April might as well be known as The Month of Electric Light Orchestra, as the group's pioneering frontman, producer, arranger and songwriter Jeff Lynne has announced three new catalogue projects due in the U.S. on April 23 and in the U.K. on April 22. We've updated our original post of October 5, 2012 with new information including full track listings and details on each of the three upcoming, bonus-packed releases! UPDATED ORIGINAL POST OF 10/5/12: The wait is over. Though Electric Light
An Apple A Day: Fifth Fab Volume of Apple Publishing Demos Arrives From RPM
Those were the days, my friend. In June 1967, The Beatles opened Apple Publishing in a one-room office on London’s Curzon Street, predating even the birth of Apple Records. Soon, the publishing concern moved to new quarters at 94 Baker Street, and later to 3 Savile Row. In that heady period when anything seemed possible, the Fab Four signed a multitude of talented young writers to Apple, many of them discovered by Terry Doran. Doran, a 27-year old Liverpool native who had previously owned an
Yes! Audio Fidelity Rushes to SACD with Prog and Classic Vocalists, Plus: Elton, Scorpions Go for the Gold
The audiophile specialist label Audio Fidelity has a busy March ahead, kicking off a new series of SACD releases and continuing its long-running series of 24k Gold compact discs. On March 5, the team at AF is scheduled to return to the high-resolution SACD format with two new hybrid stereo SACDs (playable on all CD players). Yes’ 1972 album Close to the Edge was the fifth studio album from the progressive rock heroes. Jon Anderson (vocals), Steve Howe (guitar/vocals), Chris Squire
Reviews: Three From Real Gone Music - Pozo Seco, Kenny O'Dell and Borderline
Between 1966 and 1968, The Pozo Seco Singers released three albums on Columbia Records, notching up Top 40 hits “I Can Make It with You” and “Look What You’ve Done.” The first two albums, Time (1966) and I Can Make It with You (1967) were released on CD by the Collectors’ Choice Music label; now, Real Gone Music has picked up the torch with a newly-expanded reissue of 1968's Shades of Time (RGM-0112). For this album, the group name was shortened just to Pozo Seco, and the trio of Don Williams,
Come Blow Your Horn: Herb Alpert's "Fandango" Returns to CD
Between 2005 and 2007, the beat of The Brass was alive and well at Shout! Factory. The label’s Herb Alpert Signature Collection restored eleven classic titles from the celebrated trumpeter to the catalogue on CD in deluxe remastered editions, plus a rarities compilation and a remix album. Three further releases were also made available, albeit in digital download form only. Shout! is kicking off 2013, however, with the surprising reissue (due February 19) of Alpert’s 1982 Fandango, one of the
Review: Barbra Streisand, "Classical Barbra: Expanded Edition"
The title said it all: Classical Barbra. Here was a singer who needed no surname, diving headfirst into a new repertoire, that of art songs and arias. Streisand’s 1976 “crossover” album, created in collaboration with arranger, pianist and conductor Claus Ogerman, has recently arrived on CD in a newly-remastered, expanded edition from Sony’s Masterworks label (88691 92255 2, 2013). And if Classical Barbra might not have been every fan’s first choice for a deluxe Streisand reissue, producer
Review: "Classic Singles" of Merle Haggard, George Jones and Wanda Jackson
What makes a (living) legend most? Based on the label's three most recent releases, Omnivore Recordings certainly has some ideas. Omnivore has just issued singles anthologies from three tried-and-true country titans: Merle Haggard's The Complete '60s Capitol Singles, George Jones' The Complete United Artists Solo Singles, and Wanda Jackson's The Best of the Classic Capitol Singles. All three titles reiterate the eclectic label's commitment to reissuing some of the most significant C&W
Esoteric Offers Southern Comfort with Two Ian Matthews Reissues
Ian (later Iain) Matthews has had a place in the rock pantheon since his debut with Fairport Convention on the band’s very first, self-titled album. Matthews only remained with Fairport for two albums (and one song on the group’s third effort) before departing to craft his own Matthews’ Southern Comfort. The title of that LP soon morphed into a band name for a new Matthews-fronted outfit, and Matthews Southern Comfort (no apostrophe) released two more albums before the band splintered from the
Review: Fleetwood Mac, "Rumours: Expanded Edition"
It never should have worked. Since its formation in 1967, Fleetwood Mac had endured radical personnel changes, a stylistic shift from blues to rock, even a challenge from a "fake Mac" claiming to be the band in concert. When guitarist-songwriter-vocalist Bob Welch became the latest member to pass through the Fleetwood Mac revolving door, Mick Fleetwood and the husband and wife team of John and Christine McVie invited two young Californians to bolster the line-up. Lindsey Buckingham and his
