When impresario Norman Granz founded the Pablo label in 1973, fusion, funk and Latin sounds were at the forefront of jazz. Granz, founder of the Verve, Norgran and Clef labels, initially launched Pablo as a platform for his management clients Ella Fitzgerald, Oscar Peterson and Joe Pass, but soon its roster was filled out with the equally starry likes of Duke Ellington, Count Basie and Sarah Vaughan. Granz’ new label was an instant success and a safe haven for traditional jazz in this period
RPM Rescues "The Sixties Sounds of Tim Andrews" On New Anthology
Will the real Chris Andrews please stand up? Well, that’s easier said than done. Singer/songwriter Chris Andrews is known for penning hits such as Sandie Shaw’s “Girl Don’t Come” and “Long Live Love,” but there’s another Chris Andrews who rose to prominence during the same era – and also did so in Swingin’ London. This man of the same name recorded with The Gremlins and The Fleur de Lys, and sang the lead on the 1967 hit U.K. single “Reflections of Charles Brown,” issued under the name of
Release Round-Up: Week of September 17
The Band, LIve at the Academy of Music: The Rock of Ages Concerts (Capitol/UMe) This five-disc box set (four CDs and a DVD) features selections from The Band's famed four-night run in New York in 1971. Though these shows would create the live Rock of Ages album, this box instead features highlights from the shows on two discs (including guest appearances by Bob Dylan), another two discs of the complete soundboard mix of the final concert on New Year's Eve 1971, and a DVD with 5.1 surround mixes
A Match Made In "Hell": Cherry Red Revisits Meat Loaf and Ellen Foley
Ain’t no doubt about it: Ellen Foley achieved classic rock immortality via her role on “Paradise by the Dashboard Light,” opposite Meat Loaf on his 1977 album Bat Out of Hell. Foley was the girl “glowing like the metal on the edge of a knife” in Jim Steinman’s rock opera in miniature, with Meat Loaf as the boy “praying for the end of time” and the end of their time together. All these years later, Foley and the former Marvin Lee Aday are together again - on CD shelves, at least, thanks to two
October Is The Most Wonderful Time of The Year With Real Gone Releases From Andy Williams, Bobby Darin, Patti Page, More
It's not too early to start making that Christmas list! Just ask Real Gone Music. On October 29, the label will release five deluxe holiday-themed collections from some of the most beloved vocalists of all time, in addition to two other titles reflecting the label's usual eclectic tastes. For those who need a little Christmas right this very minute, now's the time to peruse Real Gone's upcoming offerings. The crown jewel comes from Andy Williams, already announced as the subject of a 2013
Special Review: Glen Campbell and Jimmy Webb Conjure Old Ghosts On Two New Releases
Since 1967, it’s been difficult to think of Glen Campbell without thinking of Jimmy Webb – and vice versa. When the ace session guitarist interpreted the young songwriter’s “By the Time I Get to Phoenix” on the album of the same name, the result wasn’t just a Grammy-winning hit single, but the beginning of a partnership that’s survived through six decades. Campbell scored successes with a string of Webb’s songs in the late 1960s (“Wichita Lineman,” “Galveston,” “Where’s the Playground, Susie”),
Out of the Shadow(s): Morton's Story Features Shangri-Las, Vanilla Fudge, New York Dolls
A scrappy street fighter with a knack for teenage melodrama, George “Shadow” Morton lived with a “self-invented mythology,” in the words of Jerry Leiber. But his work with The Shangri-Las, Janis Ian, The New York Dolls and many more solidified Morton’s place as a real-life “leader of the pack.” Ace’s new anthology Sophisticated Boom Boom: The Shadow Morton Story (CDTOP 1369) brings the songwriter and producer out of the shadow and into the (spot)light. In a 1968 Time Magazine blurb:, Morton
Review: Bob Dylan, "The Bootleg Series Vol. 10: Another Self Portrait"
Who is Bob Dylan? Today, he might identify himself as “a song and dance man,” a noble profession if there ever was one. But for decades, the man born Robert Zimmerman has been much, much more. Resistant though he might have been to the tag of “spokesman of a generation,” said generation could have done much worse. To describe Dylan’s role in the 1960s is certainly to paint with broad brushstrokes. But it can be said with some measure of truth that Dylan liberated popular music from the
From Perry to Post-Punk: Real Gone Unearths Lords of the New Church, Perry Como, Patti Page, Grateful Dead, Billy Preston Rarities
