A look at the intense visage of Ruthann Friedman on the cover photograph of Now Sounds’ Windy: A Ruthann Friedman Songbook reveals those “stormy eyes that flash at the sound of lies,” but a listen to the sounds within shows the artist spreading her “wings to fly above the clouds.” For here is an entire disc’s worth of never-before-heard pop nuggets, crafted with a delicacy and beauty to match that photo. Windy, of course, is so named, of course, for The Association’s 1967 No. 1 hit penned by
Numero Group Uncovers The Pioneering Electronic Soundscapes of Iasos' "Celestial Soul Portrait"
The expert crate-diggers at Numero Group have recently offered up one of its most adventurous releases – the Celestial Soul of the single-named musician Iasos (pronounced ya' sos). Before the genres of ambient and New Age were classified as such, the Greek-born musician was experimenting with electronic instruments to create the “Paradise Music” now being reissued by Numero in the anthology Celestial Soul Portrait. Born in Greece in 1947 but a U.S. resident since 1951, Iasos moved to
Gimme Some Lovin': Cherry Red Distills Spencer Davis Group's Live, Studio Tracks on "Keep On Running"
Between 1964 and 1968, Birmingham’s Spencer Davis Group charted seven U.K. Top 40 hits (including two No. 1s) and two in the U.S. Top 10. Although the R&B band was short-lived, songs like “Gimme Some Lovin’,” “Keep On Running” and “I’m a Man” remain classic rock staples today. A collection of odds and ends has just been released by Cherry Red Records as part of its PressPlay series. The label describes the PressPlay initiative as offering “the perfect introduction to the music of its most
Set The Controls For The Heart Of The Sun: Red Temple Spirits' Post-Punk Albums Return To CD
Words like “unique” and “singular” are thrown around far too often, but they truly apply to the Red Temple Spirits. The Los Angeles quartet, described in 1989 by one pundit as “enigmatic,” recorded two albums in the waning days of the 1980s, Dancing to Restore an Eclipsed Moon and If Tomorrow I Were Leaving for Lhasa, I Wouldn’t Stay a Minute More... The post-punk group toured in 1990, and even gained airplay on MTV, but before 1992 was out, Red Temple Spirits had gone quietly into the night.
Phyllis Hyman's "Goddess of Love" Is Revisited By SoulMusic Records
Phyllis Hyman sure looked like a Goddess of Love on the cover of her 1983 album of the same name. Now, the striking and statuesque former fashion model’s fourth and final album for Arista Records is back. It's just been reissued by Cherry Red’s SoulMusic imprint in an expanded edition that boasts two more tracks than Reel Music’s 2010 release. In a quest to find Hyman a degree of commercial success commensurate with her great talent, Clive Davis paired her with different producers for each
Review: "Woody Guthrie at 100! Live at the Kennedy Center"
The new CD/DVD set is entitled Woody Guthrie at 100! Live at the Kennedy Center, but in fact, Woody never made it past 55. This document of an altogether lively concert program from a wide assortment of admirers proves, however, that his music has not only lasted ‘til 100, but will likely survive us all. This is a celebration, yes, but a celebration with a conscience. A strong thread of morality and social awareness ran through all of Guthrie’s songs, as he believed music could make a
Reviews: Eddy Arnold, "Complete No. 1 Hits" and David Allan Coe, "Texas Moon"
When 1965’s “Make the World Go Away” entered the Pop Top 10, it was unusual, even for those heady days of pop diversity. The singer, Eddy Arnold, had first signed to RCA Victor in 1943. The Musicians’ Union’s strike prohibited the young vocalist from recording until it was settled in December, 1944, but when Arnold finally entered WSM’s radio studios to record four songs, he was making history. His session was the first for a major label to be held in Nashville, Tennessee. His star was soon
Review: Burt Bacharach, "Anyone Who Had a Heart: The Art of the Songwriter" Box Set
Time stands still for Burt Bacharach. Rumer’s 2010 single “Some Lovers,” from Bacharach and Steven Sater’s musical of the same name, is the most recent track on Universal U.K.’s new box set Anyone Who Had a Heart: The Art of the Songwriter. Yet 2010 melts into 1965 like a ray of sunshine on the “cloudy Christmas morning” in the song lyric. Sleigh bells gently underscore wistful flugelhorns as it begins, with Rumer’s dreamy, comforting vocals gracefully gliding over the bittersweet melody.
