With the new reissue of Klaus Nomi's self-titled debut album, Real Gone Music has presented another lost classic album on vinyl for the first time since its original release some three decades ago. It's one that is full of strangeness, starkness, and subtlety. Klaus Nomi stuns with a diverse repertoire, an over-the-top theatricality, but, more importantly, a dedication to craft that sometimes gets lost in the narrative. Yes, the NYC performance artist collaborated with David Bowie (as seen on
Review: Glen Campbell, "The Legacy [1961-2017]"
Glen Campbell's career-spanning box set is modestly titled The Legacy, fitting for the unlikely superstar from Delight, Arkansas. While The Legend might have been equally appropriate, Campbell's legacy is, truly, unlike any other. Throughout an extraordinary seven-decade career encompassing 21 Top 40 Pop hits, 27 Top 10 Country singles, six Top 20 Pop albums, and nine No. 1 Country albums in the United States alone, the artist regularly transcended genre with his honeyed vocals and virtuosic
Review: Morphine, "Yes" (Run Out Groove Vinyl Reissue)
In recent years, Run Out Groove has garnered a stellar reputation for its vinyl reissues of rarities from the Warner Music Archive. The label has pressed up everything from lost soul music and jazz, to experimental rock, pop, and folk. Most of their reissues boast previously unreleased rarities or hard-to-find tracks. In the last few months, the label has delivered expanded versions of more recent albums that have long been out of print on vinyl. Morphine's Yes is one of those lost vinyl titles
Review: "Getz at the Gate: The Stan Getz Quartet Live at The Village Gate - Nov. 26, 1961"
1962 is rightfully viewed as a breakthrough year for tenor saxophonist Stan Getz, the year in which he successfully brought the Brazilian bossa nova sound to the mainstream with guitarist Charlie Byrd on Jazz Samba. 1961, on the other hand, has receded as a kind of footnote in his musical history despite two strong albums: the orchestral jazz fusion Focus, with arranger Eddie Sauter (late of The Sauter-Finnegan Orchestra and later an in-demand orchestrator of such Broadway musicals as 1776),
Review: James Taylor, "One Man Band"
The One Man Band tour took James Taylor on the road for three years of unusually intimate performances, even by the standards of the guitar-wielding troubadour. In 2007, the tour culminated in a series of shows at Pittsfield, Massachusetts' small, 775-seat Colonial Theatre, a true homecoming for the famous Massachusetts native. Joined only by keyboardist Larry Goldings, Taylor treated audiences to a tour through his songbook that amounted to a master class in musical storytelling. The live
Ace Explores Rock, Jazz Through the Lens of History with "Three Day Week" and "If You're Not Part of the Solution"
Ace Records, as always, has delivered some of 2019's finest collections including Songwriter Series volumes dedicated to Eddie Hinton, Leonard Cohen and Merle Haggard, and celebrations of producer Mickie Most and musician Reggie Young. Today, we're taking a look at a pair of the label's other recent releases. Bob Stanley and Pete Wiggs present Three Day Week: When the Lights Went Out 1972-1975 (Ace CDCHD 1542) is another sublimely curated compilation focusing on a particular period of
Review: Fiat Lux, "Hired History Plus: Expanded Edition"
Fiat Lux -- from the Latin for "let there be light" - were originally a synth-pop band that shone for a brief period in the '80s. Formed in 1982 and hailing from Wakefield in Yorkshire, England, they pioneered a unique sonic stamp, the influence of which is still felt today. Their pioneering blend was full of lush synthesizer textures, acoustic and electric keyboards, and studio effects - all anchored by Steve Wright's emotive vocals. Multi-instrumentalist David Crickmore provided guitar, bass,
Review: Ronnie Lane, "Just For A Moment: Music 1973-1997"
Ask any of his collaborators and they'll tell you, Ronnie Lane was special. Sure, he was an exceedingly talented singer, bassist, guitarist, and songwriter; he was also a uniquely open-minded and welcoming collaborator who was more than willing to nurture talent. But what really sets Ronnie Lane apart is the way he subverted what it meant to be a popular musician. Unlike the majority of his peers, Ronnie Lane didn't want to be a rock star. He wanted his music to reach people, sure, but he'd
Review: "Pearl Harbor and the Explosions" from Blixa Sounds
Over the past year, the Blixa Sounds label has made a name for itself as the home to an eclectic line of reissues, from yacht rockers Stephen Bishop and Robbie Dupree to soul phenom Linda Clifford and psych-rock veterans Chris Darrow and Max Buda. Earlier last month, the label released its latest reissue - an expanded edition of Pearl Harbor and the Explosions' self-titled debut. The album was originally released in 1980 on Warner Bros. Records and introduced listeners to the infectious
Swinging Doors: Grateful Dead, Emmylou, Dolly, Dino, More Celebrate "The Merle Haggard Songbook"
Along with Buck Owens - with whom he shared a musical history and a wife - Merle Haggard (1937-2016) defined The Bakersfield Sound of country music: authentic, raw, rooted in honky-tonks. But unlike the Texas-born and Arizona-raised Owens, Haggard was actually born in Bakersfield and raised just across the river from that California town. "Hag," as he preferred to be known, rocketed to superstardom thanks to "Okie from Muskogee," his controversial 1969 song that was either a scathing
If Loving You Is A Crime: Lee Moses Rarities Collected on "How Much Longer Must I Wait?"
