Pair the Rolling Stones’ producer Andrew Loog Oldham with American rock-and-roll hero Del Shannon at the height of Swinging London, and what’s the result? It was an album called Home and Away, but despite its lofty ambitions of being a British answer to Pet Sounds, the LP didn’t see release as scheduled in 1967. It took more than a decade for Home and Away to surface, and it’s recently been reissued as a remastered CD from Now Sounds (CRNOW 40). Though the new Home and Away is a most welcome
Now Sounds Unearths Lost Leon Russell-Produced Psych-Pop Classic "Daughters of Albion"
Before he actually became The Master of Time and Space to his fans, Leon Russell was manipulating everything but time and space on a psychedelic pop opus that nobody heard. The fantastically imaginative Daughters of Albion was, well, DOA in the commercial sense upon its initial release in 1968. Its blend of dense lyrics, elaborate vocal arrangements, shifting moods and an everything-but-the-kitchen-sink-oh-hell-we'll-throw-that-in-too approach to the musical accompaniment might have been too
The Magic Touch: Kent Label Celebrates 30 Years with Soulful New Anthology
The Kent label (part of the Ace Records family) is turning 30, and you’re invited to the party. In a year which has also seen celebrations for labels including A&M and GRP, Kent 30: Best of Kent Northern 1982-2012 stands out as the toe-tapping, floor-filling compilation most suitable for dancing! With 30 selections in recognition of 30 years from soul greats like Chuck Jackson, Lorraine Chandler, Lou Johnson, Maxine Brown and Ben E. King, Kent 30 takes in previously anthologized tracks
Holiday Gift Guide Review: Various Artists, "'Twas the Night Before Hanukkah"
The story behind The Idelsohn Society for Music Preservation’s fascinating new 2-CD set ‘Twas the Night Before Hanukkah is a simple one. The label, dedicated to telling Jewish history through music, set out to chronicle the music of Hanukkah before discovering that the most famous Christmas songs – “White Christmas,” “Rudolph the Red-Nosed Reindeer,” “The Christmas Song,” just to name three – were all written by members of the Jewish faith! So the Hanukkah compilation doubled in size, and
Holiday Gift Guide Reviews: Etta James and Sarah Vaughan, "Complete Albums Collections"
Etta James and Sarah Vaughan: by any and all accounts, two formidable women of song. Now, these late legends are both receiving the deluxe treatment from Legacy Recordings on two box sets as part of the Complete Albums series. Though Etta James' most enduring recordings were made during her sixteen years (1960-1976) at Chess Records, including her oft-imitated but never-topped perennial "At Last," the former Jamesetta Hawkins recorded for over fifty years in a variety of genres for a variety
Holiday Gift Guide Review: Louis Armstrong, "The OKeh, Columbia and RCA Victor Recordings 1925-1933"
Duke Ellington famously stated, “It don’t mean a thing if it ain’t got that swing,” but without Louis Armstrong, Duke would assuredly have had to pose some other question. Bing Crosby, the man owed a debut by every popular singer of the past eighty or so years, described Armstrong as “the beginning and end of music in America” while fellow trumpeter Miles Davis acknowledged that “you can’t play anything on a horn that Louis hasn’t played.” Yet Armstrong is arguably most remembered today by the
Holiday Gift Guide Review: The Moving Sidewalks, "The Complete Collection"
Before ZZ Top, there was The Moving Sidewalks. The dust has been blown off a lost chapter of Texas rock history with RockBeat Records’ release of The Complete Collection (ROC-CD-3018) from Billy Gibbons’ early band. This 2-CD set chronicles, in deluxe style, the four-piece psychedelic blues-rock outfit that emerged from the ashes of The Coachmen and eventually morphed into the first iteration of ZZ Top. Vocalist and guitarist Gibbons, a native of Houston, founded the psychedelic blues-rock
Holiday Gift Guide Review: Duke Ellington, "The Complete Columbia Studio Albums Collection 1951-1958"
What made Ellington a Duke? Though born in the final year of the 19th century, few figures in 20th century music were as influential as composer, pianist and bandleader Edward Kennedy “Duke” Ellington. By the time of his first ever long-playing album, 1951’s Masterpieces by Ellington, he was already American royalty, well-established via films, Broadway musicals and the enduring compositions he gifted to the Great American Songbook. Masterpieces also kicks off the nine-disc journey through
Holiday Gift Guide Review: Various Artists, "Surf Age Nuggets: Trash and Twang Instrumentals 1959-1966"
