Welcome to the return of the Friday Feature, in which we turn the Second Disc spotlight onto classic film soundtracks and their various releases! Today, the Friday Feature is the 1925 Universal horror classic The Phantom of the Opera, and the rarely-heard score is by the late Roy Budd! Cue Mr. Budd's music of the night... When author Gaston Leroux introduced Le Fantôme de l'Opéra as a serialized novel in the pages of newspaper Le Gaulois in 1909, it was hardly likely that the former
Splish Splash! Bobby Darin's "The Milk Shows" Premieres Two Discs of Never-Before-Heard Recordings
Bobby Darin knew he was in a race with time. If it was a race he would inevitably lose as a result of the heart condition he fought for his 37 years, Darin accomplished more in that short period of time than many artists who lived twice as long. A master of reinvention, Darin successfully transformed himself from teen idol to sophisticated hipster to folk troubadour and back again before his death in 1973. He also left behind a catalogue of impressive size at Atlantic, Capitol, Motown and his
Love Is: Carol Williams, The Salsoul Orchestra Make Sweet Music on "'lectric Lady"
Carol Williams signed to New York’s Salsoul Records label in 1975 for one single, but stuck around for one memorable album. That lone long-player, titled ‘lectric Lady, paired the New Jersey-born vocalist – Salsoul’s first female contract signing – with the label’s premier musical outfit, The Salsoul Orchestra, for an alluring blend of disco and sleek soul. Cherry Red’s Big Break Records imprint is now feeling electric with an expanded and remastered reissue of ‘lectric Lady. Williams came to
Razor and Tie Revisits Emerson Lake and Palmer's "Brain Salad Surgery" For 40th Anniversary
For Emerson, Lake and Palmer, the fourth time was the charm. Keyboardist Keith Emerson, vocalist/bassist/guitarist Greg Lake and drummer/percussionist Carl Palmer were innovators in the progressive rock genre, fusing classical, jazz and heavy rock on a regular basis since their 1970 self-titled debut album. ELP was an answer both to the compact, three-minute pop songs that dominated the airwaves and to the blues-rock genre epitomized by the likes of Led Zeppelin, and the group pursued a
Calling "Gloria": Laura Branigan's Debut Album Gets Expanded Reissue
“What kind of an artist are you?” The question has been asked again and again in this age of music reality shows in which a fickle public can make a recording star – at least for fifteen minutes – by dialing an 800 number or sending a text message. Truth to tell, Laura Branigan could have been any kind of artist she desired. Armed with a powerful, resonant and highly individual voice, Branigan worked her way up the ranks of stardom. She ultimately chose to embrace the sounds of contemporary
Look Up To The Sun: Ruthann Friedman Goes Beyond "Windy" On Now Sounds' "Complete Constant Companion"
Roughly one year ago, Now Sounds released Windy: A Ruthann Friedman Songbook. Its colorful cover was adorned with a striking photograph of the artist, intense and beautiful, in a verdant setting. The label has now continued the Ruthann Friedman story with The Complete Constant Companion Sessions, and its cover is as to Windy’s as night is to day. Its stark black-and-white line art by Peter Kaukonen appears to depict an angel on a landscape of rolling hills, conjuring cryptic text and an
Old School: Soul Man Willie Jones Has "Fire In My Soul" On Comeback Album, Welcomes Frank Black, Steve Cropper and Felix Cavaliere
We interrupt our regularly scheduled programming for a special news bulletin: Willie Jones, vocalist for The Five Jokers back in the early 1960s, has returned to recording for the first time in decades! His new solo album, Fire in My Soul, arrived this week in the U.K. from Cherry Red Records’ Shout! label, and we’re happy to report that it’s a treat for vintage soul enthusiasts! Much has been made of today’s crop of “neo-soul” artists, fusing organic elements of traditional R&B into more
Review: Real Gone Goes Soulful With Patti LaBelle and the Bluebelles, Irma Thomas
During its mid- to late-sixties heyday, Atlantic had two “girl groups” on its roster: The Sweet Inspirations and Patti LaBelle and the Bluebelles. It’s appropriate, then, that SoulMusic and Real Gone has a companion release to The Sweet Inspirations’ singles anthology with Patti LaBelle and the Bluebelles’ 2-CD set The Complete Atlantic Sides Plus (RGM-0237/OPCD-8839) featuring Patti LaBelle, Nona Hendryx, Sarah Dash and Cindy Birdsong. Like The Sweet Inspirations and Irma Thomas collections,
Shaken, Not Stirred: Ace Mines "The Secret Agent Songbook" With "Come Spy with Us"
