Lately, I've been unable to turn the radio dial to a rock-oriented radio station without happening on the music of Billy Idol. There's nothing wrong with that - Idol was one of the best artists of the '80s - but it's a bit jarring, if only because it's hard to think of Billy Idol as a rocker, in the truest sense. Sure, his music is dominated by some excellent guitar (usually from the axe of the fantastic Steve Stevens), and it has a bit of an edge thanks to Idol's irrepressible snarling vocals.
Paying the Price
Next week is going to be much more comfortable when it comes to posting on The Second Disc. After several months of bitterly typing and researching over a creaky, aging Dell PC (having lost a nearly-just-as-creaky Thinkpad T60 laptop), the weekend should see your humble correspondent upgrading to a Macbook. As a lifelong Windows user (barring my time writing and editing for my newspaper in college), it's an unusual but worthwhile transition, and I can't wait to regain simple pleasures like
Miles More
Eighty-four years ago today, Miles Dewey Davis III was brought into the world. His contributions to the fabric of American music - jazz, pop, rock, whatever you want to call it - are immense. Accordingly, he has been celebrated often by the label with which he had his greatest successes, Columbia Records. Last year, the label released The Complete Columbia Album Collection, a 70 CD/1 DVD box set which captured just that: every one of the LPs Davis recorded for the label from 1957 to 1985. It
The Setlist Situation
When Legacy announced a new compilation series called Setlist, featuring some of their roster's greatest hits in a live setting, some fans understandably started scratching their heads. The label's Playlist series, from which this new series obviously drew inspiration, made sense on a few levels. They were compilations priced for the budget-conscious, and sometimes had a few bones thrown to hardcore collectors in the form of single-only mixes or edits. For Setlist, however, the premise seems
Soundtrack News Round-Up: Spock, Mancini and Spartacus
Well, here's a nice surprise. Following their masterfully-done expansion of James Horner's score to Star Trek II: The Wrath of Khan last year, Film Score Monthly presents a double-disc reissue of Horner's Star Trek III: The Search for Spock. The unlimited set includes the complete score on one disc and the original LP presentation on the other. Intrada's announced some new titles as well. Les Baxter's score to The Beast Within and Henry Mancini's jazzy soundtrack to 99 and 44/100% Dead!, both
R&B Releases: A Classic "Thing," Plus Some Buried Grooves
If you're itching for some vintage R&B from around the way, a few labels have some new releases to keep you satisfied. One is a classic soul LP making its debut on CD, the other two are some solid disco efforts with some bonus cuts to boot. Iconoclassic Records has planned a June 22 reissue of It's Our Thing by The Isley Brothers. Released on the Isleys' own label after leaving a solid but fleetingly successful tenure at Motown, this disc includes the funky, anthemic "It's Your Thing." This
News Roundup: Going for the Gold
Yet another sub-genre of the catalogue world is the audiophile reissue. Companies like Mobile Fidelity Sound Lab, Audio Fidelity and Analogue Productions specialize in reissuing classic titles for an audiophile audience, often utilizing the original master tapes for a release on gold CD, hybrid SACD or high-quality LP. With excellent sound quality as the main mandate, bonus tracks and new liner notes are rare on these releases which generally intend to replicate the original artwork and
Weekend Release Round-Up: SRV, Jayhawks, Sum 41 and More
This was a busy week for catalogue fans, what with the Elvis revelation from the other day and reactions to the new Exile on Main St. sets. Here, to close out the week, are a few announcements that fell through the cracks. The long-planned Legacy Edition of Stevie Ray Vaughan and Double Trouble's 1985 sophomore LP Couldn't Stand the Weather now has a release date: July 27. The set will feature bonus tracks from the original recording sessions and a previously-unreleased live show on Disc 2.
Reissue Theory: Galactic Novelties
The Star Wars saga continues at The Second Disc with a trove of often-ridiculous but always intriguing musical curios devoted to the films. It's as much a story of disco and a rock legend from New Jersey as it is about Luke Skywalker and Darth Vader. And it's yours to read after the jump.
Friday Feature: The Star Wars Trilogy
It was three decades ago today that The Empire Strikes Back was released. Much has been written about what the movie did for the Star Wars trilogy as a cultural force (no pun intended), for sequels in general and so on. But let's not kid ourselves here: when Empire first came out, it was not seen as the masterpiece it is now. The New York Times gave this film - easily the most watchable of the three Star Wars movies - a largely negative write-up. But whatever the merit of such reviews nowadays,
Miles and Miles of Miles
Well, damn. After blowing minds in the jazz world with last year's The Complete Columbia Album Collection, Legacy gears up a few more Miles Davis reissues that are sure to pique the interests of devoted listeners and rarity hunters. On August 31, Columbia and Legacy will re-release the trumpeter's acclaimed Bitches Brew as a Legacy Edition. The original album in its eight-track studio mix (as opposed to more recent digital remixes) will be enhanced with bonus session tracks and a newly-released
Back Tracks: The Solo Bacharach
May 12, 2012: Happy 84th birthday, Burt Bacharach! The living legend was recently the recipient, with longtime lyricist Hal David, of The Library of Congress' Gershwin Prize for Popular Song, bestowed upon the team by President Barack Obama. In celebration of the maestro's birthday and this great honor, we're republishing this special installment of Back Tracks, exploring Bacharach's solo career from 1965's Hit Maker! through 2008's Live at the Sydney Opera House! Age hasn’t slowed Burt
A Double Dose of Soul
Two newly-announced catalogue titles bring some rare tracks by R&B and soul legends to CD for the first time - and both have a bit of a Motown collection. First up is Reel Music's CD debut of Pressure Cookin', the only LP cut by Labelle for RCA Records. Recorded a year before "Lady Marmalade" shot the group to success, this record features some intriguing highlights, including a medley of Thunderclap Newman's "Something in the Air" and Gil Scott-Heron's "The Revolution Will Not Be