Three years ago, Light In the Attic reissued Time and Place, the lone album by soul powerhouse Lee Moses. The self-taught instrumentalist and singer made a name for himself in Atlanta, where he performed with Gladys Knight, among others. Upon its original release, Time and Place didn't make waves financially but in the decades since, it became a cult classic. On May 24, Light In the Attic's Future Days Recordings imprint will continue its celebration of the raw and beautiful soul music of Lee
Review: Resonance Delivers Unreleased Jazz from Bill Evans, Wes Montgomery
Resonance Records marked this year's Record Store Day with two world premieres celebrating the artistry of two late jazz titans, Bill Evans and Wes Montgomery. Now, those titles have arrived on CD, and they're both worthy successors to the label's past releases from both artists. Evans in England, featuring bassist Eddie Gomez and drummer Marty Morell, captures the pianist's longest-running trio a little over a year into their lifespan and already showcasing their exquisite interplay.
UPDATED: Different Drummer: Edsel Collects Michael Nesmith's RCA and Pacific Arts Years on New Box Set
And the Hits Just Keep On Comin'. Michael Nesmith titled his 1972 RCA album ironically - when it "bubbled under" the Billboard 200 at No. 208, it actually bested its predecessor by three slots - but the LP did feature the once and future Monkee's rendition of one major favorite, "Different Drum." The 1965 tune became an enduring hit for the Stone Poneys featuring Linda Ronstadt in 1967, establishing Nesmith outside of The Monkees. Since 1968, he's released 16 studio albums. Recently, 12 of
Review: David Bowie, "Spying Through a Keyhole (Demos and Unreleased Songs)"
Can you hear me, Major Tom? In the late 1960s, David Bowie was an artist deeply hoping to be heard. A handful of singles and an album on Deram Records had failed to rocket him to the stars. But Bowie continued writing, recording, and shopping his songs around in hopes of the elusive next deal that would take him to the next level. As such, Bowie left a great many demo recordings behind. Due to current EU copyright laws, right holders have been required to release previously unissued
Nils Lofgren Celebrates Old Friend Reed with "Blue for Lou"
The pairing of Nils Lofgren and Lou Reed may have seemed an unlikely one; for one thing, neither gentleman needed much help from anyone else as a songwriter. But the pair's brief collaboration yielded a full album's worth of songs - 13 total - which would be doled out between the artists on Lofgren's A&M release Nils and Reed's Arista album The Bells (both from 1979). Much later, Lofgren tapped the song stash again for Damaged Goods (1995) and Breakaway Angel (2002), but five of their
Soul and Inspiration: Dawn Eden Goldstein Pens Memoir "Sunday Will Never Be the Same"
The world of rock and roll has seen many amazing journeys, but few like Dawn Eden Goldstein's. Using the pen name of Dawn Eden, Goldstein carved out a niche in the 1990s as a rock historian. As the concept of the deluxe CD reissue took hold, she contributed essential liner notes to albums by artists including Harry Nilsson, The Hollies, and The Seekers, and wrote for publications such as Billboard and The Village Voice. But Goldstein was a seeker herself. Born into a Jewish family, she found
Step Inside Love: Cherry Red, SFE Expand Four More Cilla Black Albums in May
Cherry Red's Strike Force Entertainment imprint is continuing its series celebrating the life and legacy of Cilla Black with the May 10 arrival of another pair of remastered and expanded 2-CD, 2-album collections. First up is her debut album Cilla (1965) with In My Life (1974), the latter of which is making its premiere on CD in full; also released that day is Sher-oo! (1968) with another long-anticipated, new-to-CD title, Modern Priscilla (1978). All of the previously released digital bonus
Release Round-Up: The Second Disc's 2019 Record Store Day Must-Haves
Looking for our usual Release Round-Up? Alas, there's not much new in the way of catalogue music this Friday (and we've already filled you in on Billy Paul and Leon Russell!), but for a very good reason: tomorrow sees releases a-plenty as part of Record Store Day! Without further ado, welcome to our annual rundown of Must-Haves for this year's RSD event! Once you're through reading, let us know what you're most looking forward to picking up tomorrow at your favorite local independent
