Odds and Ends Dept.: In the excitement over Big Break Records' recent quartet of titles from Philadelphia's Baker-Harris-Young production partnership, we temporarily overlooked three no-less-worthy, just-released reissues from the busy Cherry Red imprint: The Jazz Crusaders' Give Peace a Chance, Kleeer's Winners, and Inner Life's self-titled album. Prior to reinventing themselves as The Crusaders in 1971 and emphasizing a funkier electric style, Joe Sample (piano), Wilton Felder (saxophone),
Paul Allen and the Underthinkers' "Everywhere at Once" Welcomes Joe Walsh, Chrissie Hynde, Ann and Nancy Wilson, Derek Trucks
For years, Paul Allen has been leading a double life. By day, he's known as the co-founder of Microsoft, a company which needs no introduction. He currently heads Vulcan, Inc.; its holdings include Ticketmaster, the Seattle Seahawks and Portland Trailblazers. With an estimated net worth of $15 billion, Allen routinely ranks high on the Forbes 400, and his philanthropic activities add up to lifetime giving of over $1.5 billion. But that's only part of the story. Allen is also a lifetime
Review: Elvis Presley, "Elvis at Stax"
The distance from 3764 Elvis Presley Boulevard , or Graceland, to Stax Records' headquarters at 926 East McLemore Avenue is just a little over 5 miles. So when RCA Records came calling on the once and future King in mid-1973 to fulfill an obligation to record 24 songs (a 10-song album, four single sides, and a 10-song "religious album"), the studio founded by Jim Stewart and Estelle Axton seemed to be the perfect locale. Recording at home in Memphis had always brought something special to
Make Way For Dionne Warwick: 23 Scepter and Warner Bros. Albums To Be Remastered and Expanded [NOW WITH UPDATED TRACK LISTINGS]
UPDATE 8/6/13: WEA Japan's deluxe mini-LP editions of Dionne Warwick's Scepter and Warner catalogue have finally arrived, but many purchasers have been surprised to find numerous alterations in the albums' bonus material. Originally-listed bonus tracks have been added, dropped, and reshuffled between albums. By the numbers, there are 5 more bonus tracks than originally listed, but some songs are absent with others taking their place. Below, in BOLD, we'll let you know exactly what you'll
Pablo Records' 40th Celebrated with Duke Ellington, Oscar Peterson, Dizzy Gillespie, More
Concord Music Group’s Original Jazz Classics line recently celebrated the 60th anniversary of Orrin Keepnews and Bill Grauer’s famed Riverside Records label with five reissues from Bill Evans, Chet Baker, Wes Montgomery, Thelonious Monk and Gerry Mulligan, and Cannonball Adderley and Milt Jackson. (Expect a full review of all five titles soon!) On September 17, the OJC series will turn its attention to the 40th anniversary of jazz impresario Norman Granz’s Pablo Records with the reissue of
SoulMusic Records Is "Born to Love" With Reissues from Peabo and Roberta, Nancy Wilson and Tavares
With its latest batch of reissues, including titles from Peabo Bryson and Roberta Flack, Tavares, and Nancy Wilson, Cherry Red's SoulMusic Records imprint can truly be said to cover a wide swath of the soulful spectrum. Duets have long been staples of great R&B. Marvin Gaye and Tammi Terrell, Roberta Flack and Donny Hathaway, James Ingram and Patti Austin, and Otis Redding and Carla Thomas - just to name a few in the pantheon - all proved that "it takes two." (That title, in fact, gave
Geldof Goes "Back to Boomtown" with New Compilation
Before millions of children of the '80s knew Bob Geldof as the Irishman behind a wave of international charitable rock, including Band Aid and Live Aid, he made a name for his home country as a hub for rock with the punky band, The Boomtown Rats. More than 25 years after their last performance, The Boomtown Rats are reforming for a new album and tour - and they're starting things off with a new compilation in September.Led by the irascible, verbose Geldof, The Boomtown Rats - which featured
INTERVIEW: Excavating Jem with Marty Scott
The list of American cities tied to record labels is small, but certainly notable. Memphis has Stax and Sun, Detroit is defined by Motown, Sub Pop defined the Seattle sound...and then there's Jem Records, which made its home in the middle-class borough of South Plainfield, New Jersey. Jem, as well as its sub-labels like Passport (a joint venture with Seymour Stein of Sire Records) and PVC, became something of a cratedigger's dream in the 1970s and 1980s, licensing content from all over the
"Preminger At Fox" Salutes Director's Hollywood Film Noir Music
During Otto Preminger’s long and distinguished career, the director tackled virtually every genre of film: drama, thriller, musical, even absurdist comedy. For the musicals, Preminger had scores by George and Ira Gershwin and DuBose Heyward (Porgy and Bess) and Oscar Hammerstein II and 19th century composer Georges Bizet (Carmen Jones). His non-musical films also featured scores by illustrious talents, including David Raksin, Elmer Bernstein, Duke Ellington, and even Harry Nilsson! A number
Special Weekend Reissue Theory: Madonna, "Madonna: 30th Anniversary Edition"
