Bobby Fuller has long been known for two things: recording the immortal "I Fought the Law," and being found dead in his car under mysterious circumstances. Finally, thanks to Cherry Red's Now Sounds imprint, Fuller can be appreciated for his musical gifts. Now Sounds has recently compiled Magic Touch: The Complete Mustang Singles Collection (WCRNOW57), a comprehensive and beautiful celebration of Fuller's too-short life and musical career with The Bobby Fuller Four (featuring Jim Reese on
Holiday Gift Guide Review: "In The Heights" and "Be More Chill" Original Cast Albums [Vinyl Editions]
For the Broadway fan on your holiday list this year we thought we would take a look at a couple of vinyl cast albums recently released by Ghostlight Records: In The Heights and Be More Chill. Seven years before he rose to superstardom with Hamilton, Lin-Manuel Miranda premiered his first musical on Broadway with In The Heights in 2008. Miranda, who also starred, wrote the music and lyrics with the book written by Quiara Alegría Hudes. The production was directed by Thomas Kail and
Holiday Gift Guide Spotlight: Lulu, "Decade 1967-1976"
Lulu (real name: Marie McDonald McLaughlin Lawrie) burst onto the scene in 1964 with her earthy, throaty rendition of The Isley Brothers' "Shout!" The fifteen-year old parlayed that memorable U.K. top ten hit into an international career that remains vibrant and active to this very day. Lulu remained on Decca Records, the home of "Shout!," for a two-year stint, departing the label in late 1966 to sign with producer Mickie Most EMI's Columbia Records arm (not to be confused with the
Holiday Gift Guide Review: Joni Mitchell, 'Love Has Many Faces' [8-LP Box Set]
It's coming on Christmas... and just in time for the holidays, Rhino has treated Joni Mitchell fans with a new, 8-LP box set, Love Has Many Faces: A Quartet, A Ballet, Waiting To Be Danced. Previously released in a 4-CD configuration in 2014, this Joni Mitchell-curated collection finds the celebrated songwriter, singer, and visual artist exploring the many contexts and definitions of love. The result is a 53-song, four-act suite that craftily presents some of Joni's best work in a compelling
Holiday Gift Guide Review: R.E.M., "R.E.M. At The BBC"
"We were a fun party band who somewhere along the way learnt how to write songs," Michael Stipe is quoted as saying in the notes to Craft's Recordings new boxset R.E.M. At The BBC. Of course, R.E.M. was much more than that over the course of their nearly 30-year career, going from college underground band to alternative pioneers to global superstars. And with Craft Recordings' new 8-CD/1-DVD box, you can trace that career as seen and heard by UK audiences over the years. The quartet of
Holiday Gift Guide Review: Lefty Frizzell, "An Article from Life: The Complete Recordings"
The music of William Orville "Lefty" Frizzell (1928-1975), one of the most influential honky-tonk singers of all time, has long been a cornerstone of the Bear Family catalogue. The German reissue specialists first compiled the Frizzell oeuvre in 1984 as a 14-LP box set, updating that in 1992 on 12 CDs. Now, more than 25 years later, the Bears have returned to the country-and-western troubadour's career for the most definitive chronicle ever. An Article from Life: The Complete Recordings has
Holiday Gift Guide Review: Neil Diamond, "50th Anniversary Collector's Edition"
I. I Got the Feelin' In his 1966 debut single for Bang Records, Neil Diamond famously declared himself a "Solitary Man." But the New York singer-songwriter wasn't to be solitary for very long, as he soon gained the worldwide audience that, over 50 years later, still follows each one of his musical endeavors. Diamond has just looked back on his remarkable career on a handsome new box set from Capitol Records and UMe. 50th Anniversary Collector's Edition expands upon the similarly-titled
Review: Chris Darrow and Max Buda, "Eye of the Storm"
Last month, the L.A.-based label Blixa Sounds unveiled its latest release, the first-ever reissue of Chris Darrow and Max Buda's Eye of the Storm. The 1981 collaboration brought together two psych-rock heavyweights, whose multi-instrumental talents and joyous style are on full display throughout. It's hard to believe, but the album has never received any sort of reissue or re-pressing since its original release on the legendary Takoma label 37 years ago. Now, Blixa Sounds has brought the
Holiday Gift Guide Review: Elvis Presley, "'68 Comeback Special: 50th Anniversary Edition"
