There are certain albums a person returns to, over and over again. These albums often transcend time and genre, and chances are you can name a few of them that reside in your own music collection. I'm talking about that special album you might play when you're down, or when you just need a visit from an old friend to remind you of another time. At The Second Disc, we frequently strive to remind you of those albums. Through the years, one such record for me has been Paul Williams' Someday Man.
Review: Bruce Springsteen, "The Promise: The Darkness on the Edge of Town Story"
In 1978, Bruce Springsteen famously mined the darkness on the edge of town, but it was unknown until recently that he considered living in the light of those same New Jersey streets. Flush with the success of Born to Run but drained from a prolonged battle with his former manager, Springsteen considered all avenues in creating the follow-up to the album that changed everything. And much like the eventually-resulting Darkness on the Edge of Town upped the ante from that 1975 landmark, the
Review: The Stooges, "Have Some Fun: Live at Ungano's"
Perhaps more than any other band, you can learn a great deal about The Stooges without ever taking a really close listen to their music. For instance, when Raw Power, the band's final album before a lengthy split, was remastered and reissued in 1997, chaotic lead singer Iggy Pop personally remastered the album to be as unlistenable as possible. Volume levels were at a violent, threatening level - a potent reminder of the band's sonic death wish and Pop's iconic, self-destructive attitude. The
Review: The Apple Records Remasters, Part 5 - Apple, Collected and Boxed
In the final part of our Apple Records series, we open the import-only Apple Box Set and spin the label's first-ever "greatest hits" set. While the label only lasted a tumultuous seven years between 1968 and 1976, the legacy of Apple Records survives on today’s radio airwaves: “Those Were the Days.” “Day After Day.” “Come and Get It.” Notwithstanding The Beatles’ albums, both solo and as a group, that bore the famous label design, there was no shortage of great music emanating from the Savile
Review: The Apple Records Remasters, Part 4 - Harrison's Soulful Trio
In the penultimate installment of our weeklong series on the new Apple Records remasters, we listen to the label's three most soulful singers: Jackie Lomax, Doris Troy and Billy Preston, and along the way, encounter George Harrison, Paul McCartney, Ringo Starr and a number of their most famous friends! In yesterday’s installment, we looked at the less commercial side of Apple Records. Today, we turn the spotlight on four records that positively smoke, by three soulful troubadours. The funky
Review: The Apple Records Remasters, Part 3 - Esoteric to the Core
In Part 3 of our five-part Apple Records series, we look at a number of the non-rock recordings released under the Apple umbrella. As the home of Apple Records, 3 Savile Row, London, saw many of rock’s greatest musicians pass through its doors. But Ron Kass, the American expatriate headhunted from Liberty Records to be Apple’s first head, knew the importance of building a diverse catalogue across many genres. In its short years as an active label, Apple certainly took Kass’ belief to heart, and
Review: The Apple Records Remasters, Part 2 - Meet Mary and James
In Part 2 of our five-part series exploring the new Apple Records reissue campaign, we look at the folkier side of the label with Mary Hopkin and James Taylor. In Part 1, Badfinger had close encounters of The Beatles kind when both Paul McCartney and George Harrison lent their production expertise to the Apple Records band. McCartney made his other major contribution to Apple’s catalogue with the debut album of a winsome 18-year old Welsh songstress named Mary Hopkin. The Apple Records reissue
Review: The Apple Records Remasters, Part 1 - A Quartet by Badfinger
Welcome to Part 1 of a five-part series in which we’ll take an in-depth look at the recently-released Apple Records reissue campaign, comprised of 16 Apple albums recorded between 1968 and 1974 plus the first-ever label anthology. We’ll begin with the albums of Badfinger. It’s almost impossible to write about Badfinger without mentioning their mentors, employers, producers and influences, The Beatles. Signed in 1968 by the Apple label at the instigation of The Beatles’ confidante and “roadie,”
Review: Paul McCartney, "The Paul McCartney Archive Collection: Band on the Run"
