Since 1967, it’s been difficult to think of Glen Campbell without thinking of Jimmy Webb – and vice versa. When the ace session guitarist interpreted the young songwriter’s “By the Time I Get to Phoenix” on the album of the same name, the result wasn’t just a Grammy-winning hit single, but the beginning of a partnership that’s survived through six decades. Campbell scored successes with a string of Webb’s songs in the late 1960s (“Wichita Lineman,” “Galveston,” “Where’s the Playground, Susie”),
In His "Reality": Philly Soul Meets Jazz On Monk Montgomery Reissue
UPDATE 9/10/13: Just yesterday, we published the following review of Monk Montgomery's 1974 album Reality, produced, arranged, and co-written by a true legend of soul music and architect of The Sound of Philadelphia, Mr. Bobby Martin. Today, word has arrived that Martin, 83, has passed away following a brief illness. A masterful orchestrator of horns and strings with a background steeped in jazz, Martin created music that was sweet and sophisticated, romantic and wrenching. and always
Kritzerland Requests The Pleasure of Your Company For Classic Newman Score
Film legend Alfred Newman – that’s “Brother” to Lionel and Emil Newman, “Uncle Al” to Randy Newman, and “Dad” to Thomas and David Newman! – has long had a home at the Kritzerland label. 2013 alone has seen Kritzerland release Newman’s scores to Leave Her to Heaven (paired with his Take Care of My Little Girl) and How Green Was My Valley, and now, those titles are being followed up by another CD premiere release which is now available for pre-order. Director George Seaton’s The Pleasure of His
Out of the Shadow(s): Morton's Story Features Shangri-Las, Vanilla Fudge, New York Dolls
A scrappy street fighter with a knack for teenage melodrama, George “Shadow” Morton lived with a “self-invented mythology,” in the words of Jerry Leiber. But his work with The Shangri-Las, Janis Ian, The New York Dolls and many more solidified Morton’s place as a real-life “leader of the pack.” Ace’s new anthology Sophisticated Boom Boom: The Shadow Morton Story (CDTOP 1369) brings the songwriter and producer out of the shadow and into the (spot)light. In a 1968 Time Magazine blurb:, Morton
Legacy Plans Jimi Hendrix Bonanza With "Miami Pop Festival" and "Hear My Train A Comin'"
There continues to be plenty to experience from Jimi Hendrix. On August 20, Legacy Recordings and Experience Hendrix restored the original 2000 “purple box” to the catalogue in a new reissue adding four bonus tracks (B-side “The Stars That Play with Laughing Sam’s Dice,” “Peace in Mississippi” from the “Valleys of Neptune” CD single, and live versions of “Burning of the Midnight Lamp” and “Like a Rolling Stone”) to the original 4-CD configuration. On November 5, the ongoing Hendrix campaign
Review: Marilyn McCoo and Billy Davis, Jr., "The Two of Us" and "Marilyn & Billy"
When Marilyn McCoo and Billy Davis, Jr. departed The 5th Dimension following the release of 1975's Earthbound, their commercial success as a duo was far from a sure thing. Despite being a worthy follow-up to the 5th Dimension's magnum opus The Magic Garden and a reunion with that album's composer-lyricist-producer Jimmy Webb, Earthbound didn't rekindle the group's fortunes. But McCoo and Davis knew they had one thing going for them: their union, one which is still going strong today. That
Reissue Theory: "Michael Jackson's Moonwalker"
Welcome to yet another installment of Reissue Theory, where we celebrate notable releases and the reissues they could someday see. On the King of Pop's birthday, we remember one of the Bad era's least-remembered but most captivating pieces of merchandise: Michael Jackson's first feature film. The past year has seen quite the revival of interest in Michael Jackson's 1987 album Bad. It's hard to imagine an album that sold multiplatinum levels of records and spawned a record-setting five
Let Him Sing and We're Happy: Parlophone Readies The "Alternate" Matt Monro
Matt Monro (1930-1985) made one of his first major splashes under the pseudonym of “Fred Flange,” adding the requisite touch of Sinatra to Peter Sellers’ 1959 comedy LP Songs for Swingin’ Sellers. Good as he was at being Sinatra, however, he was even better at being Matt Monro. Producer George Martin picked up on this, and the rest is history. Monro began his tenure at EMI signed (like Sellers) to Parlophone, later became an artist for EMI’s famous U.S. Capitol label, and still later saw
Mario Lanza Is "The Toast of Hollywood" On New Set From TCM, Sony
