Welcome to another installment of Reissue Theory, where we reflect on great albums and the reissues they could someday see. At the time of his untimely death in 1973, Bobby Darin was signed to Motown Records, where he recorded one solo LP and enough material for a posthumous second LP. Despite their high quality, Darin's Motown recordings have long been unavailable. Today's Reissue Theory takes us back to 1970 and the final chapter in the life of the great Bobby Darin. Bobby Darin was so much
How "Cool" Is New Dean Martin Box Set?
Don't move those Bear Family boxes over quite yet, Dean Martin fans. Between 1997 and 2001, the German label issued four remarkable boxes collecting virtually every note ever recorded by Dean Martin not only for Capitol and Reprise (his two most famous label associations) but for Diamond, Embassy, Apollo, Warner Bros. and MCA. So what could a new box offer to collectors and fans? On June 7, Hip-o will release a two-CD box set dedicated to the perennially cool singer and swinger in a hardcover
When Matt Met Hoagy: Rare Monro LP Reissued in U.K.
The success story of Matt Monro is one unlike any other. The singer, born Terence Edward Parsons in London in 1930, had recorded for both Decca and Fontana, and sang regularly on the BBC, but the brass ring eluded him. Then, in 1960, EMI producer George Martin was seeking a voice to spoof Frank Sinatra’s on a Peter Sellers comedy album cheekily titled Songs for Swinging Sellers. Martin hired Matt Monro, and billed him under the very Sellers-esque pseudonym of “Fred Flange.” Well, the “Flange”
Reissue Theory: Sammy Davis, Jr., Compiled: "Sammy in the Seventies"
Welcome to another installment of Reissue Theory, here we reflect on well-known albums of the past and the reissues they could someday see. Today, we look at a beloved American icon and one of the least anthologized periods of his lengthy career. There may be no figure in American popular culture more maligned in death than Sammy Davis, Jr. The image of the diminutive entertainer, clad in open shirts and bell-bottoms, wearing beads and gold chains, and with an ever-present cigarette dangling
Review: Nat "King" Cole, "Love is the Thing" and "The Very Thought of You"
The time is 1957. The place is the corner of Hollywood and Vine in Los Angeles, California – the Capitol Tower. And you are there. Such is the magic of Analogue Productions’ pair of hybrid Super Audio CDs, part of the label’s Nat “King” Cole reissue program. Thanks to the gorgeous remastering and improved quality afforded by the format, you’ll hear every breath, as if you were in the studio alongside Cole himself during a recording session. The versatile artist is today remembered for many
Reissue Theory: Tony Bennett, "Tony Sings the Great Hits of Today!"
Welcome to another installment of Reissue Theory, where we reflect on well-known albums of the past and the reissues they could someday see. This installment spins what may be the least-loved Tony Bennett LP into a lost classic for the ages. Today's Reissue Theory takes a look at one of the most reviled albums of all time, the LP thought to be the nadir of a career still going strong after nearly 50 years. The artist is Tony Bennett, and the album is Tony Sings the Great Hits of Today! ,
Review: Frank Sinatra, "September of My Years"
Frank Sinatra was always one to face the world head-on. So it was with his turning 50. The man who had pioneered the “concept album” with a string of themed records for Capitol began thinking of an LP that would allow him to plant his feet squarely in the present, 1965, and reflect with every ounce of experience he’d acquired in the many lives he’d led over a mere 50 years. The album that would become September of My Years began its life inspired by Kurt Weill and Maxwell Anderson’s “September
Review: Frank Sinatra and Antonio Carlos Jobim, "Sinatra/Jobim: The Complete Reprise Recordings"
"Tall and tan and young and handsome..." Those lyrics to Antonio Carlos Jobim's "The Boy from Ipanema" kicked off a bossa nova boom that saw virtually every noteworthy vocalist and jazz musician of the 1960s recording in the mellow Brazilian style. Frank Sinatra, though, was hardly one to follow a trend for hipness' sake. By 1967, the label he founded, Reprise, was turning its sights to Laurel Canyon and Haight-Ashbury, and the bossa craze was on the wane. Sinatra would, as always, record on his
Review: Judy Garland and Liza Minnelli, "Live at the London Palladium"
Leave it to Bob Dylan. In his 2004 memoir Chronicles Volume One, he writes about the experience of listening to Judy Garland: "A couple of times I dropped a coin right into the slot and played 'The Man That Got Away' by Judy Garland. The song always did something to me...listening to Judy was like listening to the girl next door." He writes of the song's composer, Harold Arlen: "In Harold's songs, I could hear rural blues and folk music...there was an emotional kinship there." He continues,
Lena Horne Soars, The Lion Roars
As previously mentioned, Hip-O Select had yet another release up their sleeve: Lena Horne Sings: The M-G-M Singles Collection. It's a set of 16 early Lena Horne classics cut for M-G-M Records in the '40s and '50s and largely unavailable on CD until now. There's a heap of standards, including "'Deed I Do," "Where or When," "I've Got the World on a String" and "The Lady is a Tramp," plus liner notes from Horne biographer James Gavin. Pre-order it here and hit the jump for some specs (culled
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