In 1996, Rhino Records released Cowabunga! The Surf Box, a four-disc celebration of surf music, both vocal and instrumental, from its earliest days to the then-present. It’s taken more than fifteen years, but James Austin, the co-producer of that long-out-of-print box, has returned with an all-new companion piece. Surf Age Nuggets, released through the RockBeat label (ROC-CD-3098), offers another four discs’ worth of “trash and twang instrumentals,” as the cover promises. Its 104 tracks
Holiday Gift Guide Review: Johnny Cash, "The Complete Columbia Album Collection"
Are you ready to add some Black to the red and green this Christmas? If you are, you’ll be richly rewarded thanks to Columbia Records and Legacy Recordings’ Johnny Cash: The Complete Columbia Album Collection (88697 91047 2, 2012). It’s no easy feat to distill the essence of an artist into one package, let alone when the artist in question is John R. Cash. Yet this collection spanning 33 years (1957-1990), 61 albums and 63 CDs succeeds in revealing the man behind the black in all his many
Review: Jackie DeShannon, "Keep Me in Mind: The Complete Imperial and Liberty Singles Volume 3"
All good things must come to an end, and alas, that’s the case with the third volume of Jackie DeShannon’s Complete Imperial and Liberty Singles chronicling the decade-long output of the trailblazing songwriter and generation-defining singer. DeShannon captured the spirit of her era with “What the World Needs Now is Love” and “Put a Little Love in Your Heart,” the latter of which finally appears on Volume Three, entitled Keep Me in Mind (Ace CDCHD 1350). But as anyone who’s picked up the first
Holiday Gift Guide Reviews: Legacy's "Classic Christmas Album" Series from Manilow, Vandross, Presley, Nelson, Denver, Kenny G
If you’re a resident of the storm-ravaged East Coast, you might have recently found yourself singing, “We need a little Christmas, right this very minute! “ I know I have. As happens every year around this same time, holiday albums have already begun to fill the shelves, with new albums arriving from artists old and new as well as reissues from Christmases past. In 2011, Legacy Recordings issued The Classic Christmas Album for Tony Bennett, combining tracks from Bennett’s three holiday-themed
Reviews: Bunny Sigler and Billy Paul's Philadelphia International Classics from BBR
When Philadelphia International Records turned 40 this past year, there was no single campaign to recognize the milestone. In the U.S., Legacy Recordings offered up the sizzling rare concert Golden Gate Groove, and the U.K.'s Harmless label delivered the most comprehensive box set to date of the label's music. But a great deal of the heavy lifting has come from another U.K. label, Big Break Records. The BBR team has delivered a selection of generously expanded, beautifully designed album
Holiday Gift Guide Review: The Chipmunks, "Chipmunks Christmas"
There’s only one “Christmas Song” – chestnuts roasting on an open fire, and all that. And there’s only one “Chipmunk Song” – in which Alvin never gets his much hoped-for hula hoop. What began as a novelty for Ross Bagdasarian, a.k.a. David Seville, led to three Grammy Awards for “The Chipmunk Song” alone and a chart-topping berth. Indeed, it remains the only Christmas song to have ever reached No. 1 on the Billboard pop chart. But that wasn’t all for Alvin, Simon and Theodore, with two
Holiday Gift Guide Review: Elvis Presley, "Prince from Another Planet"
"I'm not kidding myself. My voice alone is just an ordinary voice. What people come to see is how I use it. If I stand still while I'm singing, I'm dead, man. I might as well go back to driving a truck." Though Elvis Aron Presley's vocal instrument was one of the greatest in the entirety of American popular music, the singer wasn't simply being modest. Whether threatening staid fifties culture in a pair of tight pants, shaking his famed pelvis, or taking to the Las Vegas concert stage in
Holiday Gift Guide Review: Creedence Clearwater Revival, "Ultimate CCR: Greatest Hits and All-Time Classics"
Did John Fogerty write “Proud Mary,” or did it come to the Creedence Clearwater Revival frontman by some kind of divine inspiration? After all, the modern folk song has become such a part of the American cultural tapestry that it’s hard to believe the song’s origins were so, well, ordinary: Fogerty cobbled together a spontaneously-improvised riff at San Francisco’s Avalon Ballroom with lyrics inspired by diverse sources and experiences to create the song that anchored the band’s sophomore album
Holiday Gift Guide Review: The Comedy and Music of Ernie Kovacs and Edie Adams
