Underneath the darkness of The Man in Black, there was a great light. Despite trials that would likely have tested the faith of a lesser man, Johnny Cash’s belief in a higher power was unshakeable. And Cash formidably expressed those beliefs in song over the course of his long career. Like another American icon, Elvis Presley, Cash built up a body of gospel and spiritual music with such depth that it has easily stood the test of time alongside his more famous secular works. Johnny Cash
Touch the Sky: Four Classic Carole King Albums Reissued
When Carole King left Lou Adler’s Ode Records, the label that guided her in the transition from urban Brill Building queen to singer/songwriter/earth mother, it marked the end of an era. And how would the Tapestry weaver top the two distinct periods that had come before? King signed to Hollywood’s venerable Capitol Records label, and the title of her first LP for the label said it all: Simple Things. King’s final Ode LP, 1976’s Thoroughbred, had emphasized a return to nature in its cover
Anyone Who Had a Heart: Shelby Lynne's Dusty Springfield Tribute, Reissued
When I Am Shelby Lynne appeared on the Mercury label in 2000, its eponymous singer finally hit on an approach that synthesized her varied influences (country, soul, R&B, rock-and-roll) into a relevant and contemporary whole. Lynne picked up the Best New Artist Grammy, despite having released her first album in 1989, and the album’s title indicated that, finally, the artist knew who she was, and was ready to share her music with the world. Fast-forward eight years, and a number of albums
Gonna Take a Miracle: Deniece Williams Trio Coming From BBR and FTG
Let's hear it for Deniece Williams. By the time of her debut album in 1976, the resilient singer with the remarkable range had already recorded a Northern Soul favorite ("I'm Walking Away" on the small Lock Records label), performed with Minnie Riperton and Roberta Flack, and been a member of Stevie Wonder's versatile backing group Wonderlove. This is Niecy, on Columbia Records, was produced by Maurice White of Earth, Wind & Fire and Charles Stepney of Chess Records fame, and their
Finally, The Second Disc Has an Excuse to Address This Whole Lana Del Rey Thing
Although we make our claim as tireless reporters on all things in the catalogue music world, we at Second Disc HQ are music lovers first and foremost, regardless of the era. So it gives me a bit of weird pleasure to speak a little bit out of the usual comfort zone for a second and talk about one of pop music's weirdest current trend stories, which actually, tenuously, has some ties to our usual reportage. If you're a voracious consumer of all topics musical, you've probably read anywhere from
When The Lovelight Starts Shining: Lost Brit Girl Pop of Beryl Marsden Returns
If you peruse enough collections of Merseybeat, chances are you'll be familiar with the name of Beryl Marsden (no relation to Gerry, of Pacemakers fame). A product of the same Liverpool club scene that birthed the career of Beatle pal Cilla Black, Marsden played a number of recognizable Fab haunts, including the Cavern Club and the Star Club, and even supported the Beatles on their 1964 U.K. tour. But Marsden had never received a career-spanning anthology...until now! Changes: The Story of
Straight Through/From The Heart: Dio Goes Deluxe From Universal, Audio Fidelity Preps Dio, Bryan Adams
It’s 1983 all over again at Audio Fidelity. The audiophile specialty label is readying two albums from that year touching on both the rock and pop ends of the musical spectrum. Bryan Adams’ Cuts Like a Knife and Dio’s Holy Diver are both due in stores on February 14 as 24K Gold CDs playable on all CD players. Cuts Like a Knife was Adams’ third effort, eschewing the stylistic presentation of his first two albums in favor of a melodic rock style that caught on with both listeners and radio
Review: Aretha Franklin, "Knew You Were Waiting: The Best of Aretha Franklin 1980-1998"
Aretha Franklin is serious about her royalty. Billed on her newly-activated Twitter account as "the undisputed Queen of Soul" (take that, Tina Turner!), Franklin doesn't take her title lightly. But for a brief period, the artist's credentials as reigning Queen of Pop were just as unimpeachable. When Aretha joined Arista Records in 1980, it was after five disappointing albums at Atlantic, none of which have ever seen the light of day on compact disc. On those LPs, producers as diverse as
Review: "Golden Gate Groove: The Sound of Philadelphia, Live in San Francisco 1973"
