By the way, which one’s Pink? A record executive poses that wry musical question of Pink Floyd in “Have a Cigar,” a brief, humorous respite on the band’s elegiac 1975 album Wish You Were Here. The ever-ambitious group would actually answer that wry question with The Wall, 1979’s sprawling double album. The psychedelic Dark Side of the Moon and reflective Wish You Were Here both invited listeners to create their own stories in service of the albums’ impressionistic concepts, largely dealing
Intrada Spotlights "Undiscovered" Scores
Intrada's two newest archival soundtrack releases take listeners from the deepest reaches of Arthurian legend to space (the final frontier). First up, it's an unlimited, expanded pressing of Cliff Eidelman's score to Star Trek VI: The Undiscovered Country. The sixth Trek film has several notable "lasts" to its credit: the last to feature the original series' cast its entirety (1995's Generations and the 2009 series reboot featured several of the major players), the second and last film in the
Hip-o Select Spotlights The Funk Brothers on "That Motown Sound"
Sure, now The Funk Brothers, Motown Records' legendary in-house band, are notable names to pop and soul aficionados, thanks in large part to 2002's Standing in the Shadows of Motown documentary and its Grammy-winning soundtrack. But for nearly the entire golden age of the Detroit label, the group was kept away from the spotlight. Hip-o Select's newest title collects, for the first time on CD, the sole exception to that rule. In 1965, Motown quietly released That Motown Sound, an album credited
Review: Carole King, "The Carole King Collection: Simple Things, Welcome Home, Touch the Sky, and Pearls"
Carole King was ready for a fresh start in 1977. She had recently split from manager/producer Lou Adler’s Ode Records, the label with which she had signed back in 1968 as the lead singer of The City. It was, of course, at Ode where King triumphed with Tapestry, and over the years introduced a parade of memorable songs like “It’s Too Late,” “So Far Away,” You’ve Got a Friend,” “Sweet Seasons,” “Been to Canaan” and “Jazzman.” Yet the four albums recorded by King at Capitol between 1977 and 1980
Review: Tony Bennett, "Isn't It Romantic?"
Isn’t it romantic? The titular phrase from a song by Richard Rodgers and Lorenz Hart could apply to much of Tony Bennett’s musical career, now in roughly its 65th year. It’s also the title of a new compilation aimed at the casual Bennett fan from Concord Music Group. Isn’t It Romantic? (CRE-33463-02) repackages 15 prime cuts from the singer’s work at his own short-lived Improv label, with a smattering of tracks from a Fantasy Records LP thrown in for good measure. Though Bennett’s artistic
From Motown to the Bay Area! The Apollas' "Absolutely Right!" and Eddie Holland's "It Moves Me: The Complete Recordings 1958-1964" Available Now
Are you thinking you should take a chance on Ace Records’ supremely soulful duo of releases from The Apollas and Eddie Holland? If so…you’re absolutely right! For The Apollas’ Absolutely Right: The Complete Tiger, Loma and Warner Bros. Recordings (Kent CDKEND 365, 2012) and Holland’s It Moves Me: The Complete Recordings 1958-1964 (Ace CDTOP2 1331, 2012) both belong on the shelf of any serious fan of classic soul and R&B. If you haven’t heard of The Apollas, you’re forgiven. This Bay Area
Double-O Vision: Burt Bacharach's "Casino Royale" Expanded and Remastered...Again!
