Rhino has released official details about the upcoming 2oth anniversary editions of Pantera's major-label debut, Cowboys from Hell. A press release details three different sets: an Expanded Edition which pairs the remastered original album with a bonus disc of live content (taken from an commercially-unreleased radio broadcast and an import-only EP), a Deluxe Edition which adds a third disc of demos (including a new vault track, "The Will to Survive") and an Ultimate Edition (to be released in
More Score to Adore
With no shortage of catalogue film score news and announcements in the past week, The Second Disc adds to that with two releases from Intrada and a few rumblings about La La Land. First, the releases: Lalo Schifrin's score to the newspaper drama The Mean Season and George Delerue's fanciful score to the Glenn Close comedy Maxie, both released in 1985, are getting their first-ever releases as part of Intrada's Special Collection. Both albums feature a new sequencing experiment for the label: big
Here We Go Again
Duran Duran's official Web site has the deluxe reissues of Notorious and Big Thing listed for September 27 in the U.K. - for now. May they not sound like crap.
Don't Do Me Like What?
A quick heads-up from our friends at Pause & Play: Amazon has put up a listing for a deluxe edition of Tom Petty and The Heartbreakers' Damn the Torpedoes to be released by Geffen and Universal Music Enterprises. There's no info other than a release date (October 12), but hopefully there'll be some good vault material present. Damn the Torpedoes was The Heartbreakers' first LP for MCA, following the sale of Shelter Records to the label. It featured the band's first Top 10 hit, "Don't Do Me
Reissue Theory: Cheap Trick, Squeeze Do-Overs
Today's installment of Reissue Theory is going to tread over familiar ground, in honor of two bands who turned out some great live sets last night at New Jersey's State Theater: Cheap Trick and Squeeze. Though both bands have their share of hardcore fanatics, they didn't seem to be as vocal last night - at least one person was heard musing after the show that neither band catered to the greatest-hits crowd (Cheap Trick's set mixed most of the favorite early tracks with new material - the band
Nothing More, Nothing Less - Only Love
That's the feeling with which Hip-o Select presents its latest title: a look at some of the last, still-great years of jazz legend Louis Armstrong. The new two-disc set, Hello, Louis! The Hit Years 1963-1969, compiles some of Satchmo's best-known and best-loved works, including the chart-topping show tune "Hello Dolly!" (which booted The Beatles' "Can't Buy Me Love" from the top slot), the endearing "What a Wonderful World" and the gorgeous "We Have All the Time in the World," the theme to the
The First-Ever Second Disc Ticket Giveaway Extravaganza!
It is with extreme pleasure that The Second Disc presents its first-ever giveaway, courtesy of Sony's RED Distribution. It's a slight deviation from the usual catalogue-oriented affairs, but your humble correspondent couldn't resist the opportunity to bring you, the reader, some neat (and free!) stuff. The artist in question is Chris Shiflett, currently the lead guitarist for The Foo Fighters and also known for his work with Me First and The Gimme Gimmes, Jackson United, Viva Death and,
Friday Feature: "Ghostbusters"
For whatever cosmic reason, 1984 was a huge cosmic intersection for pop music and film. Prince exploded into the national consciousness with Purple Rain, Kenny Loggins continued his run as America's go-to soundtrack guy with his contributions to Footloose. Stevie Wonder called The Woman in Red to say he loved her, Harold Faltermeyer helped make Eddie Murphy a superstar with "Axel F." from Beverly Hills Cop. Even Phil Collins had a soundtrack hit, against all odds. And then there was
