Black Sand: The Best of Kalapana, a 20-track anthology from the Hawaiian band drawn from the years 1975-1983, presents a vivid portrait of the group that, despite various personnel changes, has been playing to sold-out crowds for 45 years now. Yet one question lingers: how has Kalapana languished in obscurity on the American mainland for so long? Malani Bilyeu, D.J. Pratt, Kirk Thompson, and Mackey Feary came together to make music in 1973. All but Pratt were born in Honolulu; the lead
Holiday Gift Guide Review: Eagles, "Legacy"
Just Find a Place to Make Your Stand On the list of the United States' five best-selling albums of all time, one name stands tall - the only artist to lay claim to two of those five titles. That artist is, of course, a band: Eagles. 1976's Their Greatest Hits (1971-1975) sits atop the list at 38 million copies sold; Hotel California is third with 26 million. The ten tracks on the former are all modern-day standards, each and every one of them still a radio staple. Though the original
The Groove Is Gonna Get You: Sunset Blvd. Celebrates Ben Sidran with Live Anthology
It's fair to say that Ben Sidran has had a career unlike any other. The author of five books, record label proprietor, radio and television host, singer, songwriter, pianist, teacher, and eternal hipster has played as part of The Steve Miller Band (and co-wrote "Space Cowboy"), produced records for Mose Allison, Rickie Lee Jones, and Diana Ross, and performed with Van Morrison and Georgie Fame. Along the way, he's recorded for Capitol, Blue Thumb, Arista, A&M, and Windham Hill. Sidran
Review: Golden Smog, "Down By the Old Mainstream" from Run Out Groove
What do you get when you bring together members of Wilco, Soul Asylum, and The Jayhawks and throw them into a remote recording studio in Minnesota wilderness? Well, as the Run Out Groove label proved with its LP reissue earlier this year, the result is one mighty down-home, fun album of country-rock grooves: Down By the Old Mainstream by '90s supergroup Golden Smog. While their lineup has been mercurial since they first got together in the late-'80s, the core lineup included Kraig Johnson of
Review: The Beatles, "The Beatles (The White Album): Anniversary Edition"
You Say You Want a Revolution Following the enormous, worldwide success of Sgt. Pepper's Lonely Hearts Club Band, The Beatles wouldn't have been faulted had they re-entered Abbey Road Studios and created another album of robustly melodic, lavishly orchestrated songs of whimsy and wonder. But Messrs. Lennon, McCartney, Harrison, and Starr weren't interested in repeating themselves. When The Beatles arrived on November 22, 1968, roughly one and one-half years after Pepper, one didn't even
Review: Bob Dylan, "More Blood, More Tracks: The Bootleg Series Vol. 14"
Bob Dylan began recording 1975's Blood on the Tracks in much the same manner he had begun 1962's Bob Dylan: inside the studio at 799 Seventh Avenue, New York City, alone at the microphone with just his guitar, a harmonica, and the song. In '62, the facility was Columbia Studio A, in '75 it was A&R Studios. In '62, John Hammond was the producer, in '75 Phil Ramone (the R in A&R) was manning the controls as engineer. Dylan, of course, was a much-changed man, but upon his return to
Review: "Stax '68: A Memphis Story"
Otis Redding's "Sittin' on the Dock of the Bay," the first Stax single of 1968, should have been a new beginning for the artist and label. Instead, the posthumous release ushered in a tumultuous year for the Memphis institution. The death of Redding and members of The Bar-Kays on December 10, 1967 was a tremendous loss for Stax and popular culture, but no one could have predicted the upheaval that would affect Stax and the city of Memphis in the following twelve months. That time has just
Review: Matthew Sweet, "100% Fun" From Intervention Records
This spring, Intervention Records announced a highly anticipated new endeavor: a series of Matthew Sweet SACD and 2-LP reissues, encompassing his entire recorded output from 1991-1995. The Second Disc was able to hear the two-disc vinyl configuration of the release that kicked off the series: an expanded edition of Sweet's 1995 album, 100% Fun. Originally released on the Zoo Entertainment label, the album has seen surprisingly few reissues over the years. Music On Vinyl released a
Contante & Sonante Celebrates Late Warren Wiebe with Rare Demos From Burt Bacharach, David Foster, More
Talk about a well-kept secret... Throughout his too-short life, vocalist Warren Wiebe (1953-1998) never became a household name. Yet he was highly successful. As a background singer, he graced recordings by Johnny Mathis, Paul Anka, Taylor Dayne, and Air Supply. A true songwriter's singer - able to convey the heart and soul of a song without resorting to self-indulgence - he earned the respect and admiration of a "Who's Who" of songwriters who enlisted him to introduce their songs on
Review: Vince Guaraldi, "The Complete Warner Bros.-Seven Arts Recordings"
