It's a safe guess that your enjoyment of La La Land's new expansion of Danny Elfman's score to Batman (1989) (LLLCD 1140), like so many soundtracks, hinges on your enjoyment of the film itself. That sentiment, in turn, hinges on how much you can separate the idea of a fun movie from a good one. The blockbuster - drawn from the immortal DC Comics superhero - never falls short on action, thrills or compelling visuals. But it is too long and bloated, with thin characterization and a
It's Up
The Complete Elvis Presley Masters. Go here. Talk below. Some reactions after the jump.
FSM to Catalogue Soundtrack Buyers: Start Saving!
Film Score Monthly has been a soundtrack fan's haven for two decades running, and has been a quality home for vintage soundtrack expansions and reissues for nearly 15 of those years. Almost anyone who collects scores has a favorite, whether it's early works by John Williams, expansions of scores to Star Trek sequels, or box sets full of film music devoted to Superman. FSM founder Lukas Kendall recently took to the Web to make a rare set of pre-announcements of product - and some of them are
Friday Feature: "Predator"
If you went into theatres in the summer of 1987 to see Predator, you might have expected a rote action film with Arnold Schwarzenegger and nothing more. On the surface, there's nothing that would have you expect anything else. The Austrian Oak leads a team of soldiers through an attempted rescue mission in South America. Sounds like any other action movie from the '80s, right? But then you catch those quick bursts of infrared images. The distorted sound. The unearthly snarling. And you realize
The Lady and Her Music: "The Essential Lena Horne" Coming in August
Thanks to our friends at MusicTAP for the tip that, on August 24, Legacy will celebrate the life of a great lady of song with its release of The Essential Lena Horne: The RCA Years. Like The Essential Henry Mancini (scheduled to be released on the same day), this release is far from definitive, but appears to be a solid introduction to one period of the late Horne’s magnificent career. That career saw the artist rising from her nightclub roots to break racial barriers in Hollywood, becoming one
Of Panthers and Baby Elephants: "The Essential Henry Mancini" Coming Soon
Henry Mancini’s film score work has been anthologized numerous times, and the latest such release is due August 24 from Legacy as part of their ongoing The Essential… series. The Essential Henry Mancini is a 2-disc overview containing 36 tracks, dating between 1958 and 1983. During that time, Mancini was one of Hollywood’s most prolific composers, creating memorable themes for the big and little screens alike. Mancini’s longterm collaboration with Blake Edwards ranks with the Danny Elfman/Tim
Back Tracks: Burton and Elfman
It turns out the reissue of Batman wasn't the only Danny Elfman-related catalogue news at this year's San Diego Comic-Con: Elfman shared at a panel discussion that Warner Bros. is planning a box set devoted to the composer's longtime collaboration with director Tim Burton. It's not much of a surprise that such a set would happen. Burton and Elfman's collaboration is one of the strongest director-composer bonds in Hollywood. And while neither men are collaborating with the kind of urgently great
Friday Feature: "Reality Bites"
There are plenty of moviegoers in any given week who look at the films playing at their local theatre, shake their head and conclude that Hollywood is no longer making movies for "them." One only wonders how the winter of 1994 was for that crowd when Reality Bites was released. One of the most explicitly Generation X movies ever created, Reality Bites follows the trials and tribulations of a group of twentysomethings in 1990s Houston. There's Leilaina (Wynona Ryder), a college valedictorian
More Score to Adore
With no shortage of catalogue film score news and announcements in the past week, The Second Disc adds to that with two releases from Intrada and a few rumblings about La La Land. First, the releases: Lalo Schifrin's score to the newspaper drama The Mean Season and George Delerue's fanciful score to the Glenn Close comedy Maxie, both released in 1985, are getting their first-ever releases as part of Intrada's Special Collection. Both albums feature a new sequencing experiment for the label: big
Back Tracks: Rupert Holmes
“If you like pina coladas, and getting caught in the rain”…Come on, you know how it goes, sing along…“If you’re not into yoga, if you have half a brain…” So goes the song that got Rupert Holmes into the record books as singer/songwriter of the last No. 1 hit of the 1970s and the first of the 1980s. While it may be the most famous song penned by the idiosyncratic artist/composer/producer (and collaborator of artists ranging from Streisand to Sparks!), it’s merely the tip of the iceberg for Rupert
Reissue Theory: David Seville, By Any Other Name
If you told anyone following the music industry in 1958 that David Seville's musical legacy would be eagerly consumed by kids more than 50 years into the future, they might laugh. After all, Seville's greatest "discoveries" aren't exactly real - they're in fact a trio of animated chipmunks named Alvin, Simon and Theodore. And their musical style - a high-pitched warbling that made novelties like "Witch Doctor" and "The Chipmunk Song (Christmas Don't Be Late)" into left-field, award-winning hits
Friday Feature - "Jaws: The Revenge"
Let's get the facts out of the way first: Jaws: The Revenge (1987), the third sequel to one of the best horror films of all time, is terrible. It is quite possibly the worst movie ever made. It is so bad that I once watched the film with a friend and we ended up taking a break (with the film, not with our friendship, though that could have just as easily happened). The plot is ludicrous: Ellen Brody (Lorraine Gary), the widow of Roy Scheider's heroic police chief from the first two Jaws films,
Back Tracks: Michael Jackson Part 2 - The Epic Years and Beyond
After poring through Michael Jackson's Motown years, we commemorate the year anniversary of his passing with a look at the material he recorded as an adult for Epic Records. If the J5 material was platinum, much of this stuff is uncut diamond - and the world is eagerly waiting to see what Sony will do with this material for catalogue purposes. (A multi-album deal has been struck, with the first batch of material likely due for the holidays, alongside a new video game based on Jackson's