Elvis had a lot riding on his December 1968 NBC-TV special. Once the brightest star in the galaxy - and one whose every freeing move caused ripples in American society - he was no longer at the top of the charts. A string of lightweight movie musicals had rendered the once-"dangerous" entertainer as wholesome as apple pie. At the time of the broadcast, Elvis' most recent single ("Guitar Man") had failed to crack the top 40 and he hadn't had a chart-topper since "Good Luck Charm" in 1962. He
Naturally: Manifesto Collects '70s Soft Rock Sounds of Hawaii's Kalapana
Black Sand: The Best of Kalapana, a 20-track anthology from the Hawaiian band drawn from the years 1975-1983, presents a vivid portrait of the group that, despite various personnel changes, has been playing to sold-out crowds for 45 years now. Yet one question lingers: how has Kalapana languished in obscurity on the American mainland for so long? Malani Bilyeu, D.J. Pratt, Kirk Thompson, and Mackey Feary came together to make music in 1973. All but Pratt were born in Honolulu; the lead
Holiday Gift Guide Review: Eagles, "Legacy"
Just Find a Place to Make Your Stand On the list of the United States' five best-selling albums of all time, one name stands tall - the only artist to lay claim to two of those five titles. That artist is, of course, a band: Eagles. 1976's Their Greatest Hits (1971-1975) sits atop the list at 38 million copies sold; Hotel California is third with 26 million. The ten tracks on the former are all modern-day standards, each and every one of them still a radio staple. Though the original
The Groove Is Gonna Get You: Sunset Blvd. Celebrates Ben Sidran with Live Anthology
It's fair to say that Ben Sidran has had a career unlike any other. The author of five books, record label proprietor, radio and television host, singer, songwriter, pianist, teacher, and eternal hipster has played as part of The Steve Miller Band (and co-wrote "Space Cowboy"), produced records for Mose Allison, Rickie Lee Jones, and Diana Ross, and performed with Van Morrison and Georgie Fame. Along the way, he's recorded for Capitol, Blue Thumb, Arista, A&M, and Windham Hill. Sidran
Review: Golden Smog, "Down By the Old Mainstream" from Run Out Groove
What do you get when you bring together members of Wilco, Soul Asylum, and The Jayhawks and throw them into a remote recording studio in Minnesota wilderness? Well, as the Run Out Groove label proved with its LP reissue earlier this year, the result is one mighty down-home, fun album of country-rock grooves: Down By the Old Mainstream by '90s supergroup Golden Smog. While their lineup has been mercurial since they first got together in the late-'80s, the core lineup included Kraig Johnson of
Review: The Beatles, "The Beatles (The White Album): Anniversary Edition"
You Say You Want a Revolution Following the enormous, worldwide success of Sgt. Pepper's Lonely Hearts Club Band, The Beatles wouldn't have been faulted had they re-entered Abbey Road Studios and created another album of robustly melodic, lavishly orchestrated songs of whimsy and wonder. But Messrs. Lennon, McCartney, Harrison, and Starr weren't interested in repeating themselves. When The Beatles arrived on November 22, 1968, roughly one and one-half years after Pepper, one didn't even
Review: Bob Dylan, "More Blood, More Tracks: The Bootleg Series Vol. 14"
Bob Dylan began recording 1975's Blood on the Tracks in much the same manner he had begun 1962's Bob Dylan: inside the studio at 799 Seventh Avenue, New York City, alone at the microphone with just his guitar, a harmonica, and the song. In '62, the facility was Columbia Studio A, in '75 it was A&R Studios. In '62, John Hammond was the producer, in '75 Phil Ramone (the R in A&R) was manning the controls as engineer. Dylan, of course, was a much-changed man, but upon his return to
Review: "Stax '68: A Memphis Story"
Otis Redding's "Sittin' on the Dock of the Bay," the first Stax single of 1968, should have been a new beginning for the artist and label. Instead, the posthumous release ushered in a tumultuous year for the Memphis institution. The death of Redding and members of The Bar-Kays on December 10, 1967 was a tremendous loss for Stax and popular culture, but no one could have predicted the upheaval that would affect Stax and the city of Memphis in the following twelve months. That time has just
Review: Matthew Sweet, "100% Fun" From Intervention Records
This spring, Intervention Records announced a highly anticipated new endeavor: a series of Matthew Sweet SACD and 2-LP reissues, encompassing his entire recorded output from 1991-1995. The Second Disc was able to hear the two-disc vinyl configuration of the release that kicked off the series: an expanded edition of Sweet's 1995 album, 100% Fun. Originally released on the Zoo Entertainment label, the album has seen surprisingly few reissues over the years. Music On Vinyl released a
