EMI has announced a deluxe edition of Queensrÿche's Empire for the album's 20th anniversary. The LP, the band's most successful in the U.S. thanks to Top 10 hit "Silent Lucidity," will feature three B-sides (previously included on a remastered edition in 2003) and a bonus disc of unreleased material recorded live at London's Hammersmith Odeon in 1990. Like many of EMI's recent reissues, the set will be packed in a lidded box with some extra collectible cards and posters inside. This set is to
Reissue Theory: Nik Kershaw
It's not hard to see why Nik Kershaw was considered a teen idol in the 1980s, but it is hard to understand why this was the case after listening to his music. The British guitarist released several great albums of atmospheric yet accessible guitar pop-rock, but it seemed a bit heavier than the usual teen idol fare of generations past or future. Kershaw's best-known output don't deal with typical teen fare. His biggest singles, "Wouldn't It Be Good," "I Won't Let the Sun Go Down on Me" and "The
A Little More a-ha
A quick heads-up regarding the new a-ha deluxe reissues which buyers have been getting from Rhino this week: Looks like there will be some bonus download-only tracks available. But the best part is, you don't have to spend $15-20 on the full album to get them! I haven't seen 'em posted yet on either Rhino's Web site or iTunes, but the band's Web site has unveiled the tracks: The Sun Always Shines on T.V. (Steve Thompson Dance Remix) (U.S. 12" A-side - Warner Bros. 20410-0, 1985) - 8:27 Take
Back Tracks: Rupert Holmes
“If you like pina coladas, and getting caught in the rain”…Come on, you know how it goes, sing along…“If you’re not into yoga, if you have half a brain…” So goes the song that got Rupert Holmes into the record books as singer/songwriter of the last No. 1 hit of the 1970s and the first of the 1980s. While it may be the most famous song penned by the idiosyncratic artist/composer/producer (and collaborator of artists ranging from Streisand to Sparks!), it’s merely the tip of the iceberg for Rupert
Does EMI Stand for "Every Mastering Insignificant"?
Immense praise to Slicing Up Eyeballs for bringing this story to our attention: EMI have released a statement regarding the mastering of the last two entries in the ongoing Duran Duran remaster series. And it ain't pretty. If you've been following this story at all, through ICE or Amazon or even our own review of the first album, here's how it goes: the new reissues of Duran Duran (1981) and Seven and the Ragged Tiger (1983), while stuffed with some great bonus content, suffer thanks to
Back Tracks: R.E.M. - The I.R.S. Years
Today, the 25th anniversary reissue of R.E.M.'s Fables of the Reconstruction hits stores. Athens, Georgia's favorite rock band has spent the past five years or so establishing their place in the pop-rock firmament: since 2006, the band's early recordings for I.R.S. Records - a six-year span between 1982 and 1987 - have been the center of much catalogue attention from EMI and Universal (each has a piece of the I.R.S. catalogue). The four members of the band - vocalist Michael Stipe, guitarist
September Spawns a Monster
From beloved, semi-official Morrissey Web site True to You comes the news that Morrissey's singles compilation Bona Drag (1990) is getting a deluxe reissue for its 20th anniversary with six unreleased vault tracks. Released between Moz's solo debut in 1988 and Kill Uncle in 1991, Bona Drag included some of the ex-Smiths frontman's best early work, including "Suedehead," "Everyday is Like Sunday," "The Last of the Famous International Playboys" and "Disappointed." Six bonus tracks from the the
Reissue Theory: David Seville, By Any Other Name
If you told anyone following the music industry in 1958 that David Seville's musical legacy would be eagerly consumed by kids more than 50 years into the future, they might laugh. After all, Seville's greatest "discoveries" aren't exactly real - they're in fact a trio of animated chipmunks named Alvin, Simon and Theodore. And their musical style - a high-pitched warbling that made novelties like "Witch Doctor" and "The Chipmunk Song (Christmas Don't Be Late)" into left-field, award-winning hits
News Round-Up: Coming Soon from Audio Fidelity, Kritzerland & Masterworks Broadway
