If you don't slow down, you're gonna crash into the news that Cherry Red is expanding The Primitives' debut LP for its 25th anniversary. Formed in the British city of Coventry, the indie pop group earned a following through several singles on their own Lazy Records imprint before signing to RCA for Lovely, their first studio LP. The band (at the time consisting of Paul Court on guitar, Steve Dullaghan on bass, Tig Williams on drums and vocalist Tracy Cattell - known as "Tracy Tracy") combined
Stage and Screen Bonanza: "World of Suzie Wong," "Elephant Steps" and Gene Kelly's "Clownaround" Coming Soon
More treats are on the way for fans and collectors of rare cast albums and film soundtracks thanks to the ongoing work of the Masterworks Broadway and Kritzerland labels. As part of its ongoing digital/CD-on-demand program, Masterworks is offering two of the most unexpected cast recordings from the label’s considerable library. On May 7, Stanley Silverman and Richard Foreman’s Elephant Steps: A Fearful Radio Show makes its digital/CD(-R) debut, while on June 4, Moose Charlap and Alvin
Big Break Watch: Shalamar, Isley Brothers Lead Recent Reissue Slate
A host of '80s R&B titles are out in the U.K. this week from Cherry Red's Big Break offshoot. They include a double-disc expansion of one of Shalamar's best-loved albums, plus expanded editions of a few LPs by the likes of The Isley Brothers, The Gap Band and Billy Paul. While 1982 was the year of Michael Jackson's Thriller, U.K. R&B enthusiasts also count another album as influential to the genre that year: Shalamar's Friends. After a string of hits around the world for the trio
Review: Margaret Whiting, "The Wheel of Hurt" and "Maggie Isn't Margaret Anymore/Pop Country"
When Margaret Whiting scored a No. 26 Pop/No. 1 Easy Listening hit with 1966's "The Wheel of Hurt," she was surrounded by the aura of a comeback. But the veteran songstress was only in her early forties. Three albums and a clutch of singles recorded for London Records between 1966 and 1970 proved that Whiting was most definitely still a contender. Now, the recordings from Whiting's London period have finally arrived on CD, filling in a major gap in the Margaret Whiting discography. Real Gone
Have a Real Gone Summer with Surf Punks, Amazing Rhythm Aces, Grateful Dead and More
When Real Gone Music kicks off summer with a slate of releases due on June 4, it’s only appropriate that one title comes from a surf band. Well, sort of. Locals Only, the sophomore album from Surf Punks, the snarling beach band formed by Dennis Dragon (yes, the brother of “Captain” Daryl Dragon of Captain & Tennille!) and Drew Steele, is one of the seven reissues coming your way. Locals is joined by another second outing, Cat Mother and the All-Night Newsboys’ Albion Doo Wah. (Real Gone
Review: The Sugar Shoppe, "The Sugar Shoppe"
Who was a proprietor of The Sugar Shoppe? Was it Thomas Andrews, architect of the Titanic? Was it Anthony Hope, the lovestruck sailor who befriended the murderous barber Sweeney Todd? Or was it Jesus himself? Well, actually it was all of the above, as The Sugar Shoppe was co-founded by none other than actor/singer Victor Garber years before his roles in Titanic, Sweeney Todd and Godspell (not to mention Alias, Argo, Assassins, Damn Yankees, and so many more). Garber joined singer,
Back To Montague Terrace (In Blue): Scott Walker's Early Solo Albums Are Remastered and Boxed
Upon the late 2012 release of Scott Walker's album Bish Bosch, U.K. newspaper The Guardian posed the question, "Were you hoping this might be the album that would see Scott Walker return to lush, beautiful balladry?" The answer: "Well, tough." Indeed, the iconoclastic singer-songwriter has pursued a defiantly singular path creating intense, nightmarish and never-uninteresting soundscapes on albums such as Bish Bosch. His work over the past two-plus decades has been removed, of course, from
Ring Their Bells: Anita Ward, Stephanie Mills, Fern Kinney, Donna Washington Reissued
In recent days, we’ve turned the spotlight on a quartet of classic soul reissues, two each from Big Break Records (Arthur Prysock’s All My Life and Caston and Majors’ self-titled Motown album) and SoulMusic Records (Nancy Wilson’s Can’t Take My Eyes Off You/Now I’m a Woman and Jerry Butler’s Love’s on the Menu/Suite for the Single Girl). But those are hardly the only recent releases from these two imprints of the Cherry Red Group. Big Break has offered two titles, both from 1979 and both with
Wind of Change: Scorpions to Expand "Crazy World"