Welcome to another installment of Reissue Theory, where we reflect on notable records and the reissues they could someday see. It's been three decades since one of the most popular and influential performers of the last 50 years released her first full-length album, and a new deluxe edition is long overdue. Here's a look back at the first album by Madonna. If you'll pardon the anachronism, it wouldn't have been unforgivable to look at Gary Heery's photograph for the cover of Madonna's first
Review: Otis Redding, "The Complete Stax/Volt Singles Collection"
Otis Redding was just 21 years of age when Volt Records issued his first single for the label, “These Arms of Mine” b/w “Hey Hey Baby,” in October 1962. The latter is a solid if unremarkable riff on rockabilly (“Hey, hey, pretty baby/Baby, you sure is fine...Every time I look at you/You drive me out of my mind!”) but the torrid, smoldering A-side reveals a singer-songwriter far older than his years. Otis Redding couldn’t have known then that he was living on borrowed time; he would, in fact,
Little River Band Is "Reminiscing" With New Reissues Of Four Classic Albums
Friday night I was late, I was walking you home, we got down to the gate, and I was dreaming of the night…would it turn out right? With those conversational lyrics to the song “Reminiscing,” The Little River Band finally saw their commercial breakthrough in 1978. The catchy, soft-rock track came from the Australian group’s fourth album, Sleeper Catcher; largely on the strength of the single, it also became the LRB’s first U.S. platinum selling LP. Cherry Red’s recent Lemon label is hoping
Review: The Buckaroos, "Play Buck and Merle" and Don Rich, "That Fiddlin' Man"
“Who’s going to want to listen to the band with Don [Rich] playing the melody line to the song, when you could hear Buck [Owens] doing the real deal?” queried drummer Willie Cantu of The Buckaroos when called upon to record 1965’s all-instrumental The Buck Owens Song Book. Capitol Records surely thought there would be an audience for the LP, proclaiming on its back cover that “you too can sing Buck’s country-western songs to the rousing, rhythmic playing of his buddy Don Rich and The
It's a Real Gone September with Jefferson Starship, The Paley Brothers, Joanie Sommers and More
While we await previously announced titles coming later this month from Dionne Warwick, Marilyn McCoo and Billy Davis, Jr., P-Funk offshoot Parlet and more, Real Gone Music is already looking forward to summer's end with a new release slate due on September 3. Real Gone is making a couple of very contemporary connections with releases from Claudia Lennear and Ponderosa Twins Plus One. Lennear, a longtime background singer, recently stepped to the fore as one of the artists featured in
No. 1 with a Bullet: Boston Hardcore Band Anthologized with New Digital Compilation
The world of rock and roll is littered with captivating tales of what-ifs and alternate routes that pushed a musician in one direction instead of another. One such captivating story of late is that of Jason Everman, a seemingly unassuming Army Ranger today who at one point was a member of the Seattle grunge scene, playing in both Nirvana and Soundgarden before both rocketed to success in 1991. What's particularly interesting about that New York Times piece on Everman, other than its subject, is
Hallejulah! It's (Still) Raining Men with The Weather Girls' Deluxe Reissue
Everything about The Weather Girls’ debut album, Success, was big. The 1983 LP was the brainchild of producer/songwriter Paul Jabara, who modestly noted on the LP’s back cover, “After working with Barbra, Donna and Diana – I began to get spoiled – I felt I could only work with ‘giants in the industry!’ I think I found them!” And so the “Last Dance” and “No More Tears (Enough is Enough)” auteur turned his attention to Two Tons o’ Fun. Izora Rhodes Armstead and Martha Wash had toured with the
Release Round-Up Special: James Taylor, CSN, "Blade Runner" Released by Audio Fidelity
In lieu of a standard Release Round-Up this week, here's a look at the major three titles that are out today: the latest gold discs and SACDs from Audio Fidelity. The titles released today are Crosby, Stills & Nash's CSN, James Taylor's Gorilla and Vangelis' soundtrack album to Blade Runner. The third studio album by the folk-rock supergroup Crosby, Stills and Nash, released in 1977, is crucially different from the ones before - this time, there's no contribution from Neil Young. (Young
There's "A Place in the Sun": Classic Hollywood Score Receives World Premiere Release
1951’s six-time Oscar winner A Place in the Sun wasn’t Hollywood’s first adaptation of Theodore Dreiser’s 1925 novel An American Tragedy. The very first film version of the haunting novel came from Paramount Pictures and director Josef von Sternberg in 1931. But the 1951 motion picture – starring Montgomery Clift, Elizabeth Taylor and Shelley Winters, directed by George Stevens – is the one most remembered by generations transfixed by Dreiser’s sad tale of desperation and ill-fated romance.
