Back Tracks takes a break from holiday merriment to celebrate the life of Blake Edwards, who died yesterday at the age of 88, leaving behind a legacy of laughter.“[Sometime] ago when I first began, one of my early films was run at a producer’s home one night, and someone who shall remain nameless for the moment came to me and said, ‘Billy Wilder was there and the saw it and you know what he said? He said, ‘You know it’s shit, but it’s funny shit.’ Now, had anybody else said that – this is proof
Back Tracks: The Christmas Sounds of the Beach Boys
There may be no group more associated with the sounds of summer than The Beach Boys, favorite sons of Hawthorne, California. Yet the boys of summer could also accurately be described as the boys of winter, based on their timeless, perennial music celebrating Christmas. While the entire official Beach Boys Christmas catalogue is based around just one released album and another shelved one, the group's contribution to seasonal music can't be underestimated. On the eve of the group's 50th
Back Tracks: The Christmas Music of Johnny Mathis
Today's second installment in a special series of holiday-themed Back Tracks explores the holiday catalogue of legendary Columbia recording artist Johnny Mathis. Earlier this year, Columbia Records released Let It Be Me, a new set by the 75-years-young singer with the smooth voice and big vibrato. This is no small feat considering that Mathis made his Columbia debut in 1956, and other than a brief tenure at Mercury, has remained at the label for the 54 years since. With six decades of LPs in
The Second Disc Artist Interview #1: Mr. Richard Page on "Pull"
By any standards, Richard Page would have a lot to be thankful for as the frontman of Mr. Mister, the band behind chart-topping smash hits "Broken Wings" and "Kyrie." This year, however, there's another part of his career to celebrate: after two decades, Pull, the intended fourth album from the band, is coming out of hiding thanks to the fine folks at Legacy Recordings. Granted, Page wears more than just the face of Mr. Mister. As a noted songwriter for Madonna ("I'll Remember," her 1994 hit
Back Tracks: Andy Williams at Christmas
Welcome to the first installment in a special series of holiday-themed Back Tracks in which we’ll explore an artist’s entire seasonal catalogue! When it comes time each year to create my annual Christmas mix for family and friends, it’s always an uphill battle to not open with Andy Williams’ “It’s the Most Wonderful Time of the Year.” From the brassy fanfare to the upbeat chorus, it may be one of the ultimate Christmas anthems. This cherished song from the team of Edward Pola and George Wyle
Friday Feature: "Mr. Magoo's Christmas Carol"
This special holiday-themed Friday Feature originally appeared in December 2010, but we've rescued it from The Second Disc Archives to share it with you! It is dedicated to the memory of Leslie Nielsen, who could count Mr. Magoo as just one of many of his indelible film creations, as well as to the gone-but-not-forgotten Jim Backus, Morey Amsterdam, Jack Cassidy and Paul Frees. Before Rudolph, Frosty and Charlie Brown ruled the television airwaves each December, there was the nearsighted Mr.
Review: Bee Gees, "Mythology: The 50th Anniversary Collection"
I've gotta get a message to you. The Bee Gees are celebrating half a century in the business we call show, and Rhino has invited fans to the party with the release of Mythology: The 50th Anniversary Collection, a new four-disc box. There's always something unmistakable about a family's vocal blend. The Gibbs belong to the same tradition alongside the Everlys, the Wilsons, the Jacksons, the Carpenters, and so many others. Family was foremost on Barry and Robin Gibb's mind when creating
Review: Paul Williams, "Someday Man: Deluxe Expanded Edition"
There are certain albums a person returns to, over and over again. These albums often transcend time and genre, and chances are you can name a few of them that reside in your own music collection. I'm talking about that special album you might play when you're down, or when you just need a visit from an old friend to remind you of another time. At The Second Disc, we frequently strive to remind you of those albums. Through the years, one such record for me has been Paul Williams' Someday Man.