Back Tracks: Ronnie James Dio
The loss of Ronnie James Dio resounds greatly in the world of metal. The famed vocalist, best known for his time in Black Sabbath and his own eponymous band Dio, had a powerful voice that few in the hard rock spectrum could compete with. He was a prolific talent who left behind not only a lot of influences, but a lot of catalogue work from a half-century(!) of recording. That's right: Dio first got his start way back in 1957 as a bassist for The Vegas Kings, a teen-rock outfit that saw plenty
Feeling Gravity's Pull, 25 Years Later
As has been customary for a few years now, 2010 will see the release of another 25th anniversary reissue for R.E.M.; this time, Fables of the Reconstruction (1985) gets the deluxe treatment. Like previous deluxe editions (Murmur in 2008 and Reckoning last year), the set will include a previously unreleased bonus disc. This time around, though, it's going to be comprised of unearthed demos (the previous deluxe sets had live shows added). The set is due from EMI* on July 13. Pre-order now and
The Great Label Switch-Off
Last night, Vintage Vinyl News reported a story that could probably only happen in today's music industry: according to the Times of London, Queen is leaving their longtime label EMI for Universal later in the year. As of right now, a few details about the rumored switch remain unclear. For starters, the article never definitively says whether the band's voluminous back catalogue is moving with the members of Queen. Sure, they recorded one not-so-good LP with Paul Rodgers a year or two ago, but
And Don't It Feel Good (To Have an Update)
Way back in the early days of The Second Disc, we reported on a set of remasters from Katrina and The Waves due for an April release. Only somewhat recently did we realize the release date had passed - but unlike most reissues that get announced and forgotten about, these actually came out. Well, sort of, anyway. As of this writing, all four reissued LPs (Kimberley Rew's The Bible of Bop, featuring tracks from The Waves, The Soft Boys and The dB's; The Waves' debut EP, Shock Horror! and both
More Reissues Cutting Through
A Flock of Seagulls aren't the only '80s act getting a reissue from Cherry Pop. The label is prepping May 24 reissues of the first two records by another one-hit-wonder-with-a-whole-lot-more, Cutting Crew. Though they're best known for "(I Just) Died in Your Arms," the band enjoyed two other Top 40 hits ("One for the Mockingbird" and "I've Been in Love Before," a Top 10 single) and a minorly-successful sophomore release in their day. Cherry Pop is releasing both of these records - Broadcast
Better Tending to the Flock
The U.K.-based reissue label Cherry Pop Records announced an upcoming reissue of Listen, the sophomore LP by seminal New Wave band A Flock of Seagulls, for a June 22 release. The set features the original album plus two remixes and three B-sides. Now, a lot of catalogue fans have taken issue with Cherry Pop reissues - some of their reissues (as is regrettably the case with other smaller labels) don't sound like they're even mastered from the original tapes, and the bonus track situations
Back Tracks: Barry Manilow, Part 2 (1985-2010)
Back Tracks left Barry Manilow in 1984 after the release of his first genre-specific album, the jazz-inflected 2:00 a.m. Paradise Café. We pick up with him shifting gears in an attempt to once again court the pop market. He’s left his longtime label, Arista, and signed a new deal with RCA. This union would be a short-lived one, producing just four albums: two sets of his greatest hits as sung in Spanish and Portuguese, and the following two discs... Manilow (RCA, 1985 - reissued Legacy,
Back Tracks: Barry Manilow, Part 1 (1973-1984)
Where Barry Manilow is concerned, it's best to let the facts speak for themselves. A Grammy, Emmy and Tony Award winner, Manilow scored his first Billboard No. 1 album in 1977, his most recent in 2006. His string of hit singles extended from 1974's chart-topping "Mandy" to 1983's Top 20 "Read 'Em and Weep," with 38 songs hitting the Top 40. He's recorded over 25 studio albums and released countless more live discs, compilations and soundtracks, and regularly plays to sell-out houses after over
Long Live Live Music
It's going to be kind of a slow day at The Second Disc, as your roving reporter has tickets to see a-ha play to a sold-out crowd in New York City. Their Ending on a High Note Tour has been a top draw for '80s pop fans, but it's also led to a lot of thought concerning concerts and what they mean to us - not just as a reissue fan, but as a lover of music in general. While The Second Disc may be a haven for all the expanded and remastered news and commentary you can shake your SACD player at, I
Reissue Theory: Version Especial por Cinco de Mayo
Today is Cinco de Mayo, so The Second Disc is going to bring you two of the most unusual Spanish-oriented pop music endeavors in recent memory. These are two deluxe editions with very different sounds, but they're connected not only by record label group but their wacky reinterpretation for Spanish audiences. Viva la musica after the jump!
Helloooooooo, Baby!
It's odd that the work of Jiles Perry Richardson, Jr., known more commonly as The Big Bopper, doesn't get reissued nearly as much as one would think. The Big Bopper was, along with Buddy Holly and Richie Valens, one of the victims of the infamous Feb. 3, 1959 plane crash - "The Day the Music Died," as any rock fan can attest - but for some reason, Richardson gets short shrift. Buddy Holly got a fantastic box set last year from Hip-o Select and Valens got a similarly expansive box in 1998. Until
Recapturing the Magic
It was during a recent, animated conversation about back catalogue affairs that a stunning realization was made. Of all the major companies dealing in music and pop culture, there is one that has a surprisingly subdued place in the world of reissues. Were this company to change their mind about catalogue affairs and start utilizing their vast discography for more box sets and other special titles, it might be a step in revitalizing the whole reissue practice in general. I'm talking, of course,