Fans of U.K. sophisti-pop duo Everything But the Girl are justified in saying they miss them. They're even justified in saying they miss Tracey Thorn and Ben Watt, who haven't performed under the EBTG moniker since 2000, the same way the deserts miss the rain. But all is not lost, thanks to the tireless efforts of Demon/Edsel (arguably the hardest-working U.K. reissue label in the game right now), who are working with Thorn and Watt in expanding the band's first four albums (originally released
Get It On: Marc Bolan Goes Super Deluxe with T. Rex "Electric Warrior," 2-CD, 1-CD Versions Also Available [UPDATED]
Before David Bowie was Ziggy Stardust, Marc Bolan was the Electric Warrior. A major turning point in the glam-rock revolution of the U.K., the Electric Warrior album (1971) effectively buried the psychedelic folk rock of Tyrannosaurus Rex and immortalized the trashy hard rock of T. Rex. True, one successful single (“Ride a White Swan”) and eponymous album had already introduced the T. Rex name in 1970, and the single “Hot Love” first boasted the expanded band line-up of Bolan, Mickey Finn, Steve
Still Willin': Edsel Reissues A Pair From Little Feat
Though the band formed in 1970 and found a home on Burbank’s famed Warner Bros. label with a debut album produced by L.A. stalwart Russ Titelman, Little Feat always stood apart from its California rock brethren. Still, the blues/rock/funk outfit attracted the attention of some important members of the Laurel Canyon crowd. “Willin’,” written by Feat’s de facto leader and chief songwriter Lowell George, found a home on Linda Ronstadt’s Heart Like a Wheel album. The song was reportedly despised
Love So Fine: Nick DeCaro's "Works" Features James Taylor, B.J. Thomas, Andy Williams, More
Though the A&M stands for (Herb) Alpert and (Jerry) Moss, A&M Records has meant a great many things to a great many people since its founding in 1962. Those who came of age in the 1980s may think of the famous logo adorning records by Sting, Janet Jackson or Bryan Adams. In the 1970s, the label was home to The Carpenters, Cat Stevens and Joe Cocker. In the 1960s, A&M was not only a label but a “sound.” That sound was a certain, beguiling style of sophisticated adult soft-pop
Release Round-Up: Week of April 10
Howard Jones, One to One / Cross That Line / In the Running: Remastered Edition (Dtox) HoJo's last set of remasters is a five disc set featuring his last three Warner-era albums from 1986 to 1992, plus two generous discs of B-sides and remixes. Parts of this era are really underrated, and if this box is as loving as the last one was, it may well earn your everlasting love. Various Artists, Philadelphia International Classics: The Tom Moulton Mixes (Harmless) This gorgeous four-disc set,
Put Your Hands Together: Massive 10-CD Philadelphia International Box Due [UPDATED]
Philadelphia International Records has turned 40, and you're invited to the party! Sony's Legacy Recordings thrilled fans earlier this year with the archival release of Golden Gate Groove, a Don Cornelius-hosted concert that brought together many of the label's biggest and brightest stars, from the O'Jays to Harold Melvin and the Blue Notes featuring Teddy Pendergrass. The folks across the pond at the Harmless label have already dropped Philadelphia International: The Re-Edits, with 21 tracks
Philadelphia Freedom: Dexter Wansel Is "Captured" By Robinsongs
Welcome to our second feature today spotlighting artists of the Philadelphia International label! First we looked at The O'Jays' pre-PIR period! Now it's time to look at a lost post-PIR album from Dexter Wansel! Philadelphia-born Dexter Wansel made quite an impression in the City of Brotherly Love, becoming one of the leading lights of the Gamble and Huff organization's "second golden age" of 1976-1983 and playing a key role in shaping the latter-day Sound of Philadelphia. A keyboard
First Stop on the Love Train: The O'Jays' "Imperial Years" Collected On Shout Label
The music business has always had a funny way of turning artists into overnight sensations. But although The O’Jays achieved widespread fame on the Philadelphia International label with 1972’s one-two punch of “Back Stabbers” and “Love Train,” the group hardly broke through overnight. As the Mascots, the Ohio natives recorded their first single in 1960. As the O’Jays (named after their manager, Cleveland DJ Eddie O’Jay), they recorded for the Daco, Apollo and Little Star labels. It was
Bellamy Brothers Release Box Set Through Reader's Digest
