Argentinian composer Lalo Schifrin has never been one to be boxed into any single genre. He created one of the most memorable television themes of all time with his “Mission: Impossible,” recorded jazz albums for labels like Verve and Creed Taylor’s CTI, and scored innumerable films, racking up six Oscar nominations in the process. Now, after the recent release by Quartet Records of Schifrin’s score to Pussycat, Pussycat, I Love You, another one of living legend Schifrin’s most unknown scores
Release Round-Up: Week of June 7
Marvin Gaye, What's Going On: 40th Anniversary Edition (Motown/UMe) Two CDs feature the original album and a host of rarities, single mixes, and all the best outtakes leading up to the making of this R&B classic (almost a dozen of which are unreleased). The deluxe package is rounded out by the great Detroit mix of the album on vinyl. (Check out our interview with Harry Weinger on the set!) (Amazon) Paul Simon, Paul Simon / There Goes Rhymin' Simon / In Concert: Live Rhymin' / Still Crazy
Release Round-Up: Week of May 17
Queen, Queen / Queen II / Sheer Heart Attack / A Night at the Opera / A Day at the Races: Deluxe Editions (Hollywood) No, you're not seeing double. The first batch of 40th anniversary Queen expanded editions, available in the U.K. since March, make their stateside debuts. There's an Amazon-exclusive box with all of them included, too. Dear readers: any big box retailers carrying these? The only one I imagine that is would be Best Buy. (Official site) The Go-Go's, Beauty and the Beat: 30th
Cash, Perkins, Lewis and...The Chipmunks? Ace Revisits 1958 On "The London American Label"
After a terrifically eclectic volume dedicated to the hits, misses and everything in between of 1963, Ace’s London American Label turns the clock back to the early days of rock and roll via the pioneering British imprint. The London American Label: 1958, the sixth volume of the series, similarly offers something for everyone. Unlike so many other British labels mining this period thanks to public domain law, Ace licenses each and every track from the current copyright owners and remasters them
Superman and Green Lantern Still Ain't Got Nothin' On Him: Donovan Preps Expanded "Sunshine Superman"
It wasn’t easy for Donovan (real name: Donovan Philips Leitch) to shake the early accusation that he was merely a Scottish-born clone of Bob Dylan. Surely songs like 1965’s “Catch the Wind” did nothing to dispel the myth. Donovan himself acknowledged the debt in 2001, confessing “I sounded like him for five minutes” while pointing out the musical heroes referenced by both artists. But any Dylan comparisons were passé by the time Donovan released Sunshine Superman, one of the first truly
Back Tracks, In Memoriam: The Musical Legacy of Arthur Laurents
The late Arthur Laurents wrote many of the most beloved musicals and films in entertainment history including West Side Story, Gypsy, The Way We Were and Alfred Hitchcock’s Rope. He passed away on May 5, but today’s special Back Tracks celebrates this great writer’s legacy in music. “If you have a good strong finish, they’ll forgive anything!” So implores stage mother Madame Rose to her daughter Louise, the future Gypsy Rose Lee, in the 1959 musical Gypsy. Rose’s bon mot was one of many
Stage and Screen Classics, Reissued: "Until September" and "Camelot"
If there’s a link between Kritzerland’s two new releases, it would have to be melody. I’m speaking of sheer, unadulterated, romantic melody, courtesy of two of music’s finest purveyors of such themes: John Barry and Frederick Loewe. This morning, the stage and screen specialists announced two limited edition titles of 1,000, and both are notable, indeed. From Mr. Barry comes the 1984 score to Until September, while Mr. Loewe is represented by the first-ever CD release of the 1964 Original
Reissue Theory: Majosha, "Shut Up and Listen to Majosha"
Welcome to another installment of Reissue Theory, where we reflect on notable albums and the reissues they could someday see. As a modern-day piano man starts digging through the archives, we take a look at one of his steps on the path to critical acclaim. Exciting news seems to be developing for fans of singer/songwriter/pianist Ben Folds: he recently tweeted a picture taken at his Nashville home of what appears to be the beginning of some research for an archival project. Folds' wife, Fleur,
In Case You Missed Them: Soundtrack Smashes from La-La Land, FSM