In the 1950 film of the same name, Mario Lanza was anointed The Toast of New Orleans. According to the fine folks at Turner Classic Movies and Sony Masterworks, however, the Pennsylvania-born, Italian-American tenor is also The Toast of Hollywood. TCM and Masterworks are following up their 2012 release of Doris Day’s With a Smile and a Song with a new, similarly-designed 2-CD set dedicated to the late Hollywood singing star Lanza. The rich-voiced singer may have perished in 1959 at just 38
They're Back...: Kritzerland Reissues "Poltergeist II"
Kritzerland Records is releasing a very special title by one of the most beloved soundtrack gurus of the century: a newly-expanded edition of Jerry Goldsmith's score to Poltergeist II: The Other Side. Released in 1986, four years after the Tobe Hooper-directed/Steven Spielberg-produced original (neither were involved on this project), Poltergest II again finds the Freeling family - Steven (Craig T. Nelson), Diane (JoBeth Williams) and their children Robbie (Oliver Robbins) and Carol Anne
Review: The Monkees, "The Monkees Present: Deluxe Edition"
And then there were three. Peter Tork had departed The Monkees in December 1968, just a couple of months prior to the February 1969 release of the band’s seventh studio album, Instant Replay. The remaining trio of Davy Jones, Micky Dolenz and Mike Nesmith soldiered on, though, cutting numerous new tracks and updating old ones for an eighth effort. Issued by Colgems in October 1969 on the heels of an unsuccessful greatest-hits album, it was The Monkees Present and emphasized the slimmer group
Ace Boldly Goes To "Outer Space" and The Bay Area On Two New Themed Collections
Ace Records is Going Wild!…not just with a rip-roaring rock-and-roll compilation of that name, but with a journey to the farthest reaches of the galaxy! Yes, the London-based label is travelling from the Bay Area to the Milky Way with two of its latest releases: Greatest Hits from Outer Space and Going Wild! Music City Rock 'n' Roll. Based on the 24 tracks of Ace’s Greatest Hits from Outer Space, the final frontier engaged a wide variety of artists in every conceivable musical genre. On this
Live From D23: New Albums for Disneyland, Walt Disney World Due in August, Premiere New-to-CD Tracks
Today, you'll find The Second Disc at the Anaheim Convention Center for the D23 Expo, “The Ultimate Disney Fan Event.” Naturally, every arm of The Walt Disney Company has something to offer here, and naturally, that includes music! Tonight, Disney Theatrical President Thomas Schumacher will host Broadway and Beyond, celebrating Disney on Broadway’s legacy of musicals from Beauty and the Beast to Newsies. Tomorrow, American Bandstand legend Dick Clark will be honored as a Disney Legend, and
Are You Ready: Now Sounds Expands "The Association," Real Gone Uncovers "Hexagram 16"
“Where have I gone, where have I gone?” pondered Terry Kirkman on the haunting opening track to The Association’s 1969 long-player. Though the group’s fifth album, it was simply titled The Association, signifying an artistic rebirth. Gone were the session players and ornate Bones Howe production that marked their previous album, 1968’s Birthday. Taking the production reins themselves in tandem with John Boylan, The Association – Kirkman, Russ Giguere, Brian Cole, Jim Yester, Larry Ramos, Ted
Make Way For Dionne Warwick: 23 Scepter and Warner Bros. Albums To Be Remastered and Expanded [NOW WITH UPDATED TRACK LISTINGS]
UPDATE 8/6/13: WEA Japan's deluxe mini-LP editions of Dionne Warwick's Scepter and Warner catalogue have finally arrived, but many purchasers have been surprised to find numerous alterations in the albums' bonus material. Originally-listed bonus tracks have been added, dropped, and reshuffled between albums. By the numbers, there are 5 more bonus tracks than originally listed, but some songs are absent with others taking their place. Below, in BOLD, we'll let you know exactly what you'll
SoulMusic Records Is "Born to Love" With Reissues from Peabo and Roberta, Nancy Wilson and Tavares
With its latest batch of reissues, including titles from Peabo Bryson and Roberta Flack, Tavares, and Nancy Wilson, Cherry Red's SoulMusic Records imprint can truly be said to cover a wide swath of the soulful spectrum. Duets have long been staples of great R&B. Marvin Gaye and Tammi Terrell, Roberta Flack and Donny Hathaway, James Ingram and Patti Austin, and Otis Redding and Carla Thomas - just to name a few in the pantheon - all proved that "it takes two." (That title, in fact, gave
Signed, Sealed, Delivered, It's Yours: SoulMusic Reissues Motown Gem "Syreeta"
Though Syreeta Wright never received the same level of acclaim as many of her Motown contemporaries, her stamp on the company is indelible. The late artist (1946-2004) wasn’t just a distinctive vocalist, but also a songwriter with credits like The Spinners’ “It’s a Shame” and Stevie Wonder’s “Signed, Sealed, Delivered (I’m Yours)” and “If You Really Love Me.” SoulMusic Records has just followed up its recent reissue of Syreeta’s 1977 One on One with her very next Motown solo album, 1980’s