For many, the sound of John Barry epitomizes the sound of the spy thriller. It’s no surprise – with 12 James Bond films under his belt, the late, great British composer imbued his melodies with the right amount of adventure, humor, tension, sophistication, and well, sex. It’s fitting that Barry opens Ace Records’ superlatively entertaining new anthology Come Spy with Me: The Secret Agent Songbook, collecting 25 samples of swinging music from spies and secret agents (and even a handful of
Review: Hank Williams, "The Garden Spot Programs 1950"
Hello everybody, Garden Spot is on the air/So just relax and listen in your easy rocking chair/Music for the family in the good old-fashioned way/I hope that we can please you, bring you sunshine every day! That bucolic, peppy introduction opened Naughton Farms' Garden Spot radio program, "the show that brings you all your favorite folk music singers." One such "folk music singer" in 1950 was Hank Williams. Omnivore Recordings' new The Garden Spot Programs, 1950 (OVCD-87, 2014) preserves 24
Lovely Day: Aretha, Sly, Andy, Marvin and Billie Headline "The Brazil Connection"
Well, summer is officially upon us! Already there's talk about which songs will be anointed the perfect summer jams for 2014 - songs by artists like Ariana Grande, Iggy Azalea and the ubiquitous Pharrell Williams. If those names don't set your pulse racing, however, Legacy Recordings has an alternative that's bound to conjure up images of tropical sunsets, refreshing drinks and summer breeze. Studio Rio Presents The Brazil Connection makes over 12 pop classics from the Sony vaults by melding the
Big Break Big Round-Up, Divas Edition: Label Reissues Carolyn Franklin, Gloria Gaynor, Patti LaBelle
As the youngest daughter of The Reverend C.L. Franklin, Carolyn Franklin was destined to live in the shadow her older sister Aretha. But like eldest sister Erma, Carolyn carved out an impressive career of her own. During her too-short life, sadly curbed by cancer at age 43 in 1988, Carolyn recorded for both the independent Double L label and the major RCA Victor. In addition to serving as a background singer on such classics as "Respect" and contributing to its now-famous arrangement, she wrote
The Entertainer: Marvin Hamlisch's "D.A.R.Y.L." Premieres on CD, Features Teddy Pendergrass and Nile Rodgers
It's appropriate that Marvin Hamlisch's only children's book was titled Marvin Makes Music, for making music was indeed what the man did - music for Broadway, music for television, music for the concert hall, music for the silver screen. In any genre, Marvin made music overflowing with melody, wit and heart, and his populist approach earned him the nickname "the people's composer." Hamlisch's film career began in 1968 with the score to the cult film The Swimmer and ended with his
Ramble On! Review: The Led Zeppelin Remasters - "I," "II" and "III"
Led Zeppelin wasn’t built in a day. “Good Times Bad Times,” the first track off the hard rock combo’s first album, today sounds very much of its time and also unusually forward-thinking. The crunchy riff that introduces the track augured for the amped-up sound of metal to come, but the opening verse and chorus still have one foot in mod pop. Yet the sheer attack that marks Zeppelin’s best work was already there. Jimmy Page’s guitar cuts loose at about the minute-and-a-half point, John Bonham’s
Review: Roy Orbison, "Mystery Girl: 25th Anniversary Deluxe Edition"
Roy Orbison never intended Mystery Girl to be an epitaph. Yet The Big O never had the chance to enjoy the overwhelming success of the 1989 album, as he passed away almost two months to the day prior to its release. Still, as far as epitaphs go, Mystery Girl was – and is – a stunner, a parting gift from one of the most distinctive and resonant voices in rock and roll. Roy’s Boys, the company formed by Orbison’s sons, and Legacy Recordings have teamed for a 25th anniversary reissue of Orbison’s
Sign of the Times: "Look For A Star" Collects Early Songs of Tony Hatch
Encouraged by his publisher to pen a song for a Norman Wisdom film in pre-production, teenager Tony Hatch wrote "Follow a Star." Though the beloved British comedian passed on it, the tune found its way into a B-movie called Circus of Horrors with a new title: "Look for a Star." The same week in June 1960, four recordings of the pretty little tune entered the Billboard Hot 100 across the pond. Dean Hawley reached No. 29, Billy Vaughn made it to No. 19, Garry Miles hit No. 16, and the original
I Know A Place: Petula Clark, Scott Walker, Connie Francis Celebrate "The Songs of Tony Hatch"
Ace Records’ latest addition to its Songwriters Series, Colour My World: The Songs of Tony Hatch, should come with a warning label – CAUTION: THESE SONGS WILL MAKE YOU HAPPY. A composer, lyricist, producer, arranger and A&R man (whew!), Hatch was a hitmaker par excellence, and one of no small skill for imparting joy through his music. Petula Clark’s bright 1964 single “Downtown” alone would likely have assured Hatch a place in the Book of Pop, Swingin’ Sixties chapter. But listening to a