For many listeners, Vince Guaraldi's legacy will forever be tied to the merry Yuletide melodies that he recorded on the landmark soundtrack album, A Charlie Brown Christmas. Though it arrived a decade into his recording career, the album solidified in the public consciousness Guaraldi's unique and playful piano style, the impact of which has endured for generations. Now, Omnivore Recordings puts the spotlight on another chapter of the pianist's career in a new 2-CD set called The Complete
Elvis Costello Deftly Blends Present and Past on "Look Now"
Among the credits for Elvis Costello and The Imposters' Look Now is a simple acknowledgment: In Memphis - Mary Isobel O'Brien. The onetime Ms. O'Brien, of course, is better known as Dusty Springfield, and the credit from Declan MacManus and his band makes clear the inspiration for this stunning assemblage of what the artist, correctly, deems "uptown pop." Dusty in Memphis is one of the benchmarks of that style: pop with a dash of soul, or is it soul with a dash of pop? It doesn't hurt that
Review: The Doors, "Waiting for the Sun: 50th Anniversary Edition"
Upon its release in July 1968, some might have found the title of The Doors' third album, Waiting for the Sun, to be ironic. After all, Jim Morrison, Robby Krieger, Ray Manzarek, and John Densmore, were hardly ever in pursuit of anything remotely sunny. But the album, with its rather bucolic cover shot, most certainly struck a chord with listeners in the year between The Summer of Love and Woodstock. Waiting for the Sun became the band's only No. 1 album, and included the No. 1 single "Hello,
Review: Electric Light Orchestra, "The U.K. Singles Volume One: 1972-1978"
The A-side of Electric Light Orchestra's first 45 had been originally written for The Move, but once it was recorded, it was clear to songwriter-producer Jeff Lynne and his co-producer and bandmate Roy Wood that "10538 Overture" was the sound of a different band altogether. Wood had overdubbed what he later remembered as a "cheap Chinese cello" onto the driving track which the two singers/multi-instrumentalists had created with the aid of Bill Hunt on French horn and Steve Woolam on violin.
Review: Ben Folds, "Brick: The Songs of Ben Folds 1994-2012"
Upon its release in August 1995, the eponymous debut of Ben Folds' quirkily-named trio sounded like nothing else you might have found in the racks of your local Tower, HMV, or Sam Goody. Filled with rich melodies, inescapable riffs, the most aggressive piano this side of Jerry Lee Lewis, and a youthful dose of attitude, Ben Folds Five channeled Todd Rundgren, Elton John, and Queen - with a dash of Randy Newman here and George Gershwin there. Now, more than 23 years later, the (sorta) angry
Review: Willie Nelson, "My Way"
Last week, Willie Nelson made headlines when he announced that he would be playing a concert in support of Texas' Democratic candidate for U.S. Senate, Beto O'Rourke. News outlets made much of the fact that some of the artist's conservative fans perceived a betrayal, but in truth, Nelson has always followed his heart and stayed true to his own convictions. He shared that in common with the late Frank Sinatra, his friend and onetime duet partner. The appropriately-titled My Way is a heartfelt
Gimme Something Real: Groove Line Celebrates Ashford and Simpson on New Anthology
Had Nickolas Ashford and Valerie Simpson written nothing but "Ain't No Mountain High Enough," the duo would have found their place in the musical pantheon assured. But the reality is that the husband-and-wife team also wrote such American pop standards as "Ain't Nothing Like the Real Thing," "Reach Out and Touch (Somebody's Hand)," "You're All I Need to Get By," "California Soul," and "Solid (As a Rock)." They were so prolific that even top-notch material was left on the shelf; Second Disc
Review: Solomon Burke, "The Best of Atlantic Soul 1962-1965"
When Solomon Burke died in 2010 at the age of 70, American song lost one of its most towering talents. With a figure as imposing as his deep voice, The King of Rock and Soul sat upon his throne for decades, spreading the gospel...not just the gospel of music, but the Gospel itself. Tapping into his roots in church music, jazz, blues, and country, Burke was one of the pioneering artists who bridged the gap between "R&B" and "soul," and he did it at Atlantic Records. Run Out Groove's new
Down on Copperline: Analog Spark Reissues, Remasters James Taylor's "New Moon Shine"
Analog Spark has had a busy summer. The label contributed a number of exclusive releases to Barnes and Noble, including stellar reissues of the classic Broadway cast recordings to Hello, Dolly! (1964, RCA), Cabaret (Columbia, 1966) and Hair (RCA, 1969) as well as Dave Brubeck's delightful Dave Digs Disney (Columbia, 1957) in its original mono mix. The vinyl specialists have recently turned their attention to a title of a more modern vintage from a venerable American troubadour, James Taylor.
