There was a lot more to Leon Haywood than his 1975 hit “I Want’a Do Something Freaky to You.” Texas native Haywood played keyboards for Sam Cooke, masqueraded in studio bands The Packers and The Romeos and scored his first solo pop hit with 1967’s “It’s Got to Be Mellow.” When he began incorporating funk and disco sounds into his brand of soul, however, Haywood found his niche. Big Break has recently celebrated the Haywood ouevre with expanded editions of his 1980 platter Naturally and the
Welcome Back: Edsel Reissues John Sebastian's Reprise Catalogue, Adds Previously Unreleased Live Concert DVD
Edsel is saying "welcome back" to John Sebastian with the recent release of a quartet of albums in one deluxe package: John B. Sebastian, The Four of Us, Tarzana Kid and Welcome Back. Edsel has bundled these releases, representing the Lovin' Spoonful founder's complete Reprise studio recordings, with a live concert DVD making its very first appearance anywhere. In Concert: John Sebastian Sings John Sebastian was broadcast by the BBC in October 1970, months following the release of John B.
Music, Maestro, Please: The Mills Brothers Embrace The 1960s on "Cab Driver"
By the point The Mills Brothers’ new anthology Cab Driver: The Dot and Paramount Years: 1958-1972 begins in 1958, Herbert, Harry and Donald Mills had already been superstars for nearly thirty years. Known for their tight harmonies and sophisticated scatting as much as for their ability to mimic musical instruments with their voices, The Mills Brothers scored their first U.S. No. 1 hit in 1931 on the Brunswick label with “Tiger Rag,” an oldie from 1917 (!). Hollywood stardom followed at
Everybody Loves Somebody: Legacy Acquires Dean Martin's Reprise Catalogue, Launches Reissue Campaign
How lucky can one guy be... Dean Martin is said to have once observed that the two smartest decisions he ever made were partnering with Jerry Lewis...and breaking up with Jerry Lewis. When the split occurred, Martin was 39 years old, but convinced that a successful solo career was still ahead of him. Was he ever right! The former Dino Paul Crocetti was among the lucky few to have a successful second act in showbiz, and his career as just Dean Martin even eclipsed the first act as one-half
Brotherhood's "Complete Recordings" Show Another Side of Former Paul Revere and the Raiders Members
Rock's back pages are littered with "creative differences." Such differences split Paul Revere and the Raiders into two warring factions - Paul Revere and Mark Lindsay on one side; Phil "Fang" Volk, Mike "Smitty" Smith and Drake "The Kid" Levin on the other. The Volk-Smith-Levin triumvirate bristled at the more pop direction that the onetime garage band had been taking, and were none too pleased with the studio musicians being enlisted to beef up the Raiders' recordings. In early 1967, the
Out of the Dungeons: Numero Collects Dark Fantasy Rock, Creates "Darkscorch" Game
In past years, Numero Group’s Wayfaring Strangers series has taken adventurous listeners along to hear Ladies from the Canyon, Guitar Soli and Lonesome Heroes, drawing on rare or privately-pressed folk music and casting it in a new light. With its latest release, however, Numero is traversing even more unexpected territory. The punningly-titled Warfaring Strangers volume entitled Darkscorch Canticles will immerse listeners in a world of mystics and mages, devils and demons, and yes, dungeons
Review: Otis Redding and Aretha Franklin, "The King of Soul" and "The Queen of Soul"
All hail The King and Queen. The careers of Otis Redding and Aretha Franklin have been inextricably linked since Franklin entered New York’s Atlantic Studios on Valentine’s Day, 1967, with producer Jerry Wexler to record Redding’s “Respect.” Even before that pivotal moment, however, the two artists shared a label in Atlantic Records (distributor of Redding’s Stax records) and an ability to invest any song with raw honesty and unvarnished emotion. Atlantic and Rhino Records have recently
Review: Johnny Winter, "True to the Blues: The Johnny Winter Story"
If there’s some truth to the importance of being in the right place at the right time, Johnny Winter might attest to it. The slide guitar virtuoso came up in the ranks of show business when blues-rock was rising in popularity. He embodied an American alternative to Clapton, Page or Mayall, and offered a grittier take than Hendrix, more of the earth than the cosmos. Since debuting in 1969, Winter has rarely strayed from his signature style even as he’s stretched its boundaries, remaining True
Hot Shots: Big Break Relights Dan Hartman's "Fire," Expands Sheryl Lee Ralph's Solo Debut