Contante & Sonante Celebrates Late Warren Wiebe with Rare Demos From Burt Bacharach, David Foster, More
Talk about a well-kept secret... Throughout his too-short life, vocalist Warren Wiebe (1953-1998) never became a household name. Yet he was highly successful. As a background singer, he graced recordings by Johnny Mathis, Paul Anka, Taylor Dayne, and Air Supply. A true songwriter's singer - able to convey the heart and soul of a song without resorting to self-indulgence - he earned the respect and admiration of a "Who's Who" of songwriters who enlisted him to introduce their songs on
Review: Vince Guaraldi, "The Complete Warner Bros.-Seven Arts Recordings"
For many listeners, Vince Guaraldi's legacy will forever be tied to the merry Yuletide melodies that he recorded on the landmark soundtrack album, A Charlie Brown Christmas. Though it arrived a decade into his recording career, the album solidified in the public consciousness Guaraldi's unique and playful piano style, the impact of which has endured for generations. Now, Omnivore Recordings puts the spotlight on another chapter of the pianist's career in a new 2-CD set called The Complete
Elvis Costello Deftly Blends Present and Past on "Look Now"
Among the credits for Elvis Costello and The Imposters' Look Now is a simple acknowledgment: In Memphis - Mary Isobel O'Brien. The onetime Ms. O'Brien, of course, is better known as Dusty Springfield, and the credit from Declan MacManus and his band makes clear the inspiration for this stunning assemblage of what the artist, correctly, deems "uptown pop." Dusty in Memphis is one of the benchmarks of that style: pop with a dash of soul, or is it soul with a dash of pop? It doesn't hurt that
Review: The Doors, "Waiting for the Sun: 50th Anniversary Edition"
Upon its release in July 1968, some might have found the title of The Doors' third album, Waiting for the Sun, to be ironic. After all, Jim Morrison, Robby Krieger, Ray Manzarek, and John Densmore, were hardly ever in pursuit of anything remotely sunny. But the album, with its rather bucolic cover shot, most certainly struck a chord with listeners in the year between The Summer of Love and Woodstock. Waiting for the Sun became the band's only No. 1 album, and included the No. 1 single "Hello,
Review: Electric Light Orchestra, "The U.K. Singles Volume One: 1972-1978"
The A-side of Electric Light Orchestra's first 45 had been originally written for The Move, but once it was recorded, it was clear to songwriter-producer Jeff Lynne and his co-producer and bandmate Roy Wood that "10538 Overture" was the sound of a different band altogether. Wood had overdubbed what he later remembered as a "cheap Chinese cello" onto the driving track which the two singers/multi-instrumentalists had created with the aid of Bill Hunt on French horn and Steve Woolam on violin.
Review: Ben Folds, "Brick: The Songs of Ben Folds 1994-2012"
Upon its release in August 1995, the eponymous debut of Ben Folds' quirkily-named trio sounded like nothing else you might have found in the racks of your local Tower, HMV, or Sam Goody. Filled with rich melodies, inescapable riffs, the most aggressive piano this side of Jerry Lee Lewis, and a youthful dose of attitude, Ben Folds Five channeled Todd Rundgren, Elton John, and Queen - with a dash of Randy Newman here and George Gershwin there. Now, more than 23 years later, the (sorta) angry
Review: Willie Nelson, "My Way"
Last week, Willie Nelson made headlines when he announced that he would be playing a concert in support of Texas' Democratic candidate for U.S. Senate, Beto O'Rourke. News outlets made much of the fact that some of the artist's conservative fans perceived a betrayal, but in truth, Nelson has always followed his heart and stayed true to his own convictions. He shared that in common with the late Frank Sinatra, his friend and onetime duet partner. The appropriately-titled My Way is a heartfelt
Gimme Something Real: Groove Line Celebrates Ashford and Simpson on New Anthology
Had Nickolas Ashford and Valerie Simpson written nothing but "Ain't No Mountain High Enough," the duo would have found their place in the musical pantheon assured. But the reality is that the husband-and-wife team also wrote such American pop standards as "Ain't Nothing Like the Real Thing," "Reach Out and Touch (Somebody's Hand)," "You're All I Need to Get By," "California Soul," and "Solid (As a Rock)." They were so prolific that even top-notch material was left on the shelf; Second Disc
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