Review: Nat "King" Cole, "Ultimate Nat King Cole" and "International Nat King Cole" [UPDATED]
March 17, 2019 would have been Nat "King" Cole's 100th birthday. While the man born Nathaniel Adams Coles only lived to the age of 45, he more than earned his royal moniker over his three decades of performing. He paved the way for African-American artists as the first black man to host a nationwide television variety show, and quietly but devotedly crusaded for civil rights. At the time of his death, at the height of Beatlemania, he was selling some seven million records a year. The Cole
And I Never Knew: Ace Collects Rare, Unreleased Tommy Hunt on "The Complete Man"
One of the brightest stars in the uptown soul firmament, Tommy Hunt, has just been celebrated by Ace's Kent Records on a new collection filled with rare and previously unheard material. The Complete Man: 60s NYC Soul Songs follows up the label's The Biggest Man with a second dip into his recordings for New York indie Scepter Records as well as Capitol, Atlantic, and Dynamo. Born in 1933 in Pittsburgh, Pennsylvania, Tommy Hunt's family settled in Chicago during his formative years. But
Review: Kate Bush, "Remastered in Vinyl" Boxes 3 and 4, CD Box 2
When Kate Bush returned to music in 2005 after a 12-year absence, about all that could be expected was the unexpected...and the sonic auteur, naturally, delivered. Her 21st century work and assorted ephemera has been collected by Parlophone as one box of remastered CDs and two box sets of remastered vinyl LPs. Aerial opens Parlophone's CD Box 2, and Remastered in Vinyl Box 3. The record was conceived as two halves, one on each disc. The first, A Sea of Honey, is a collection of
Take It On The Run: HNE Compiles REO Speedwagon's Hit Era On Extras-Laden Box Set
Last October, Cherry Red/Hear No Evil released the 8-CD The Early Years 1971-1977, chronicling REO Speedwagon's beginning on Epic Records. And now they're back with the follow-up set: The Classic Years 1978-1990, containing the group's seven remaining Epic albums and a bonus live disc across 9 CDs, highlighting the period when REO Speedwagon became a household name. The first album in the box, 1978's You Can Tune A Piano, But You Can't Tuna Fish, found REO Speedwagon at a time of change.
Review: Nat "King" Cole, "Ultimate Nat King Cole"
Yesterday, March 17, 2019, would have been Nat "King" Cole's 100th birthday. While the man born Nathaniel Adams Coles only lived to the age of 45, he more than earned his royal moniker over his three decades of performing. He paved the way for African-American artists as the first black man to host a nationwide television variety show, and quietly but devotedly crusaded for civil rights. At the time of his death, at the height of Beatlemania, he was selling some seven million records a
Review: Vanessa Daou, "Zipless"
When Vanessa Daou's debut album Zipless: Songs From the Works of Erica Jong was first released in 1994, it garnered acclaim across the industry for its other-worldly production, sex-positive lyrics, and, of course, for Daou's impressive vocal delivery. Time called it an exquisite album, Slant listed it among the 100 Best Albums of the '90s, and even Rush's Alex Lifeson commended its cross-genre blend. It's since become a landmark album in electronic music, though to simply call it electronic
Review: Omnivore's Twin/Tone-Era Soul Asylum Reissues of "Say What You Will...," "Made To Be Broken," and "While You Were Out"
For some listeners, Soul Asylum may be best known as the group that had a worldwide hit in 1993 with "Runaway Train." The band's major label breakthrough on Columbia Records, it was a Top 10 hit in 14 countries that went Gold in the U.S. and four other territories, brought their album Grave Dancers Union to multi-Platinum status, and garnered a Grammy for Best Rock Song in 1994. But there's more to the band than that. Their journey to that global acclaim, starting as rowdy punk band --
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