Talk about fusion! For "Hands Down," the opening cut of his 1979 album Relight My Fire, Dan Hartman enlisted rock and roll great Edgar Winter to weave his alto saxophone licks throughout the Latin-flavored disco track, and Stevie Wonder to provide his instantly recognizable harmonica. Hartman wasn't just a dilettante, but a regular musical renaissance man. A veteran of the Johnny Winter Band and the Edgar Winter Group, he wrote the latter's smash hit "Free Ride," and successfully completed
Gotcha! Raven Collects Three Essentials From Saxophone Great Tom Scott
Chances are if you’re reading these words, you’re intimately familiar with at least one performance by Tom Scott. The saxophonist played the part of the titular “Jazzman” on Carole King’s 1974 No. 2 single of the same name, helped take Paul McCartney’s “Listen to What the Man Said” all the way up to No. 1 in 1975, and lent support to Whitney Houston as she professed to be “Saving All My Love for You.” But the Grammy-winning Scott was also a prolific recording artist, both solo and with his
Glory Days: Bruce Springsteen Issues "High Hopes" Outtakes For RSD, MusiCares Tribute Hits DVD and BD
When Bruce Springsteen’s High Hopes debuted at No. 1 on the Billboard 200 this January, the iconic artist earned his eleventh chart-topping album. That was enough to make him the No. 3 all-time champ in that department, just behind The Beatles (19) and Jay-Z (13). The eclectic recordings used to assemble High Hopes divided many of Springsteen’s devotees, as did the contributions of Rage Against the Machine’s Tom Morello. But par for the course with any Bruce-related release, the songs heard
I'll Have Popcorn With That: Eclectic New Compilation Offers Jerry Butler, Eartha Kitt, Johnny Nash, Frankie Laine
What is Popcorn music?Bob Stanley of the band St. Etienne and the new Croydon Municipal label wants to tell you. “Popcorn is a genre after the fact, built by curation rather than creation,” the author of Yeah Yeah Yeah: The Story of Modern Pop (soon to be retitled The Story of Pop Music from Bill Haley to Beyonce for its upcoming U.S. edition) writes in the liner notes to his new release Sweet ‘n’ Salty Popcorn. “Its narrative was formed by Belgians in the seventies from records made in the
In A Russian State of Mind: Billy Joel's "A Matter of Trust: The Bridge To Russia" Gets Deluxe Treatment
With Billy Joel in the midst of his unprecedented concert run as a “franchise” at New York’s Madison Square Garden, the time has never been better to revisit one of the most significant concert appearances of the Long Island troubadour’s long musical career. On May 20, 2014, Columbia Records and Legacy Recordings will definitively chronicle Joel’s historic 1987 Russian concert tour on A Matter of Trust – The Bridge to Russia. A Matter of Trust will be available in a Deluxe Edition box set
EXCLUSIVE: Real Gone Saddles Up To Record Store Day With Never-Before-Heard Music From Bob Wills and His Texas Playboys
Waylon Jennings might have said it best: "Bob Wills is still the King." The song of that name closed Jennings' 1975 album Dreaming My Dreams, which was released just one month after the death of the King of Western Swing at age 70. Waylon's ode to Bob Wills was revived three decades later by The Rolling Stones, and the sentiment still held true. Now, Real Gone Music is celebrating Record Store Day 2014 - that's Saturday, April 19 - with a slice of ultra-rare, vintage Americana that you've
Gainsbourg's Women: Ace Collects "Vamps et Vampire: The Songs of Serge Gainsbourg"
When considering Serge Gainsbourg (1928-1991), it’s often impossible to separate the provocateur’s art from his outré behavior. The French songwriter, poet, actor and director was described by one journalist as “David Bowie, Mick Jagger and John Lennon rolled into one smoke cloud of controversy,” but it’s hard to imagine any of those rock icons at their most outrageous ever releasing anything like Gainsbourg’s duet with Jane Birkin, “Je t’aime...moi non plus.” The song’s odd amalgam of steamy,
Still Surfing: Joe Satriani's "Complete Studio Recordings" Collected on New Box Set
Close your eyes and think about Joe Satriani. Chances are if you’re not picturing the guitar hero himself, you’re picturing his sophomore album, 1987’s Surfing with the Alien. The artwork adorning the album, majestically drawn by Marvel Comics legend John Byrne for a 1982 comic book, depicts Marvel Comics’ noble Silver Surfer astride his surfboard as he travels through the farthest reaches of space. Though Satriani hasn’t explored any new galaxies (yet), he has traveled many sonic avenues.