Welcome to 2012's Second Disc Holiday Gift Guide! We'll use these special reviews to highlight not only seasonally-themed releases, but box sets, deluxe reissues and other special titles that might make the perfect gifts under your tree this holiday season! Groucho Marx once observed that "marriage is a wonderful institution," before adding, "but who wants to live in an institution?" A few lucky couples have not only thrived in that institution, however, but also in the world of comedy:
Reviews: Dion's "Complete Laurie Singles," David Cassidy's "Romance"
Today, we're taking a look at two recent releases from Real Gone Music! Dion DiMucci greeted the 1960s on his own, just 20 years old but already a chart veteran with soon-to-be-classics like “I Wonder Why” and “A Teenager in Love” under his belt. Those songs, though, were recorded with his friends The Belmonts. When Carlo Mastrangelo, Angelo D’Aleo and Fred Milano wanted to emphasize doo-wop harmonies and Dion wanted to rock and roll, Dion and the Belmonts split. How would the Italian kid
Review: Every Mothers' Son, "Come On Down: The Complete MGM Recordings"
It may not have been the strangest story ever told in pop music, not by a long shot. But it had to be right up there: a fella is smitten with the fisherman’s daughter, but her overprotective daddy apparently never lets her out of his sight. It seems she’s tied to the dock, and can’t get free: “Fish all day and sleep all night/Father never lets her out of his sight/Soon I’m gonna have to get my knife and cut that rope!” This offbeat little tale of love conquering all shot all the way up to a
Review: Five from The Steve Miller Band (1968-1970), Reissued on Edsel
The 1968 debut of the Steve Miller Band begins with a shattering cacophony, followed by an acoustic strum emerging like a beacon of light amidst the darkness and clatter. The album's title track "Children of the Future" is far removed from the ironic detachment of "The Joker" or the sleek majesty of "Fly Like an Eagle," later hits that proved the group could go "pop" while still showing off their versatility and impeccable musicianship. Edsel Records has just afforded listeners the opportunity
Review: Peter Gabriel, “So: Immersion Box Set” – Part 2: This is the Picture
In yesterday's first part of the So box set review, we discussed the original album proper and the accompanying So DNA bonus disc. Part 2 continues with a look at a live show, some visual content and more. If there's a major mistake on the So box set, it's keeping the So DNA disc exclusive to a $100+ box set. As much as it replicates the original album (with a different spin, naturally), it feels closer to the mothership than the great but best-taken-separately experience of Live in Athens
Review: Peter Gabriel, "So: Immersion Box Set" - Part 1: Let There Be No Doubt About It
When Peter Gabriel's So hit stores in the spring of 1986, it wouldn't be unfair to call almost everything about the ex-Genesis' fifth record a complete surprise. For one, the record had a title, boldly marked in the upper left corner as if a challenge to the reader. Moreover, the album sleeve showed not a Hipgnosis-created aberration of Gabriel - obscured by raindrops, jagged scratches, or photo manipulation that seemed to melt half his face off - but a Peter Saville-crafted black-and-white
Review: David Sanborn, "Then Again: The Anthology"
Even if you don’t know David Sanborn, chances are you know his saxophone on David Bowie’s “Young Americans.” Or James Taylor’s “How Sweet It Is (To Be Loved by You).” Or Bruce Springsteen’s “Tenth Avenue Freeze-Out,” on which he joined Clarence Clemons and the Brecker Brothers. Though Sanborn is considered a leading light in the “smooth jazz” movement, his background is much more varied. He played the blues with Paul Butterfield at Woodstock, pure jazz with Gil Evans, and R&B with James
Review: The Beach Boys Remasters, Part Two: The Album-by-Album Guide
It’s about time now! Don’t you know now? It’s about time we get together to be out front and love one another… - Dennis Wilson, Carl Wilson, Bob Burchman and Al Jardine (1970) Isn’t it time we danced the night away? How about doing it just like yesterday? - Brian Wilson, Joe Thomas, Jim Peterik, Larry Millas and Mike Love (2012) No, Mike Love didn’t fire Brian Wilson from The Beach Boys. But that didn’t stop the Beach Boys’ leader, producer and chief songwriter from telling The Los
Review: Barbra Streisand, "Release Me"
On Saturday evening, October 13, Barbra Joan Streisand triumphantly concluded a two-night engagement at Brooklyn, New York’s brand-new Barclays Center. The two evenings marked her first public performances in the borough of her birth since she dropped the “a” from Barbara and followed the call of superstardom, first to Manhattan and then to Hollywood. Streisand recalled to the audience of 19,000 that her last time singing in Brooklyn was on a stoop! Still, she serenaded the community with
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