The two latest releases in the Bing Crosby Archive Collection – now distributed by Universal Music – take the legendary crooner around the world, from the American South to the streets of Paris, France. Bing Crosby Enterprises has just released one new anthology, Bing Sings the Johnny Mercer Songbook, along with a 60th anniversary deluxe expanded reissue of the Decca album Le Bing: Song Hits of Paris. In the tradition of past Archive Collection releases, these discs are packed with rarities
Neither One of Us (Wants to Be the First to Say Goodbye): Final "The Complete Motown Singles" Volume Bows
They did it. Nearly nine years after the first volume in Hip-O Select's The Complete Motown Singles box set series was released, the 14th and final entry in the series, Volume 12B: 1972, will be released on December 10, just in time for the holidays. The year 1972 marks, for many, the end of the "classic Motown" period. Label founder Berry Gordy moved label operations from Detroit to Los Angeles, and many of his most treasured acts were in periods of transition. Diana Ross was long a solo
Release Round-Up: Week of October 29
Bananarama, Deep Sea Skiving / Bananarama / True Confessions / Wow! / Pop Life / Please Yourself: Deluxe Editions (Edsel) The pop trio's London discography gets the royal treatment with these 2CD/1DVD expanded editions featuring loads of rare and unreleased bonus tracks. Deep Sea Skiving: Amazon U.S. / Amazon U.K. Bananarama: Amazon U.S. / Amazon U.K. True Confessions: Amazon U.S. / Amazon U.K. Wow!: Amazon U.S. / Amazon U.K. Pop Life: Amazon U.S. / Amazon U.K. Please Yourself: Amazon U.S. /
Review: Joanie Sommers, "Come Alive! The Complete Columbia Recordings"
On the opening track of Joanie Sommers' 1966 Columbia LP Come Alive!, the velvet-voiced singer seductively taunted, "You better love me while you may! Tomorrow I may fly away..." True, the Hugh Martin/Timothy Gray tune was originally sung by the late Elvira, a ghost haunting her husband in the musical High Spirits. But it could just as easily have applied to Sommers. Following a string of hit albums and singles for Warner Bros. Records, her home since 1960, the winsome "Pepsi Girl" and
Tell All The People: "The Best of Merry Clayton" Shines Spotlight on "Gimme Shelter" Singer
For Merry Clayton, fame was just a shot away. For she was a member of a very exclusive club of well-respected yet all-too-unheralded performers: background singers. Documentarian Morgan Neville’s new film 20 Feet from Stardom chronicles some of the great artists who have excelled in that capacity, including Clayton, Darlene Love, Lisa Fischer, Judith Hill, Claudia Lennear and Táta Vega. Many of music’s greatest background singers also had solo careers, though, and Legacy Recordings and Ode
They've Still Got a Place in Our Hearts: George Jones, Marty Robbins Reissues Arrive From Morello
When George Jones died on April 26, 2013 at the age of 81, American song lost one of its all-time greats. Yet Jones’ music lives on thanks to a steady stream of reissues drawn from his deep catalogue, including a recent two-for-one package from Cherry Red’s Morello imprint. Jones inaugurated the Morello label last year with four albums on two CDs, and he’s returned to the roster with Jones Country and You’ve Still Got a Place in My Heart, from 1983 and 1984, respectively. Morello’s
Jazz Greats Benny Carter, Shelly Manne, Jimmy Rowles, Red Mitchell Featured On "Too Late Blues"
Before pioneering cinéma vérité techniques on groundbreaking films like Faces and Husbands, John Cassavetes was signed to direct his first major-studio motion picture with 1962’s Too Late Blues. Handed the assignment on the strength of his first film, Shadows, Cassavetes was a brave choice to direct the story of jazz musician “Ghost” Wakefield and his struggle to stay true to himself while pursuing fame and romance. This raw and revealing story starred Bobby Darin, no stranger to the darker
Where Were You When We Needed You: Latest Volume of "The Complete Motown Singles" Arrives in June
Let's dispense with the "Get Ready" puns: after a four-year wait, Hip-O Select's Complete Motown Singles series inches closer toward the finish line with Volume 12A: 1972. This five-disc set includes every single side released by Motown during the first half of 1972, a time of transition for the company. Berry Gordy had already moved his Detroit-based media empire westward to Los Angeles, leaving some of his flagship groups in a transitional period. The Jackson 5 still had their hits, but not
Those Oldies But Goodies: Bear Family Offers Up Vintage Everly Brothers, Paul Anka
