Last year, The Idelsohn Society for Musical Preservation regaled listeners with ‘Twas the Night Before Hanukkah, an eclectic and offbeat anthology that breathed life into the concept of a holiday-themed compilation. With its mission “to look at Jewish history and the Jewish experience through recorded sound” firmly in mind, the organization this year has released another two-disc set that lives up to the much-overused word unique. Whereas last year’s release focused on the relationship in song
Come and Get It: Remastered Badfinger Hits Collection Released Today
Badfinger fans have had plenty of opportunities to “come and get it” in 2013. This past spring, the Estate of Pete Ham utilized Pledge Music to release Keyhole Street: Demos 1966-1967, a 2-CD, 50+-track compilation from the late singer-songwriter. More recently, late last month, Edsel issued its own 2-CD set containing both of Badfinger’s post-Apple records for Warner Bros. plus In Concert at the BBC 1972-3. Badfinger/Wish You Were Here/In Concert at the BBC 1972-3 arrived to some fortuitous
As If She Never Said Goodbye: Barbra Streisand Goes "Back to Brooklyn"
1969’s lavish Academy Award-winning film Hello, Dolly! found Barbra Streisand’s Dolly Levi returning to the Harmonia Gardens restaurant where she was serenaded with Jerry Herman’s famous title tune: “It’s so nice to have you back where you belong…!” Some 43 years later, the same sentiments were applicable when Streisand – as herself, natch – took the stage at Brooklyn’s Barclays Center for two sold-out homecoming concerts. On Tuesday, Columbia Records will release Back to Brooklyn, available
Kritzerland "Taps" Maurice Jarre For a Pair of Soundtracks
Three-time Academy Award-winning composer Maurice Jarre (1924-2009) makes his debut on the Kritzerland label with a newly-announced two-for-one release of his scores to 1981’s Taps and 1970’s The Only Game in Town. Hollywood couldn’t help but take notice of the French-born Jarre when he scored director David Lean’s 1962 epic drama Lawrence of Arabia, and the Lean/Jarre collaboration was so successful that Jarre was asked to score each of Lean’s subsequent films. He won his first Oscar for
Heavy "Drama": SoulMusic Slate Includes The Dramatics, Nancy Wilson, D.J. Rogers
As the old expression goes, all good things must come to an end. And so Nancy Wilson's 37-album, 20-year tenure at Capitol Records ended in 1980 with the release of Take My Love. At Capitol, Wilson had proved her mastery of Broadway, Hollywood, traditional vocal jazz, fusion jazz, pop and soul, and had collaborated with the likes of George Shearing, Cannonball Adderley, Kenny Gamble and Leon Huff, Thom Bell, and Oliver Nelson. On her final Capitol LP, Wilson enlisted producers Larry Farrow
Release Round-Up: Week of November 19
There's a Dream I've Been Saving: Lee Hazlewood Industries 1966 - 1971 (Light in the Attic) The legendary psychedelic cowboy shone brighter than ever as a singer-songwriter-producer on his own label in the latter half of the decade. This 4CD/1DVD/1 flexidisc box (also available with an extra three data DVDs!) covers that period of his career in exhaustive detail. Standard box: Amazon U.S. / Amazon U.K. Deluxe box: Amazon U.S. / Amazon U.K. Frank Sinatra, Duets: 20th Anniversary
Not Forever, Just for Now: Legacy to Expand Uncle Tupelo's "No Depression"
After several years in the making, the landmark debut album by alt-country pioneers Uncle Tupelo will be released as a double-disc edition from Legacy Recordings in 2014. No Depression, originally released in 1990 on the Rockville Records label, was the proper debut of the Belleville, Illinois trio, comprised singer/guitarist Jay Farrar, singer/bassist Jeff Tweedy and drummer Mike Heidorn. The trio had played together since high school and, a year before their debut, were hailed by The CMJ New
Are We Having Fun Yet? Nickelback Release Hits Compilation
What happens when a band seemingly despised by the entirety of the universe releases a compilation? We're about to find out with tomorrow's release of The Best of Nickelback Volume 1. The Canadian quartet have, in an era dominated largely by dance pop and hip-hop, eked out considerable success with straightforward rock 'n' roll. Breakthrough single "How You Remind Me," released in 2001, remains one of the last traditional rock songs to hit the top of the Billboard Hot 100; follow-up singles
Slices of Bread: David Gates and James Griffin's Solo Records, Reissued and Remastered
