When it comes to Neil Diamond, I’m a believer. There’s not a trace of doubt in my mind that Diamond burst onto the scene at the right time – not necessarily the night time, though I, too, thank the lord for it. No, Diamond made a big noise in the corridors of Bang Records in the period between 1966 and 1968, an era when the music business was experiencing change more rapidly than anyone could have predicted. And it was far from predictable that the somber and intense young man pictured on…
Review: Jackie DeShannon and Doris Troy, Anthologized by Ace
It may have been sheer coincidence that Ace dropped I’ll Do Anything: The Doris Troy Anthology 1960-1996 and Jackie DeShannon’s Come and Get Me: The Complete Liberty and Imperial Singles Volume 2 on the same day. But different though these two singers may be, their similarities are striking. Both were pioneering female songwriters, with Troy penning her biggest hit, “Just One Look,” and DeShannon offering up the likes of “When You Walk in the Room” and “Put a Little Love in Your Heart.” Both had great success recording in England and both…
Masterworks Jazz Continues “Cool Revolution” with a Quartet from CTI
Chances are, if you think of a jazz artist, it wouldn’t take many degrees of separation to reach Creed Taylor. The esteemed producer began his career at Bethlehem Records overseeing a roster including Herbie Mann, Charles Mingus, Carmen McRae, J.J. Johnson and Kai Winding. In 1956, he departed Bethlehem for ABC-Paramount, where in 1960 he launched the Impulse! label with artists like Johnson, Winding, Ray Charles and John Coltrane. It was at Impulse! that Taylor came into his own, emphasizing that jazz and popular music could indeed co-exist and overlap, and seeing…
The Man Who Sang “Liberty Valance”: RPM Continues Gene Pitney Reissues
With one of the most resonant and recognizable voices in rock and roll, Gene Pitney (1940-2006) was the rare American talent to be able to withstand the British Invasion and continue to thrive. He collaborated with Phil Spector and The Rolling Stones, wrote hit songs for Roy Orbison, Bobby Vee, Ricky Nelson and the Crystals, and brought to life the songs of others, too. Among the recipients of the Pitney treatment were Burt Bacharach and Hal David, Carole King and Gerry Goffin, Barry Mann and Cynthia Weil and even (two-time Oscar winner)…
Angel Air Revisits a Series of Tommy James Classics
Shondells frontman Tommy James has been fairly well-represented on CD, with reissues from both Collectors’ Choice and Collectables compiling most of his classic oeuvre. Now, the U.K.’s Angel Air label takes its turn filling in more gaps in James’ catalogue with a trio of reissues. First up are a pair of two-fers, In Touch (1976) with Midnight Rider (1977), and Three Times in Love (1980) with Hi-Fi (1990), followed by an expanded edition of A Night in…Big City: An Audio Movie (1995). In Touch and Midnight Rider were recorded for San Francisco-based…
Reissue Theory: Bobby Darin, Compiled: “The Motown Years”
Welcome to another installment of Reissue Theory, where we reflect on great albums and the reissues they could someday see. At the time of his untimely death in 1973, Bobby Darin was signed to Motown Records, where he recorded one solo LP and enough material for a posthumous second LP. Despite their high quality, Darin’s Motown recordings have long been unavailable. Today’s Reissue Theory takes us back to 1970 and the final chapter in the life of the great Bobby Darin. Bobby Darin was so much more than just “Mack the Knife.”…
King, Taylor and Fellow “Troubadours” Arrive on DVD with Bonus CD
Morgan Neville’s 2010 film Troubadours: The Rise of the Singer-Songwriter is nothing if not ambitious. A participant in the Sundance U.S. Documentary Competition, Troubadours functions as a dual biography of Carole King and James Taylor, as well as the story of Doug Weston’s club on Los Angeles’ Santa Monica Boulevard that gave rise to King, Taylor and so many others. Their 2007 reunion and subsequent tour in 2010 provides the framework for the film. Yet moreover, it touches on the entire singer-songwriter ethos that rose out of the turbulent last days of…
More Gerhardt LPs Coming from Masterworks in March
In October, to the delight of film score fans everywhere, Sony Masterworks reissued a portion of the Classic Film Scores series, vintage RCA LPs of great soundtracks as recorded by Charles Gerhardt and The National Philharmonic Orchestra. In March, the second installment of the reissue series is happening, covering some of the greatest composers in motion picture history, including Hermann, Waxman, Korngold and Steiner. Masterworks’ reissue campaign, announced today, covers compilations devoted to soundtracks by Max Steiner, Erich Wolfgand Korngold, Franz Waxman, Bernard Hermann, Miklós Rózsa and David Raskin (the last of which…
How “Cool” Is New Dean Martin Box Set?