You Got It: Orbison's Final Concert Due on CD
Thanks to MusicTAP for the tip-off to this one: Eagle Rock has set an August 10 release date for Roy Orbison: The Last Concert, a CD version of Orbison's final show. Recorded at the Front Row Theater in Highland Heights, Ohio on December 4, 1988 - two days before Orbison died of a heart attack at the too-young age of 52 - the set shows Orbison at the height of his mid-'80s resurgence, with a set leaning heavily on his early solo hits. The Last Concert was first released in 2008 on iTunes, to
Dear Apple, Your Track Lists Are Showing
Our resident Beatles/Apple sage Phil Cohen noted The Second Disc that there was some preliminary info on the track lists for the upcoming Apple reissues. To quote him, from a comment on our Back Tracks post on previous issues of these albums (Part 2 is due very soon - we promise - and will cover previous reissues of all the other material on Apple, including The Beatles-oriented stuff): Some preliminary info about the Apple releases is available via a link at The Beatles official website. There
Less Silence, More Lucidity: Queensrÿche's "Empire" to Be Reissued
EMI has announced a deluxe edition of Queensrÿche's Empire for the album's 20th anniversary. The LP, the band's most successful in the U.S. thanks to Top 10 hit "Silent Lucidity," will feature three B-sides (previously included on a remastered edition in 2003) and a bonus disc of unreleased material recorded live at London's Hammersmith Odeon in 1990. Like many of EMI's recent reissues, the set will be packed in a lidded box with some extra collectible cards and posters inside. This set is to
How Crowded is EMI's House?
A fun little tidbit from release date king Pause & Play, himself a diligent arts journalist who just recently got to interview the members of Crowded House (their new album, Intriguer, was released this week). At the suggestion of some cheeky catalogue music blogger, P&P asked the members of the band if there were ever any plans to expand the band's catalogue on CD. (The Crowded House discography is relatively free of B-sides, compared to some of their contemporaries, but demos and
Reissue Theory: Nik Kershaw
It's not hard to see why Nik Kershaw was considered a teen idol in the 1980s, but it is hard to understand why this was the case after listening to his music. The British guitarist released several great albums of atmospheric yet accessible guitar pop-rock, but it seemed a bit heavier than the usual teen idol fare of generations past or future. Kershaw's best-known output don't deal with typical teen fare. His biggest singles, "Wouldn't It Be Good," "I Won't Let the Sun Go Down on Me" and "The
"Batman," "Krull" to Be Expanded by La-La Land
[youtube=http://www.youtube.com/watch?v=9AdEHOta-Uc] La-La Land Records has announced its next batch of catalogue soundtrack reissues - and they're two big names to fans of '80s action/fantasy films. Danny Elfman's iconic score to the 1989 film version of Batman and James Horner's music from Krull (1983) are getting lavish expanded releases for the month of July. Batman, part of La-La Land's Expanded Archival Collection series, will feature, for the first time ever, the full score as
A Little More a-ha
A quick heads-up regarding the new a-ha deluxe reissues which buyers have been getting from Rhino this week: Looks like there will be some bonus download-only tracks available. But the best part is, you don't have to spend $15-20 on the full album to get them! I haven't seen 'em posted yet on either Rhino's Web site or iTunes, but the band's Web site has unveiled the tracks: The Sun Always Shines on T.V. (Steve Thompson Dance Remix) (U.S. 12" A-side - Warner Bros. 20410-0, 1985) - 8:27 Take
Does EMI Stand for "Every Mastering Insignificant"?