Though best known for its definitive box sets spanning careers or large swaths of them, Germany’s historically-minded Bear Family label also keeps busy with a steady flow of single-disc anthologies, all with the label’s hallmarks of quality. Three such anthologies have recently arrived from Bear Family, two focusing on The Everly Brothers and one on Paul Anka. Brothers Don and Phil Everly successfully straddled the line between country and rock-and-roll (with a healthy dollop of R&B in
Ace Label Tunes In "Radio Gold" and Heads to the "Hall of Fame"
Ace Records has another pair of aces (Aces?) up its sleeve with two recent releases, both of which continue ongoing series for the label. The sixth installment of the long-running Radio Gold series turns the spotlight on those American records which were Bigger in Britain, as it’s subtitled, while the second volume of Hall of Fame takes in 24 rarities (20 previously unreleased) from deep in the heart of Muscle Shoals, Alabama. The 24 tracks chosen for Radio Gold: Special Bigger in Britain
Review: Carmen McRae, "I Am Music"
“Life is just too much for me to bear…I guess nobody ever really cared…do you?” Carmen McRae poses that question some four minutes into “A Letter for Anna-Lee,” the Benard Ighner song that opens her 1975 Blue Note album I Am Music. It’s a startling moment of direct address in this sad tale of a man for whom “the business of the day won’t let me be,” adding that “this life’s not meant for me.” The song, its accompaniment led by Dave Grusin’s burbling electric piano, shifts from its
Intrada Premieres Three Rugged Scores on Two Discs
The latest haul from Intrada is three '60s and '70s scores for some tough-guy pictures, each from three different, classic composers and all making their debut on any format. First up, Elmer Bernstein scores Cahill: U.S. Marshal (1973). Bernstein obviously had some Western chops - The Magnificent Seven, anyone? - and he certainly had quite the opportunity to flex those muscles for this film. The title character, a black-hatted lawman pursuing a bank robber (George Kennedy) and his accomplices
Rip It Up! "The London American Label: 1956" Spotlights Rock and Roll from Little Richard, Carl Perkins, Chuck Berry, More
Did any label impact the taste of record-buyers in the United Kingdom in the early rock-and-roll era than that of London? Ace Records has been chronicling the activities of the London American label on a series of definitive releases culling the best of the label's 45s from one given year. Previous volumes have covered every year between 1957 and 1963, and for the most recent addition to the series, Ace has turned the clock back to 1956. In that year, London's output included American singles
Wonderful! Wonderful! Johnny Mathis' Long-Lost Mercury Catalogue Comes to CD from Real Gone Music
Johnny Mathis’ association with Columbia Records began in 1956, which makes it one of the longest relationships between artist and label in popular music. But it’s often overlooked that Mathis departed Columbia for a brief period at rival Mercury Records, right as some young upstarts from across the pond were changing the face of music forever. (Keep in mind that Mathis himself wasn’t even 30 when he made the shift!) During a prolific three years (1963-1966) at Mercury, Mathis recorded eleven
The Hungry Years: Neil Sedaka's "Tra-La Days" and "Overnight Success" Arrive on CD, 10cc and Elton John Guest
From “Happy Birthday, Sweet Sixteen” to “Breaking Up is Hard to Do,” Neil Sedaka drew on a seemingly endless well of onomatopoeic hooks to enliven his early rock-and-roll records, leaving no Tra-la-la or do-be-doo untouched. The Juilliard-trained musician and native of Brooklyn, New York was one of the relatively rare few rockers of his generation equally adept at both performing and songwriting. As active members of Don Kirshner’s Aldon Music stable (alongside Carole King and Gerry Goffin as
Un homme et une Femme: Classic Francis Lai Score Reissued, Plus Billy May, Maurice Chevalier and More
Johnny Mathis, Robert Goulet and Engelbert Humperdinck sang it. Ella Fitzgerald sang it. Claudine Longet even sang it in its original French! The song was “A Man and a Woman,” or “Un Homme et une Femme,” from the 1966 film of the same name. The Francis Lai composition was a favorite of pop singers and jazz musicians alike, and was quite ubiquitous; as Kritzerland’s Bruce Kimmel asks, “Is there a person anywhere in the world who was around in the 1960s and 1970s who could not instantly
From Motown to the Bay Area! The Apollas' "Absolutely Right!" and Eddie Holland's "It Moves Me: The Complete Recordings 1958-1964" Available Now
