Thanks to the dedication of labels like Ace Records, it would be impossible to “forget the Motor City.” Along with the U.S.’ flagship Hip-O/UMG Select imprint, Ace has led the charge in issuing vintage 1960s-era Motown material, much of it unreleased. The recent release of Finders Keepers: Motown Girls 1961-1967 compiles 24 tracks from girls both famous (The Supremes, Martha and the Vandellas, Mary Wells) and all-too-unknown (LaBrenda Ben, Thelma Brown, Anita Knorl) for a potent overview of songs that slipped through the cracks at Hitsville, USA. Sweetening the pot is the…
Run for Cover: Basia’s Debut LP to Be Expanded by Cherry Pop
One of the Cherry Pop reissue label’s newest titles for May is a greatly-expanded edition of Time and Tide, the solo debut album by Polish singer/songwriter Basia. Basia Trzetrzelewska first caught the public eye in England as the lead singer for sophisti-pop band Matt Bianco alongside vocalist Mark Reilly and keyboardist Danny White. Their similarities to Sade and Everything But the Girl, as well as their Top 30 hits “Get Out of Your Lazy Bed” and “Half a Minute,” earned them widespread acclaim, but Basia and White would soon strike out on their own. Signing…
The Legacy of Harry Nilsson, Andy Williams, Johnny Winter, Jerry Lee Lewis and More Anthologized On “Essential” Releases
Today, Legacy Recordings issues a number of titles from some of music’s greatest artists as part of the label’s ongoing Essential series of anthologies. We’re taking a look at the collections from Harry Nilsson, Andy Williams, Jerry Lee Lewis, Pete Seeger, Mott the Hoople and Midnight Oil! Plus: we have track listings for all titles! A 2010 documentary posed the question, Who is Harry Nilsson (And Why is Everybody Talkin’ About Him)? Well, if you don’t already know the answer, The Essential Nilsson will go a long way in providing it for…
Review: Margaret Whiting, “The Wheel of Hurt” and “Maggie Isn’t Margaret Anymore/Pop Country”
When Margaret Whiting scored a No. 26 Pop/No. 1 Easy Listening hit with 1966’s “The Wheel of Hurt,” she was surrounded by the aura of a comeback. But the veteran songstress was only in her early forties. Three albums and a clutch of singles recorded for London Records between 1966 and 1970 proved that Whiting was most definitely still a contender. Now, the recordings from Whiting’s London period have finally arrived on CD, filling in a major gap in the Margaret Whiting discography. Real Gone Music has unveiled two discs of prime…
Come Aboard, He’s Expecting You: Vintage Jack Jones Albums Arrive From Zone Records
For eight seasons beginning in 1977, the voice of Jack Jones came into households singing the praises of The Love Boat via Paul Williams and Charles Fox’s famous theme song. Yet long before The Love Boat, the smooth-voiced singer had established himself as a premier vocalist comfortable with both jazz and changing pop styles. To date, Jones has recorded over fifty albums, yet many of his finest album achievements still remain unreleased on CD. Zone Records is rectifying that with the reissue of four of Jones’ mid-sixties Kapp albums on two CDs,…
Classic Campbell: BGO Brings Three Vintage Glen Campbell Albums to CD
The BGO label has continued its ongoing Glen Campbell reissue series by bringing three long-out-of-print albums to CD in one package. Following the late 2012 release of Try a Little Kindness/The Glen Campbell Goodtime Album/The Last Time I Saw Her, BGO has just brought together a trio of LPs originally released in 1972 and 1973: Glen Travis Campbell, I Knew Jesus (Before He Was a Star) and I Remember Hank Williams. Following the release of Campbell’s New Jersey-recorded Live album from 1969, BGO has taken a more-or-less chronological approach to the singer-guitarist’s…
Verve Select Offers “Divine” Selection of Sarah Vaughan LPs on CD
The latest from Verve Select, released earlier this week, is a collection of over a half-dozen vintage albums by jazz legend Sarah Vaughan on four discs. Divine: The Jazz Albums encapsulates Vaughan’s first round on the Mercury label, after finding earlier success for the previous decade on first the Musicraft label (where she cut hit versions of “Tenderly” and “Nature Boy”) and later for Columbia Records, a run characterized by contemporary pop balladry. Once signed to Mercury, she was determined to get back to jazz, and thanks to producer Bob Shad and…
Nancy Wilson Goes Pop and Philly Soul With New Two-For-One CD Reissue
By 1970, Nancy Wilson had already been a marquee recording artist for Capitol Records for a decade. The supreme song stylist never allowed herself to be pigeonholed into one musical style, having made her successful debut single with a Broadway showtune (“Guess Who I Saw Today”), dabbled in R&B (“Save Your Love for Me”) and collaborated with jazz greats such as Cannonball Adderley and George Shearing. All in all, Wilson was a leading light of adult pop, selling out nightclubs and even playing a Vegas club singer on television’s I Spy. But…
BBR Keeps A Light In Its Window For The Lost Motown Classic “Caston and Majors”