Seven James Bonds at Casino Royale/They came to save the world and win the gal at Casino Royale! Six of them went to a heavenly spot, the seventh one is going to a place where it’s terribly hot… Hal David’s lyric captures just a small fraction of the insanity of Charles K. Feldman’s 1967 Casino Royale, the big-budget comic extravaganza that was “too much…for one James Bond!” And so, David Niven as James Bond was joined by 007s of all shapes and sizes (and genders!), and even by his nephew,
And Here's To You, Art Garfunkel: "The Singer" Anthology Coming From Legacy
UPDATE (2/21): A representative from Legacy has confirmed that this title is currently "on hold." Stay tuned for more information as it develops. When the singer’s gone, let the song go on… How lucky we are that Arthur Garfunkel is still very much with us. Jimmy Webb wrote those words for the unlikely rock star, a former architecture student endowed with a purity of tone and the ability to pierce the heart. Garfunkel, of course, was the yin to Paul Simon’s yang, the Tom to his Jerry. And so,
The Art of the 12-Inch, Part Deux: Unheard Paul McCartney Collaboration Included Among ZTT Treasures
What do you do? No one else can dance like you! So what's all the fuss? There ain't nobody that spies like us! It’s not often that we get the opportunity to write about Paul McCartney, forever fab, and Art of Noise, pioneering British synth-pop duo, in the same sentence. But Salvo Records and ZTT are giving us just that chance with this week's U.K. release of The Art of the 12-Inch, Volume Two. Okay, it’s not that much of a stretch, as Art of Noise’s Anne Dudley contributed synthesizer to
Release Round-Up: Week of February 21
Various Artists, ZTT: The Art of the 12": Volume Two (ZTT/Salvo) A double-disc set of rare and unreleased dance mixes of vinyl classics, with a few rarities thrown in for good measure - and, as our post later today will explain, at least one Beatle! Simple Minds, Simple Minds x5 (EMI) The first five Simple Minds LPs - all pre-The Breakfast Club - expanded with vintage B-sides and remixes. Gilbert O'Sullivan, Back to Front: Expanded Edition (Union Square Music/Salvo) Gilbert's 1972
Presidents Day Special Reissue Theory: Walt Disney World's "The Hall of Presidents"
Welcome to another installment of Reissue Theory, where we focus on notable album and the reissues they could someday see. Today's special holiday entry pays tribute to the 40th anniversary of a classic LP and beloved theme park attraction. Welcome to the Hall of Presidents! "We the people of the United States, in order to form a more perfect union, establish justice, ensure domestic tranquility, provide for the common defense, promote the general welfare, and secure the blessings of liberty
Hooked on a Feeling: Real Gone Readies Complete B.J. Thomas, Frankie Avalon, The Tubes, a "Rock Messiah" and More
Raindrops might be falling on your head, but there’s one thing I know: the March slate of releases from Real Gone Music will assuredly keep those blues at bay! Featuring both returning favorites from the old Collectors’ Choice label as well as artists and recordings new to the Real Gone family, there’s something for everyone! Joining B.J. Thomas’ The Complete Scepter Singles on March 27 will be Frankie Avalon’s Muscle Beach Party: The United Artists Sessions, The Tubes’ Young & Rich/Now,
Viva Morrissey! U.K. Singer's First Album and Single Gets Reissued
Inifintely brilliant, often fickle rock icon Morrissey is reissuing one of his most beloved albums this spring - but it's another one of those situations where fans are going to want to hold on to their old copies, too. Semi-official fansite True to You posted a news release today for a reissue of Viva Hate, Morrissey's debut solo album from 1988. Released just six months after the breakup of The Smiths and featuring longtime Smiths engineer/producer Stephen Street, Viva Hate was a
Aces High! "The London American Label: 1957," "Mod Jazz Forever" and "Smash Boom Bang: Feldman-Goldstein-Gotteher" Available Now
Smash! Boom! Bang! The ace compilation experts at, well, Ace Records are offering up plenty of Smash, Boom and Bang (both in impact and in label name!) for your buck with their diverse slate of February releases. You'll find top-drawer pop, rock and soul for connoisseurs and beginners alike among the label's latest. Perhaps the most unexpected is the new entry in the label's long-running Songwriters and Producers series. Smash Boom Bang! The Songs and Productions of
Back Tracks: Whitney Houston
Music was in both the bloodline and the spirit of Whitney Elizabeth Houston (1963-2012). The native of Newark, New Jersey called Cissy Houston of The Sweet Inspirations her mom, while Dionne Warwick and Dee Dee Warwick were her beloved cousins. Aretha Franklin was a close family friend and honorary aunt. Following in her mother's footsteps, she began performing at Newark's New Hope Baptist Church, singing in the gospel choir as a featured soloist, and began to make inroads in the music
So Esoteric: Todd Rundgren's Lost "Disco Jets" and a Jim Capaldi Duo Coming Soon
Longtime Todd Rundgren fans are familiar with the renaissance man’s numerous genre excursions, from pop to rock and everywhere in between: psychedelia, soul, electronica, even metal. But comparatively fewer fans have heard Rundgren’s one and only full-blown excursion into disco. Shortly after completing 1976’s Faithful LP, the iconoclastic producer took the members of Utopia into the studio to create the album known as Disco Jets. Yet the album crafted by Willie Wilcox (drums), Roger Powell