Country-pop crossovers The Bellamy Brothers are releasing a box set through Reader's Digest, collating four discs' worth of hits with rare and new tracks. Howard and David Bellamy, self-taught brothers from Florida who enjoyed mixing traditional country sounds with rock/pop influences, first enjoyed success behind the scenes of the music industry. David wrote Top 5 country hit "Spiders and Snakes" for Jim Stafford, while Howard became his road manager. (Trivia alert: Stafford's previous manager
Just The Tracks, Ma'am: Ace Collects "Criminal Records" On New Compilation
Long before CSI, there was Dragnet. The granddaddy of the television procedural drama, Dragnet actually began on radio in 1949, moving to television in 1951, where it has remained a staple ever since in both repeats and revivals. So it’s appropriate that the ominous theme to Dragnet both opens and closes Ace’s rip-roaring new compilation, Criminal Records, subtitled “Law, Disorder and the Pursuit of Vinyl Justice.” Between Ray Anthony’s treatment of that famous theme and Stan Freberg’s
"Star Trek" Surprise Beams Out of Nowhere
Fans of the soundtracks to Star Trek have had a great few years. Some of our favorite film score reissue labels, including Film Score Monthly, Intrada, La-La Land and Varese Sarabande, have expanded no less than six Trek film soundtracks in the past two years, including The Wrath of Khan (1982), The Search for Spock (1984), The Voyage Home (1986), The Final Frontier (1989), The Undiscovered Country (1991) and the 2009 reboot film, not to mention two box sets of music from Star Trek: The Next
Essentially Repackaged: Legacy Reissues Double-Disc Compilations Under New Names
There's something familiar about many of Legacy's new entries in their ongoing The Essential series hitting stores in April and May. Of the four double-disc compilations - one for prog-rock masters Blue Öyster Cult, one apiece for country stars Alan Jackson and Brooks & Dunn and one for pop chanteuse Mariah Carey - three have already been reissued under different names. The country ones are repackages of each performer's latest hits set (Jackson's 2010 contract-closing 34 Number One Hits
Rolling Stones Flash Back To 1975 With New Archive Release "LA Friday"
Since inaugurating the digital-only Stones Archive in late 2011 with the release of 1973’s The Brussels Affair, The Rolling Stones have made good on their promise to rescue never-before-available concerts and make them available to the public in higher quality than previous bootleg editions. The new LA Friday follows the late January release of Hampton Coliseum: Live 1981, which preserved a show from Hampton, Virginia. LA Friday was recorded on July 13, 1975 at the venue known as The Forum.
Satchmo's Final Recordings to Be Released by Smithsonian
More than 40 years after his passing, one of the final recordings of jazz legend Louis Armstrong is coming to CD from Smithsonian Folkways Recordings. Satchmo at the National Press Club: Red Beans and Rice-ly Yours presents Armstrong's five-song set given before members of the National Press Club at a black-tie gala honoring the inauguration of club president Vernon Louviere, who, like Armstrong, was a native of Louisiana. The biggest surprise to the audience was Pops' bringing his trusty horn
Review: Johnny Cash, "Bootleg IV: The Soul of Truth"
“John, let’s do a shot for the warden,” photographer Jim Marshall reportedly implored Johnny Cash during the singer’s 1969 performance at San Quentin Prison. Cash’s snarling response, with his middle finger in air, made for one of the most famous music photographs of all time. Cropping up on T-shirts, posters and the like, Marshall captured the outlaw side of Johnny Cash like no photographer before or since. Though it might have, indeed, been worth a thousand words, the image still only
Review: Tom Northcott, "Sunny Goodge Street: The Warner Bros. Recordings"
Extra! Extra! Lost Folk Singer Found! His name is Tom Northcott, and had things turned out a little differently, he might be remembered in the same breath as Joni Mitchell or Gordon Lightfoot, fellow Canadian troubadours. After founding the Tom Northcott Trio, he headed for California during perhaps the most fertile period ever for creative, boundary-breaking musical exploration, the mid-1960s. Northcott opened for The Who, The Doors and Jefferson Airplane, and was signed to Warner Bros.
Review: John Williams, "Hook: Expanded Original Motion Picture Soundtrack"
After more than three years of planning, preparing and waiting, audiences finally have a chance to enjoy an expanded edition of John Williams' score to Steven Spielberg's 1991 cult classic Hook (La-La Land Records LLLCD 1211). The world had been "getting by," so to speak, with the Epic label's original 75-minute CD presentation - a generous offering, to be sure, but one that only sort of did the score justice. While critics remain divided to indifferent on the celluloid continuation of James M.
