The Weekend Stream: February 5, 2022

By Mike Duquette | February 5, 2022 | 1 Comment

Welcome to The Weekend Stream, a relaxing weekly review of notable digital-only catalogue titles. There may be no CD or vinyl, but there's plenty of great new/old music to discover! Some fascinating finds ahead from the '70s, '80s, '90s and far beyond - but first, another streaming housekeeping note... You may have read our thoughts […]

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Bandcamp Friday Picks, February 2022: Paul Andrews Goes the 'Distance' - Hurry Up and Listen

By Mike Duquette | February 4, 2022 | 1 Comment

It's a new year, and Bandcamp Fridays are back! The beloved independent music service brings back their beloved mini-holiday today (February 4), and again on March 4, April 1 and May 6. On those days, they'll waive the fees they make off music they host - all the money will go directly to artists and […]

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Release Round-Up: Week of February 4

By The Second Disc | February 4, 2022 | 1 Comment

Welcome to this week's Release Round-Up! B.J. Thomas, In Remembrance: Love Songs and Lost Treasures (Real Gone Music) (Amazon U.S. / Amazon U.K. / Amazon Canada) Real Gone Music remembers the late, great B.J. Thomas with this new collection of rare and previously unreleased material drawn from both Thomas' personal archives and the vaults of Reprise and Warner Bros. Records.  In […]

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I Only Have Eyes For You: Real Gone Celebrates Black History Month With Reissues from The Flamingos, William S. Fischer, and Don Julian & The Larks

By Randy Fairman | February 3, 2022 | 0 Comments

To commemorate this year's Black History Month, Real Gone is reissuing three albums by African-American artists from the 1950s and 1970s in the doo-wop, jazz and soul genres: Flamingo Serenade by The Flamingos, Circles from William S. Fischer, and Super Slick from Don Julian & The Larks.  All of them hit stores tomorrow, February 4. […]

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OUT TOMORROW: Real Gone Celebrates B.J. Thomas on "In Remembrance: Love Songs and Lost Treasures"

By The Second Disc | February 3, 2022 | 2 Comments

B.J. Thomas first reached the U.S. top 10 in 1966 with a heartfelt cover of his father's favorite Hank Williams song, the plaintive ballad "I'm So Lonesome I Could Cry."  The Oklahoma-born, Texas-raised artist had his sights beyond just the country genre, however.  His always authentic and altogether compelling voice was equally at home in […]

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