Review: Nilsson, "The RCA Albums Collection"
A largess universal like the sun His liberal eye doth give to every one, Thawing cold fear, that mean and gentle all, Behold, as may unworthiness define, A little touch of Harry in the night. - William Shakespeare, Henry V, Act IV He's a pretty nifty guy Always looks you in the eye Everybody passing by will sigh For Harry... - Eric Idle, "Harry" Harry Nilsson had the voice of an angel, and raised hell like the devil. A consummate songwriter, he had his biggest hits with two songs
"Preminger At Fox" Salutes Director's Hollywood Film Noir Music
During Otto Preminger’s long and distinguished career, the director tackled virtually every genre of film: drama, thriller, musical, even absurdist comedy. For the musicals, Preminger had scores by George and Ira Gershwin and DuBose Heyward (Porgy and Bess) and Oscar Hammerstein II and 19th century composer Georges Bizet (Carmen Jones). His non-musical films also featured scores by illustrious talents, including David Raksin, Elmer Bernstein, Duke Ellington, and even Harry Nilsson! A number
Darlene Love, Nino Tempo, The Sweet Inspirations Feature On Jeff Barry's "The Idolmaker" Soundtrack
Perhaps the time just wasn’t right for The Idolmaker. Director Taylor Hackford (An Officer and a Gentleman, Ray) made his feature-length motion picture debut with the 1980 film based on the life of Philadelphia impresario Bob Marcucci, enlisting Ray Sharkey to play the fictionalized manager Vincent Vacari. In reality, Marcucci had discovered Frankie Avalon and Fabian; in the film, the teen idols were Tommy Dee (Paul Land) and Caesare (Peter Gallagher). The United Artists picture received some
Review: Big Star, "Nothing Can Hurt Me: Original Soundtrack"
The feature-length documentary Big Star: Nothing Can Hurt Me opens today at New York’s IFC Center and on Friday at Los Angeles’ Nuart Theatre. In conjunction with its release, Omnivore Recordings has recently unveiled a soundtrack album collecting 21 previously unissued songs from the legendary Memphis band. Rare is the cult band that actually lives up to its legend. Yet, with each listen - time after time, year after year - Big Star not only meets the hype, but surpasses it. Chances are, if
Don't Just Stand There! Real Gone Reissues Patty Duke, Johnny Lytle
They laugh alike, they walk alike, at times they even talk alike! You can lose your mind, when cousins are two of a kind! So went the theme song to television’s The Patty Duke Show, starring the former Anna Marie Duke as “identical cousins” Patty and Cathy Lane. We’re told in Sid Ramin and Robert Wells’ theme song that the worldly Cathy “adores a minuet, The Ballets Russes and crepe suzette,” but the normal New York teen Patty “loves to rock and roll!” So, apparently, did Patty Duke, based
Review: Burt Bacharach, "Anyone Who Had a Heart: The Art of the Songwriter" Box Set
Time stands still for Burt Bacharach. Rumer’s 2010 single “Some Lovers,” from Bacharach and Steven Sater’s musical of the same name, is the most recent track on Universal U.K.’s new box set Anyone Who Had a Heart: The Art of the Songwriter. Yet 2010 melts into 1965 like a ray of sunshine on the “cloudy Christmas morning” in the song lyric. Sleigh bells gently underscore wistful flugelhorns as it begins, with Rumer’s dreamy, comforting vocals gracefully gliding over the bittersweet melody.
What Goes Up: Blood, Sweat & Tears' "Rare, Rarer & Rarest" Tracks Come To CD
What goes up must come down. So sang David Clayton-Thomas in the opening line of his Grammy-winning song "Spinning Wheel," which became a No. 2 Pop/No. 1 AC in 1969 for Blood, Sweat & Tears. And so went the fortunes of the jazz-rock band itself. The band's signature rock-with-horns style was soon eclipsed by that of Chicago (Transit Authority), who shared a producer in James William Guercio. But when BS&T was hot, few bands were hotter. Wounded Bird Records is revisiting the
A Paramount Package: Three Vintage Franz Waxman Scores Premiere On New Release
Long before Andrew Lloyd Webber set Sunset Boulevard to music, Franz Waxman was Norma Desmond’s composer of choice, having created the score to the original Paramount picture. But Sunset wasn’t Waxman’s only Paramount film. Nor was it his only collaboration with legendary director and screenwriter Billy Wilder. Waxman’s scores for the studio are among his most renowned works – think of A Place in the Sun, Come Back, Little Sheba or Rear Window, to name three. The Kritzerland label, already
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