Just a bit more than a week after the arrival of autumn, Real Gone music will deliver a slate of releases that might put you in an appropriately reflective mood. On September 30, two late vocal legends, Patti Page and Perry Como, get the Real Gone treatment complete with numerous previously unissued performances. A bona fide rock and R&B legend, Billy Preston, sees an early classic reissued alongside another concert rescued from the Grateful Dead's vault. And the batch is rounded out by
Ace Boldly Goes To "Outer Space" and The Bay Area On Two New Themed Collections
Ace Records is Going Wild!…not just with a rip-roaring rock-and-roll compilation of that name, but with a journey to the farthest reaches of the galaxy! Yes, the London-based label is travelling from the Bay Area to the Milky Way with two of its latest releases: Greatest Hits from Outer Space and Going Wild! Music City Rock 'n' Roll. Based on the 24 tracks of Ace’s Greatest Hits from Outer Space, the final frontier engaged a wide variety of artists in every conceivable musical genre. On this
Saint Etienne Hosts "A Central Park Picnic" With Phil Spector, Burt Bacharach, Dion, The Drifters
For the inaugural release of his new Cherry Red imprint Croydon Municipal, Saint Etienne’s Bob Stanley has curated a collection of Songs for a Central Park Picnic. Songwriter/producer Stanley’s label is an extension of his Croydon Municipal blog, in which he holds forth on subjects as diverse as Barbra Streisand and Barry Gibb’s Guilty, the evolution of Britpop, and the fortunes of HMV. Like Stanley’s blog, his new CD compilation reflects his eclectic musical passions. Saint Etienne Presents
She Will Survive: BBR Reissues, Expands Gloria Gaynor's "Love Tracks" and "Park Avenue Sound"
The very first release on Big Break Records, early in 2010, was an expanded reissue of the very first solo album by Gloria Gaynor. Never Can Say Goodbye spun Clifton Davis' title track into disco gold and pioneered the sidelong disco mix with a nearly 19-minute suite from Tom Moulton consisting of "Honey Bee," "Never Can Say Goodbye," and another Motown revival, "Reach Out I'll Be There." Big Break followed that landmark 1974 album with an expansion of Experience Gloria Gaynor, from 1975. It
Are You Ready: Now Sounds Expands "The Association," Real Gone Uncovers "Hexagram 16"
“Where have I gone, where have I gone?” pondered Terry Kirkman on the haunting opening track to The Association’s 1969 long-player. Though the group’s fifth album, it was simply titled The Association, signifying an artistic rebirth. Gone were the session players and ornate Bones Howe production that marked their previous album, 1968’s Birthday. Taking the production reins themselves in tandem with John Boylan, The Association – Kirkman, Russ Giguere, Brian Cole, Jim Yester, Larry Ramos, Ted
Review: Elvis Presley, "Elvis at Stax"
The distance from 3764 Elvis Presley Boulevard , or Graceland, to Stax Records' headquarters at 926 East McLemore Avenue is just a little over 5 miles. So when RCA Records came calling on the once and future King in mid-1973 to fulfill an obligation to record 24 songs (a 10-song album, four single sides, and a 10-song "religious album"), the studio founded by Jim Stewart and Estelle Axton seemed to be the perfect locale. Recording at home in Memphis had always brought something special to
Pablo Records' 40th Celebrated with Duke Ellington, Oscar Peterson, Dizzy Gillespie, More
Concord Music Group’s Original Jazz Classics line recently celebrated the 60th anniversary of Orrin Keepnews and Bill Grauer’s famed Riverside Records label with five reissues from Bill Evans, Chet Baker, Wes Montgomery, Thelonious Monk and Gerry Mulligan, and Cannonball Adderley and Milt Jackson. (Expect a full review of all five titles soon!) On September 17, the OJC series will turn its attention to the 40th anniversary of jazz impresario Norman Granz’s Pablo Records with the reissue of
Review: Nilsson, "The RCA Albums Collection"
A largess universal like the sun His liberal eye doth give to every one, Thawing cold fear, that mean and gentle all, Behold, as may unworthiness define, A little touch of Harry in the night. - William Shakespeare, Henry V, Act IV He's a pretty nifty guy Always looks you in the eye Everybody passing by will sigh For Harry... - Eric Idle, "Harry" Harry Nilsson had the voice of an angel, and raised hell like the devil. A consummate songwriter, he had his biggest hits with two songs
Review: Otis Redding, "The Complete Stax/Volt Singles Collection"
Otis Redding was just 21 years of age when Volt Records issued his first single for the label, “These Arms of Mine” b/w “Hey Hey Baby,” in October 1962. The latter is a solid if unremarkable riff on rockabilly (“Hey, hey, pretty baby/Baby, you sure is fine...Every time I look at you/You drive me out of my mind!”) but the torrid, smoldering A-side reveals a singer-songwriter far older than his years. Otis Redding couldn’t have known then that he was living on borrowed time; he would, in fact,