"Romeo's Tune" and Beyond: Steve Forbert's First Two Albums Reissued and Expanded
Steve Forbert’s 1978 debut on Nat Weiss’ Nemperor label proclaimed the singer-songwriter Alive on Arrival and indeed, the artist made a strong impression with a set of personal, sometimes gentle, musical reflections on life and love. Forbert departed Mississippi for New York City in the mid-seventies when the city was hardly the family-friendly playground it is today, and managed to carve out a niche in the vibrant club scene of the day, playing famous venues like Gerde’s Folk City and even
Rock Your Socks: Tenacious D's Debut Celebrated with New Vinyl Reissue
The Fenix has rizen! This Sunday evening, Tenacious D – the comedy/rock duo of Jack Black and Kyle Gass – is up for a Grammy Award for Best Comedy Album. The Tenacious team's Rize of the Fenix is facing stand-up competition from such acts as Jim Gaffigan, Kathy Griffin, Lewis Black, Margaret Cho and Jimmy Fallon, the latter of whom also mixed comedy and rock to great effect on his nominated album. But Tenacious D is looking back as well as forward. On March 5, Epic Records and Legacy
The Fantastic Expedition of Gene Clark: Omnivore Unveils Previously Unheard Demos from Late Byrd
Though Gene Clark first made his mark as an original member of The Byrds, where he penned such classic folk-rock songs as "Feel a Whole Lot Better," he left behind as rich a legacy as a solo artist as he did with The Byrds. Clark's tenure as a Byrd wasn't a long one; though the group rose to prominence with its 1965 Columbia debut Mr. Tambourine Man, Clark left the band in early 1966 amid interpersonal strife and a dislike of touring. He re-emerged quickly on a 1967 Columbia set with The
In The Groove: Patti Austin, George Duke, Ronnie Laws Reissues Coming From SoulMusic Label
SoulMusic Records, a division of the Cherry Red Group, is taking a soulful walk on the jazz side of town this month – or is that a jazzy walk on the soulful side of town? You can decide for yourself with the new reissue of titles from Patti Austin, George Duke and Ronnie Laws. All three albums are available now in U.K. and U.S. stores. With Quincy Jones and Dinah Washington as her godparents, it’s no surprise that Patti Austin found her calling in music. Yet despite having first recorded in
To All The Fans He's Loved Before: Julio Iglesias Revisits His Legacy on New "Greatest Hits"
The artist born Julio José Iglesias de la Cueva practically defines “international superstar.” Iglesias, with roughly eighty albums under his belt since his 1969 debut, can boast over 300 million units sold worldwide, and has recorded in fourteen languages. On April 9, Legacy Recordings will recognize his extensive career with the first American release of 1 – Greatest Hits. Already certified multi-platinum in many Spanish-speaking territories, the 2-CD Greatest Hits differs from the typical
That Was "Laura": Classic Soundtrack Arrives on CD as Film Debuts on Blu-ray
Goodbye, Laura. Goodbye, my love… Director Otto Preminger’s 1944 film Laura remains one of the film noir dramas against which all others will be measured, the rare picture that transcended its troubled behind-the-scenes production to become an all-time classic. All the elements came together, from the cast (Gene Tierney, Dana Andrews, Clifton Webb, Vincent Prince, Judith Anderson) to the screenplay by Jay Dratler, Samuel Hoffenstein, and Elizabeth Reinhardt (based on Vera Caspary’s novel) to,
Watch That Man! David Bowie Celebrates 40 Years of "Aladdin Sane" with New Remaster
As the follow-up to The Rise and Fall of Ziggy Stardust and the Spiders from Mars, David Bowie’s 1973 album Aladdin Sane is sometimes overlooked. Yet the punningly-titled Aladdin Sane had racked up advance sales of 100,000 units by the day of its release (April 13, 1973), becoming Bowie’s very first U.K. Number One record and spawning two Top 3 singles there (“The Jean Genie” and “Drive-In Saturday”). Across the pond, Aladdin Sane was the artist’s very first U.S. Top 20 record. Once again
John Barry's "First Love" Receives World Premiere Release from La-La Land
Though John Barry crafted a lushly exquisite score for First Love in 1977 - the same year the film titan also lent his talent to The Deep and The White Buffalo - his name appeared nowhere in the credits to the romantic drama directed by Joan Darling. The director had enlisted Barry when she thought twice about the initial concept of using songs written by Cat Stevens and Paul Williams, but in the end, brief fragments of Barry's score remained, uncredited, alongside songs from Stevens and
WIN! WIN! WIN! The MUSIC CITY Contest Is Here!