Immense praise to Slicing Up Eyeballs for bringing this story to our attention: EMI have released a statement regarding the mastering of the last two entries in the ongoing Duran Duran remaster series. And it ain't pretty. If you've been following this story at all, through ICE or Amazon or even our own review of the first album, here's how it goes: the new reissues of Duran Duran (1981) and Seven and the Ragged Tiger (1983), while stuffed with some great bonus content, suffer thanks to
Live Aid at 25
It was 25 years ago today that two massive, historic concerts were organized for African famine relief. Live Aid, performed in London's Wembley Arena and Philadelphia's JFK Stadium on July 13, 1985, was one of those rare overblown rock success stories - dozens of superstars and members of rock royalty coming together not at the behest of a politician or a natural disaster, but simply because it seemed the right thing to do. It raised millions for charity, it provided a massive plug for the
Back Tracks: R.E.M. - The I.R.S. Years
Today, the 25th anniversary reissue of R.E.M.'s Fables of the Reconstruction hits stores. Athens, Georgia's favorite rock band has spent the past five years or so establishing their place in the pop-rock firmament: since 2006, the band's early recordings for I.R.S. Records - a six-year span between 1982 and 1987 - have been the center of much catalogue attention from EMI and Universal (each has a piece of the I.R.S. catalogue). The four members of the band - vocalist Michael Stipe, guitarist
"Rated R" for "Really, This is the Last Time We'll Post Any Info on It"
After what feels like ages, new cover art and a final track list has been revealed for the 10th anniversary deluxe edition of Queens of The Stone Age's Rated R. The remastered original LP - the band's first on Interscope Records - will be pressed alongside a disc of B-sides and nine tracks recorded live at the Reading Music Festival on August 28, 2000. It'll be in stores August 3. Pre-order it at Amazon and hit the jump to see the track list.
September Spawns a Monster
From beloved, semi-official Morrissey Web site True to You comes the news that Morrissey's singles compilation Bona Drag (1990) is getting a deluxe reissue for its 20th anniversary with six unreleased vault tracks. Released between Moz's solo debut in 1988 and Kill Uncle in 1991, Bona Drag included some of the ex-Smiths frontman's best early work, including "Suedehead," "Everyday is Like Sunday," "The Last of the Famous International Playboys" and "Disappointed." Six bonus tracks from the the
Don't Let Your Babies Grow Up to Be "Cowboys from Hell"
Cowboys from Hell, the major-label debut LP by Pantera, is going to be released this fall in a number of deluxe packages. Cowboys, released on Atco after Pantera changed their sound from '80s glam metal to a more thrash/groove-oriented setting, was a breakout hit for the band. Vocalist Phil Anselmo's pipes were reminiscent of Rob Halford of Judas Priest, and the late, great guitarist "Dimebag" Darrell Abbott's playing caused plenty of metal fans to pick up their own axes in the years since.
Reissue Theory: David Seville, By Any Other Name
If you told anyone following the music industry in 1958 that David Seville's musical legacy would be eagerly consumed by kids more than 50 years into the future, they might laugh. After all, Seville's greatest "discoveries" aren't exactly real - they're in fact a trio of animated chipmunks named Alvin, Simon and Theodore. And their musical style - a high-pitched warbling that made novelties like "Witch Doctor" and "The Chipmunk Song (Christmas Don't Be Late)" into left-field, award-winning hits
Dagger for Download
A quick note that Experience Hendrix, LLC has put the entire Dagger Records discography up for digital purchase via the Web site of Jimi Hendrix. Since 1998, Dagger has been releasing "official bootleg" material from Hendrix's brief but influential career, from live recordings to outtakes compilations. All of them had been issued through direct-order CDs (although some material had been officially released into stores; the Live at Clark University set was put on vinyl for this year's Record
Back Tracks: The Apple Tree, Part I
The news of the Apple Records catalogue getting a new remastering and reissuing is one of the many catalogue stories one should file under "cautious optimism." It is awesome to have these classic, underappreciated records from luminaries like Badfinger, James Taylor and Billy Preston back into local record shops, bearing fresh digital remasters by the team that did a pretty darn good job on last year's Beatles remasters. But there are things we have to remember as fans. First, pretty much all
Reissue Theory: D'Angelo, "Brown Sugar"
The music industry is too often based upon unreachable expectations. An artist will sell millions of copies and gain critical acclaim and widespread public admiration on one album, and get lambasted come the next record for not perfectly matching the arc of their predecessor. Ridiculously, nobody takes the time out to realize that holy crap, for some fleeting moment, an artist unified the public through their music. Even if an artist is only fleetingly consistent (like Guns N' Roses) or
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