Last year, The Idelsohn Society for Musical Preservation regaled listeners with ‘Twas the Night Before Hanukkah, an eclectic and offbeat anthology that breathed life into the concept of a holiday-themed compilation. With its mission “to look at Jewish history and the Jewish experience through recorded sound” firmly in mind, the organization this year has released another two-disc set that lives up to the much-overused word unique. Whereas last year’s release focused on the relationship in song
Review: The Jimi Hendrix Experience, "Miami Pop Festival"
By the time Jimi Hendrix took the stage at Hallandale, Florida’s Gulfstream Park on May 18, 1968, the 25-year old guitarist, songwriter and visionary’s reputation preceded him. He had already released two studio albums (1967’s Are You Experienced and Axis: Bold as Love released in 1967 in the U.K. and 1968 in the U.S.) and established himself as an unpredictable performer not to be missed when he set his guitar ablaze amidst the peace and love of the Monterey Pop Festival in June 1967. With
Review: Miles Davis, "The Original Mono Recordings"
“Mono featured less audio trickery and fewer audio distractions, so you can actually hear the musical conversation between Miles and the other musicians as it occurred in the studio.” That’s producer George Avakian as quoted in the liner notes for Columbia and Legacy’s new nine-album box set Miles Davis: The Original Mono Recordings. And that purity of sound - further described by the producer of Davis’ first two Columbia albums as “truer to the studio sound and the original intent” – is
Review: The Beatles, "On Air: Live at the BBC Volume Two"
Meet the Beatles...again. The new Apple/Capitol/Universal release On Air: Live at the BBC Volume Two sets the Wayback Machine at Destination: 1963 and 1964, when four Liverpool lads named John, Paul, George and Ringo ignited a British Invasion that continues to this very day. All 63 tracks (both spoken-word introductions and songs) on this new 2-CD time capsule date back to those two years, when the Fabs recorded unique performances for such BBC programs as Saturday Club and Pop Go the
Review, "Released! The Human Rights Concerts 1986-1989" On DVD and CD
Sex, drugs and rock and roll have been closely linked since, well, the dawn of rock and roll itself. But those who have been lucky enough to make a living in the rough-and-tumble world of rock have also frequently given themselves over to more noble pursuits. George Harrison’s 1971 Concert for Bangla Desh wasn’t the first time a rock superstar had performed for charity, but The Quiet Beatle’s star-studded event is rightfully considered the first benefit concert of such stature. Since then,
BBR Completes Pointer Sisters' Planet Catalogue with "Priority" and "Black and White" Remasters
Between 1978 and 1988, The Pointer Sisters recorded a stunning series of nine albums with producer Richard Perry (Barbra Streisand, Harry Nilsson), first for his Elektra-distributed Planet Records label, and then for RCA, to whom Perry eventually sold Planet. During this period, June, Ruth and Anita finally were able to Break Out on the U.S. charts - to quote the title of the group's multi-platinum 1983 album which introduced four U.S. Top 10 hits. Previously the Pointers had mastered jazz,
Review: Bob Dylan, "The Complete Album Collection Volume One"
Tucked away on Bob Dylan’s 23rd studio album Empire Burlesque, the troubadour sings simply but sternly, “Trust yourself/Trust yourself to do the things that only you know best/Trust yourself/Trust yourself to do what’s right and not be second-guessed...” Dylan had trusted himself since he first arrived on the scene in 1962, engaging in a series of transformations that enthralled, angered, transfixed and bewildered those that followed his career – from folk troubadour to electric rocker to
Review: Jefferson Starship, "Live in Central Park NYC May 12, 1975"
“The police say you guys in the trees are causing problems...you can either jump out or they’ll...do something!” So went one of the colorful and increasingly adamant stage announcements about tree-dwelling audience members made throughout the near-entirety of Jefferson Starship’s free concert at New York City’s Central Park on May 12, 1975. The eight-strong band line-up of Paul Kantner, Grace Slick, Marty Balin, Craig Chaquico, Papa John Creach, John Barbata, David Freiberg and Pete Sears was
It's Love That Really Counts: Él Continues Vintage Burt Bacharach Series