Bread occupied a unique place on the Elektra Records roster. The so-called “soft rock” band shared a label with the likes of Love, The Doors, The Stooges and The MC5, and regularly visited the charts with such signature songs as “Make It with You” (No. 1, 1970), “It Don’t Matter to Me” (No. 10, 1970), “If” (No. 4, 1971), “Baby I’m-a Want You” (No. 3, 1971), “Everything I Own” (No. 5, 1972) and “The Guitar Man” (No. 11, 1972). All of those staples were written and sung by David Gates, the
Too Marvelous For Words: Bing Crosby Archive Collection Celebrates Johnny Mercer, "Le Bing"
The two latest releases in the Bing Crosby Archive Collection – now distributed by Universal Music – take the legendary crooner around the world, from the American South to the streets of Paris, France. Bing Crosby Enterprises has just released one new anthology, Bing Sings the Johnny Mercer Songbook, along with a 60th anniversary deluxe expanded reissue of the Decca album Le Bing: Song Hits of Paris. In the tradition of past Archive Collection releases, these discs are packed with rarities
Review: The Jimi Hendrix Experience, "Miami Pop Festival"
By the time Jimi Hendrix took the stage at Hallandale, Florida’s Gulfstream Park on May 18, 1968, the 25-year old guitarist, songwriter and visionary’s reputation preceded him. He had already released two studio albums (1967’s Are You Experienced and Axis: Bold as Love released in 1967 in the U.K. and 1968 in the U.S.) and established himself as an unpredictable performer not to be missed when he set his guitar ablaze amidst the peace and love of the Monterey Pop Festival in June 1967. With
Legacy Expands Orbison's "Last Concert" with Rare Video, Reissues "A Black and White Night"
Roy Orbison's catalogue has been the subject of some interesting reissues of late from Legacy Recordings: the label recently reissued In Dreams: The Greatest Hits, a 1987 compilation of newly recorded versions of his old classics, and will reissue all three of his Monument Records albums (with a bonus "fourth," posthumously assembled by his family) in a vinyl box set for Record Store Day. Legacy now adds two more latter-day archival projects to the schedule: a DVD reissue of the 1988 special A
Neither One of Us (Wants to Be the First to Say Goodbye): Final "The Complete Motown Singles" Volume Bows
They did it. Nearly nine years after the first volume in Hip-O Select's The Complete Motown Singles box set series was released, the 14th and final entry in the series, Volume 12B: 1972, will be released on December 10, just in time for the holidays. The year 1972 marks, for many, the end of the "classic Motown" period. Label founder Berry Gordy moved label operations from Detroit to Los Angeles, and many of his most treasured acts were in periods of transition. Diana Ross was long a solo
With You I'm Born Again: SoulMusic Label Revives Motown Duets with Syreeta and Billy Preston, Thelma Houston and Jerry Butler
With two of its latest releases, Cherry Red's SoulMusic Records imprint has revisited three classic Motown duets albums on two CDs. Longtime collectors of SoulMusic Records’ releases know that the label frequently jumps back and forth with an artist’s catalogue rather than releasing titles in chronological order. Such is the case with its latest reissue from Syreeta, born Syreeta Wright. In recent months, SoulMusic has revisited Motown queen Syreeta’s third and fourth solo albums, 1977’s One
Black Oak Arkansas Rarities Sail Under the Radar
Surprise! While we were focusing on the biggest of box sets over at The Second Disc, Atlantic quietly released a disc of unreleased vintage material from Southern rockers Black Oak Arkansas. One of the top touring acts of the early 1970s, Black Oak Arkansas - with its triple-guitar lineup and idiosyncratic vocal style of Jim "Dandy" Mangrum - earned a great deal of acclaim in studio and on the road. Earlier this year, Mangrum reunited with original members Rickie Lee "Risky" Reynolds (rhythm
Review: Miles Davis, "The Original Mono Recordings"
“Mono featured less audio trickery and fewer audio distractions, so you can actually hear the musical conversation between Miles and the other musicians as it occurred in the studio.” That’s producer George Avakian as quoted in the liner notes for Columbia and Legacy’s new nine-album box set Miles Davis: The Original Mono Recordings. And that purity of sound - further described by the producer of Davis’ first two Columbia albums as “truer to the studio sound and the original intent” – is
Dido Says "Thank You" with First Compilation
At the arguable height of controversy over Eminem in 2001, the Detroit rapper released, from his sophomore album The Marshall Mathers LP, one of the greatest and most haunting singles in the genre's history. "Stan," told from the perspective of an increasingly unhinged fan of Mathers, whose erratic (and ultimately fatal) rants are counterpointed by a minor-key refrain - the first verse of "Thank You" by British singer Dido Armstrong. Her debut album, No Angel, had been available in the U.S. for