A preview of the upcoming double-disc box with book devoted to the King of Cool, Dean Martin, coming from Hip-O Records June 7.
When Matt Met Hoagy: Rare Monro LP Reissued in U.K.
The success story of Matt Monro is one unlike any other. The singer, born Terence Edward Parsons in London in 1930, had recorded for both Decca and Fontana, and sang regularly on the BBC, but the brass ring eluded him. Then, in 1960, EMI producer George Martin was seeking a voice to spoof Frank Sinatra’s on a Peter Sellers comedy album cheekily titled Songs for Swinging Sellers. Martin hired Matt Monro, and billed him under the very Sellers-esque pseudonym of “Fred Flange.” Well, the “Flange” recording of “You Keep Me Swingin’” was…
Reissue Theory: George Michael’s Different Corners
Welcome to another installment of Reissue Theory, where we reflect on well-known albums of the past and the reissues they could someday see. With the reissue of George Michael’s most flawless pop album, today’s installment takes you into the corners of the world pop music scene to prove how part of the musical culture he really was. The reissue of George Michael’s iconic Faith album has your humble catalogue correspondent excited. Really excited. So excited that today’s Reissue Theory talks about two albums from the same time period he managed to contribute…
Review: George Michael, “Faith: Legacy Edition”
It won’t make any sense in today’s media-saturated world, but in 1987 and 1988, George Michael was inescapable. The idea that one single artist could grab multiple genders, races, cliques and generations by the shoulders with his or her music is all but impossible today, but the man born Georgios Kyriacos Panayiotou did just that. Faith, released by Epic Records in the fall of 1987, put six tracks in Billboard‘s Top 5 (two-thirds of them No. 1 hits), netted him a Grammy Award for Album of the Year, sold in excess of…
Dionne, Natalie, Nancy Reissues Coming from Soulmusic Label
Cherry Red’s got soul. Mike and I reported last week on the impressive slate planned by Cherry Red’s Big Break Records label. A smaller yet equally rich line-up is on the way from another Cherry Red division, Soulmusic.com Records.On February 14 in the U.K. and one week later stateside, the label will reissue five classic albums from a trio of accomplished vocalists: Nancy Wilson, Dionne Warwick and Natalie Cole. Perhaps most exciting is the two-on-one CD release of Wilson’s 1974 Capitol LP All in Love is Fair and its follow-up, 1975’s Come Get to This….
Reissue Theory: Sammy Davis, Jr., Compiled: “Sammy in the Seventies”
Welcome to another installment of Reissue Theory, here we reflect on well-known albums of the past and the reissues they could someday see. Today, we look at a beloved American icon and one of the least anthologized periods of his lengthy career. There may be no figure in American popular culture more maligned in death than Sammy Davis, Jr. The image of the diminutive entertainer, clad in open shirts and bell-bottoms, wearing beads and gold chains, and with an ever-present cigarette dangling from his mouth has superseded that of the incendiary talent,…
Come and Get Them: Upcoming Releases Due from DeShannon, Nelson and More
Britain’s Ace family of labels is kicking off 2011 in a big way! Mike filled you in Tuesday about Kent’s upcoming I’ll Do Anything: The Doris Troy Anthology 1960-1996, and today we turn the spotlight on three more releases due in the U.K. on January 31. Jackie DeShannon remains one of the most beloved voices of the 1960s. DeShannon not only broke barriers as a rare female songwriter in an era when it simply wasn’t common, but she was equally comfortable in front of the microphone as a first-class interpreter of others’…
Doris Troy to Be Rediscovered on New Compilation
Interest in Doris Troy was piqued late last year, when her one LP for Apple Records was included in EMI’s series of Apple reissues. Now, U.K. label Kent is offering fans another step in discovering the “Just One Look” singer on CD: I’ll Do Anything: The Doris Troy Anthology 1960-1996. This heavily-packed single-disc anthology includes an equal amount of hits and rarities, from Troy’s early years as a little-known soul singer on many small labels, to her beloved time on Atlantic in the mid-’60s (with stints on Cameo-Parkway and Capitol), to her…
Gold Reissues Coming Soon for Collins, Taylor, Wonder
Audiophile specialist label Audio Fidelity has announced its initial trio of 24K Gold CD reissues for 2011, and it is comprised of three familiar names, all of whom have previously had titles reissued on the label: Phil Collins, James Taylor and Stevie Wonder. Already having tackled the gold CD of Collins’ 1981 solo debut Face Value, Steve Hoffman returns to remaster the artist’s 1985 breakthrough, No Jacket Required. Spawning four U.S. Top 10 singles, No Jacket Required was the former Genesis drummer’s third solo LP (Audio Fidelity has revealed no plans yet to…