Here's an upcoming catalogue title that lives up to its name: the Scorpions' 11th album, 1990's Crazy World, is getting the double-disc deluxe treatment from Universal's U.K. arm this summer. At the time of release, the German rockers had been playing together for more than 25 years, enjoying their greatest success internationally with the iconic "Rock You Like a Hurricane." But Crazy World actually spawned a bigger hit than that: "Wind of Change," a power ballad celebrating the end of the
Gaslight Anthem Box Up Early Singles on Vinyl
New Jersey rockers The Gaslight Anthem are commemorating some of their early indie works by releasing a deluxe vinyl singles box set this summer. Anchored by singer/songwriter Brian Fallon, the band has deftly mixed a number of rock subgenres into one of the most-talked about acts on the rock scene today, from Clash and Replacements-esque punk to Pearl Jam's post-grunge output. But, whether by virtue of their New Brunswick, New Jersey roots or something else entirely, one name continues to be
Verve Select Offers "Divine" Selection of Sarah Vaughan LPs on CD
The latest from Verve Select, released earlier this week, is a collection of over a half-dozen vintage albums by jazz legend Sarah Vaughan on four discs. Divine: The Jazz Albums encapsulates Vaughan's first round on the Mercury label, after finding earlier success for the previous decade on first the Musicraft label (where she cut hit versions of "Tenderly" and "Nature Boy") and later for Columbia Records, a run characterized by contemporary pop balladry. Once signed to Mercury, she was
You Are Needed Now: Omnivore Reissues Two Townes Van Zandt LPs
Joe rightly had much words of praise for Sunshine Boy: The Unheard Studio Sessions and Demos 1971-1972, Omnivore's paean to underrated country singer/songwriter Townes Van Zandt. To hear Van Zandt's works, including "Pancho & Lefty," "To Live is to Fly" and others in newly discovered alternate and stripped-down forms on two discs, was a revelation to even the most hardcore fan of the late performer. Now, Omnivore has taken the logical next step and will reissue High, Low and In Between
More Rain: Blind Melon's Debut Expanded by UMe with Unreleased EP
Two decades after that bee girl tap-danced into the conscious of pop-rockers everywhere, Capitol/UMe is reissuing Blind Melon's debut LP with an EP's worth of unreleased tracks. Blind Melon began in the late 1980s with vocalist Shannon Hoon, guitarists Rogers Stevens and Chris Thorn, bassist Brad Smith and drummer Glen Graham. Their local popularity in California clubs led to a contract with Capitol Records, but it was Hoon's friendship with fellow native Indianan Axl Rose, lead singer for Guns
The Softer Side of UMe's Budget Compilation Lines: "Ballads" Released
Having recently introduced some EMI-controlled artists to the ICON roster, Universal now incorporates some of those artists (and some of their most treasured R&B and country acts) into a new budget-oriented series, Ballads. And while none of the artists covered here really, truly need more compilations on the market - and, one can assume, the assembly of these is as low-impact as the ICON series - there's actually some promise to be had here. The overall selection of artists isn't terrible,
Return of The Paisley Underground: Omnivore Anthologizes the Early Three O'Clock
Power-pop legends The Three O'Clock stunned even their most devoted fans by announcing their first live dates in decades this year, including a stop at the Coachella Valley Music & Arts Festival. To sweeten the deal even more, the fine folks at Omnivore have prepped a brand-new compilation covering their earliest years on Frontier Records - half of which is entirely unreleased. Singer/songwriter/bassist Michael Quercio had a funny, catchy term to describe what L.A. bands like his were doing
Review: Paul Anka, "Duets"
Whether you prefer your “My Way” by Sinatra or Sid (Vicious, that is), you have Paul Anka to thank. It was Anka who took the melody to the chanson “Comme d’habitude” and crafted the ultimate anthem of survival and tenacity with his English-language lyrics. When Sinatra recorded the song, a gift to him from Anka, he was just 53 years of age yet could still ring true when singing of that “final curtain.” Today, Paul Anka is 71, and his new memoir is entitled, what else, My Way. Thankfully, the
Review: Arthur Prysock, "All My Life"
If Arthur Prysock felt like a man out of time, he sure did a good job hiding it. Prysock, a professional vocalist since the days of World War II who had worked with bandleaders Buddy Johnson and Count Basie, was an unlikely candidate for disco stardom. Yet, in 1976, the 47-year old singer with the smooth style of Billy Eckstine found himself with a No. 10 R&B/No. 11 disco hit thanks to a rendition of Kenny Gamble and Leon Huff’s “When Love is New.” The song had been introduced one year
