"Tall and tan and young and handsome..." Those lyrics to Antonio Carlos Jobim's "The Boy from Ipanema" kicked off a bossa nova boom that saw virtually every noteworthy vocalist and jazz musician of the 1960s recording in the mellow Brazilian style. Frank Sinatra, though, was hardly one to follow a trend for hipness' sake. By 1967, the label he founded, Reprise, was turning its sights to Laurel Canyon and Haight-Ashbury, and the bossa craze was on the wane. Sinatra would, as always, record on his
Review: Judy Garland and Liza Minnelli, "Live at the London Palladium"
Leave it to Bob Dylan. In his 2004 memoir Chronicles Volume One, he writes about the experience of listening to Judy Garland: "A couple of times I dropped a coin right into the slot and played 'The Man That Got Away' by Judy Garland. The song always did something to me...listening to Judy was like listening to the girl next door." He writes of the song's composer, Harold Arlen: "In Harold's songs, I could hear rural blues and folk music...there was an emotional kinship there." He continues,
Lena Horne Soars, The Lion Roars
As previously mentioned, Hip-O Select had yet another release up their sleeve: Lena Horne Sings: The M-G-M Singles Collection. It's a set of 16 early Lena Horne classics cut for M-G-M Records in the '40s and '50s and largely unavailable on CD until now. There's a heap of standards, including "'Deed I Do," "Where or When," "I've Got the World on a String" and "The Lady is a Tramp," plus liner notes from Horne biographer James Gavin. Pre-order it here and hit the jump for some specs (culled
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