There's lots of label action to report today, so let's just jump right in: Hot on the heels of this week's release of Stevie Wonder's Talking Book and Laura Nyro's Time and Love: The Essential Masters, Audio Fidelity has announced two more titles to receive the 24K Gold CD reissue treatment. Coming up are two 1980s classics: Rickie Lee Jones' 1989 Flying Cowboys, produced by Walter Becker of Steely Dan, and Billy Idol's Rebel Yell, the 1983 album that catapulted Idol to superstardom. Steve
Back Tracks: The Apple Tree, Part I
The news of the Apple Records catalogue getting a new remastering and reissuing is one of the many catalogue stories one should file under "cautious optimism." It is awesome to have these classic, underappreciated records from luminaries like Badfinger, James Taylor and Billy Preston back into local record shops, bearing fresh digital remasters by the team that did a pretty darn good job on last year's Beatles remasters. But there are things we have to remember as fans. First, pretty much all
Starr-Struck: Vini Poncia and Jackie Lomax, Reissued
Oh my, my! Ringo Starr turned 70 on July 7 and celebrated with a concert at Radio City Music Hall and an afternoon “Peace and Love” celebration. After the breakup of The Beatles, few would have believed what a prolific career the former Richard Starkey would have; his 15th studio album, Y Not, saw release via Hip-O Records just this past January. Ringo’s always gotten by, well, with a little help from his friends. His first solo LP, 1970’s Sentimental Journey, found George Martin in the
Review: Harry Nilsson and John Stewart, "Spotlight on Nilsson/Willard"
Whenever the temptation exists to get depressed about the state of the catalogue business, a reissue comes along as a reminder of a couple things. One, that good things, indeed, do come to those who wait. Two, that sooner or later most everything will see the light of day. One such reissue arrived from DRG Records on June 29 to sadly little fanfare. This totally unexpected set joins albums by two disparate artists, yet stands as a cohesive and altogether rewarding listening experience. Harry
Aretha on the Quad
Apparently Rhino's reissue of Chicago's debut LP in quadraphonic stereo was a success, because the label has commissioned another title for the same deluxe treatment: the 1973 compilation The Best of Aretha Franklin. This set features some of The Queen of Soul's biggest hits for Atlantic, including "Respect," "(You Make Me Feel Like a) Natural Woman" and "I Say a Little Prayer." A few rarities abound, as well: "Rock Steady" is presented in an extended form exclusive only to the quadraphonic
Score Round-Up: Intrada Goes to Washington and La-La Land is the Judge
The week (or post-holiday part of the week) kicks off few release notes from around the soundtrack catalogue labels. Intrada has two releases - one which celebrates another hero of the early days of the U.S.A. - and La-La Land has a two-fer dealing with the films of a biting American satirist. Intrada's releases are The Black Bird - Jerry Fielding's 1976 score to the goofy semi-sequel to The Maltese Falcon - and Laurence Rosenthal's score to the 1984 miniseries George Washington (the label
Review: "Promises, Promises: Original MGM Broadway Cast Recording"
The Fourth of July isn’t usually a holiday known for gifts. But your humble reviewer felt as if he got a gift, and what a gift!, on July 3 when Kritzerland’s limited edition deluxe 2-CD reissue of the original cast album of Promises, Promises (KR 20015-9) arrived in the mail. As a result, much of the weekend was spent listening to an album I’ve known for years, but hearing it as if for the first time. For background on this release, see The Second Disc’s post of June 14 and join us after
Come Back When You Grow Up: Lost Bobby Vee Tracks to See Release
The early 1960s could be thought of as the era of the Bobbys: Darin, Rydell, Vee. Despite rising to prominence in the unfairly-derided period between the birth of rock & roll and the British Invasion, these post-Elvis pop stars all stormed the charts and left behind great recorded legacies. Darin was a multi-faceted entertainer who touched on pop, standards and folk-rock with equal ability before passing away at a too-young age, Rydell waxed some of the most indelible pop confections out of
July 4th Special Review: Frank Sinatra, "America, I Hear You Singing"
“I hear America singing, the varied carols I hear,” Walt Whitman famously wrote in 1900. In early 1964, the country was still recovering from the assassination of President John F. Kennedy, and as in so many times of turmoil, artists stepped up to raise their voices in song and perhaps lend comfort and assurance. One such artist was Frank Sinatra. While his many other loves have been well-documented, love of country surely ranked high among them. A lifelong civil rights champion and proud
