October is upon us, and while 2020 hasn't given us much to rejoice about, the holiday season is almost here. Before the month is out, radio stations will begin switching to seasonal formats, and television will begin showing yuletide movies. With a never-ending barrage of bad news, "we need a little Christmas right this very minute" has hardly seemed more apt. Sony's Legacy Recordings is getting a head start on Christmas this year with the release on vinyl of 10 favorite albums from the
With Sweet Things, Ace Records has picked a most apt title for its third volume of music from the Ellie Greenwich and Jeff Barry songbook (Ace CDCHD 1434). Though Greenwich and Barry were united as husband and wife for just the short period of 1962-1965, and only worked together for a short time after that, a year hasn't gone by since when their enduring songs haven't been recorded and re-recorded. The collection's 24 titles span 1963-1978 and blend hits and rarities from the duo with tracks
Today, 1619 Broadway in the heart of New York City’s theatre district doesn’t particularly stand out. Despite the building’s ornate façade, 1619 appears to be just another office building on a busy thoroughfare populated with every kind of attention-grabbing signage. But this building – along with its neighbor to the north, 1650 Broadway – is as much a part of rock and roll history as Sun Studios or Abbey Road. 1650 is the one and only Brill Building, incubator to some of the finest songs in
1964 will forever be remembered on American shores as the year of Beatlemania, when those four moptops from Liverpool led the British Invasion to the top of the pop charts. That tale has been chronicled many times, but one of the most recent releases from U.K.-based label Ace tells the story of the year's American Invasion - via the American records imported to London on the London American label. This latest volume in the long-running series (which now features an entry for each year between
Born to Be Together: could a more apropos title have been devised for a collection of the songs of Barry Mann and Cynthia Weil? Married since 1961, the team both defines and defies the phrase “unsung heroes.” Without hit records as recording artists, Mann and Weil have never had the name recognition of their Brill Building-era compatriots like Carole King or Neil Sedaka, but these Grammy Award-winning Rock and Roll Hall of Famers are hardly unsung. If all they’d ever written was the most
The union of Ellie Greenwich and Jeff Barry was a brief one. Married in 1962, the same year that they began a songwriting partnership, they were divorced in 1965. Their professional partnership only continued for a short time thereafter. And to this day, the team of Greenwich and Barry is spoken of in the same breath as two other successful Brill Building husband-and-wife teams, Barry Mann and Cynthia Weil (married 1961, still going strong!) and Gerry Goffin and Carole King (married 1959,
It's once again time to go back to mono. Sundazed has just announced the vinyl reissue of four classic albums from Phil Spector's Philles label. On July 31, The Ronettes' Presenting The Fabulous Ronettes Featuring Veronica by the Ronettes; Zip-A-Dee-Doo-Dah by Bob B. Soxx and the Blue Jeans; and The Crystals' Uptown and He's A Rebel will all receive the Sundazed treatment. All four albums were reissued on CD last year from Phil Spector Records and Legacy Recordings as part of The Philles
Whoa-oh, a-whoa-oh-oh-oh! Think of The Ronettes' wail, every bit as iconic a cry as a-whop-bop-a-loo-a-whop-bam-boom. Doesn't rock and roll have a way of elevating onomatopoeia to poetry? And no label made sweeter poetry in the first half of the 1960s than Philles Records. The voices of Ronnie Spector, Darlene Love, La La Brooks, Barbara Alston and the rest spoke directly to America’s teenagers. These women, alternately vulnerable and defiant, were little more than girls when they began
It's Tuesday, but most of the new music this week has already been out for a day. But assuming you were too busy to get out to the shops, here's a look at what's new. And there's quite a bit! Various Artists, Phil Spector Presents The Philles Album Collection (Phil Spector Records/Legacy) Six of the first seven Philles albums presented in mono, along with a bonus disc of those delightfully out-there instrumental B-sides. Seriously, have you heard any of them? They're crazy. In a good way, that
Well, get a load of that! This is the photo I've been waiting for - and if you're reading this, chances are you've been waiting with bated breath, too! As of August 4, we have official confirmation that Legacy's Phil Spector Presents the Philles Album Collection is, indeed, coming on October 18, along with a two-disc retrospective as part of the label's long-running Essential series. Most purchasers of Legacy's first wave of Philles Records reissues last February took immediate notice of a
It’s 1963. Imagine a label that counted Roy Orbison, Darlene Love, James Brown, The Drifters and Jerry Lee Lewis all among its artists. While such an array of talent never convened under one roof in America, it was a very different story in the United Kingdom. The U.K.’s Decca Record Company indeed brought all of those artists, and more, under the umbrella of its London American label. London American delivered the best in American pop, R&B and rock and roll to British audiences. Ace is
If Phil Spector didn’t exist, someone would have had to invent him. Spector scored his first chart-topper as writer, artist and arranger in 1958 with “To Know Him is to Love Him” performed his by group, the Teddy Bears. But a 1960 apprenticeship with famed songwriters Jerry Leiber and Mike Stoller convinced the ambitious young man that his future was behind the scenes as a producer. (His 1960 stint with Leiber and Stoller also yielded “Spanish Harlem,” which Spector co-wrote with Leiber.) With
In another time, in another place, I would not be writing this review of Legacy's new Phil Spector compilation with a slight pang of melancholy. And you wouldn't be reading it with the possible tug at the heartsrings you might face now. Phil Spector was one of the most significant pop producers of the 20th century - a creator of pop music as a blissful, romantic, universal commodity - but recent events have ensured that anyone who speaks his name today does so with hesitation, with knowledge of
Johnny Cash, Bootleg 2: From Memphis to Hollywood (Columbia/Legacy) Rarities from the Man in Black, including rare radio performances, demos and single sides. (Official site) Various Artists, Wall of Sound: The Very Best of Phil Spector / The Ronettes, Be My Baby: The Very Best of the Ronettes / The Crystals, Da Doo Ron Ron: The Very Best of The Crystals / Darlene Love, The Sound of Love: The Very Best of Darlene Love (Phil Spector Records/Legacy) Legacy finally gets things going with their
When Sony announced in September 2009 that rights had been acquired from EMI Music Publishing to reissue Phil Spector's Philles catalogue after years of neglect from the ABKCO label, great anticipation was in the air. A major campaign was planned by Sony's Legacy division with projects in development including "Artist's Playlists, Best-of collections, and first-ever releases of Philles studio rarities - as well as facsimile reproductions of original singles and albums," but since that heady