Bowie, McCartney, Joplin, Springsteen, Clash, Davis, Small Faces, More Lead Record Store Day Pack
We're just three weeks away from Record Store Day on April 21, and following individual announcements from fantastic labels like Omnivore Recordings, Concord Records, Sundazed Music and Rhino/Warner Bros., we can finally reveal the full line-up of RSD-related goodies! These limited editions, available at independent music retailers across the U.S. and even internationally, are primarily vinyl releases in various formats (7-inch, 10-inch, 12-inch, etc.) and range from replicas of classic albums
In Case You Missed It: Join the (Music) Club!
If you're a British compilation hunter or fan of imports, it's tough to go wrong with Demon Music Group's Music Club Deluxe label. The relatively inexpensive double-disc sets the label turns out might look simple or quickly assembled, but they're in fact often packed with a few rarities for your buck. In recent weeks, Music Club Deluxe has issued a half-dozen compilations, all for '80s pop/rock artists. You likely know their hits, but there are some great album cuts, B-sides and remixes to go
All Around the World, Or the Myth of "Graceland" Revisited: 25th Anniversary Box Set Due in June
Paul Simon was back. With a vengeance. The sixties wunderkind and one-half of Simon and Garfunkel had greeted the 1980s uneasily. The film One-Trick Pony, for which he served as writer, star and composer in 1980, was tepidly-received. An underperforming LP (Hearts and Bones) followed in 1983, his first solo album since 1965 not to hit the Billboard Top 10. It peaked at No. 35. Simon’s biggest success of the first half of the decade was a headline-making reunion concert with his old friend
Review: Frankie Avalon, "Muscle Beach Party: The United Artists Sessions"
By the time of 1964’s Muscle Beach Party, Philadelphia-born Frankie Avalon had already racked up some 31 hits on the U.S. Billboard charts, including two at Number One, “Why” and “Venus.” On the urging of his Chancellor Records mentor Bob Marcucci, Avalon had welcomed the 1960s by diversifying his talents into film, appearing opposite John Wayne in The Alamo and Walter Pidgeon in Voyage to the Bottom of the Sea. 1963’s Beach Party, however, was something else altogether. Directed by William
Sweet As Sugar: Bob Mould's Other Trio Gets Expanded Treatment
While Bob Mould has gained rock immortality as one third of the criminally underrated alt-rock outfit Hüsker Dü, his work as frontman for alt-rockers Sugar in the 1990s deserves its own recognition. In May and June, the hard workers at Demon/Edsel will give Sugar its due in the form of expanded, remastered editions of their entire catalogue. After the split of Hüsker Dü in 1988, Mould locked himself away in a Minnesota farmhouse, attempting to write new material and purge himself of the
Brave New World: Catalogue Labels Take to Spotify for Featured Content
When it first launched in America in November of last year, Spotify looked like it might be the answer to the question of how to move music consumption into the digital frontier in a positive way. It's no secret the music industry has been crippled by technological advances labels were unfortunately not able to predict or adapt to very quickly, and it's thrown the nature of buying, collecting and immersing oneself into music the way we once did into question. But Spotify's model - where, either
Mondo Reale: Peter Gabriel Releases Discography Box Set in Italy
If you're an Italian Peter Gabriel collector, or are looking for a way to get just about his entire solo discography in one fell swoop, you've met your match. Gabriel is partnering with Italian publications TV Sorrisi e Canzoni and Corriere della Sera to sell just about all of his studio albums to create a mega-box for fans. Beginning with his latest project, last year's orchestral New Blood album, 18 sets will be sold at kiosks, one per week, and will ultimately provide a semi-definitive
The Wait is Over: My Bloody Valentine Reissue Classic Albums, Compile EPs
A great news day at Second Disc HQ gets even greater with the announcement that Sony Music's U.K. arm is prepping reissues of My Bloody Valentine's classic Isn't Anything and Loveless albums, bringing a three-year journey to an end in May. As our friends at Slicing Up Eyeballs can tell you, retailers first reported remasters of the iconic shoegaze albums, released in 1988 and 1991, back in 2009. They've been rescheduled and delayed no less than nine times since then, leaving fans to wonder if
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