Chaka Khan announced her solo freedom with "I'm Every Woman," the euphoric opening track on 1978's Chaka. At 25 years old, Khan was already a veteran of the funk-rock band Rufus with whom she had recorded landmark hits like "Tell Me Something Good" and "Sweet Thing," but Chaka took her passionate style in a new, mainstream R&B direction. The Warner Bros. album, produced by the legendarily versatile Arif Mardin (Dusty Springfield, Bette Midler, The Bee Gees), placed Khan's powerful voice
The Salsoul Orchestra Goes "High," "Up the Yellow Brick Road"
Big Break Records' non-chronological series of remastered and expanded reissues for The Salsoul Orchestra has already taken listeners from 1975's eponymous debut to 1982's farewell release Heat It Up. With the recent releases of 1978's Up the Yellow Brick Road and 1979's How High, the label has filled in the gaps of its lavishly produced program of the Orchestra's classic non-holiday studio albums. (No fear, however - there are other collaborative albums and even a collection credited to The
Ace's "Black America Sings Bacharach and David" Features Dionne, Aretha, Cissy, Nina and More
In retrospect, it might be telling that Burt Bacharach’s first recorded song, “Once in a Blue Moon,” was cut in 1952 by Nat “King” Cole. From those earliest days, Bacharach and his lyrical partner Hal David saw their songs recorded by a host of African-American artists: Johnny Mathis, Gene McDaniels, Joe Williams, Lena Horne, and Etta James among them. Once the duo began to change the sound of American music with their ultra-cool, sophisticated pop-soul compositions, those songs were most
Reviews: Bayeté, Sandra Rhodes and Sid Selvidge Arrive from Omnivore
If you’re looking for a record label to do your deep crate-digging for you, look no further than Omnivore Records. The musical archaeologists there have unearthed three all-but-unknown records from artists on the fringe. But these fresh and vital discoveries from Sid Selvidge, Sandra Rhodes and Todd Cochran a.k.a. Bayeté will likely leave you wondering, “How have I missed this music until now?” Likely on the strength of his work on Bobby Hutcherson’s 1971 Blue Note LP Head On,
Big Break Has "Street Sense" With Two New Salsoul Reissues
Cherry Red's Big Break Records label continues its deep exploration into the vaults of Salsoul Records with two releases that might seem like business as usual for these artists, but are anything but. Street Sense, from The Salsoul Orchestra, isn't a Vince Montana-led extravaganza but rather a project helmed by Tom Moulton, "the father of the 12-inch remix." And Loleatta Holloway's self-titled 1979 album isn't a Philly-style banquet but rather a feast of southern soul. Street Sense is another
Little Esther, All Grown Up: Raven Collects Esther Phillips' First CTI Albums
As the premier vocalist on CTI Records' Kudu imprint, Esther Phillips (1935-1984) played a key role in producer Creed Taylor's "Cool Revolution" at CTI. A gifted vocalist, Phillips nonetheless struggled with personal demons throughout her too-short life. The former "Little Esther" had her first taste of success in 1949, just fourteen years old, and a taste of heroin not long after; stories of her mercurial behavior have entered into legend. But her talent was never in doubt. CTI recorded
Hot Shots: Big Break Relights Dan Hartman's "Fire," Expands Sheryl Lee Ralph's Solo Debut
Talk about fusion! For "Hands Down," the opening cut of his 1979 album Relight My Fire, Dan Hartman enlisted rock and roll great Edgar Winter to weave his alto saxophone licks throughout the Latin-flavored disco track, and Stevie Wonder to provide his instantly recognizable harmonica. Hartman wasn't just a dilettante, but a regular musical renaissance man. A veteran of the Johnny Winter Band and the Edgar Winter Group, he wrote the latter's smash hit "Free Ride," and successfully completed
Review: Dionne Warwick On Edsel Records
Dionne Warwick's third album bore the title Make Way for Dionne Warwick. But truth to tell, by the time of its release in September 1964, America had already made way for the New Jersey-born singer. She had climbed the charts with the immortal likes of "Don't Make Me Over," "Anyone Who Had a Heart," "Walk on By" and "Reach Out for Me," the latter two of which were included on that LP. Of course, all of those singles were written and produced by the team of Burt Bacharach and Hal David, who
Forever Dusty: Four New Releases Celebrate Springfield's Musical Legacy