In the promotional EPK created to kick off The Paul McCartney Archive Collection, the former Beatle reflects on the importance of giving value for the dollar when it comes to buying an album. With this dictum in mind, the team at Concord/Hear Music and McCartney’s company, MPL, created a multi-tiered program for the series’ kickoff release, a remastered edition of McCartney and Wings’ Band on the Run. It's available in multiple CD editions, a vinyl set and as high-resolution downloads. All are
Review: The Monkees, "Head: Deluxe Edition"
Once upon a time, the undisputed king of the box set was Rhino Records. The label gave us a brain in a box, an old phonograph to house the masterworks of Ray Charles, a crate of eight tracks to take us back to a more soulful time, and a hatbox filled with the most effervescent girl group sounds possible, just to name a few. (Shag carpets, coffee beans and a carrying case for 45s figured prominently in a few other such packages.) Of late, these lavish sets haven't appeared with great frequency; I
Review: Ravi Shankar and George Harrison, "Collaborations"
George Harrison…the Radical Beatle? While you’re unlikely to find that description in many Beatles reference books, it’s not all that far-fetched a description. Exhibit “A” might be the new box set released by Dark Horse and Rhino just in time for the gift-giving season. While it’s arrived somewhat under the radar compared to higher-profile sets from the McCartney and Lennon camps, the music found on George Harrison's collection of Collaborations with Ravi Shankar will sound far more radical to
Review: Bob Dylan, "The Bootleg Series Volume 9: The Witmark Demos"
Artie Mogull of Music Publishers' Holding Company believed he may have been among the first people in the music business to hear Bob Dylan sing "Blowin' in the Wind." Before his death in 2004, he recounted that he "flipped" upon hearing "How many ears must one man have before he can hear people cry?" It's not hard to see why. To a melody adapted from the spiritual "No More Auction Block for Me," Dylan succinctly, eloquently and powerfully gave lyrical voice to a generation of youth struggling
Review: Jimmy Webb, "Ten Easy Pieces Plus 4"
Often a reissue celebrates a classic album of years past. Through additional content, new remastering or expanded liner notes, the listener can put the original in perspective. It can be a reminder of just why we loved that album so much the first time around or take us to a special time in our own past. At other times, a reissue brings a forgotten album to light, revealing it as a lost treasure. Such is the case for Jimmy Webb's Ten Easy Pieces, now Plus 4 courtesy the fine folks at DRG
Review: David Bowie, "Station to Station" (2010)
There are box sets, and then there are box sets. EMI's hulking, monster of a box dedicated to David Bowie's 1976 Station to Station (EMI BOWSTSD2010) is one such box set. It's even more massive than The John Lennon Signature Box, itself a lavish and large affair containing 11 discs. The multi-disc box celebrating a single album isn't a new concept, although in the past such offerings were largely based upon session material. The format has proliferated in recent times as record labels have
Review: John Lennon, "Signature Box," "Double Fantasy: Stripped Down" and "Gimme Some Truth"
Lift the lid off the giant box set (and objet d'art) The John Lennon Signature Box (EMI/Capitol 50999 906509 2 5) and you'll see the word "YES" jumping out at you. YES is a good reaction to the thought of having (mostly) all of John Lennon's solo studio output available in one place, remastered largely by the same team responsible for last year's Beatles reissues, and accompanied by a hardcover book and art print. Is The John Lennon Signature Box, and its companion discs, an unqualified YES,
Review: "Curse of the Pink Panther: Original MGM Motion Picture Soundtrack"
Sometimes the most rewarding soundtrack releases are the least expected. 1983's Curse of the Pink Panther marked the end - well, for a decade, anyway - of Blake Edwards' long-running series of comedies which began with 1963's The Pink Panther. Edwards' seventh and eighth Panther films had been shot following the death of series star Peter Sellers, who proved to be irreplaceable as bumbling Inspector Jacques Clouseau. (A previous attempt to do Clouseau sans Sellers was 1968's Inspector Clouseau,
Review: Frank Sinatra, "September of My Years"
Frank Sinatra was always one to face the world head-on. So it was with his turning 50. The man who had pioneered the “concept album” with a string of themed records for Capitol began thinking of an LP that would allow him to plant his feet squarely in the present, 1965, and reflect with every ounce of experience he’d acquired in the many lives he’d led over a mere 50 years. The album that would become September of My Years began its life inspired by Kurt Weill and Maxwell Anderson’s “September