Review: John Williams, "Jurassic Park: Original Motion Picture Soundtrack - 20th Anniversary Edition"
Really, it's almost pointless to speculate why John Williams never received an Oscar nomination for his score to Steven Spielberg's Jurassic Park (1993). The composer's CV features several of the most iconic scores in the history of movies with synchronized sound. Five of his projects - an adaptation of the music to the Broadway musical Fiddler on the Roof and four originals (JAWS (1975), Star Wars (1977), E.T. the Extra-Terrestrial (1982) and Schindler's List (1993)) have won gold statuettes,
The Iceman Cometh to Detroit: Jerry Butler's Motown Albums Arrive On CD
When Jerry Butler joined Motown Records in 1975, hopes naturally ran high. One of the classiest baritones in R&B was finally appearing on the most successful independent record label of all time. The Iceman’s time at Motown would turn out to be short, encompassing just four albums in two years. But thanks to SoulMusic Records, his first two albums for Berry Gordy’s empire can be enjoyed once more on CD. The label’s reissue of Love’s on the Menu and Suite for the Single Girl (SMCR 25086)
Nancy Wilson Goes Pop and Philly Soul With New Two-For-One CD Reissue
By 1970, Nancy Wilson had already been a marquee recording artist for Capitol Records for a decade. The supreme song stylist never allowed herself to be pigeonholed into one musical style, having made her successful debut single with a Broadway showtune ("Guess Who I Saw Today"), dabbled in R&B ("Save Your Love for Me") and collaborated with jazz greats such as Cannonball Adderley and George Shearing. All in all, Wilson was a leading light of adult pop, selling out nightclubs and even
BBR Keeps A Light In Its Window For The Lost Motown Classic "Caston and Majors"
Like a fine meal, Caston and Majors begins with an appetizer. "Child of Love," on cursory listening, is "just" a bright pop song with a funky groove, employing booming drums, surging strings and a catchy chorus ("Rise now, child of love/No time for wastin'/Rise now, child of love/Stop hesitatin'...") along with a "Hey, hey" cheer that invites singing along. But a closer listen to the lyrics finds songwriters Leonard Caston and Kathy Wakefield giving voice to a higher power: "You must be a
In Memoriam: Phil Ramone (1934-2013)
Today, The Second Disc remembers Phil Ramone. The multiple Grammy-winning producer, 79, died on Saturday, leaving behind a legacy of song from artists ranging from Barbra Streisand to Paul McCartney, Barry Manilow to The Band. Yet unlike so many of his contemporaries, Phil Ramone didn’t have a signature style. Instead of molding a band or singer to a preferred sonic specialty, he was a true architect of sound, tailoring each production to the individual artist. Ramone was equally comfortable
Those Oldies But Goodies: Bear Family Offers Up Vintage Everly Brothers, Paul Anka
Though best known for its definitive box sets spanning careers or large swaths of them, Germany’s historically-minded Bear Family label also keeps busy with a steady flow of single-disc anthologies, all with the label’s hallmarks of quality. Three such anthologies have recently arrived from Bear Family, two focusing on The Everly Brothers and one on Paul Anka. Brothers Don and Phil Everly successfully straddled the line between country and rock-and-roll (with a healthy dollop of R&B in
Él is Flying High with Ennio Morricone and Joao Donato
Cherry Red's Él Records label is going 'round the world with a pair of recent releases. Morricone Pops focuses on an oft-overlooked part of Italian composer Ennio Morricone's ouevre: that of his early sixties arrangements not just for film, but also for pop singers. Él also turns its attention to a favorite country, Brazil, for Sambou, Sambou, a collection of two albums of tunes by composer-pianist Joao Donato. With a staggering body of work including more than 500 films and television
Ace Label Tunes In "Radio Gold" and Heads to the "Hall of Fame"
Ace Records has another pair of aces (Aces?) up its sleeve with two recent releases, both of which continue ongoing series for the label. The sixth installment of the long-running Radio Gold series turns the spotlight on those American records which were Bigger in Britain, as it’s subtitled, while the second volume of Hall of Fame takes in 24 rarities (20 previously unreleased) from deep in the heart of Muscle Shoals, Alabama. The 24 tracks chosen for Radio Gold: Special Bigger in Britain
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