Like a fine meal, Caston and Majors begins with an appetizer. “Child of Love,” on cursory listening, is “just” a bright pop song with a funky groove, employing booming drums, surging strings and a catchy chorus (“Rise now, child of love/No time for wastin’/Rise now, child of love/Stop hesitatin’…”) along with a “Hey, hey” cheer that invites singing along. But a closer listen to the lyrics finds songwriters Leonard Caston and Kathy Wakefield giving voice to a higher power: “You must be a messenger of my truth now/Go and spread my word.” …
Él is Flying High with Ennio Morricone and Joao Donato
Cherry Red’s Él Records label is going ’round the world with a pair of recent releases. Morricone Pops focuses on an oft-overlooked part of Italian composer Ennio Morricone’s ouevre: that of his early sixties arrangements not just for film, but also for pop singers. Él also turns its attention to a favorite country, Brazil, for Sambou, Sambou, a collection of two albums of tunes by composer-pianist Joao Donato. With a staggering body of work including more than 500 films and television shows, 84 year old Ennio Morricone has deservedly earned a reputation…
Zeit! EMI to Package Bowie’s Berlin Trilogy Together
There’s no shortage of reminders of the greatness of David Bowie, from his acclaimed comeback album The Next Day to the forthcoming remaster of Aladdin Sane for its 40th anniversary. Soon, EMI will provide yet another reminder, with the release of Zeit! 77-79, a budget-oriented collection of the famed albums of Bowie’s so-called “Berlin Trilogy.” While the designation of Bowie’s Low, “Heroes” and Lodger as the Berlin Trilogy is a bit inaccurate – only “Heroes” was recorded in the West German capital – these three albums taken together represent an important phase – if not the most important – in Bowie’s…
Dance A Little Bit Closer: Gold Legion Uncovers “The Salsoul Records Story”
Just in case you didn’t already know, there’s plenty of gold to be found from the Gold Legion label. Since its inception, Gold Legion has reissued and remastered classic disco records from master tape sources, adding copious annotation and bonus tracks to flesh out the stories behind the music. Some of Gold Legion’s previous releases have been dedicated to iconic singer-actress-model Grace Jones, “Turn the Beat Around” diva Vicki Sue Robinson, The Emotions as produced by Maurice White and Charles Stepney, Blondie’s Debbie Harry, and Oscar and Grammy-winning producers Paul Jabara and…
Review: Elvis Presley, “Aloha From Hawaii Via Satellite: Legacy Edition”
Elvis Presley never did anything small. When he stepped onstage at 1:00 a.m. at Honolulu’s International Center on January 14, 1973 for a scheduled 12:30 a.m. concert, satellites were beaming the most expensive entertainment broadcast ever to an audience of over one billion (yes, one billion) people around the world. The subsequent RCA album quickly was certified gold, and eventually went five times platinum. Now that world-famous LP, Aloha from Hawaii via Satellite, is the latest Legacy Edition release in Legacy Recordings’ series of expansions and consolidations of The King’s catalogue (RCA/Legacy…
Learning the Blues: Esoteric Remasters and Expands First Three Climax Blues Band Albums
Though the Climax Chicago Blues Band formed in Stafford, England, the band would likely have made any of the howling bluesmen from that storied Illinois city proud. Part of the vanguard of the British blues boom that also included the original Fleetwood Mac, John Mayall’s Bluesbreakers and even Led Zeppelin, Cream and the Rolling Stones, the Climax Chicago Blues Band made its rip-roaring debut for Parlophone in 1969 and began a legacy which continues to this very day, albeit with a wholly different line-up than the one that founded the band all…
Special Review: David Bowie, “The Next Day”
Welcome to today’s special review of David Bowie’s twenty-fourth studio album and first in ten years, The Next Day. As you likely know, The Second Disc rarely reviews newly-recorded albums, but the return of this iconic artist to the recording studio simply couldn’t be ignored. In 1980’s “Ashes to Ashes,” David Bowie famously revealed “Major Tom’s a junkie, strung out in heavens high, hitting an all-time low.” This continuation of the story begun in 1969’s “Space Oddity” was as definitive a statement as any on the man’s unsentimental, decidedly not rose-colored view…
“ICON” is Now a Capitol Idea
Another few batches of Universal’s eye-rolling ICON series are on the way – and while they offer a few genuine surprises, there’s a lot, perhaps even more than usual, to shake one’s head over. The big surprise right off the bat is that the mid-price compilation series will now chronicle not only Universal-controlled catalogue artists, but EMI-controlled ones as well. This is hardly a surprise, given the past year’s big story of music business restructuring that’s leaving the world with three major music labels including a Universal/EMI conglomerate. But the budget compilation idea is nothing…
The “Lowdown” On Friday Music’s Expanded Reissue of “Chicago III”
In his recently released memoir The Soundtrack of My Life, Clive Davis speaks rhapsodically about one band he signed to Columbia Records who went on “to be one of the best-selling bands of the seventies…[and] successful in every succeeding decade, selling millions of albums along the way.” The mogul added, “They’re still active, and every year their fans lobby relentlessly for them to be nominated for induction into the Rock and Roll Hall of Fame, an honor the band very much deserves.” Davis is, of course, speaking of Chicago. The septet’s third…