CONGRATULATIONS TO OUR WINNER, JOHN T. PLASKET!
Take a Giant Step with "Complete Columbia Albums" of Taj Mahal
The Complete Columbia Albums of Taj Mahal, by the numbers: 13 albums, 15 CDs, 170 tracks. This all adds up to a mighty legacy worthy of the man’s namesake! The former Henry Saint Clair Fredericks, Jr. made his name as a blues renaissance man at Columbia Records with a string of well-received albums released between 1968 and 1976, and the new Complete Albums box set due in stores tomorrow (February 5) collects them all under one roof for the first time, plus two archival compilations. Now 70
Review: The Miles Davis Quintet, "The Bootleg Series Volume 2: Live in Europe 1969"
“Directions in music by Miles Davis,” read the subtitle of the trumpeter’s late-1968 Columbia album Filles de Kilimanjaro. It was the first, but not the last, of his albums to bear those words. But listeners couldn’t have been expected to know which direction Davis would take with each album. Nefertiti, recorded in June-July 1967 but released in March 1968, turned out to be Davis’ last fully acoustic LP, with its follow-up Miles in the Sky (recorded January and May ’68 and released in
Quiet Nights of Quiet Stars: Él Collects Vintage Gilberto, Jobim, Bonfá on CD
Fewer images in music are more evocative than that of the tall and tan and young and lovely girl from Ipanema, walking like a samba and inspiring passersby to go, "Aaaah." Jazz musicians of every stripe and every instrument latched onto Brazil's bossa nova sound after it exploded to popularity in the wake of Antonio Carlos Jobim, Luis Bonfá, Vinicius de Moraes and João Gilberto's soundtrack to the 1959 film Black Orpheus. Though Black Orpheus was the breakthrough, it wasn't the birth of bossa
Short Takes, Classic Pop Edition: What's Coming From Willie Nelson, Bing Crosby, Aretha Franklin, Tony Bennett
Today’s Short Takes looks at a variety of upcoming releases with one thing in common: great vocalists in the tradition of the Great American Songbook! First up, let's take a look at an album of new recordings from a favorite reissue label. One genre has never been enough to contain the musical restlessness of Willie Nelson. The country legend and honky-tonk hero created his own standards with his early songs such as “Crazy” and “Funny How Time Slips Away” before paying tribute to the Great
Review: Dick Jensen, "Dick Jensen" - A Lost Philadelphia Soul Classic
When Dick Jensen was signed to ABC’s Probe Records label in 1969, only one album title seemed appropriate: White Hot Soul. The Hawaiian-born entertainer’s stage moves earned him comparisons to James Brown and Jackie Wilson, while his voice recalled the booming sonorities of Tom Jones or Engelbert Humperdinck. Tucked away on Side Two of that Don Costa-produced LP, Jensen included The Soul Survivors’ “Expressway to Your Heart” as part of a medley. That 1967 Top 5 hit, of course, was written by
Big Break Serves Up Soul, Jazz and Funk from Carmen McRae, Billy Paul, Azteca and More
Timeless soul music knows no regional boundaries, at least based on the latest quintet of releases from Cherry Red's Big Break Records imprint. With this group of reissues, you'll travel to Philadelphia by way of Hawaii, Oakland, Harlem and Chicago. All of the titles previewed below are available now in the U.K. and next Tuesday, February 5, in the U.S.! Two new titles hail from the Philadelphia International Records catalogue. Perhaps most exciting is the first CD release outside of Japan
Ace Embarks On Final "Sea Cruise" For Concluding Volume of "The Ace Story"
In 1979, Ace Records of London released Volume One of The Ace Story on LP, celebrating the music of its namesake label, Ace Records of Jackson (Mississippi). Roughly five years later, Ace issued the fifth and final volume in the series. Fast-forward to 2010. That was when Ace revisited The Ace Story with a CD reissue of that original 1979 LP, expanded with bonus tracks. The new and improved Ace Story series has itself just come to a close with the recent release of Volume 5 on CD. The new
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