Calling all '80s Motown fans! Universal's U.K. arm has issued a double disc set of 20 classic club mixes from the label, curated by noted remixer John Morales. Motown of course crafted the sound of young America throughout the '60s and created some deeply affecting funk and soul in the '70s, but the '80s was still a prolific time, thanks to popular R&B/dance acts including Rick James and DeBarge as well as established acts like The Temptations and Commodores frontman Lionel Richie.
Love Is: Carol Williams, The Salsoul Orchestra Make Sweet Music on "'lectric Lady"
Carol Williams signed to New York’s Salsoul Records label in 1975 for one single, but stuck around for one memorable album. That lone long-player, titled ‘lectric Lady, paired the New Jersey-born vocalist – Salsoul’s first female contract signing – with the label’s premier musical outfit, The Salsoul Orchestra, for an alluring blend of disco and sleek soul. Cherry Red’s Big Break Records imprint is now feeling electric with an expanded and remastered reissue of ‘lectric Lady. Williams came to
Real Gone Is "In Tune" With September Slate Featuring Grateful Dead, Ides of March, Willie Hutch, More
September 1 marks Labor Day, but Real Gone Music isn’t taking much time off! The very next day, the label launches a new crop of eight titles emphasizing soul, funk and R&B but also encompassing country, classic rock and a touch of prog! At Motown, Willie Hutch gifted The Jackson 5 with his song “I’ll Be There,” saw his songs recorded by the label’s elite including Smokey Robinson and Marvin Gaye, and penned funky soundtracks including The Mack. In 1977, he departed Berry Gordy’s empire
We Want "Muscles" and Other Diana Ross Albums for RCA, Expanded by Funkytown Grooves
Diana Ross is well-known as the Queen of Motown, but for real record geeks and catalogue enthusiasts, it's her post-Motown works - released in the U.S. on RCA Records and on Capitol/EMI worldwide - that deserves a revisitation, thanks to its high energy dance grooves supplied by several very famous collaborators. This fall, Funkytowngrooves is doing what Diana's fans have wanted for years: remastering and expanding her six albums from 1981 to 1987 for the first time ever. After two decades
Old School: Soul Man Willie Jones Has "Fire In My Soul" On Comeback Album, Welcomes Frank Black, Steve Cropper and Felix Cavaliere
We interrupt our regularly scheduled programming for a special news bulletin: Willie Jones, vocalist for The Five Jokers back in the early 1960s, has returned to recording for the first time in decades! His new solo album, Fire in My Soul, arrived this week in the U.K. from Cherry Red Records’ Shout! label, and we’re happy to report that it’s a treat for vintage soul enthusiasts! Much has been made of today’s crop of “neo-soul” artists, fusing organic elements of traditional R&B into more
From Muscle Shoals to Music City, Ace Mines Lost R&B Gold On New Collections
Ace Records continues to mine the rich legacy of American R&B with recent releases dedicated to a trio of the finest independent labels in soul music: Fame, Music City, and Doré. Late in 2011, Ace curated the definitive chronicle of Rick Hall’s Fame Studios with The Fame Studios Story, a 3-CD box set including performances recorded at the storied Muscle Shoals, Alabama studio by artists including Wilson Pickett, Etta James, Otis Redding, Irma Thomas and Aretha Franklin. The label has also
Relight Their Fire: BBR Compiles Hits, Rarities For Loleatta Holloway, Skyy and Evelyn "Champagne" King
It’s no secret that Big Break Records, an imprint of Cherry Red Group, has mastered the art of the reissue when it comes to vintage R&B, soul and disco. But the label has expanded its horizons recently with a new series of deluxe 2-CD artist anthologies combining hits, rarities, remixes and key album tracks into one package. Three such titles are available now from the label, dedicated to the sensational Loleatta Holloway, “Shame” diva Evelyn “Champagne” King and the band Skyy. Though
Give It to Us, Baby: Rick James' Motown Masters (and More) Are Digitally Reissued
Singer, songwriter, bassist, producer, partier, punk-funk pioneer - however you know him, one thing's clear: he's Rick James. (You'll have to imagine the word that usually follows.) Though the world lost the "Super Freak" hitmaker 10 years ago this summer, his legend continues: this week sees the release of his authorized biography Glow, written with David Ritz, and to celebrate, two labels are joining forces to update his killer catalogue in the digital domain. From the earliest moments
Real Gone's Sizzling Summer Features Cass Elliot, Peggy Lipton, Annette, The Shirelles, Dee Dee Warwick and More