In 1962 alone, Burt Bacharach premiered more than 30 new compositions, recorded by a variety of artists from Marlene Dietrich to The Drifters. It's even fair to say that '62 was the year the composer truly came into his own. While previous years offered their share of hits for the songwriter - "I Wake Up Crying," "Tower of Strength," "Baby, It's You," "Magic Moments," "The Story of My Life" - the Bacharach sound hadn't completely crystallized. With Jerry Butler's July 1962 single of Bacharach
Review: Perry Como, "Just Out of Reach: Rarities from Nashville Produced by Chet Atkins"
“Hey, let’s do it again and again,” invited Perry Como on the bouncy opening track of 1975’s Just Out of Reach. The Tony Hatch/Jackie Trent song, previously recorded by singer-actor Jim Dale on This is Me, was perfectly suited to Como’s warm, soothing tones. Who wouldn’t take him up on the offer to do it again and again? As the musical landscape of the 1960s and 1970s drastically shifted, the one-time big band “boy singer” wasn’t quite as ubiquitous a presence as he once was. Still, the
Review: Humble Pie, "Performance - Rockin' the Fillmore: The Complete Recordings"
Today, 105 Second Avenue in New York City looks inconspicuous enough, housing a branch of a savings bank. But for just over three years, between March 1968 and June 1971, that address was home to Bill Graham’s Fillmore East. The grandiose 2,830-capacity venue built in 1925 as a Yiddish theatre was sadly demolished around 1996, having survived transformations into The New Fillmore East and the landmark gay disco The Saint. Though the building no longer exists, with the bank occupying its
Review: Van Morrison, "Moondance: Deluxe Edition"
Over forty years after Van Morrison first declared it a “marvelous night for a moondance,” the Irish troubadour’s seminal 1970 album has become even more marvelous, ‘neath the cover of October skies. Warner Bros. Records has afforded Moondance the deluxe treatment, adding three CDs of session material and one Blu-ray with high-resolution stereo and surround mixes to the original 10-song album. With this truly immersive listening experience, Morrison’s third proper solo album takes its place
Review: Belinda Carlisle Deluxe Remasters From Edsel (1987-1993)
As lead singer of California rock group The Go-Go's, Belinda Carlisle conclusively proved that she, indeed, had the beat. In her solo career, she applied her powerfully soaring pipes - one minute honeyed, the next smoky - to some of the most iconic pop songs of the era. Edsel has recently repackaged Carlisle's second through fifth albums as truly deluxe, hardbound 2-CD/1-DVD editions, and they're a nostalgic trip back to the days when power ballads ruled the radio and one singer stood at the
Happy Hearts: The Four King Cousins Return With "More Today Than Yesterday"
In those halcyon days of television variety, when ABC's The Hollywood Palace rubbed shoulders with CBS's The Ed Sullivan Show, it wasn't hard to spot the music-making King Family. After all, the ensemble was more than 30 members strong, consisting of big band sweethearts The King Sisters, guitarist Alvino Rey, and some 32 brothers, sisters, children, wives, aunts and uncles. Following much-talked-about appearances on Hollywood Palace, The King Family went on to headline its own variety show
Review: Paul Simon, "The Complete Albums Collection" and "Over the Bridge of Time"
I. Hello Darkness, My Old FriendMore than 45 years ago, Paul Simon dramatized a journey “to look for America” in the song boldly and simply called “America.” Over 3-1/2 gorgeously elegiac minutes beginning with hymn-like vocalizing, Simon abandoned conventional song structure and rhyme to portray two young people searching for the heart of this promised land. The conversational lyric is both deceptively simple and densely packed. Optimism (“Let us be lovers, we’ll marry our fortunes
Review: Tony Bennett, "Live at the Sahara: Las Vegas 1964"
It's been a busy week for Tony Bennett, one of the few artists today for whom "legendary" truly applies. Bennett, 87, supported the release of Live at the Sahara: Las Vegas, 1964 as well as the digital release of his entire Columbia Records catalogue with a "digital day" for the books. Bennett engaged in a HuffPost Live Chat, took questions on Twitter via the hashtag #AskTony, shared videos on Facebook, and even participated in a reddit AMA. Here's to the next 87, Tony! Though named for
Special Review: Joe Grushecky, "Somewhere East of Eden"
As these words are being published, we're in Day 10 of the U.S. government shutdown, with no end apparently in sight. Could Joe Grushecky have picked a better time to release his seventeenth and latest solo album, the poltiically-charged and socially-conscious Somewhere East of Eden (Schoolhouse/Warner Nashville 2-535518, 2013)? Grushecky has always evinced that he cares deeply for America, and for its citizens - particularly the blue-collar, working class. On Eden, the rootsy
