacy’s The Essential Carole King (Ode/Epic/Legacy 88697 68257 2), the first set to focus on both aspects of King’s now 50-plus year career. Producers Lou
Review: Chicago – “Chicago Transit Authority” Quadradisc
What is Quadio? That's the question currently being posed by the fine folks over at Rhino.com. For an answer and some fun interactivity, click here. But in short, Quadio describes the new series of four-channel audio DVDs (or "Quadradiscs") being introduced by Rhino with the reissue of 1969's Chicago Transit Authority, the first album by the band later known simply as Chicago. This release is a landmark in a number of ways. For one thing, it signals a new attempt to court the dedicated
Review: Elvis Presley – “On Stage: Legacy Edition”
When Elvis Presley took the stage of the newly-built Las Vegas International, "the world's largest resort hotel," on July 31, 1969, few predicted that a new era would start for the entertainer. Presley had been absent from the concert stage for eight years and the Vegas community still harbored memories of his poorly-received 1956 stint at the New Frontier Hotel. Despite the recent success of singles "In the Ghetto" and "Suspicious Minds," not to mention the hallowed '68 Comeback Special,
Review: David Bowie – “David Bowie” Deluxe Edition
David Bowie circa 1966 was an artist in search of an identity. He had flirted with theatre, the mod movement, and even mime. When signed by Decca's Deram arm, he had already released six unsuccessful singles on three different labels and fronted a number of quickly-vanishing bands. The Decca contract came shortly after his recordings for Pye, which had been shepherded by British hitmaker Tony Hatch of "Downtown" and "Call Me" fame. The Deram album, simply titled David Bowie, was all but
Back Tracks: Alex Chilton
A potentially embarassing confession: it took the death of Big Star frontman Alex Chilton for me to realize just what I knew about him. I knew his name was the title of a Replacements song (thanks, Rock Band), I'd known of Big Star thanks to the justifiable hype over last year's box set from Rhino and I'd known a handful of his most famous, very solid compositions that he either wrote or popularized ("Thirteen," "The Letter," "In the Street") through inevitable cultural osmosis (thanks, That
Reissue Theory x2: Phil Collins – “No Jacket Required” and Peter Gabriel – “So”
It has been encouraging to see, in light of Genesis' impending induction into the Rock and Roll Hall of Fame, a number of commenters showing their respect for the Phil Collins-led, pop-savvy incarnation of the band. The group's output was always listenable - one could argue the 1990s was largely an exception - but it always seemed popular opinion was against them around the Invisible Touch era. This is ironic, since the same year Invisible Touch was released, former Genesis frontman Peter
Reissue Theory: a-ha, “Hunting High and Low”
Here's a new feature I'm really excited about on The Second Disc. I'm calling it Reissue Theory (which was very nearly the title of this blog). Herein, I plot out what I think would be excellent plans to expand great catalogue titles. Using the best research skills I can muster, I'll try to put together the perfect playlist for that sorely missing deluxe title. First up is Hunting High and Low, the debut album by pop legends a-ha. Though their chart-topping "Take on Me" was the biggest
New Review – Whitney Houston: The Deluxe Anniversary Edition
Need a cure and tonic from the truly dismal Grammys, currently invading airspace across the East Coast? The inimitable Matt Rowe at MusicTAP has been kind enough to post another catalogue review of mine. This time it's Legacy's neat reissue of Whitney Houston's 1985 debut LP. While I can't yet confirm if I "might just be the next MusicTAP," as Matt very kindly speculates, I am more than happy to try. To that end, check out the review here and keep reading The Second Disc for all the expanded
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