A Spoonful of Reissues Across the Pond
U.K. label Edsel is prepping a series of expanded two-fer reissues of most of The Lovin’ Spoonful’s catalogue. The original group – singer/songwriter John Sebastian, guitarist Zal Yanovsky, bassist Steve Boone and drummer Joe Butler – emerged from New York City’s Greenwich Village neighborhood in the 1960s. In the middle of the decade, they rode a wave of success thanks to folk-pop tunes like “Do You Believe in Magic,” “Daydream,” “Did You Ever Have to Make Up Your Mind?” and the No. 1 hit “Summer in the City.” Their first seven singles…
Review: Paul Williams, “Someday Man: Deluxe Expanded Edition”
There are certain albums a person returns to, over and over again. These albums often transcend time and genre, and chances are you can name a few of them that reside in your own music collection. I’m talking about that special album you might play when you’re down, or when you just need a visit from an old friend to remind you of another time. At The Second Disc, we frequently strive to remind you of those albums. Through the years, one such record for me has been Paul Williams’ Someday Man. No matter…
Review: Bruce Springsteen, “The Promise: The Darkness on the Edge of Town Story”
In 1978, Bruce Springsteen famously mined the darkness on the edge of town, but it was unknown until recently that he considered living in the light of those same New Jersey streets. Flush with the success of Born to Run but drained from a prolonged battle with his former manager, Springsteen considered all avenues in creating the follow-up to the album that changed everything. And much like the eventually-resulting Darkness on the Edge of Town upped the ante from that 1975 landmark, the newly-released The Promise: The Darkness on the Edge of…
Stage and Screen: John Barry, Steve Lawrence Get Reissued
Kritzerland continues to mine the MGM/UA soundtrack library for its latest release, a two-for-one CD. The disc, a limited edition of 1,000, contains the score to Bryan Forbes’ 1967 thriller The Whisperers composed by the legendary John Barry as well as Richard Rodney Bennett’s score to Sidney Lumet’s 1977 adaptation of Peter Shaffer’s play Equus. (Barry’s very different score to The Deep has already enjoyed a terrific reissue earlier this year, courtesy our friends at Intrada, and it’s been mentioned over at the Film Score Monthly message board that a reissue is…
Review: Jimmy Webb, “Ten Easy Pieces Plus 4”
Often a reissue celebrates a classic album of years past. Through additional content, new remastering or expanded liner notes, the listener can put the original in perspective. It can be a reminder of just why we loved that album so much the first time around or take us to a special time in our own past. At other times, a reissue brings a forgotten album to light, revealing it as a lost treasure. Such is the case for Jimmy Webb’s Ten Easy Pieces, now Plus 4 courtesy the fine folks at DRG…
And They Just Can’t Hide It: Big Break Records to Reissue Two Pointer Sisters Classics
If you’re a reader of The Second Disc and you’re about to lose control, then we think you’ll like this story: Cherry Red’s Big Break imprint is reissuing two classic albums by The Pointer Sisters: Special Things (1980) and So Excited! (1982). The Pointer Sisters were instantly recognized as a unique R&B group with their self-titled debut LP in 1973. Their voices were strong and their style was distinctively retro, dealing heavily in jazz and be-bop. They even decked themselves out in costumes of the period, to boot. But by 1977, Bonnie…
Sixties Girl Bonanza: Complete Petula Confirmed, Plus Connie, Joanie, Shelby and Julie
I know a place where we can go to finally hear the complete Warner Bros. singles of one of the most acclaimed singers of all-time, Petula Clark. On July 26, The Second Disc reported on Collectors’ Choice’s complete singles collection for Clark’s swinging tenure on Warner. Well, that auspicious project has finally been confirmed, but Collectors’ Choice has sweetened the pot: also coming are Complete Warner Bros. Singles sets for fellow 1960s female icons Connie Stevens and Joanie Sommers, and a Complete Valiant Singles disc for a lesser-known but no less talented lady, Shelby…
Back Tracks: Laura Nyro
Laura Nyro (1947-1997) never became as famous as her songs. In an all-too-short 49 years, Nyro provided major hits for a diverse array of artists from Three Dog Night and Blood, Sweat & Tears to Barbra Streisand and most famously, The Fifth Dimension. Yet her own albums never achieved mainstream success, with audiences largely preferring to hear her compositions performed by others. (In this respect, she could be compared to her contemporary Jimmy Webb.) Perhaps this was just as well for the woman who matter-of-factly stated she was “not interested in conventional limitations.”…