Review: The Beatles, "On Air: Live at the BBC Volume Two"
Meet the Beatles...again. The new Apple/Capitol/Universal release On Air: Live at the BBC Volume Two sets the Wayback Machine at Destination: 1963 and 1964, when four Liverpool lads named John, Paul, George and Ringo ignited a British Invasion that continues to this very day. All 63 tracks (both spoken-word introductions and songs) on this new 2-CD time capsule date back to those two years, when the Fabs recorded unique performances for such BBC programs as Saturday Club and Pop Go the
Release Round-Up: Week of November 11/12
The Beatles, Live At The BBC / On Air: Live At The BBC Volume 2 (Capitol) What's better than a remaster of The Fab Four's 1994 double-disc set of live BBC sessions? How about another two-disc set of those sessions? Live At The BBC (2CD): Amazon U.S. / Amazon U.K. Live At The BBC (3LP): Amazon U.S. / Amazon U.K. On Air: Live At The BBC Volume 2 (2CD): Amazon U.S. / Amazon U.K. On Air: Live At The BBC Volume 2 (3LP): Amazon U.S. / Amazon U.K. Live At The BBC: The Collection (4CD): Amazon U.S. /
Wild Swans' "Coldest Winter" Heats Up on Occultation Recordings
British postpunk band The Wild Swans, led by singer/songwriter/keyboardist Paul Simpson, have recently reissued their most recent album with a raft of bonus material. The haunting work of Simpson first came to prominence in the late '70s as member of the short-lived A Shallow Madness, which featured two future frontmen from the same genre: Julian Cope of The Teardrop Explodes and Ian McCulloch of Echo & The Bunnymen. His Wild Swans project has existed in three phases: once from 1980 to
Celebrate Good Times, Come On! BBR Reissues, Expands Four Kool and the Gang Classics
You can't keep a Kool man down. This week, Robert "Kool" Bell (now known as Muhammad Bayyan) leads the legendary funk-soul-R&B-disco outfit Kool and the Gang through its latest studio album, the Best Buy/Wal-Mart exclusive Kool for the Holidays. But for nearly 45 years, the music of Kool and the Gang has been celebrated for all seasons. Big Break Records last revisited the Kool catalogue in 2011 with an expanded edition of 1976's Open Sesame, but the label is returning to the group in a
Dial-a-Reissue: Edsel to Release Two-Fers by They Might Be Giants
"I'm your only friend I'm not your only friend But I'm a little glowing friend But really I'm not actually your friend But I am" If those lyrics mean anything to you, you'll probably dig Edsel's next round of two-fers: all four albums released by quirk-rock band They Might Be Giants on the Elektra label. Formed by John Flansburgh and John Linnell, two teenage friends from Massachusetts who found themselves moving to the same building in Brooklyn on the same day, TMBG gained early cult success
Back To Muscle Shoals: Ace Revives Classic Southern Soul From Dan Penn, James Govan
Director Greg “Freddy” Camalier’s 2013 documentary Muscle Shoals brought some long-overdue attention to Rick Hall’s Fame Studios in Muscle Shoals, Alabama – a hotbed of southern soul that attracted some of the most notable artists in rock and soul, from The Rolling Stones to Aretha Franklin. But the folks at Ace Records have never overlooked Muscle Shoals’ immeasurable contribution to the sound of American soul. Two recent compilations cast further light on the historic music that made the
Review, "Released! The Human Rights Concerts 1986-1989" On DVD and CD
Sex, drugs and rock and roll have been closely linked since, well, the dawn of rock and roll itself. But those who have been lucky enough to make a living in the rough-and-tumble world of rock have also frequently given themselves over to more noble pursuits. George Harrison’s 1971 Concert for Bangla Desh wasn’t the first time a rock superstar had performed for charity, but The Quiet Beatle’s star-studded event is rightfully considered the first benefit concert of such stature. Since then,
Purple Reign: Numero Anthologizes Early Minneapolis Funk Bands
It was something like Sly Stone or James Brown for the New Wave set: tight, sparse R&B jams peppered with funky guitar and pulsating bass, sweetened with electronic accoutrements in the percussion section and dazzling synthesizers where a horn section might be. The "Minneapolis sound" changed soul music dramatically in the '80s, with Prince and his collaborators, associates and followers (The Time, Andre Cymone, Jimmy Jam & Terry Lewis, Alexander O'Neal) helping rewrite musical style for
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