Summer is finally here, and Real Gone Music has a bevy of offerings due on July 29 which should make your vacation even sunnier! The label is throwing a beach party, sixties-style, with the original stereo soundtrack to How to Stuff a Wild Bikini featuring screen legends Annette Funicello and Mickey Rooney and “Louie, Louie” rockers The Kingsmen; celebrating true California royalty with an expanded edition of “Mama” Cass Elliot’s Don’t Call Me Mama Anymore (sorry, Cass!) featuring previously
Big Break Big Round-Up, Divas Edition: Label Reissues Carolyn Franklin, Gloria Gaynor, Patti LaBelle
As the youngest daughter of The Reverend C.L. Franklin, Carolyn Franklin was destined to live in the shadow her older sister Aretha. But like eldest sister Erma, Carolyn carved out an impressive career of her own. During her too-short life, sadly curbed by cancer at age 43 in 1988, Carolyn recorded for both the independent Double L label and the major RCA Victor. In addition to serving as a background singer on such classics as "Respect" and contributing to its now-famous arrangement, she wrote
Life Is A Dance: BBR Reissues Chaka Khan, Silver Convention, Instant Funk
Chaka Khan announced her solo freedom with "I'm Every Woman," the euphoric opening track on 1978's Chaka. At 25 years old, Khan was already a veteran of the funk-rock band Rufus with whom she had recorded landmark hits like "Tell Me Something Good" and "Sweet Thing," but Chaka took her passionate style in a new, mainstream R&B direction. The Warner Bros. album, produced by the legendarily versatile Arif Mardin (Dusty Springfield, Bette Midler, The Bee Gees), placed Khan's powerful voice
The Salsoul Orchestra Goes "High," "Up the Yellow Brick Road"
Big Break Records' non-chronological series of remastered and expanded reissues for The Salsoul Orchestra has already taken listeners from 1975's eponymous debut to 1982's farewell release Heat It Up. With the recent releases of 1978's Up the Yellow Brick Road and 1979's How High, the label has filled in the gaps of its lavishly produced program of the Orchestra's classic non-holiday studio albums. (No fear, however - there are other collaborative albums and even a collection credited to The
Ace's "Black America Sings Bacharach and David" Features Dionne, Aretha, Cissy, Nina and More
In retrospect, it might be telling that Burt Bacharach’s first recorded song, “Once in a Blue Moon,” was cut in 1952 by Nat “King” Cole. From those earliest days, Bacharach and his lyrical partner Hal David saw their songs recorded by a host of African-American artists: Johnny Mathis, Gene McDaniels, Joe Williams, Lena Horne, and Etta James among them. Once the duo began to change the sound of American music with their ultra-cool, sophisticated pop-soul compositions, those songs were most
Reviews: Bayeté, Sandra Rhodes and Sid Selvidge Arrive from Omnivore
If you’re looking for a record label to do your deep crate-digging for you, look no further than Omnivore Records. The musical archaeologists there have unearthed three all-but-unknown records from artists on the fringe. But these fresh and vital discoveries from Sid Selvidge, Sandra Rhodes and Todd Cochran a.k.a. Bayeté will likely leave you wondering, “How have I missed this music until now?” Likely on the strength of his work on Bobby Hutcherson’s 1971 Blue Note LP Head On,
Big Break Has "Street Sense" With Two New Salsoul Reissues
Cherry Red's Big Break Records label continues its deep exploration into the vaults of Salsoul Records with two releases that might seem like business as usual for these artists, but are anything but. Street Sense, from The Salsoul Orchestra, isn't a Vince Montana-led extravaganza but rather a project helmed by Tom Moulton, "the father of the 12-inch remix." And Loleatta Holloway's self-titled 1979 album isn't a Philly-style banquet but rather a feast of southern soul. Street Sense is another
Little Esther, All Grown Up: Raven Collects Esther Phillips' First CTI Albums
As the premier vocalist on CTI Records' Kudu imprint, Esther Phillips (1935-1984) played a key role in producer Creed Taylor's "Cool Revolution" at CTI. A gifted vocalist, Phillips nonetheless struggled with personal demons throughout her too-short life. The former "Little Esther" had her first taste of success in 1949, just fourteen years old, and a taste of heroin not long after; stories of her mercurial behavior have entered into legend. But her talent was never in doubt. CTI recorded
Hot Shots: Big Break Relights Dan Hartman's "Fire," Expands Sheryl Lee Ralph's Solo Debut
Talk about fusion! For "Hands Down," the opening cut of his 1979 album Relight My Fire, Dan Hartman enlisted rock and roll great Edgar Winter to weave his alto saxophone licks throughout the Latin-flavored disco track, and Stevie Wonder to provide his instantly recognizable harmonica. Hartman wasn't just a dilettante, but a regular musical renaissance man. A veteran of the Johnny Winter Band and the Edgar Winter Group, he wrote the latter's smash hit "Free Ride," and successfully completed