Dusty Springfield’s ebullient first solo single, 1963’s “I Only Want to Be with You,” announced just how far the former Mary Isobel Catherine Bernadette O’Brien had come from her pop-folk trio The Springfields and the likes of “Silver Threads and Golden Needles.” The thunderous production and joyous vocals augured for a significant new talent, and the song was selected as one of the very first ever to be played on the BBC’s Top of the Pops. And indeed, Dusty Springfield remained at the top of
BBR Has "The Force" With Latest Kool and the Gang Remasters
Big Break Records is determined to make sure that Everybody's Dancin' with its latest two reissues from the kings of Kool. The Cherry Red label dived into the Kool and the Gang catalogue in late 2013 with deluxe, expanded editions of all four of the band's epochal albums with arranger-producer Eumir Deodato: Ladies' Night (1979, Platinum), Celebrate! (1980, Platinum), Something Special (1981, Platinum) and As One (1982, Gold). Prior to that, BBR had already given similarly lavish treatment to
Dance a Little Bit Closer with Charo and The Salsoul Orchestra, Loleatta Holloway
Cuchi-cuchi! Charo, or María del Rosario Mercedes Pilar Martínez Molina Baeza, burst onto the cultural radar with her goofy, slightly suggestive catchphrase during the late-sixties run of the television phenomenon Rowan and Martin’s Laugh-In. Once a frequent passenger on The Love Boat, the comedienne-bombshell still is a familiar face today on television (Dancing with the Stars, RuPaul’s Drag University) and onstage – on land and on sea, even on the good ship Disney Magic. In 1977, Charo
Billy Paul Is "Feelin' Good" On BBR Reissue Of His First Studio Album
Big Break Records and Billy Paul - they've got a thing going on. The label, an imprint of the Cherry Red Group, has just returned to the soul titan's catalogue for the sixth time - and with this release has gone back to the very beginning. BBR's previous reissues from the "Me and Mrs. Jones" singer have explored his Philadelphia International discography as well as his Neptune release Ebony Woman and a post-PIR album for Total Experience Records. Now, the label has turned its attention to
Get Ready: Tommy Hunt's "Sign of the Times" Revives Northern Soul Favorites
Trivia: who was the first artist to release Burt Bacharach and Hal David's "I Don't Know What to Do with Myself" in 1962? Hint: it wasn't Dusty Springfield (1964) or Dionne Warwick (1966). The answer is Tommy Hunt, onetime member of The Flamingos and a member of the Scepter Records family between 1961 and 1964. At Scepter, Hunt introduced both that now-classic song and scored hits like "Human" (No. 5 R&B/No. 46 Pop, 1961) and "I Am a Witness" (No. 71 R&B, 1963). Hunt followed his
BBR "Heats It Up" with Salsoul Orchestra, Joe Bataan, Herbie Mann, Chris Jasper
As Big Break Records' first releases for 2014 hit stores in the U.K. today (more on those shortly!), the time is right to take a look at more from the label's closing slate of 2013. This eclectic roster - from legendary Latin music artist Joe Bataan, the post-Vince Montana iteration of The Salsoul Orchestra, jazz flautist Herbie Mann and soul man Chris Jasper - is doubtless one of BBR's strongest. So influential was Joe Bataan's 1974 Mericana Records release Salsoul that it literally
Only the Strong Survive: Ace Reissues, Remasters Vintage Southern Soul from Stax, Fame
The mighty Stax Records catalogue got a lot of much-deserved respect in 2013, from a new book exploring the label's history (Robert Gordon's Respect Yourself: Stax Records and the Soul Explosion) to a variety of catalogue projects, many from the venerable Ace Records label. Ace has recently followed up its reissues of classic albums by The Staple Singers, David Porter and Bettye Crutcher with further Stax discoveries from Darrell Banks and The Newcomers. And not to be outdone, Ace has
Here Where There Is Love: Edsel Repackages Sixteen Dionne Warwick Albums In Four Sets
Following last year’s series of 23 expanded reissues of Dionne Warwick’s Scepter and Warner Bros. catalogue from WEA Japan, the U.K.’s Edsel label is revisiting 16 of those very albums on four new, multi-CD sets. Each one of Edsel’s sets will contain four original stereo albums in chronological sequence, with two of the new titles adding singles and retaining bonus tracks originally introduced on Rhino Handmade’s expanded reissues. The titles, due in stores on January 13, are as
Holiday Gift Guide Review: Bobby Darin, "The 25th Day of December" and Various Artists, "Funky Christmas"
Real Gone Music is ensuring that it’s going to be a merry Christmas, indeed, with a number of holiday-themed releases that practically beg to be enjoyed alongside a glass of egg nog and a warm fireplace. Bobby Darin’s The 25th Day of December, the late singer’s only holiday LP, arrived on the Atco label in 1960. However, the album wasn’t the work of Bobby Darin, the splish-splashin’ rock-and-roller, or Bobby Darin, the finger-snapping, tuxedoed crooner. It’s not even the work of Bob Darin,