Yowsah, Yowsah, Yowsah! Rhino U.K. Keeps CHIC Fans "Up All Night" with New Two-Disc Compilation
With CHIC co-founder/co-producer/guitarist Nile Rodgers back in the musical spotlight where he belongs - his distinctive funk guitar anchors Daft Punk's chart-topping single "Get Lucky," the arguable song of the summer - Rhino's U.K. arm has done well to introduce another CHIC-oriented compilation to stores. Up All Night: The Greatest Hits (cheekily named after a lyric in "Get Lucky") is more than just a set of tracks by the immortal disco band. Sixteen of the album's 25 tracks are classics
Gene Pitney Is "Looking Through the Eyes of Love" On New RPM Two-Fers
After a long hiatus, Cherry Red's RPM label is continuing its series of reissues dedicated to the late Gene Pitney ("Twenty Four Hours from Tulsa," "Town Without Pity," "The Man Who Shot Liberty Valance"). The singer's long out-of-print albums for Aaron Schroeder's Musicor label were reissued on CD in a series of two-fers by Sequel Records in the late 1990s, but upon their deletion from the catalogue, they began commanding high prices on the second-hand market. Since then, the Pitney
What Goes Up: Blood, Sweat & Tears' "Rare, Rarer & Rarest" Tracks Come To CD
What goes up must come down. So sang David Clayton-Thomas in the opening line of his Grammy-winning song "Spinning Wheel," which became a No. 2 Pop/No. 1 AC in 1969 for Blood, Sweat & Tears. And so went the fortunes of the jazz-rock band itself. The band's signature rock-with-horns style was soon eclipsed by that of Chicago (Transit Authority), who shared a producer in James William Guercio. But when BS&T was hot, few bands were hotter. Wounded Bird Records is revisiting the
Don't Walk On By: Dionne Warwick's "Unissued Warner Bros. Masters" Joins "The Complete Warner Bros. Singles" On CD
When Dionne Warwick signed on the dotted line with Warner Bros. Records, the possibilities must have seemed endless. The singer had embraced change, after all. A new decade was in its infancy. She had traded a feisty New York independent (Scepter) for a Burbank giant. She had even added an "e" to her surname on the advice of an astrologer. And although the exact amount wasn't disclosed, Warwick had reportedly signed the biggest deal ever for a female vocalist. What didn't change, at least
Review: A Trio from Townes Van Zandt
Steve Earle once famously wrote, “Townes Van Zandt is the best songwriter in the whole world,” adding for good measure, “and I’ll stand on Bob Dylan’s coffee table in my cowboy boots and say that.” Earle later backtracked on his statement, answering in the negative whether he really believed Van Zandt was Dylan’s superior. Van Zandt was also embarrassed by the fulsome praise (“I’ve met Bob Dylan’s bodyguards and if Steve thinks he can stand on Bob Dylan’s coffee table, he’s sadly mistaken!”) but
A Paramount Package: Three Vintage Franz Waxman Scores Premiere On New Release
Long before Andrew Lloyd Webber set Sunset Boulevard to music, Franz Waxman was Norma Desmond’s composer of choice, having created the score to the original Paramount picture. But Sunset wasn’t Waxman’s only Paramount film. Nor was it his only collaboration with legendary director and screenwriter Billy Wilder. Waxman’s scores for the studio are among his most renowned works – think of A Place in the Sun, Come Back, Little Sheba or Rear Window, to name three. The Kritzerland label, already
The Roots of Philadelphia International: BBR Reissues O'Jays, MFSB Classics
Though London, England is some 3,500 miles away from Philadelphia, Pennsylvania in the United States, the spirit of the City of Brotherly Love is alive and well thanks to Cherry Red’s Big Break Records label. Two more remarkable artifacts from Kenneth Gamble and Leon Huff’s Philadelphia International empire have recently arrived from BBR, and though both titles have previously been available on CD, these new reissues are their best representations in the format yet. Fans who only know The
She's Got The Beat: Belinda Carlisle's Deluxe 2-CD/1-DVD Reissues Due in August (UPDATED WITH TRACK LISTINGS)
The Tabu catalogue isn't the only major acquisition of late for the Demon Music Group. Back in March, Demon - home to labels including Edsel, Harmless and Music Club Deluxe - announced that a deal had been struck for much of the solo catalogue of onetime Go-Go Belinda Carlisle. Ooh, baby, do you know what that's worth? Demon picked up rights to four of Carlisle's studio albums, the rights to which had previously resided with Virgin (part of the former EMI). Demon's agreement covers the
Sandie Shaw Reissues Are At Your Feet from Salvo (UPDATED 6/3)
UPDATE (6/3): Available today, Salvo has expanded and reissued three more Sandie Shaw LPs. They are 1968's The Sandie Shaw Supplement, featuring covers of The Rolling Stones ("(I Can't Get No) Satisfaction") and Simon & Garfunkel ("Scarborough Fair"); the self-produced cult hit Reviewing the Situation (1969) and 1988's Hello Angel, her first LP for Rough Trade and featuring a heap of single-only material with labelmates and fans The Smiths. ORIGINAL POST (4/8/2013): British pop chanteuse