Our apologies for not getting these titles to you earlier, but there's been a lot of action on the indie soundtrack label front, with two titles announced by Film Score Monthly late last week and three from La-La Land that went on sale yesterday and are selling briskly. Over at FSM, the label released Friday a short but powerful score to the film Testament, a 1983 drama featuring Jane Alexander as a mother coping with the fallout from a nuclear blast outside their California suburb. The
Back Tracks: The Shirelles on Scepter
Diana Ross, Martha Reeves and Mary Weiss – and even Joan Jett, Victoria Beckham and Nicole Scherzinger – all owe a debt to Shirley Owens, Doris Coley, Addie Harris and Beverly Lee. That quartet doesn’t have the name recognition of those that followed them, but those four young women from Passaic, New Jersey ignited the girl group phenomenon when they joined forces as The Poquellos, soon to be renamed The Shirelles. Were The Shirelles the first girl group? Probably not. Were they the first to
Back Tracks: Nirvana
Seventeen years ago today, Generation X lost an icon when Kurt Cobain, the talented, troubled frontman for Nirvana, took his own life in his Seattle home. Nirvana were three albums into their career, but had already redefined music for an entire cachet of disaffected youth. The genre that came to be known as grunge music, based on frequently alternating dynamics, heavy distortion and angst-filled lyrics, was forged largely under the songwriting tactics of Cobain, who very reluctantly accepted
Intrada Premieres Classic Film Soundtracks from Friedhofer, Newman, Small
Fans of Hugo Friedhofer and Alfred Newman have had much to applaud lately, thanks to Kritzerland’s recent reissues of Friedhofer’s One Eyed Jacks and Newman’s The Counterfeit Traitor. Our friends at Intrada last night delivered more for fans of those Golden Age titans with the release of the scores to Two Flags West (1950) and North to Alaska (1960) on one CD; Friedhofer composed the former while Alfred Newman conducted. For the latter, Alfred’s brother Lionel handled scoring duties and also
Review: Aretha Franklin, "Take a Look: Aretha Franklin Complete on Columbia"
Some legends are repeated so often that they’ve come to be accepted as the truth. One such legend has it that the suits at Columbia Records, circa 1960-1965, were a chain of fools who kept Aretha Franklin from reaching her potential. After all, the record states that one year and one record after being released from Columbia, a superstar was born. But what if that notion was completely incorrect, and Aretha Franklin’s talent was already fully formed and on display at Columbia? Listen to the
Reissue Theory: Aretha Franklin, "Sweet Passion: The Lost Atlantic Years"
Welcome to another installment of Reissue Theory, where we reflect on great albums and the reissues they could someday see. Aretha Franklin began her groundbreaking stint at Atlantic Records in 1967 and it wasn’t long before a legendary star was in the ascendant. Yet the final chapter of Aretha’s Atlantic story has been all but forgotten. Today’s Reissue Theory takes us back to 1974 as we revisit the “lost albums” of Aretha Franklin. There are plenty of adjectives that can be used to describe
Verve Throws a 50th Anniversary "Celebration" for Sergio Mendes
This year, Sergio Mendes celebrates his 50th year as a recording artist. The Brazilian musician is most closely identified with the romantic sounds of bossa nova, though his career has been an eclectic one. His latest recordings have embraced hip-hop sounds in collaboration with The Black Eyed Peas, Justin Timberlake, John Legend and India.Arie, while he did much to define the classic sound of A&M Records in the 1960s, a blend of bossa nova, jazz and soft pop (think: Herb Alpert and The
Reissue Theory: Elton John, "To Be Continued...1992-2010"
Welcome to another installment of Reissue Theory, where we reflect on notable albums and the reissues they may some day see. It's been over two decades since Elton John released his career-spanning To Be Continued... box set, and so much has happened with his career since then. How do you cover such ground? Simple - make another one! It’s only appropriate that Elton John titled his 1992 album The One. It was a major first for the superstar: his first album recorded in all too many years without
This Was the Sea: Waterboys to Release Vintage Demos
Here's another something we can share that Slicing Up Eyeballs expertly bought to our attention: a collection of demos from Scottish rock group The Waterboys. Considered the early forbearers of the "Big Music" sound - a style that would become synonymous with the band's first three albums and would describe other bands like Big Country, The Alarm and Simple Minds - The Waterboys, led by Mike Scott, achieved some of their greatest success with This is the Sea in 1985. Bolstered by the popular