BBR Continues Its "Journey" With Salsoul Catalogue
If you're looking for another chance to "dance your ass off," look no further. Big Break Records has returned to the mighty catalogue of Salsoul Records for another three "made in Philadelphia" classics from the soulful disco label. "C'mon, Vince, play your vibes!" Loleatta Holloway exclaimed before the leader of The Salsoul Orchestra, Vince Montana Jr., stepped forward for a solo on "Run Away," the third track on the powerful unit's third non-holiday long-player. 1977's Magic Journey
Heavy "Drama": SoulMusic Slate Includes The Dramatics, Nancy Wilson, D.J. Rogers
As the old expression goes, all good things must come to an end. And so Nancy Wilson's 37-album, 20-year tenure at Capitol Records ended in 1980 with the release of Take My Love. At Capitol, Wilson had proved her mastery of Broadway, Hollywood, traditional vocal jazz, fusion jazz, pop and soul, and had collaborated with the likes of George Shearing, Cannonball Adderley, Kenny Gamble and Leon Huff, Thom Bell, and Oliver Nelson. On her final Capitol LP, Wilson enlisted producers Larry Farrow
Celebrate Good Times, Come On! BBR Reissues, Expands Four Kool and the Gang Classics
You can't keep a Kool man down. This week, Robert "Kool" Bell (now known as Muhammad Bayyan) leads the legendary funk-soul-R&B-disco outfit Kool and the Gang through its latest studio album, the Best Buy/Wal-Mart exclusive Kool for the Holidays. But for nearly 45 years, the music of Kool and the Gang has been celebrated for all seasons. Big Break Records last revisited the Kool catalogue in 2011 with an expanded edition of 1976's Open Sesame, but the label is returning to the group in a
BBR Completes Pointer Sisters' Planet Catalogue with "Priority" and "Black and White" Remasters
Between 1978 and 1988, The Pointer Sisters recorded a stunning series of nine albums with producer Richard Perry (Barbra Streisand, Harry Nilsson), first for his Elektra-distributed Planet Records label, and then for RCA, to whom Perry eventually sold Planet. During this period, June, Ruth and Anita finally were able to Break Out on the U.S. charts - to quote the title of the group's multi-platinum 1983 album which introduced four U.S. Top 10 hits. Previously the Pointers had mastered jazz,
In His "Reality": Philly Soul Meets Jazz On Monk Montgomery Reissue
UPDATE 9/10/13: Just yesterday, we published the following review of Monk Montgomery's 1974 album Reality, produced, arranged, and co-written by a true legend of soul music and architect of The Sound of Philadelphia, Mr. Bobby Martin. Today, word has arrived that Martin, 83, has passed away following a brief illness. A masterful orchestrator of horns and strings with a background steeped in jazz, Martin created music that was sweet and sophisticated, romantic and wrenching. and always
Cherry Pop "Thinks It Over" With Two Reissues From Cissy Houston
When Cissy Houston was signed to Private Stock Records in 1977 to record the first of two albums just reissued by the Cherry Pop label, her C.V. spoke for itself. Music practically ran in the veins of the vocalist born Emily Drinkard in Newark, New Jersey, 1933. Cissy first made her mark as a member of The Drinkard Singers, the group said to have recorded the very first major-label gospel album (1959's A Joyful Noise, on RCA Victor). Among Cissy's fellow Drinkard Singers was her sister Lee
Hot Stuff: Donna Summer's Legacy Celebrated with New Remix Album
The sudden passing of Donna Summer in 2012 had fans old and new flocking to her music to hear some of the finest disco music imaginable. This fall, Verve Records will bring that legacy into a new era with Love to Love You Donna, a set featuring new remixes of her most enduring tracks. Happily, Love to Love You Donna features more than its share of enduring remixers to give Summer's hits the respect they deserve. Electronic funk duo Chromeo tackles her 1982 hit "Love is in Control (Finger on
Review: Sly and the Family Stone, "Higher!"
Sly Stone was a sponge. After leading Bobby "Do You Wanna Dance" Freeman to a hit record with 1965's "C'mon and Swim," the writer-producer-artist formerly known as Sylvester Stewart knew he had hit on a good thing. Hence, "I Just Learned to Swim." Then, "Scat Swim." But on the latter, Stone was already showing off his stylistic diversity, interrupting the beat to "slow it down a little so everybody can swim" and then speeding it back up again. He had soaked up the fertile creative
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