Rick Nelson Box Set Raves On
A hat tip to MusicTAP for pointing this one out: Bear Family, the inimitable German catalogue label specializing in reissues from the early days of rock, is issuing the last in a series of career-spanning box sets from the late, great Rick Nelson. In 1957, Ricky Nelson, the heartthrob co-star of The Adventures of Ozzie and Harriet (which starred his parents), began to develop a rock 'n' roll career that thrived throughout the rest of the decade. Next to Elvis Presley and Pat Boone, there was no
Friday Feature - "Jaws: The Revenge"
Let's get the facts out of the way first: Jaws: The Revenge (1987), the third sequel to one of the best horror films of all time, is terrible. It is quite possibly the worst movie ever made. It is so bad that I once watched the film with a friend and we ended up taking a break (with the film, not with our friendship, though that could have just as easily happened). The plot is ludicrous: Ellen Brody (Lorraine Gary), the widow of Roy Scheider's heroic police chief from the first two Jaws films,
The Finer-er Things
As many of our readers know, Island released a new-ish Steve Winwood box set, Revolutions: The Very Best of Steve Winwood. I say "new-ish" because the offerings weren't terribly different from the last expansive anthology of Winwood material, 1995's The Finer Things. Predictably, the set didn't do terribly well - a shame because Winwood is a solid, enjoyable performer to listen to, but simultaneously not a shame since it doesn't offer enough new stuff for catalogue enthusiasts to savor. But the
Apple, Cored
A quick, relatively inconsequential bit from gossipy gadfly Roger Friedman: he's apparently getting word that EMI/Capitol is planning to start overhauling the much-in-need-of-overhauling catalogue of Apple Records. As any Beatlemaniac can tell you, Apple Records was The Beatles' own label, created in 1968 (part and parcel of the whole Apple Corps unit The Fab Four had spearheaded). Although the band broke up not long after its creation, Apple would be the home to several notable names through
News Round-Up: Live CSNY, XTC on Vinyl, Teardrop Expands
An article from The Columbian of Clark County, Washington is making the rounds for noting that a box set is being prepped chronicling the 1974 tour of Crosby, Stills, Nash & Young. Planned to enter stores around the holiday season, the set is said to comprise three CDs and a DVD, culled from eight of the best stops on the tour. The 1974 tour saw CSNY performing after a four-year hiatus; the outdoor-arena shows (among the first of their kind) often stretched to three hours of electric and
Reissue Theory: Solo Folds
Could this man have been the heir to Randy Newman's hysterically biting throne? The Second Disc's coverage of Randy Newman's reissues from last week got your catalogue correspondent thinking about the possibilities lately that Folds - the definitive indie-pop pianist and one-time leader of Ben Folds Five, one of the best acts of the 1990s - should have ascended to that same jaunty position Newman commanded in the prime of his pop career. Sadly, this didn't happen - and admittedly, it isn't hard
Review: John Fogerty, "Centerfield: 25th Anniversary"
John Fogerty can be called many things. Prolific, though, isn't one of them. Fogerty's 1985 Centerfield, originally issued on Warner Bros. Records, marked the former Creedence Clearwater Revival frontman's return to a prominent place in the rock pantheon after a near decade-long absence. After acrimoniously parting ways with his famous band, Fogerty recorded a collection of rootsy country covers (1973's The Blue Ridge Rangers) for CCR's longtime label, Fantasy Records. Yet Fogerty was locked in
My Son, the Reissue Campaign
In the pantheon of American comedy, there's a special corner reserved for the work of song parodists. The form arguably reached its greatest heights under the aegis of Stan Freberg in the 1950s. Freberg and his stable of talented voice artists (including animation legends Daws Butler, Paul Frees and June Foray) knew no sacred cows and their amazing body of work still inspires gales of laughter today. (Any comedy fan unfamiliar with the Freberg oeuvre is advised to seek out Rhino's exhaustive
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