Review: The Band, "Music from Big Pink: 50th Anniversary Super Deluxe Edition"
The house on Parnassus Lane, formerly Stoll Road, in West Saugerties, New York might be one of rock and roll's least likely landmarks, with its unassuming residential façade distinguished only by its pink siding. But the colorful house bore witness to the birth of some of the greatest songs in American pop history when Bob Dylan and his band - soon to be The Band - recorded "The Basement Tapes" there. When Capitol Records subsequently signed Robbie Robertson, Levon Helm, Garth Hudson, Rick
If They Could See Me Now: Blixa Sounds Reissues Four Albums From Linda Clifford
May 1978 was certainly Linda Clifford's month. The Chicago songstress had taken to the top of the Billboard Disco chart - and wasn't about to let it go for five consecutive weeks. The bold reinvention of Cy Coleman and Dorothy Fields' Sweet Charity showstopper "If My Friends Could See Me Now" established Clifford in the top tier of disco superstars, and now Blixa Sounds is revisiting that golden era. On Friday, the label will reissue four of Clifford's albums for Curtis Mayfield's Curtom
Review: Michael Nesmith and The First National Band Redux, "Live at The Troubadour"
Michael Nesmith always traveled to the beat of a different drum. While serving as one-fourth of The Monkees, Nesmith was expanding his musical horizons beyond the group's infectious Brill Building pop stylings. "I wanted beautiful music wherever I could find it," he writes in the liner notes to his new release on 7a Records. "But if I wanted to sing it myself and write it myself, I had to have an understanding of what that music was, and how to get to it. So, the first place I looked was in
Reviews: Gene Clark and The Rose Garden Return From Omnivore
Though he's been - and continues to be - the subject of numerous reissues and releases, Gene Clark still remains somewhat of an enigma. The founding member of The Byrds (1944-1991) only released six solo studio albums within his too-short lifetime, bolstering a discography also containing group and collaborative efforts. But he left behind what seems like scores of unreleased tracks, much of which has been mined in the years since his death. In 2013, the Omnivore label issued his demos for
Lay the Music Down: Cilla Black's Expanded Reissue Series Begins Today From Cherry Red
Surprise, surprise...it's Cilla here! Today's the day on which Cherry Red's Strike Force Entertainment has launched a new series dedicated to remastering and expanding Cilla Black's discography. These deluxe, lavishly expanded reissues go a long way in upgrading the late superstar's catalogue on CD. The first 2-CD set pairs 1969's George Martin-produced Surround Yourself with Cilla with 1976's It Makes Me Feel Good, produced by David Mackay (Cliff Richard, Blue Mink, The New Seekers). The
Her Music Is Hot: Cherry Red, Robinsongs Reissue Rare R&B from Lalomie Washburn
My Music Is Hot: Lalomie Washburn exuded confidence with the very title of her 1977 LP debut. With a husky voice entrenched in the spirit of the blues and a keen sense of herself as both a singer and songwriter, she seemed a prime candidate for soul stardom. While solo fame eluded Washburn, she left behind a great legacy of music that's gone overlooked for far too long. Happily, Cherry Red's Robinsongs label has just resuscitated My Music Is Hot for its first-ever CD version. This edition is
Review: Keely Smith, "Sings the John Lennon-Paul McCartney Songbook"
Oh yeah, I'll tell you something I think you'll understand... At the height of Beatlemania in 1964, some members of the so-called "older generation" still hadn't caught on to what made the Fab Four more than the latest passing teenybopper fad. But Keely Smith was ready to make them understand. For her third album at Frank Sinatra's Reprise Records, the smoky-voiced chanteuse set out to have the adults in the room "meet the Beatles" in a new way. Keely Smith Sings the John Lennon-Paul
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