Personality Crisis: "Lipstick, Powder and Paint" Reveals New York Dolls' Inspirations
“While I was layin’ in a hospital bed/A rock ‘n’ roll nurse went to my head/She says, ‘Hold out your arm, stick out yo’ tongue/I got some pills, boy, I’m ‘a give you one!” It was no surprise that The New York Dolls – crown princes of debauchery, seventies-style – would include a cover of Bo Diddley’s oddly jaunty 1961 single “Pills” on their 1973 debut album. While The Dolls – lead vocalist David Johansen, rhythm guitarist Sylvain Sylvain, bassist Arthur “Killer” Kane, lead guitarist Johnny
Review: Pablo 40th Anniversary Series with Gillespie, Ellington, Tatum, Peterson, Grappelli and Sims
When impresario Norman Granz founded the Pablo label in 1973, fusion, funk and Latin sounds were at the forefront of jazz. Granz, founder of the Verve, Norgran and Clef labels, initially launched Pablo as a platform for his management clients Ella Fitzgerald, Oscar Peterson and Joe Pass, but soon its roster was filled out with the equally starry likes of Duke Ellington, Count Basie and Sarah Vaughan. Granz’ new label was an instant success and a safe haven for traditional jazz in this period
Review: The Paley Brothers, "The Complete Recordings"
If The Brill Building had survived as the fulcrum of pop songwriting activity through the 1970s, chances are that Andy and Jonathan Paley would have been found in a cubicle there, turning out one infectious pop nugget after another like “Come Out and Play” and “Here Comes My Baby.” As it turned out, the category-defying Paley Brothers were men out of time. Singers as well as songwriters, they were signed to the Sire Records roster between the Ramones and Talking Heads, and managed to bridge
Review: The Alan Parsons Project, "I Robot: Legacy Edition"
How to follow an art-rock concept album based on the macabre tales of nineteenth-century author Edgar Allan Poe? For The Alan Parsons Project, the answer was apparently a simple one: look forward rather than back. So the second album by the progressive-rock "group" - in actuality producer-engineer Parsons, chief songwriter-executive producer Eric Woolfson, and a rotating cast of musicians and vocalists - was inspired by the writing of Isaac Asimov and explored artificial intelligence in a
Review: Claudia Lennear, "Phew!"
Claudia Lennear might have spent much of her career 20 Feet from Stardom, as per the acclaimed documentary of that title. But on her 1973 Warner Bros. solo debut album, the onetime background singer and member of Leon Russell’s Shelter People was front and center. That LP was titled Phew!, perhaps not the most likely name for a heady brew of funk, rock and soul by the striking singer who gave inspiration to both David Bowie and Mick Jagger. But “Phew!” is an accurate expression of relief now
Review: Harry Nilsson, "Flash Harry"
When Harry Nilsson's The RCA Albums Collection was finally unveiled earlier this year by Legacy Recordings, many finally stood up and took notice of the gifted singer-songwriter whose art deftly blended the high and the low, the angelic and the devilish, the euphoric and the melancholy. That astounding box set included each one of Nilsson's albums for the RCA label - in other words, his entire solo discography save one album. And now, that final missing link is finally here, on CD to join its
Ava Cherry Takes A Ride On A "Streetcar Named Desire"
“Black people don’t do new wave. She’s supposed to be doing soul,” Ava Cherry recollected of radio’s reaction to her 1982 Capitol Records single “Love to Be Touched.” Yet not only did Cherry – the former model, stalwart background vocalist and onetime muse to David Bowie - do new wave, but she did it with fervor and flair. With production from Bob Esty (Donna Summer’s “Last Dance,” Barbra Streisand’s “The Main Event”), Cherry’s sophomore solo album Streetcar Named Desire, produced by Bob
Pure Serendipity: Now Sounds Uncovers Serendipity Singers' Psych-Pop Treasure
Here’s a prescription for convalescent hippies you oughta know... Webster’s defines serendipity as “the faculty or phenomenon of finding valuable or agreeable things not sought for,” making it an apropos name for The Serendipity Singers. The group was formed in 1963 at the University of Colorado in the days when The New Christy Minstrels could sell one million copies of “Green, Green” and folk music was being happily served to the masses by clean-scrubbed young men and women with a spoonful of
- « Previous Page
- 1
- …
- 28
- 29
- 30
- 31
- 32
- …
- 43
- Next Page »