Review: Various Artists, "Book a Trip: The Psych Pop Sounds of Capitol Records"
In 1970, Griffin’s “Yours Till Forever,” written by a young songwriter named Kenny Nolan, skyrocketed to No. 1 on the Billboard pop singles chart. A band called The Exception, led by singer/bassist Peter Cetera, became one of the biggest acts of the decade and kicked off their international success with the horn-driven hit “My Mind Goes Traveling.” And, of course, the Lettermen, those pioneers of psychedelic pop, are still remembered for their ode to “Mr. Sun.” Okay, none of that really
Review: Danny Elfman, "Batman: Expanded Archival Collection"
It's a safe guess that your enjoyment of La La Land's new expansion of Danny Elfman's score to Batman (1989) (LLLCD 1140), like so many soundtracks, hinges on your enjoyment of the film itself. That sentiment, in turn, hinges on how much you can separate the idea of a fun movie from a good one. The blockbuster - drawn from the immortal DC Comics superhero - never falls short on action, thrills or compelling visuals. But it is too long and bloated, with thin characterization and a
Review: Harry Nilsson and John Stewart, "Spotlight on Nilsson/Willard"
Whenever the temptation exists to get depressed about the state of the catalogue business, a reissue comes along as a reminder of a couple things. One, that good things, indeed, do come to those who wait. Two, that sooner or later most everything will see the light of day. One such reissue arrived from DRG Records on June 29 to sadly little fanfare. This totally unexpected set joins albums by two disparate artists, yet stands as a cohesive and altogether rewarding listening experience. Harry
Review: "Promises, Promises: Original MGM Broadway Cast Recording"
The Fourth of July isn’t usually a holiday known for gifts. But your humble reviewer felt as if he got a gift, and what a gift!, on July 3 when Kritzerland’s limited edition deluxe 2-CD reissue of the original cast album of Promises, Promises (KR 20015-9) arrived in the mail. As a result, much of the weekend was spent listening to an album I’ve known for years, but hearing it as if for the first time. For background on this release, see The Second Disc’s post of June 14 and join us after
July 4th Special Review: Frank Sinatra, "America, I Hear You Singing"
“I hear America singing, the varied carols I hear,” Walt Whitman famously wrote in 1900. In early 1964, the country was still recovering from the assassination of President John F. Kennedy, and as in so many times of turmoil, artists stepped up to raise their voices in song and perhaps lend comfort and assurance. One such artist was Frank Sinatra. While his many other loves have been well-documented, love of country surely ranked high among them. A lifelong civil rights champion and proud
Review: John Fogerty, "Centerfield: 25th Anniversary"
John Fogerty can be called many things. Prolific, though, isn't one of them. Fogerty's 1985 Centerfield, originally issued on Warner Bros. Records, marked the former Creedence Clearwater Revival frontman's return to a prominent place in the rock pantheon after a near decade-long absence. After acrimoniously parting ways with his famous band, Fogerty recorded a collection of rootsy country covers (1973's The Blue Ridge Rangers) for CCR's longtime label, Fantasy Records. Yet Fogerty was locked in
Review: The Jackson 5, "Live at The Forum"
One of the oddest takeaways from watching Michael Jackson perform live was always the screaming. Watch almost anything Jackson ever commissioned for live release - snippets from Moonwalker, the Bucharest concert recorded during the Dangerous tour - and you'll see an increasingly disturbing parade of young people, sweating, screaming, crying, hyperventilating and fainting at the mere notion of a glance, point or step from the King of Pop - their king, their idol, an undying figure that law, fame
Review: Otis Redding, "Live on the Sunset Strip"
“Are you ready for star time?” Considering that the star in question was “the one and only, Volt recording star Otis Redding," the answer was bound to be in the affirmative. That was the introduction granted Redding by emcee Al Brisko Clark at West Hollywood’s Whisky A Go Go on the evenings of April 8, 9 and 10, 1966. The Whisky was the happening nightspot on the Sunset Strip in ’66, immortalized by Johnny Rivers on a 1964 LP and frequented by a who’s who of the Los Angeles music scene. (See