Taylor, King, Vaughan, Joel, More Due from MoFi in 2011
Start saving your pennies now. In an eye-opening move, audiophile specialty label Mobile Fidelity has announced a massive slate of releases across the CD, SACD and LP formats scheduled for 2011. Longtime collectors of audiophile masterings may get a thrill at seeing the “Original Master Recording” banner above the works of classic artists ranging from Tony Bennett and Ray Charles to Carole King and James Taylor. While this writer has some quibbles (why no CDs or SACDs for Bennett, Frank
Review: Bruce Springsteen, "The Promise: The Darkness on the Edge of Town Story"
In 1978, Bruce Springsteen famously mined the darkness on the edge of town, but it was unknown until recently that he considered living in the light of those same New Jersey streets. Flush with the success of Born to Run but drained from a prolonged battle with his former manager, Springsteen considered all avenues in creating the follow-up to the album that changed everything. And much like the eventually-resulting Darkness on the Edge of Town upped the ante from that 1975 landmark, the
Review: The Apple Records Remasters, Part 5 - Apple, Collected and Boxed
In the final part of our Apple Records series, we open the import-only Apple Box Set and spin the label's first-ever "greatest hits" set. While the label only lasted a tumultuous seven years between 1968 and 1976, the legacy of Apple Records survives on today’s radio airwaves: “Those Were the Days.” “Day After Day.” “Come and Get It.” Notwithstanding The Beatles’ albums, both solo and as a group, that bore the famous label design, there was no shortage of great music emanating from the Savile
Review: The Apple Records Remasters, Part 4 - Harrison's Soulful Trio
In the penultimate installment of our weeklong series on the new Apple Records remasters, we listen to the label's three most soulful singers: Jackie Lomax, Doris Troy and Billy Preston, and along the way, encounter George Harrison, Paul McCartney, Ringo Starr and a number of their most famous friends! In yesterday’s installment, we looked at the less commercial side of Apple Records. Today, we turn the spotlight on four records that positively smoke, by three soulful troubadours. The funky
Review: The Monkees, "Head: Deluxe Edition"
Once upon a time, the undisputed king of the box set was Rhino Records. The label gave us a brain in a box, an old phonograph to house the masterworks of Ray Charles, a crate of eight tracks to take us back to a more soulful time, and a hatbox filled with the most effervescent girl group sounds possible, just to name a few. (Shag carpets, coffee beans and a carrying case for 45s figured prominently in a few other such packages.) Of late, these lavish sets haven't appeared with great frequency; I
New Poison Comp is Hard to Swallow
Some of us get a bit jaded about catalogue projects sometimes. Not all of us can help it, but every now and then it doesn't hurt to stop and realize why we're so upset about a seemingly pointless compilation or repackage. That seemingly useless single-disc greatest-hits set that offers nothing new for a collector might be the entry point for a new fan into a certain artist's discography, turning them into as hardcore a fan as you and me. (And let's not forget the best-kept secret - so secret
Halloween Special Back Tracks: Anthony Perkins
Welcome to a very special edition of Back Tracks! For this week's Friday Feature, Mike took a look back at the music of Psycho. One of the few films still retaining the power to shock and thrill after some 50 years, the repercussions of Alfred Hitchcock's masterpiece are still felt today. And its musical legacy, enhanced via some very controversial sequels and remakes, encompasses some of the greats, with Jerry Goldsmith, Danny Elfman and Carter Burwell all having built on the foundation laid by
The Second Disc Interview #3: What's Happening "Now" with Steve Stanley!
The music may be then, but the place to be is undoubtedly Now. By that, of course, I mean Now Sounds. Launched in 2007 by Steve Stanley, the producer of over 50 titles for the Rev-Ola label, Now Sounds celebrates the rich and varied melodies created between 1964 and 1972, though the label isn't limited to that period. A labor of love for its founder, Now Sounds has established itself as the go-to label for fans of this golden era of both songwriting and record production. We've seen a career
Review: Jimmy Webb, "Ten Easy Pieces Plus 4"
Often a reissue celebrates a classic album of years past. Through additional content, new remastering or expanded liner notes, the listener can put the original in perspective. It can be a reminder of just why we loved that album so much the first time around or take us to a special time in our own past. At other times, a reissue brings a forgotten album to light, revealing it as a lost treasure. Such is the case for Jimmy Webb's Ten Easy Pieces, now Plus 4 courtesy the fine folks at DRG
Is Warner Seeing Double with Green Day Singles Box?