Friday Feature: "The Graduate"
“Just one word…plastics.” With that one word, spoken to the disaffected Benjamin Braddock (Dustin Hoffman) by an associate of his father’s, the audience viewing 1967’s film The Graduate, could both laugh and sneer along with Benjamin. After all, “plastics” stood for all that was superficial and fake in society. Mike Nichols, directing only his second feature film after a successful Broadway career, was anything but subtle as he masterfully threaded the film’s themes throughout every aspect of
Barry Manilow Revisits His Classic "Duets" on New Collection
While Barry Manilow's fans patiently wait for 15 Minutes, his first album of all original material since 2001's Here at the Mayflower, Arista and Legacy will offer a chance to look back at some past moments in Manilow's long career. Duets compiles fifteen teamings, some more difficult to find than others, spanning the period between 1980 ("The Last Duet" with Lily Tomlin, from Barry) and 2008 ("Islands in the Stream" with Reba McEntire, from The Greatest Songs of the Eighties.) This 15-track
"I Spy" a Set of Soundtrack Reissues from FSM
Film Score Monthly's latest release is a nice reissue of a pair of LPs from the classic comedy I Spy. The show, riding high on a wave of '60s spy mania thanks to the likes of James Bond, was a deft blend of action and comedy, featuring a groundbreaking pair of actors as secret agents: Robert Culp and Bill Cosby. It was the first major role for a black actor on television, and through all their jet-setting adventures, Cosby's race was smartly never even acknowledged, let alone played for
A "Cliffhanger" Coming from Intrada
Intrada knows how to make film score fans hang onto every release: their latest batch includes a long-unreleased, underrated suspense score and the long-awaited deluxe reissue of a classic early '90s action score. Released in 1993, Cliffhanger, starring Sylvester Stallone as a mountaineer unwillingly forced into a heist led by John Lithgow was a critical and commercial success, and featured a great action score by Trevor Jones. The soundtrack called back to classic scores by luminaries like
Presidents' Day Special Feature: Stan Freberg, "The United States of America"
Here's one for Watson: "This actor, comedian, voice artist, singer, songwriter and advertising guru coined the name 'Grammy' for the annual awards bestowed by the National Academy of Recording Arts and Sciences (NARAS)." The correct answer? "Who is Stan Freberg?" To list Freberg's credits in the fields of cinema, radio, television, animation and music would take up the entirety of this column, but readers unfamiliar with those accomplishments are advised to stop reading now, order a copy of
Friday Feature: "Catch Me If You Can"
It's hard not to be skeptical over the fact that Catch Me If You Can, the amazing "true story of a real fake," is coming to Broadway. Modern musicals based on existing properties either hew too close to their original musical source material (if they were already rooted in song, like Footloose) or not close enough; consider Spider-Man: Turn Off the Dark, for instance. (Or don't!) The few songs this author's heard from the Catch Me musical score, sent on a promotional disc, are jaunty and fun
Reissue Theory: Bobby Darin, Compiled: "The Motown Years"
Welcome to another installment of Reissue Theory, where we reflect on great albums and the reissues they could someday see. At the time of his untimely death in 1973, Bobby Darin was signed to Motown Records, where he recorded one solo LP and enough material for a posthumous second LP. Despite their high quality, Darin's Motown recordings have long been unavailable. Today's Reissue Theory takes us back to 1970 and the final chapter in the life of the great Bobby Darin. Bobby Darin was so much
Massive Stones Box Rolling Your Way
Although nobody knows if The Rolling Stones have any plans on touring this year, their music is still ripe for catalogue projects. Two years ago it was the deluxe version of Get Yer Ya-Ya's Out! Last year it was the Exile on Main St. deluxe reissue and some collectible vinyl boxes. And this year it will be a sizable 45-disc box set chronicling all of their singles from 1971 to the present. Following in the tradition of a few ABKCO CD singles boxes (covering the band's early material), UMe will
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