Somewhere Out There: Linda Ronstadt's Greatest "Duets" Arrive On CD in April
On April 10, Linda Ronstadt joins the class of the Rock and Roll Hall of Fame – an honor that was certainly not needed to acknowledge Ronstadt’s place as among the top vocalists of her generation, but a welcome and long-overdue honor nonetheless. Two days earlier, Rhino celebrates the career of the versatile artist with the release of Linda Ronstadt – Duets. Its fifteen tracks encompass performances alongside artists including Aaron Neville, Emmylou Harris, Don Henley, Frank Sinatra, James
Review: Dionne Warwick On Edsel Records
Dionne Warwick's third album bore the title Make Way for Dionne Warwick. But truth to tell, by the time of its release in September 1964, America had already made way for the New Jersey-born singer. She had climbed the charts with the immortal likes of "Don't Make Me Over," "Anyone Who Had a Heart," "Walk on By" and "Reach Out for Me," the latter two of which were included on that LP. Of course, all of those singles were written and produced by the team of Burt Bacharach and Hal David, who
Forever Dusty: Four New Releases Celebrate Springfield's Musical Legacy
Dusty Springfield’s ebullient first solo single, 1963’s “I Only Want to Be with You,” announced just how far the former Mary Isobel Catherine Bernadette O’Brien had come from her pop-folk trio The Springfields and the likes of “Silver Threads and Golden Needles.” The thunderous production and joyous vocals augured for a significant new talent, and the song was selected as one of the very first ever to be played on the BBC’s Top of the Pops. And indeed, Dusty Springfield remained at the top of
BBR Has "The Force" With Latest Kool and the Gang Remasters
Big Break Records is determined to make sure that Everybody's Dancin' with its latest two reissues from the kings of Kool. The Cherry Red label dived into the Kool and the Gang catalogue in late 2013 with deluxe, expanded editions of all four of the band's epochal albums with arranger-producer Eumir Deodato: Ladies' Night (1979, Platinum), Celebrate! (1980, Platinum), Something Special (1981, Platinum) and As One (1982, Gold). Prior to that, BBR had already given similarly lavish treatment to
Too Much Heaven: Bee Gees' "Warner Bros. Years" Box Set Premieres Unreleased Tracks, Complete Concert
Following the release of 1981’s Living Eyes, The Bee Gees effectively called it a day. The band reportedly clashed during the making of the album, and its lack of chart success convinced Barry, Robin and Maurice Gibb to pursue non-band projects for a time. Solo albums and soundtrack recordings arrived, and the Barry Gibb/Karl Richardson/Albhy Galuten team worked its magic on releases by Dionne Warwick, Kenny Rogers and Diana Ross (featuring numerous songs co-written by all three brothers, of
He Wears It Well: Long-Delayed Rod Stewart Box Set Back On Track For March Release
2014’s gonna be alright for fans of Rod Stewart. Following 2012’s sex-drugs-and-rock-and-roll memoir Rod: The Autobiography and the 2013 release of Rarities (largely culled from the box set The Rod Stewart Sessions: 1971-1998), the one-time Rod the Mod and all-time superstar is still in a reflective mood. Stewart will look back on three decades of concert performances with the March 18 release from Warner Bros. Records of Live 1976-1998: Tonight’s the Night. This long-rumored box set consists
Starbucks Goes Hip and Jazzy On Venti Release Slate
If you’re looking for a little music to go with your grande toffee nut latte, Starbucks has recently unveiled a number of new audio offerings to kick off 2014. In addition to its annual Sweetheart disc – an anthology of new(ish) artists playing old(ish) love songs including, this year, songs by John Lennon, Bob Dylan and Harry Nilsson – the coffee giant has curated a selection of Music for Little Hipsters, sets dedicated to Women of Jazz and When Jazz Meets Guitar, and an Opus Collection volume
Brand New Year, Brand New Compilation: Legacy Preps "The Essential Eric Carmen"
Will the real Eric Carmen please stand up? There's Eric Carmen, the power pop prince of The Raspberries. There's Eric Carmen, the classically-inspired balladeer of "All By Myself" and "Never Gonna Fall in Love Again." And there's Eric Carmen, the eighties "comeback kid" of "Make Me Lose Control" and the Dirty Dancing perennial "Hungry Eyes." Luckily, all sides of the versatile artist figure prominently on Arista Records and Legacy Recordings' upcoming release of The Essential Eric Carmen.
Alice Cooper's "Trash" Gets Another Look From Hear No Evil, Cherry Red
There’s always something slightly disingenuous about the term “comeback album” – especially when an artist has never really left. Such was the case with Alice Cooper’s 1989 Epic Records release Trash. But one certainly sees why the expression would be used to describe Trash. Alice Cooper’s eighteenth studio release, it became his first Top 20 album in the U.S. since 1975’s epochal Welcome to My Nightmare, his biggest-ever U.K. success with a No. 2 peak, and contained his first U.S. Top 10 hit
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