A doubly odd little note appeared while news gathering yesterday: a post at the Broadway World Web site noted a few upcoming box sets from Warner Music Group - the aforementioned Tim Burton/Danny Elfman box set, deluxe editions of new albums by adult contemporary stars Josh Groban and Michael Buble - and there was a strange little note at the end, for a vinyl box set devoted to pop-punk leviathans Green Day. If that news sounded odd (or oddly familiar) to you - the band hasn't much to promote,
Review: David Bowie, "Station to Station" (2010)
There are box sets, and then there are box sets. EMI's hulking, monster of a box dedicated to David Bowie's 1976 Station to Station (EMI BOWSTSD2010) is one such box set. It's even more massive than The John Lennon Signature Box, itself a lavish and large affair containing 11 discs. The multi-disc box celebrating a single album isn't a new concept, although in the past such offerings were largely based upon session material. The format has proliferated in recent times as record labels have
Review: John Lennon, "Signature Box," "Double Fantasy: Stripped Down" and "Gimme Some Truth"
Lift the lid off the giant box set (and objet d'art) The John Lennon Signature Box (EMI/Capitol 50999 906509 2 5) and you'll see the word "YES" jumping out at you. YES is a good reaction to the thought of having (mostly) all of John Lennon's solo studio output available in one place, remastered largely by the same team responsible for last year's Beatles reissues, and accompanied by a hardcover book and art print. Is The John Lennon Signature Box, and its companion discs, an unqualified YES,
Review: "Curse of the Pink Panther: Original MGM Motion Picture Soundtrack"
Sometimes the most rewarding soundtrack releases are the least expected. 1983's Curse of the Pink Panther marked the end - well, for a decade, anyway - of Blake Edwards' long-running series of comedies which began with 1963's The Pink Panther. Edwards' seventh and eighth Panther films had been shot following the death of series star Peter Sellers, who proved to be irreplaceable as bumbling Inspector Jacques Clouseau. (A previous attempt to do Clouseau sans Sellers was 1968's Inspector Clouseau,
A Very Merry Catalogue Christmas: Crosby, Como & Cameo Trio Due
Chestnuts roasting on an open fire. Frosted windowpanes, candles gleaming inside. Sleigh bells jingling (ring-ting-tingling too)! All of these images are among the most evocative in popular song, and all are linked to the most wonderful time of the year: the holiday season. Catalogue enthusiasts traditionally have their holiday wishes granted each year with a spate of new/old releases, and this year is no exception. In November, Collectors' Choice Music offers a trio of remastered holiday
Friday Feature: "The Karate Kid"
[youtube=http://www.youtube.com/watch?v=yDi3an8WgN4] There's probably no worse reminder of your own mortality than the idea of remaking a movie. "How long has it been since they made the original?" you wonder in silent horror. "Was it that long ago? Have people forgotten that quickly? Am I that old?" There's no accurate litmus test to determine when the best elapsed time between originals and remakes is. George Clooney's Ocean's 11 came out in 2001, 41 years after the original Rat Pack
Short Takes: Legacy’s First Paul Simon Release, James Taylor Goes Gold, and Spector Set Due
With the fall officially underway, we’re now in the busiest time of the year for the music biz, and as this week hits its halfway point, we’re here to offer a few announcements you might have missed. Audio Fidelity offers on November 2 a 24K Gold CD version of James Taylor’s seminal 1972 album originally released on Warner Bros. Records, One Man Dog. Remastered by audio guru Steve Hoffman, One Man Dog has among its highlights the now-standard “Don’t Let Me Be Lonely Tonight.” One Man Dog joins
A Little Bit o' Soul: A Busy Fall from Big Break and Superbird
Funky Town Grooves announced quite a lineup of soul classics to hit shelves this fall, as reported yesterday by The Second Disc, and we're happy to follow up with news of the latest exciting releases coming from two Cherry Red labels across the pond, Big Break Records and Superbird. First up, Big Break (BBR) delves further into the Philadelphia International (PIR) catalogue, dormant here in the United States but also being mined concurrently by the U.K.'s Edsel label. September 20 sees the