The Man in Black Meets the Man Upstairs: New Johnny Cash "Bootleg" Album Collects Gospel Material and Rarities
Underneath the darkness of The Man in Black, there was a great light. Despite trials that would likely have tested the faith of a lesser man, Johnny Cash’s belief in a higher power was unshakeable. And Cash formidably expressed those beliefs in song over the course of his long career. Like another American icon, Elvis Presley, Cash built up a body of gospel and spiritual music with such depth that it has easily stood the test of time alongside his more famous secular works. Johnny Cash
Finally, The Second Disc Has an Excuse to Address This Whole Lana Del Rey Thing
Although we make our claim as tireless reporters on all things in the catalogue music world, we at Second Disc HQ are music lovers first and foremost, regardless of the era. So it gives me a bit of weird pleasure to speak a little bit out of the usual comfort zone for a second and talk about one of pop music's weirdest current trend stories, which actually, tenuously, has some ties to our usual reportage. If you're a voracious consumer of all topics musical, you've probably read anywhere from
When The Lovelight Starts Shining: Lost Brit Girl Pop of Beryl Marsden Returns
If you peruse enough collections of Merseybeat, chances are you'll be familiar with the name of Beryl Marsden (no relation to Gerry, of Pacemakers fame). A product of the same Liverpool club scene that birthed the career of Beatle pal Cilla Black, Marsden played a number of recognizable Fab haunts, including the Cavern Club and the Star Club, and even supported the Beatles on their 1964 U.K. tour. But Marsden had never received a career-spanning anthology...until now! Changes: The Story of
Greater Hits: Aretha/Arista
Welcome to our latest installment of Greater Hits, where we scour an artist's discography for compilations and pick the best one for your buck. Today focuses on Aretha Franklin's fascinating third chapter on Arista Records and the multitude of compilations that it's yielded. Just as I Never Loved a Man the Way I Love You, Aretha Franklin's sizzling 1967 album and first for Atlantic Records, was a shock to anyone who'd known her from her days singing solid if not transcendent soul on Columbia in
Tattoo You: Rolling Stones Digital Archive Unveils 1981 Concert
When the Rolling Stones opened the Stones Archive for business late in 2011 with the first-ever legitimate release of The Brussels Affair, it was greeted as somewhat of a mixed blessing. The Archive promised to be a place where fans of the World's Greatest Rock and Roll Band "can listen to unheard music, view unseen photographs and films, and look at rare merchandise. Fans have the opportunity to buy items such as signed lithographs, deluxe box sets, even personalised merchandise and tour gear
Review: "Golden Gate Groove: The Sound of Philadelphia, Live in San Francisco 1973"
No love, no peace, no shoes on my feet…no home, just a shack where I sleep… In the fall of 1971, Philadelphia International Records launched its long-playing series with Billy Paul’s Going East, and the title opus in which the velvet-voiced crooner spins a slow-burning yarn of slavery. It was hardly Top 40 fare (Paul would have to wait till producers/songwriters/label entrepreneurs Kenneth Gamble and Leon Huff gifted him “Me and Mrs. Jones” the following year) but signaled the dramatic
Vintage, Retro Mixes Shine on U.K. Philadelphia International Box Set
Now's as good a time as any to get into the sweet sounds and lush arrangements of Philadelphia soul in the 1970s. 2011 marked the 40th anniversary of legendary writer/producers Kenneth Gamble and Leon Huff's creation of a label that set the groundwork for some of the best soul and R&B sounds of the decade, and this year's seeing a lot of excellent catalogue projects honoring that legacy. We've already told you about Legacy's Golden Gate Groove: The Sound of Philadelphia Live in San
Thank You M.C. 1969: Michael Chapman's Folk-Rock Classic "Rainmaker" Arrives From Light in the Attic
When the distinct green Harvest Records logo is remembered today, it’s often for Pink Floyd or early Electric Light Orchestra. But the label, created to stake a claim in the burgeoning rock market, boasted a deep, diverse roster, all the better to compete with other “alternative” labels like Decca’s Deram or Philips’ Vertigo. One of the artists who found early success on Harvest was Michael Chapman, a former art and photography instructor. Chapman’s greatest achievement was arguably 1970’s
Chicago Reissues Return From Friday Music, "Hot Streets" Kicks Off Campaign
On 1971’s Chicago III, one of the band's passionate anthems went, “I just want to be free…” But it took until 1978 for the band to be truly free, and that year’s Hot Streets was an album of firsts. The freedom largely came as a result of the group having severed its ties with longtime producer/manager James William Guercio; hence, Hot Streets was Chicago’s first album in many years not recorded at Guercio’s famed Caribou Ranch. It was also the first to lack a number in its title and first to
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