Vikki Carr's "Love Again: The Lost Columbia Masters" Unearths Never-Before-Heard Recordings
I recently had the great pleasure of providing the liner notes for Real Gone Music’s first-ever CD reissue of Vikki Carr’s Columbia Records album The First Time Ever (I Saw Your Face). That title arrived in stores last week joined by a collection of previously unreleased material from the great vocalist. Love Again: The Lost Columbia Masters is a major find for fans of Carr and in large part presents her voice in a new, contemporary country setting.- JM Have forty years really passed since
Review: The Grass Roots, "The Complete Dunhill/ABC Hit Singles"
The tale of The Grass Roots is a convoluted one, involving a couple of bands, a pair of auteur songwriter-producers, and a handful of famed session men. But if the behind-the-scenes story is one with numerous twists and turns, the appeal of the music recorded under The Grass Roots’ name is blissfully simple: great songs, great productions, great performances. 24 polished nuggets from the Los Angeles pop-rockers – many of which still remain in rotation on oldies radio today - have been collected
Couldn't I Just Tell You: Todd Rundgren Goes Deluxe In New Edsel Series
On the first side of his fifth LP, Todd Rundgren proclaimed, “A man would simply have to be as mad as a hatter/To try and change the world with a plastic platter...” Yet forty years on, Rundgren is still “trying to make a living off an elpee’s worth of toons.” As such, he’s accumulated quite a back catalogue, for which Demon Music Group’s Edsel label has been the most recent steward. In 2011, Edsel began reissuing Rundgren’s Bearsville catalogue, both solo and with Utopia, and continued onto
Review: Billy Joel, "A Matter of Trust: The Bridge to Russia"
Billy Joel has been famously prickly in recent years about many of the archival releases bearing his name. But one hopes that the troubadour, currently in the midst of his tenure as a “franchise” at New York’s Madison Square Garden, is beaming with pride at A Matter of Trust – The Bridge to Russia. This set, available in a variety of audio and video formats from Columbia Records and Legacy Recordings, not only splendidly chronicles Joel’s historic 1987 trek to the Soviet Union but vividly
Review: Vanilla Fudge, "The Complete Atco Singles"
It’s hard to believe that Real Gone Music’s The Complete Atco Singles (RGM-0239, 2014) is the first such overview for Vanilla Fudge. Between 1966 and 1970, the Long Island quartet delivered heavy riff-rock that bridged the gap between psychedelia and the nascent hard rock form that would come to be known as heavy metal, transforming popular songs with a raw, visceral, punch-in-the-gut sound. This tasty, single-disc collection brings together every one of the 18 sides released on the Atco label
Review: Bee Gees, "The Warner Bros. Years: 1987-1991"
Tonight, Barry Gibb’s Mythology tour continues making its way through the United States, as the surviving member of The Bee Gees celebrates his family’s legacy in song. From humble beginnings in Australia (1965’s The Bee Gees Sing and Play 14 Barry Gibb Songs) through international stardom and a final studio farewell (2001’s This is Where I Came In), Barry, Robin and Maurice Gibb mastered an ever-shifting array of styles. Baroque, lightly psychedelic pop/rock ceded to tough funk-infused R&B,
The Salsoul Orchestra Goes "High," "Up the Yellow Brick Road"
Big Break Records' non-chronological series of remastered and expanded reissues for The Salsoul Orchestra has already taken listeners from 1975's eponymous debut to 1982's farewell release Heat It Up. With the recent releases of 1978's Up the Yellow Brick Road and 1979's How High, the label has filled in the gaps of its lavishly produced program of the Orchestra's classic non-holiday studio albums. (No fear, however - there are other collaborative albums and even a collection credited to The
Review: Rod Stewart, "Live 1976-1998: Tonight's the Night"
After more than a decade mining the Great American Songbook, seventies rock, vintage soul and Christmas carols, Rod Stewart returned to original rock material with the 2013 release of Time. And while much of the titular subject had indeed passed since his last album of new songs, Stewart’s distinctive voice and joie de vivre were happily intact. The spirit that has kept Stewart a superstar is fully on display in the new 4-CD box set Tonight’s the Night – Live 1976-1998. Over its four discs and
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