Are you thinking you should take a chance on Ace Records’ supremely soulful duo of releases from The Apollas and Eddie Holland? If so…you’re absolutely right! For The Apollas’ Absolutely Right: The Complete Tiger, Loma and Warner Bros. Recordings (Kent CDKEND 365, 2012) and Holland’s It Moves Me: The Complete Recordings 1958-1964 (Ace CDTOP2 1331, 2012) both belong on the shelf of any serious fan of classic soul and R&B. If you haven’t heard of The Apollas, you’re forgiven. This Bay Area
Holiday Gift Guide Review: Have Yourself a Real Gone Christmas
Welcome to our Second Disc Holiday Gift Guide, in which we review some titles we might have missed over the past few weeks! The titles we're spotlighting in this occasional series just might be candidates on your own holiday shopping list! ‘Tis the season to be jolly, and what better way to alleviate holiday stress than with the sounds of the season? Terrestrial radio stations are sending holiday music over the airwaves earlier with every passing year, and by now, it’s hard to turn the dial
Gilbert O'Sullivan "Himself" Coming Soon, Naturally
In a little while from now, if I'm not feeling any less sour, I promise myself to treat myself...and listen to a Gilbert O'Sullivan record. The quirky Irish singer/songwriter topped the charts in 1972 with "Alone Again, Naturally," proclaimed by American Top 40 as the fifth most popular song of the entire decade. But it's also one of the most unusual. As the song begins, the narrator is left at the altar and is contemplating "climbing to the top" of a "nearby tower" to throw himself off. He
Rhino Unleashes "Original Album Series" in Europe
Ever feel like all the fancy bonus content and packaging on some reissues totally overshadows the music? Rhino's European division must've felt so, too: they released a handful of Original Album Series boxes a few weeks ago, featuring a lot of music with a minimum of frills and a relatively low price. The titles - five albums by one artist, housed in mini-LP cardboard sleeves and put into a box - are the ideal quick, easy discography builder for new fans or collectors with a few notable gaps on
Review: Frank Sinatra and Count Basie, "The Complete Reprise Studio Recordings"
When Frank Sinatra met Count Basie, it was far from a clash of the titans. No, the "historic musical first" that occurred between the grooves of Reprise 1008 in 1962 was more like a perfect union. Both were Jersey boys, with Basie's formative years spent south of Hoboken, in Red Bank, New Jersey. The men were unusually simpatico, similar in their enormous respect for musicians. Though Basie titled a 1959 album Chairman of the Board, the title was later bestowed upon Sinatra. When Basie put
More Garland: First Hand Reveals "The London Studio Recordings 1957-1964"
The British Film Institute describes Ronald Neame’s 1963 film I Could Go on Singing as a “made-to-measure portrait of a singer grappling with her many demons before a London Palladium concert.” With the singer in question portrayed by the incandescent Judy Garland in what would turn out to be her final film role, it’s only natural to wonder just how much of the film was art imitating life. Or was it the other way around? Garland herself had performed triumphantly on the famed London stage as
Collectors' New Choice: Gordon Anderson Launches New Label
Eagle-eyed crate diggers might have noticed a major disappearing act of late. Collectors’ Choice Music, long renowned for its diverse and eclectic line-up of releases by artists ranging from Bing Crosby to Jefferson Airplane, has quietly been allowing its label’s releases to go out-of-print. In fact, many of those titles are already commanding high prices on the second-hand market. (The beginning of the end of the Collectors’ Choice label can be read here.) Though the company’s famed
Where The Hits Are: Sedaka and Greenfield Profiled in "Songwriters" Series
Doo doo doo down doo be do down down/Come a come a down doo be do down down… One year before “Da Doo Ron Ron,” eleven before “Doo Doo Doo Doo Doo (Heartbreaker)” and eighteen before “De Do Do Do, De Da Da Da,” Neil Sedaka and Howard Greenfield taught the world that “Breakin’ Up is Hard to Do” with their immortal wordless refrain. Sedaka went on to become the king of the “Tra-la-las” and “shoo-be-doos” with his early rock-and-roll records, and the Juilliard-trained musician was one of the
Release Round-Up: Week of July 5
Erasure, Wonderland / The Circus: Deluxe Editions (EMI) Vince Clarke and Andy Bell's first two albums, expanded with bonus B-sides and remixes across two CDs and DVDs full of live footage. (Official site) Jim Capaldi, Dear Mr. Fantasy: The Jim Capaldi Story (Universal U.K.) The late Traffic legend is memorialized in a four-disc box set. (Official site) Paul McCartney, Driving Rain (MPL/Concord) Another Macca remaster, this one of Paul's 2001 album. No frills, but I imagine "Freedom" will
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