Friday Feature: "Grease"
Quick, name a late '70s blockbuster with a propulsive, lasting soundtrack! Okay, now name one that wasn't written by John Williams. Chances are you've got two films atop your list: Saturday Night Fever and Grease. Both were classics of their time, full of dancing, John Travolta and the influence of one or more Brothers Gibb. But it's the latter we're going to look at to definitively cap our look at summer reissues. Even 32 years after its release, Grease still seems to be the word - the film,
Reissue Theory: DJ Jazzy Jeff and The Fresh Prince, "Homebase"
We continue our summer set of Reissue Theory posts with a big star whose musical career is now just a footnote. But that footnote gave us, in part, one of the best-loved summer songs of the '90s. Of course, we're talking about DJ Jazzy Jeff and The Fresh Prince. Sure, the latter is now known worldwide by his real name, Will Smith. And he's a mega-movie star whose box-office power is relatively unmatched. He's even better known for his star-making turn as the lead in the still-funny NBC sitcom
Friday Feature: "Toy Story"
This week's Friday Feature should come as no surprise. There's one movie on more minds than any other this week: Toy Story 3, the 11th effort by Disney's Pixar Animation Studios. Like the other films in the series, it promises to be a funny, adventurous and touching affair that adults will connect to as easily as kids. Like the others, it promises massive box office returns and universal acclaim (as of this writing, film review aggregator Rotten Tomatoes has not picked up a single negative
Friday Feature: "Batman (1989)"
And one last foray into the Prince catalogue on The Second Disc with what is arguably one of the dopiest entries in his catalogue. To some, it seems like a total work for hire, a hatchet job, a cash-in - and while that may be the case, it's kind of a fun listen. That's right: Prince's album devoted to the 1989 film Batman. The story goes that star Jack Nicholson was the one who suggested Prince to director Tim Burton. After editing two scenes to a temp track of Prince tunes ("1999" for the
Prince Week Day 7: Crystal Ball
In the penultimate entry of Prince Week (I know, this is Day 7, but we got one more piece for you tomorrow), The Second Disc turns its attention to one of the most fertile times in Prince's life. From 1986 to 1987, just two short years, His Royal Badness managed to record enough material for a good four or five albums; it should go without saying that this material would be greatly served in a box set from Rhino at some point in time. Hit the jump to get your world rocked with a story of lots
Reissue Theory: Green Day, "Dookie"
On this day, seminal '90s pop-punk band Green Day gets the kind of musical immortality only reserved for a select few. That's right, today's the day that the Green Day: Rock Band video game hits stores. Fans will finally be able to control Billie Joe Armstrong, Mike Dirnt and Tre Cool as they ascend from obscurity to supposed sellouts. If I've said it once, I've said it a million times: I don't get the concept of selling out at all. So many supposed fans get mad when their beloved local act
Friday Feature: Prince on Film
The Second Disc reader Robert Altman was predicting the future when he suggested a week devoted to Prince a few days ago. Prince - one of the most polarizing and intriguing figures to ever saunter onto the pop music scene - deserves reams (or gigabytes, in this case) written about his music and its impact, and The Second Disc promises to deliver in that regard. From this Friday to next Friday - going right through Prince's 52nd birthday on Monday - TSD will present a few features on Prince's
Clouds on the Horizon
Even though The Second Disc is primarily geared toward catalogue matters, I'd be doing myself a disservice by not paying attention to music as it stands in the present day. There's a trend I've been trying to wrap my head around on the tech side of music, one which could actually have spectacular implications for catalogue works if done properly. They're calling it "the cloud" - mobile, streaming music services that keep the music on a server instead of directly downloading it to your computer.
Boldly Going Back
Man, it's been a good week for Star Trek music enthusiasts. First Film Score Monthly announces a brand-new deluxe reissue of James Horner's score to Star Trek III: The Search for Spock last week. And now, Varese Sarabande has jumped ahead on the Trek timeline to give fans another new deluxe set: starting June 14, the label will ship Star Trek: The Deluxe Edition, featuring the complete score to last year's fantastic reboot of the sci-fi series. As if the movie wasn't great enough on its own
Back Tracks: Billy Idol
Lately, I've been unable to turn the radio dial to a rock-oriented radio station without happening on the music of Billy Idol. There's nothing wrong with that - Idol was one of the best artists of the '80s - but it's a bit jarring, if only because it's hard to think of Billy Idol as a rocker, in the truest sense. Sure, his music is dominated by some excellent guitar (usually from the axe of the fantastic Steve Stevens), and it has a bit of an edge thanks to Idol's irrepressible snarling vocals.
Reissue Theory: Galactic Novelties
The Star Wars saga continues at The Second Disc with a trove of often-ridiculous but always intriguing musical curios devoted to the films. It's as much a story of disco and a rock legend from New Jersey as it is about Luke Skywalker and Darth Vader. And it's yours to read after the jump.
Friday Feature: The Star Wars Trilogy
It was three decades ago today that The Empire Strikes Back was released. Much has been written about what the movie did for the Star Wars trilogy as a cultural force (no pun intended), for sequels in general and so on. But let's not kid ourselves here: when Empire first came out, it was not seen as the masterpiece it is now. The New York Times gave this film - easily the most watchable of the three Star Wars movies - a largely negative write-up. But whatever the merit of such reviews nowadays,