What's It All About: Burt Bacharach Celebrated On PBS, Lost Song Included on "Dionne Warwick Sings Burt Bacharach"
The first voice you’ll hear on My Music: Burt Bacharach’s Best, now airing on PBS stations nationwide, is that of The Maestro himself. “What’s it all about, Alfie?,” he sings in his familiar, quavering tone, finding the fragility in the Hal David lyric that he calls his favorite. Then comes “What the World Needs Now is Love,” sung by its composer with an assist from that International Man of Mystery, Austin Powers (Mike Myers). It’s appropriate that the solo Bacharach introduces this
Resistance is Futile: Iconic "Star Trek: TNG" Episode Gets Expanded Score Release
[youtube=http://www.youtube.com/watch?v=kh9GDlGZm7Y] "I am Locutus of Borg. Resistance is futile. Your life, as it has been, is over. From this time forward, you will service us." Fewer words sent a chill down the spine of millions of Trekkies on the night of June 18, 1990, toward the conclusion of "The Best of Both Worlds, Part I," the third season finale of Star Trek: The Next Generation. Not since James T. Kirk engaged Khan Noonien Singh in the Mutara Nebula in 1982's Star Trek II: The Wrath
It's a Family Affair: Sly and the Family Stone Want to Take You "Higher!" With New Career-Spanning Box Set
Epic Records and Legacy Recordings want you to have some hot fun in the summertime. On August 27, the labels will release the first-ever career-spanning box set dedicated to Sly and the Family Stone, as previewed on Record Store Day 2013. The box succinctly entitled Higher! wants to take you there. 77 tracks chronicle the period between 1964 and 1977, and 17 of those recordings are previously unissued. Sly Stone, born Sylvester Stewart in 1943, couldn’t hide his prodigious musical talents
Review: Tabu Wave 2 - Alexander O'Neal, Cherrelle, Kathy Mathis and The S.O.S. Band
The earth has music for those who listen, proclaimed Clarence Avant's Tabu Records label. A major force in contemporary R&B from the late 1970s through the 1990s, Tabu followed in the footsteps of other black-owned, independent music empires as Berry Gordy's Motown and Kenny Gamble and Leon Huff's Philadelphia International. While Tabu never achieved the same level of crossover success as those aforementioned labels, it indeed picked up the torch of "The Sound of Young America," and its
Review: Tony Bennett and Dave Brubeck, "Bennett/Brubeck: The White House Sessions, Live 1962"
It was a Tuesday afternoon in Camelot when giants met. These giants weren’t the types who resided in the clouds atop beanstalks, of course. These were giants of a decidedly more earthy variety. It was at the behest of John F. Kennedy’s White House that Tony Bennett and Dave Brubeck came together. On August 28, 1962, they shared a bill at the base of the Washington Monument as a parting gift to an audience of college-age interns who had served that summer in the nation’s capital. Following
Here's Your Chance: Philly Soul Legends, Deep Soul Grooves Comprise BBR's Next Release Slate
From the streets of Philadelphia to the deepest vaults of soul and R&B, this coming week's slate of reissues from Big Break Records has got just about something for everyone. Enchantment, the Detroit soul group behind 1978's hit "It's You That I Need," would make some changes in the '80s, having moved labels a few times (from Roadshow/United Artists to RCA and finally Columbia for two albums) and also subtly altering their sound from a lush, disco feel to a Fairlight-led modern groove.
From Small Things (Big Things One Day Come): Three Soundtracks by Michael Small Are Collected On A New 2-CD Set
Kritzerland offered a Memorial Day surprise yesterday when the label announced its latest release, a three-for-the-price-of-one soundtrack special from composer Michael Small. Small (1939-2003) was a major voice of 1970s film scoring, with such films as Klute, The Parallax View, Marathon Man and The China Syndrome under his belt. A favorite of such acclaimed directors as Alan J. Pakula and Bob Rafelson, he continued to be a major presence in Hollywood writing for both television (Alex Haley’s
Review: The Four Tops/Martha Reeves & The Vandellas, “50th Anniversary: The Singles Collection” – Part 2: Martha Reeves & The Vandellas
Were there a time capsule emblazoned with the word “MOTOWN,” meant to convey the sound and style of the once-and-always Sound of Young America to future generations, its central artifact just might be Gordy single G-7033, from 1964. Sure, The Supremes might have had more success, and The Temptations and The Four Tops might have had more endurance. But the ultimate Motor City anthem could very well be “Dancing in the Streets,” performed by Martha Reeves and the Vandellas. And that’s just one
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