Mary Wells, Ben E. King, Johnnie Taylor Join Kent's Celebration of "The Phillip Mitchell Songbook"
“Prince” Phillip Mitchell is in some mighty good company. The Kentucky-born singer and songwriter, who rose to prominence composing songs for deeply soulful artists including Millie Jackson and Bobby Womack, is the latest to receive a career retrospective from Ace Records’ Songwriters and Producers series. With the Ace/Kent release of Something New to Do: The Phillip Mitchell Songbook (CDKEND 394), he joins such illustrious talents as Dan Penn, Burt Bacharach, Randy Newman, Jerry Leiber and
Review: Hackamore Brick, "One Kiss Leads to Another"
For the title of their 1970 album on the Kama Sutra label, the members of Hackamore Brick opined that One Kiss Leads to Another. One album clearly didn’t lead to another, though, as the four-man Brooklyn band didn’t release more music until 2009 – and even then, with only two of the founding members. Yet Hackamore Brick’s one and only record has grown in stature over the years, well-regarded in cult circles for its proto-punk, Velvet Underground-like mood. Real Gone has just reissued One Kiss
"You Came," You Saw, You Conquered: Universal U.K. Gets "Close" to Kim Wilde Classic for Its 25th Anniversary
Universal's U.K. arm will expand Kim Wilde's Close (1988) for its 25th anniversary with a two-disc set full of rare and unreleased remixes on September 2. Wilde's sixth album was her biggest success to date, a U.K. Top 10 album with four huge hits to its name in "Hey Mister Heartache" and Top 10 singles "You Came," "Never Trust a Stranger" and "Four Letter Word." (The record was a Top 20 album in the U.S., though only "You Came" charted Stateside, landing at No. 41.) Close remains one of
Lookin' for a Love: Bobby Womack's Singles Compiled on New 2CD Set
Often unfairly slighted in the pantheon of great soul musicians in the 1970s, a new U.K. compilation gives Bobby Womack his due, anthologizing every one of his single sides from the first nine years of his solo career. Womack and his brothers, Friendly, Curtis, Harry and Cecil, started from the small clubs of Cleveland before being discovered by Sam Cooke, who signed them to his SAR label. The classic "Lookin' for a Love," which he produced, earned them a spot on James Brown's tour; a
Heart and Salsoul: BBR Reissues First Choice, Loleatta Holloway, Baker-Harris-Young and Love Committee
One could call bassist Ronnie Baker, guitarist Norman Harris and drummer Earl Young unsung heroes, but it’s not quite accurate to describe the triumvirate of musicians, songwriters, producers and arrangers as unsung. Individually or collectively, Baker, Harris and Young helmed productions by Blue Magic, The Trammps, First Choice, Ben E. King, Eddie Kendricks, The Whispers, The Persuaders, and so many more. As part of its ongoing series restoring the Salsoul Records catalogue to R&B
Review: Merry Clayton, "The Best of Merry Clayton"
Say “yes” to Merry Clayton! It takes a certain kind of talent to exercise restraint, to be able to generously support another artist while maintaining your own high standard of art, expression and individuality. That’s the story of the background singer, and the story told by director Morgan Neville in his new film 20 Feet from Stardom. Merry Clayton is seen in the film, both savoring and gently ribbing her role as the “diva” of the background singing clique – as the “lead background singer,”
Have a Cuppa "Muswell Hillbillies": Deluxe Reissue of Kinks Klassic Slated for October
For The Kinks’ first album with RCA Records, Ray Davies didn’t stray too far from the style which he had perfected. Muswell Hillbillies, the band’s ninth studio album, was named after Muswell Hill, the area of North London that Davies and brother Dave once called home. Like The Kinks’ classic Village Green Preservation Society before it, Muswell concerned itself with themes relevant to British life, wryly addressing working-class conditions and the changes affecting the populace. Sanctuary
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