Hallejulah! It's (Still) Raining Men with The Weather Girls' Deluxe Reissue
Everything about The Weather Girls’ debut album, Success, was big. The 1983 LP was the brainchild of producer/songwriter Paul Jabara, who modestly noted on the LP’s back cover, “After working with Barbra, Donna and Diana – I began to get spoiled – I felt I could only work with ‘giants in the industry!’ I think I found them!” And so the “Last Dance” and “No More Tears (Enough is Enough)” auteur turned his attention to Two Tons o’ Fun. Izora Rhodes Armstead and Martha Wash had toured with the
Another Expanded "Star Trek" Score Immortalized on CD
Engage! Another film score from the Star Trek universe has been expanded on CD; this time, it's the score to 1998's Star Trek: Insurrection. The third Trek film to feature the crew of the USS Enterprise-D as featured in Star Trek: The Next Generation (although this film, like its predecessor First Contact, finds the crew manning the Enterprise-E), First Contact finds Picard, Riker and crew openly rebelling against a Starfleet plot: to help one alien race, the Son'a, steal a planet away from the
Stax, Motown, Chess Go Country with Second Volume of "Where Country Meets Soul"
Ace’s first volume of Where Country Meets Soul arrived late last year, proving that those two venerable genres intersect more often than one might think. After all, many of the most enduring records in both styles revolve around the vagaries of heartbreak, so the fine folks at Ace’s Kent imprint brought together 23 tracks from artists well-versed in the torrid ways of love: Solomon Burke (“He’ll Have to Go”), Percy Sledge (“Take Time to Know Her”), Clarence Carter (“Set Me Free”), Esther
Reviews: Eddy Arnold, "Complete No. 1 Hits" and David Allan Coe, "Texas Moon"
When 1965’s “Make the World Go Away” entered the Pop Top 10, it was unusual, even for those heady days of pop diversity. The singer, Eddy Arnold, had first signed to RCA Victor in 1943. The Musicians’ Union’s strike prohibited the young vocalist from recording until it was settled in December, 1944, but when Arnold finally entered WSM’s radio studios to record four songs, he was making history. His session was the first for a major label to be held in Nashville, Tennessee. His star was soon
If Everybody Had An Ocean: The Beach Boys' 6-CD Box Set "Made in California" Premieres 60 Previously Unreleased Tracks
On my way to sunny California, on my way to spend another sunny day… The sounds of summer will be in perfect harmony on August 27 when Capitol Records releases the Beach Boys’ long-awaited, retrospective box set Made in California. Word first came last summer of the 50th anniversary box, as the reunited group of Brian Wilson, Mike Love, Al Jardine, Bruce Johnston and David Marks were winding down a phenomenally successful world tour. Since then, the Love/Johnston faction of the band has
Southern Soul Rarities Compiled On Omnivore's "South Side of Soul Street"
One dictionary defines a "minaret" as "a lofty, often slender tower or turret attached to a mosque...from which the muezzin calls the people to prayer." So it's appropriate that the Minaret Records label was a beacon itself, inspiring soulful fervor in those who made the pilgrimage to its platters. Founded in Nashville in the early 1960s, it was purchased in 1966 by Finley Duncan. Three years later, the producer-entrepreneur founded the Playground Recording Studio in Valparaiso, Florida,
What Goes Up: Blood, Sweat & Tears' "Rare, Rarer & Rarest" Tracks Come To CD
What goes up must come down. So sang David Clayton-Thomas in the opening line of his Grammy-winning song "Spinning Wheel," which became a No. 2 Pop/No. 1 AC in 1969 for Blood, Sweat & Tears. And so went the fortunes of the jazz-rock band itself. The band's signature rock-with-horns style was soon eclipsed by that of Chicago (Transit Authority), who shared a producer in James William Guercio. But when BS&T was hot, few bands were hotter. Wounded Bird Records is revisiting the
The Roots of Philadelphia International: BBR Reissues O'Jays, MFSB Classics
Though London, England is some 3,500 miles away from Philadelphia, Pennsylvania in the United States, the spirit of the City of Brotherly Love is alive and well thanks to Cherry Red’s Big Break Records label. Two more remarkable artifacts from Kenneth Gamble and Leon Huff’s Philadelphia International empire have recently arrived from BBR, and though both titles have previously been available on CD, these new reissues are their best representations in the format yet. Fans who only know The
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