No love, no peace, no shoes on my feet…no home, just a shack where I sleep… In the fall of 1971, Philadelphia International Records launched its long-playing series with Billy Paul’s Going East, and the title opus in which the velvet-voiced crooner spins a slow-burning yarn of slavery. It was hardly Top 40 fare (Paul would have to wait till producers/songwriters/label entrepreneurs Kenneth Gamble and Leon Huff gifted him “Me and Mrs. Jones” the following year) but signaled the dramatic
Thank You M.C. 1969: Michael Chapman's Folk-Rock Classic "Rainmaker" Arrives From Light in the Attic
When the distinct green Harvest Records logo is remembered today, it’s often for Pink Floyd or early Electric Light Orchestra. But the label, created to stake a claim in the burgeoning rock market, boasted a deep, diverse roster, all the better to compete with other “alternative” labels like Decca’s Deram or Philips’ Vertigo. One of the artists who found early success on Harvest was Michael Chapman, a former art and photography instructor. Chapman’s greatest achievement was arguably 1970’s
Reissue Theory: Whitney Houston, "Whitney"
We remember Whitney Houston (1963-2012) and her timeless legacy of song. We're sharing this feature in her memory, and will return with a tribute to this musical legend, gone too soon. Welcome to another installment of Reissue Theory, where we focus on notable album and the reissues they could someday see. Today's entry: a 25th anniversary spotlight on one of the best dance-pop albums of any era, and a tribute to a powerhouse R&B voice. In a word: Whitney. Around this time in 2010,
Short Takes: "Meet Glen Campbell" and "Matter of Time" Reissued, A Rare Earth Curio and More From Impulse!
The legendary Glen Campbell has seen a number of his classic albums reissued this year by labels including BGO, Real Gone Music and New Haven. Our friends at Rockbeat Records have lined up the next Campbell release, revisiting his 1985 LP for the Atlantic label, It’s Just a Matter of Time. Produced by Harold Shedd, the album found Campbell revisiting some of his past triumphs. Longtime collaborator and friend Jimmy Webb contributed three songs: the oft-covered “Do What You Gotta Do,”
Review: A Real Gone January - Bill Medley, Jody Miller and The Tymes
Among the first releases of 2012 from newbie label Real Gone Music is a two-on-one collection offering the compact disc debut of Bill Medley’s 100% and Soft and Soulful. But those titles are apt to describe the entire Real Gone line-up for January, as the young label has given 100% to make available a wide variety of music: soft and soulful, yes, but also jazzy, twangy, and folky. There’s something for everyone in this array of once-neglected titles. As 1968 began, The Righteous Brothers were
Legacy Plans Artist Collections, Themed Sets for New "Playlist" Batch
Brace yourselves, compilation collectors: Legacy's got another batch of Playlist titles out next week. The latest batch of set, due out January 31, skew mainly toward modern country and rootsier rock (Gretchen Wilson, Montgomery Gentry, solo works by Gregg Allman) with some wild cards thrown in for good measure (R&B from Charlie Wilson of The Gap Band and Wyclef Jean, contemporary pop-rockers Augustana, a set from The Hooters that was delayed from the last batch). In a nice change of pace,
Happy Birthday Johnny! Film Legend Celebrates Milestone with Pair of Compilations
The music catalogue world is celebrating one of Hollywood's truest living legends with two, count 'em, two, compilations next month. Whether you're a die-hard film score collector or a mere appreciator of good movie music, John Williams has made a mark on your consciousness. His list of credits spans decades, first as a Juilliard-trained pianist working under the greatest batons in Tinseltown (that's him plunking the low notes in Henry Mancini's iconic Peter Gunn theme), then a light, jazzy
Ann-Margret, James' "Thurber Carnival" Enliven Masterworks Broadway's Upcoming Slate
James Thurber (1894-1961) once commented, ""[Humor is] a kind of emotional chaos told about calmly and quietly in retrospect." The celebrated writer, cartoonist and humorist, perhaps best-known for 1939's fanciful The Secret Life of Walter Mitty, recounted that kind of emotional chaos in his acclaimed short stories and drawings, a number of which have been successfully adapted to other media. Four years before Walter Mitty itself was musicalized, Broadway welcomed Thurber's works to the stage
Tomorrow Is A Long Ways Away: The Byrds' "Preflyte" Expanded For U.K. Reissue
On November 10, 1964, The Byrds inked a deal with Columbia Records. Or more accurately, Jim (later Roger) McGuinn, Gene Clark and David Crosby signed to Columbia Records, with Michael Clarke and Chris Hillman officially joining the roster later. But before that auspicious major label signing, The Byrds' bags were packed, pre-flyte, it was zero hour...and after that day, they were destined to be high as a kite...eight miles high. (Pardon the mixing of musical metaphors.) The band's