An Apple A Day: Fifth Fab Volume of Apple Publishing Demos Arrives From RPM
Those were the days, my friend. In June 1967, The Beatles opened Apple Publishing in a one-room office on London’s Curzon Street, predating even the birth of Apple Records. Soon, the publishing concern moved to new quarters at 94 Baker Street, and later to 3 Savile Row. In that heady period when anything seemed possible, the Fab Four signed a multitude of talented young writers to Apple, many of them discovered by Terry Doran. Doran, a 27-year old Liverpool native who had previously owned an auto dealership with Brian Epstein, was selected as…
Review: “Classic Singles” of Merle Haggard, George Jones and Wanda Jackson
What makes a (living) legend most? Based on the label’s three most recent releases, Omnivore Recordings certainly has some ideas. Omnivore has just issued singles anthologies from three tried-and-true country titans: Merle Haggard’s The Complete ‘60s Capitol Singles, George Jones’ The Complete United Artists Solo Singles, and Wanda Jackson’s The Best of the Classic Capitol Singles. All three titles reiterate the eclectic label’s commitment to reissuing some of the most significant C&W music of all time. Like another Omnivore favorite, Buck Owens, Merle Haggard epitomized the “Bakersfield sound” of country music, a…
The Fantastic Expedition of Gene Clark: Omnivore Unveils Previously Unheard Demos from Late Byrd
Though Gene Clark first made his mark as an original member of The Byrds, where he penned such classic folk-rock songs as “Feel a Whole Lot Better,” he left behind as rich a legacy as a solo artist as he did with The Byrds. Clark’s tenure as a Byrd wasn’t a long one; though the group rose to prominence with its 1965 Columbia debut Mr. Tambourine Man, Clark left the band in early 1966 amid interpersonal strife and a dislike of touring. He re-emerged quickly on a 1967 Columbia set with The…
Review: The Miles Davis Quintet, “The Bootleg Series Volume 2: Live in Europe 1969”
“Directions in music by Miles Davis,” read the subtitle of the trumpeter’s late-1968 Columbia album Filles de Kilimanjaro. It was the first, but not the last, of his albums to bear those words. But listeners couldn’t have been expected to know which direction Davis would take with each album. Nefertiti, recorded in June-July 1967 but released in March 1968, turned out to be Davis’ last fully acoustic LP, with its follow-up Miles in the Sky (recorded January and May ’68 and released in September) introducing electric piano, electric bass and electric guitar…
Quiet Nights of Quiet Stars: Él Collects Vintage Gilberto, Jobim, Bonfá on CD
Fewer images in music are more evocative than that of the tall and tan and young and lovely girl from Ipanema, walking like a samba and inspiring passersby to go, “Aaaah.” Jazz musicians of every stripe and every instrument latched onto Brazil’s bossa nova sound after it exploded to popularity in the wake of Antonio Carlos Jobim, Luis Bonfá, Vinicius de Moraes and João Gilberto’s soundtrack to the 1959 film Black Orpheus. Though Black Orpheus was the breakthrough, it wasn’t the birth of bossa nova. From the very beginning, though, was João…
Review: Dick Jensen, “Dick Jensen” – A Lost Philadelphia Soul Classic
When Dick Jensen was signed to ABC’s Probe Records label in 1969, only one album title seemed appropriate: White Hot Soul. The Hawaiian-born entertainer’s stage moves earned him comparisons to James Brown and Jackie Wilson, while his voice recalled the booming sonorities of Tom Jones or Engelbert Humperdinck. Tucked away on Side Two of that Don Costa-produced LP, Jensen included The Soul Survivors’ “Expressway to Your Heart” as part of a medley. That 1967 Top 5 hit, of course, was written by Kenneth Gamble and Leon Huff, later to found Philadelphia International…
Big Break Serves Up Soul, Jazz and Funk from Carmen McRae, Billy Paul, Azteca and More
Timeless soul music knows no regional boundaries, at least based on the latest quintet of releases from Cherry Red’s Big Break Records imprint. With this group of reissues, you’ll travel to Philadelphia by way of Hawaii, Oakland, Harlem and Chicago. All of the titles previewed below are available now in the U.K. and next Tuesday, February 5, in the U.S.! Two new titles hail from the Philadelphia International Records catalogue. Perhaps most exciting is the first CD release outside of Japan for 1973’s Dick Jensen, the self-titled album by the renowned entertainer…
Reviews: Buck Owens, “Honky Tonk Man: Buck Sings Country Classics” and Don Rich, “Sings George Jones”
With its two latest releases, Omnivore Recordings continues its great Bakersfield rescue mission. Texas-born and Arizona-raised, Buck Owens made his mark in that California city, answering the prevailing “countrypolitan” style with a return to a pure and unadorned honky-tonk sound. But that “natural” sound had roots that ran deep in Bakersfield. Yet Owens’ parallel career as the avuncular, perpetually joking co-host of television’s cornpone Hee Haw may have caused audiences to take his once-adventurous brand of music less seriously, a fact that reportedly wasn’t lost on Buck. Owens eventually was recognized for his towering…