Review: Dionne Warwick On Edsel Records
Dionne Warwick's third album bore the title Make Way for Dionne Warwick. But truth to tell, by the time of its release in September 1964, America had already made way for the New Jersey-born singer. She had climbed the charts with the immortal likes of "Don't Make Me Over," "Anyone Who Had a Heart," "Walk on By" and "Reach Out for Me," the latter two of which were included on that LP. Of course, all of those singles were written and produced by the team of Burt Bacharach and Hal David, who
Forever Dusty: Four New Releases Celebrate Springfield's Musical Legacy
Dusty Springfield’s ebullient first solo single, 1963’s “I Only Want to Be with You,” announced just how far the former Mary Isobel Catherine Bernadette O’Brien had come from her pop-folk trio The Springfields and the likes of “Silver Threads and Golden Needles.” The thunderous production and joyous vocals augured for a significant new talent, and the song was selected as one of the very first ever to be played on the BBC’s Top of the Pops. And indeed, Dusty Springfield remained at the top of
BBR Has "The Force" With Latest Kool and the Gang Remasters
Big Break Records is determined to make sure that Everybody's Dancin' with its latest two reissues from the kings of Kool. The Cherry Red label dived into the Kool and the Gang catalogue in late 2013 with deluxe, expanded editions of all four of the band's epochal albums with arranger-producer Eumir Deodato: Ladies' Night (1979, Platinum), Celebrate! (1980, Platinum), Something Special (1981, Platinum) and As One (1982, Gold). Prior to that, BBR had already given similarly lavish treatment to
Dance a Little Bit Closer with Charo and The Salsoul Orchestra, Loleatta Holloway
Cuchi-cuchi! Charo, or María del Rosario Mercedes Pilar Martínez Molina Baeza, burst onto the cultural radar with her goofy, slightly suggestive catchphrase during the late-sixties run of the television phenomenon Rowan and Martin’s Laugh-In. Once a frequent passenger on The Love Boat, the comedienne-bombshell still is a familiar face today on television (Dancing with the Stars, RuPaul’s Drag University) and onstage – on land and on sea, even on the good ship Disney Magic. In 1977, Charo
Billy Paul Is "Feelin' Good" On BBR Reissue Of His First Studio Album
Big Break Records and Billy Paul - they've got a thing going on. The label, an imprint of the Cherry Red Group, has just returned to the soul titan's catalogue for the sixth time - and with this release has gone back to the very beginning. BBR's previous reissues from the "Me and Mrs. Jones" singer have explored his Philadelphia International discography as well as his Neptune release Ebony Woman and a post-PIR album for Total Experience Records. Now, the label has turned its attention to
Get Ready: Tommy Hunt's "Sign of the Times" Revives Northern Soul Favorites
Trivia: who was the first artist to release Burt Bacharach and Hal David's "I Don't Know What to Do with Myself" in 1962? Hint: it wasn't Dusty Springfield (1964) or Dionne Warwick (1966). The answer is Tommy Hunt, onetime member of The Flamingos and a member of the Scepter Records family between 1961 and 1964. At Scepter, Hunt introduced both that now-classic song and scored hits like "Human" (No. 5 R&B/No. 46 Pop, 1961) and "I Am a Witness" (No. 71 R&B, 1963). Hunt followed his
BBR "Heats It Up" with Salsoul Orchestra, Joe Bataan, Herbie Mann, Chris Jasper
As Big Break Records' first releases for 2014 hit stores in the U.K. today (more on those shortly!), the time is right to take a look at more from the label's closing slate of 2013. This eclectic roster - from legendary Latin music artist Joe Bataan, the post-Vince Montana iteration of The Salsoul Orchestra, jazz flautist Herbie Mann and soul man Chris Jasper - is doubtless one of BBR's strongest. So influential was Joe Bataan's 1974 Mericana Records release Salsoul that it literally
Only the Strong Survive: Ace Reissues, Remasters Vintage Southern Soul from Stax, Fame
The mighty Stax Records catalogue got a lot of much-deserved respect in 2013, from a new book exploring the label's history (Robert Gordon's Respect Yourself: Stax Records and the Soul Explosion) to a variety of catalogue projects, many from the venerable Ace Records label. Ace has recently followed up its reissues of classic albums by The Staple Singers, David Porter and Bettye Crutcher with further Stax discoveries from Darrell Banks and The Newcomers. And not to be outdone, Ace has
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