Who Is Tom Northcott? Rhino Handmade Clues You In with New Warner Bros. Anthology
Somewhere in rock's back pages, you might find the name of Tom Northcott, troubadour. After establishing himself as the folk-singing frontman of The Tom Northcott Trio in his native Canada, Northcott headed for California, and proved himself in the fertile musical ground of the San Francisco Bay Area, opening for acts like The Who, The Doors and Jefferson Airplane. Soon he found himself even further south, signed to Los Angeles' Warner Bros. Records. And between 1966 and1969, Northcott
Review: Hugh Martin, "Hidden Treasures: Songs for Stage and Screen 1941-2010"
Did a cork pop? Did the world stop? Am I just in love…with the music and lyrics of Hugh Martin? Even if you don’t know the name of the late Mr. Martin, you certainly know his songs: “Meet Me in St. Louis,” “The Trolley Song,” and a little song heard every season, year after year, by the name of “Have Yourself a Merry Little Christmas.” But these songs from the MGM musical Meet Me in St. Louis are just the tip of the iceberg of Hugh Martin’s catalogue, a few highlights of a career that lasted
Epic Jazz and Funk: George Duke and Stanley Clarke Complete Boxes Coming Soon
With the latest two additions to its growing Complete Albums Collections roster, Legacy Recordings and Epic Records are looking to two musical pioneers for which the description “jazz artist” seems largely inadequate. George Duke, keyboard virtuoso, and Stanley Clarke, electric and acoustic bass pro, have extensively toured and recorded together, but these forthcoming box sets turn the clock back to their solo periods on the Epic label. George Duke has proven himself equally adept at jazz,
Doin' It for Themselves: Funky Town Grooves Plans Major Expansions for Aretha and Andre
As independent reissue labels go, Funky Town Grooves has long been a pioneer in cratedigging through scores of forgotten soul and R&B favorites, many from the fertile period of the 1980s. This year, the label has announced two expanded releases that may be among their most ambitious, for two of the best-loved R&B albums of the decade. First up, this March will see an expanded edition of Who's Zoomin' Who?, the major comeback by The Queen of Soul, Aretha Franklin. Aretha had ended the
Every Saga Has a Beginning: "Star Wars" Score to Be Reissued
As Star Wars fans count down to a theatrical reissue of the chronological beginning of the six-film series, new fans will get a chance to rediscover its musical merits, thanks to a new reissue from Sony Classical. The year 1999 was a monumental year for fans of George Lucas' Star Wars series. After years of discussions and planning, that May saw the release of Star Wars Episode I: The Phantom Menace, the first of a new prequel trilogy that explained how Lucas' mythological galaxy fell into the
Review: The Monkees, "Instant Replay: Deluxe Edition"
When The Monkees' Instant Replay was released in February 1969, less than three years had passed since the band's vinyl debut in October 1966. But the pop world of 1966 might have been a lifetime ago. Five days before Instant Replay's February 15 release, The Beach Boys unveiled the album 20/20, on which America's band surreptitiously recorded a song by Charles Manson. Two days after, The Temptations skyrocketed to Cloud Nine, meeting psychedelia head-on. By the year's end, the dream of
The Right Profile: Early Rap Label Anthologized on New Double-Disc Set
Legacy Recordings has got a fantastic new compilation coming out later this month chronicling the rise of a most underrated rap label: Profile Records. Profile was the brainchild of two young aspiring music moguls living in New York City at the tail end of the disco boom. Steve Plotnicki was a songwriter whose cult disco tune, "Love Insurance," was recorded by Cory Robbins in 1979, for release on Robbins' own Panorama label, a small imprint with ties to MCA Music Publishing. The duo aspired to
Gilbert O'Sullivan Goes "Back to Front" On Next Salvo Reissue
Would the real Gilbert O’Sullivan please stand up? When peering at his sophomore album, Back to Front, potential purchasers back in 1972 didn’t see the same nostalgic figure of the previous year’s Himself. Gone was the chap in his flat cap, pudding-basin haircut and jacket. In his place was a tanned, rather more mainstream-looking fellow, shirt open and chest hair exposed. But the opening “Intro” in which the singer implored listeners to sit back, relax and enjoy the album, was proof
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