Welcome to The Weekend Stream, a relaxing weekly review of notable digital-only catalogue titles. There may be no CD or vinyl, but there's plenty of great new/old music to usher you into the weekend. Today sees digital expansions from Jan Berry, Brian McKnight and Weezer; new songs from The Guess Who and a member of Jellyfish - plus a great way to provide aid in the face of the week's biggest natural disaster. Brian McKnight, Anytime (Deluxe Edition) (Motown/UMe) (iTunes / Amazon) Soulful
Record Store Day 2019 is just under five weeks away. In anticipation of the April 13th celebration of vinyl, The Second Disc presents a round-up of Universal Music Group's RSD selections! The Charlatans, Us and Us Only - LP, clear vinyl - 1,000 copies Originally released in 1999, Us and Us Only was the British alt-rock group's sixth album. It will be reissued for the first time ever for Record Store Day, pressed on limited-edition transparent vinyl. Charlie Parker, Charlie Parker With
Until recently, you may have been wondering what to get the Weezer fan in your life for the holidays. After all, the long-running, hysterically polarizing pop/rock band haven't released any albums this year, after four albums put out since 2008 (including two in 2010: Hurley, their first for Epitaph Records, and Death to False Metal, an outtakes compilation on longtime homebase Geffen). There was, of course, also the deluxe edition of beloved sophomore effort Pinkerton from a year ago. At the
With a new batch of reissues out in the U.K. and an upcoming retrospective exhibition running in London later this month, Queen's 40th anniversary campaign is going strong. The same week that said exhibition, Stormtroopers in Stilettos, opens at the Old Truman Brewery on Brick Lane, Island will release a two-track downloadable single of "Keep Yourself Alive (Long Lost Retake)" b/w "Stone Cold Crazy." The A-side, from a proposed 1975 single in the U.S., was released on Hollywood Records' 1991
Another week, another batch of reissues! Wings, Band on the Run: Special Edition (Concord) After reissues of John Lennon's solo catalogue and the Apple Records discography, another Beatles-oriented campaign kicks off with a new reissue of Band on the Run, Paul McCartney and Wings' classic LP. It's the first of his classic discs to be re-released on Concord, and will be available in a wide variety of formats. (Best of all, it's the first drop in the bucket - an insert inside the sets
With the track list for Geffen/UMe's deluxe reissue of Weezer's Pinkerton announced, the question still stands: where's the rest of the track lists? It's been confirmed time and again that Universal has two more sets of Weezer rarities and ephemera due, possibly by the end of the year. Death to False Metal is the long-gestating outtakes compilation spanning the band's Geffen years, while another set of frontman Rivers Cuomo's demos, set to cover the time surrounding the making of Pinkerton, is
With the release of the surprisingly strong Hurley from those crazy pop-rockers Weezer, it's a delight to see Rivers Cuomo and company back in the public eye. Sure, everyone likes to come down on their more recent material - say, everything after their self-titled "Green Album" in 2001 - for being overly polished and lacking the depth of their excellent first two records, but the fact that Cuomo can pen so many catchy pop hooks on a single album is admittedly stunning. And this year, the band's
A substantiative update from Weezer webmaster/archivist Karl Koch about the planned catalogue efforts of one of the most intriguing bands of the past few decades was posted on the band's Web site back in August. It's making the rounds now, and while it should have Weezer fans excited, it might make them a bit confused as well. Longtime Weezer fans know that the band - who just signed with indie label Epitaph after 15 years with Geffen and have a new, ridiculously-packaged record due out next
A hat tip to Pause & Play for posting the Amazon pre-order link for a Deluxe Edition of Pinkerton, the sophomore LP by alt-rock stalwarts Weezer, coming from Geffen and UMe. When it was released in 1996, Pinkerton was ill-received by critics and fans expecting a traditional follow-up to the band's excellent self-titled debut, which featured hooky garage-pop with Ric Ocasek of The Cars in the producer's chair. By contrast, Pinkerton - initially conceived as a space-rock opera called Songs