It may seem trite and ridiculous to Americans, but across the pond there is one competition that’s bigger than any Idol or X-Factor event in the music world: the Eurovision Song Contest. For nearly 60 years, dozens of countries in the European Broadcasting Union send a song and a performer to the live event, and a winner is selected by votes. Despite the immense popularity of the contest, it’s interesting how few winners achieve true global superstardom. Sandie Shaw won with her signature “Puppet on a String” in 1967, and songs performed by Lulu,…
Review: Blood, Sweat and Tears, “The Complete Columbia Singles”
Blood, Sweat and Tears has much in common with Rodney Dangerfield – they get no respect. Though the band founded by Al Kooper, Steve Katz, Bobby Colomby, Jim Fielder, Dick Halligan, Randy Brecker and Jerry Weiss produced some of the most enduring pop singles of the late 1960s and early 1970s, the group has long lingered in the shadows of rock’s back pages. Eclipsed in fame by Columbia Records labelmates Chicago, plagued by a series of acrimonious departures from the ranks, and pilloried for perceived pro-Nixon views, BS&T has survived primarily as…
Feeling Good: Rare Albums From Henry Mancini, Anthony Newley Arrive From Vocalion
The U.K.’s Vocalion label is dedicated to exploring the corners of music catalogue too often overlooked by other labels: dance bands, big bands, “personalities,” “easy, light and Latin,” soundtracks, and classical titles, per its website. A new batch of rare and new-to-CD titles (including “easy listening” releases from Peter Nero, Floyd Cramer, Paul Mauriat and George Melachrino) is highlighted by a two-fer containing two rare Henry Mancini LPs, and another two-fer drawn from Anthony Newley’s tenure at RCA Victor in which the consummate entertainer was teamed with arrangers like H.B. Barnum, Billy…
Dance a Little Bit Closer with Charo and The Salsoul Orchestra, Loleatta Holloway
Cuchi-cuchi! Charo, or María del Rosario Mercedes Pilar Martínez Molina Baeza, burst onto the cultural radar with her goofy, slightly suggestive catchphrase during the late-sixties run of the television phenomenon Rowan and Martin’s Laugh-In. Once a frequent passenger on The Love Boat, the comedienne-bombshell still is a familiar face today on television (Dancing with the Stars, RuPaul’s Drag University) and onstage – on land and on sea, even on the good ship Disney Magic. In 1977, Charo teamed with Vince Montana Jr., the arranger-conductor of Salsoul Records’ house band The Salsoul Orchestra,…
Cherry Pop Revives Hazell Dean’s Rare Burt Bacharach LP, Weather Girls’ Second Album
The sound of Hazell Dean has long been associated with the sound of Hi-NRG, the dance-pop genre in which she scored hits like “Searchin’ (I Gotta Find a Man),” “Whatever I Do (Wherever I Go)” and “Who’s Leaving Who.” But thanks to Cherry Pop, fans can discover another side of Hazell Dean on The Sound of Bacharach and David. This ultra-rare promotional LP, originally issued in 1981, was commercially released for the first time on CD this week in the U.K.; it hits U.S. stores next Tuesday. The future Hi-NRG queen came…
Billy Paul Is “Feelin’ Good” On BBR Reissue Of His First Studio Album
Big Break Records and Billy Paul – they’ve got a thing going on. The label, an imprint of the Cherry Red Group, has just returned to the soul titan’s catalogue for the sixth time – and with this release has gone back to the very beginning. BBR’s previous reissues from the “Me and Mrs. Jones” singer have explored his Philadelphia International discography as well as his Neptune release Ebony Woman and a post-PIR album for Total Experience Records. Now, the label has turned its attention to Paul’s debut LP, 1968’s Feelin’ Good at…
Get Ready: Tommy Hunt’s “Sign of the Times” Revives Northern Soul Favorites
Trivia: who was the first artist to release Burt Bacharach and Hal David’s “I Don’t Know What to Do with Myself” in 1962? Hint: it wasn’t Dusty Springfield (1964) or Dionne Warwick (1966). The answer is Tommy Hunt, onetime member of The Flamingos and a member of the Scepter Records family between 1961 and 1964. At Scepter, Hunt introduced both that now-classic song and scored hits like “Human” (No. 5 R&B/No. 46 Pop, 1961) and “I Am a Witness” (No. 71 R&B, 1963). Hunt followed his Scepter tenure with stints at Atlantic,…
Reissue Theory: Fleetwood Mac, “Tango in the Night”
Welcome to another installment of Reissue Theory, where we focus on great albums and the reissues they could someday see. As we welcome one of our favorite ladies in rock back to her famous band, we remember their last album altogether and the pop success it enjoyed. One of the best pieces of classic rock news to come out of this nascent year is easily the announcement of singer/keyboardist Christine McVie returning to Fleetwood Mac. McVie retired from the band (and touring in general) after the band’s incredibly successful The Dance tour in…
BBR “Heats It Up” with Salsoul Orchestra, Joe Bataan, Herbie Mann, Chris Jasper
As Big Break Records’ first releases for 2014 hit stores in the U.K. today (more on those shortly!), the time is right to take a look at more from the label’s closing slate of 2013. This eclectic roster – from legendary Latin music artist Joe Bataan, the post-Vince Montana iteration of The Salsoul Orchestra, jazz flautist Herbie Mann and soul man Chris Jasper – is doubtless one of BBR’s strongest. So influential was Joe Bataan‘s 1974 Mericana Records release Salsoul that it literally inspired an entire label. The Filipino-African-American artist, born Bataan…
A Filmography Fit for a King, Chronicled on New Elvis Box Set
If a Legacy Edition of Elvis’ Recorded Live on Stage in Memphis wasn’t enough excitement from the King, try this one on for size: Sony’s U.K. arm is releasing a 20-disc box set collecting Elvis Presley’s soundtrack albums. From the beginning of his career, Elvis Aaron Presley had an eye on Hollywood. He enjoyed acting, despite having no formal training in it, and had a screen test for Paramount Pictures just days after his first long-player for RCA Victor was released. Producer Hal Wallis (Casablanca, The Maltese Falcon) offered him a contract with Paramount, though…
Only the Strong Survive: Ace Reissues, Remasters Vintage Southern Soul from Stax, Fame
The mighty Stax Records catalogue got a lot of much-deserved respect in 2013, from a new book exploring the label’s history (Robert Gordon’s Respect Yourself: Stax Records and the Soul Explosion) to a variety of catalogue projects, many from the venerable Ace Records label. Ace has recently followed up its reissues of classic albums by The Staple Singers, David Porter and Bettye Crutcher with further Stax discoveries from Darrell Banks and The Newcomers. And not to be outdone, Ace has also mined the legacy of another southern soul hotbed, Muscle Shoals’ Fame Studios, with a…
Here Where There Is Love: Edsel Repackages Sixteen Dionne Warwick Albums In Four Sets
Following last year’s series of 23 expanded reissues of Dionne Warwick’s Scepter and Warner Bros. catalogue from WEA Japan, the U.K.’s Edsel label is revisiting 16 of those very albums on four new, multi-CD sets. Each one of Edsel’s sets will contain four original stereo albums in chronological sequence, with two of the new titles adding singles and retaining bonus tracks originally introduced on Rhino Handmade’s expanded reissues. The titles, due in stores on January 13, are as follows: Presenting Dionne Warwick (1963) / Anyone Who Had a Heart (1964) / Make…
Holiday Gift Guide Review: Matt Monro, “The Rarities Collection” and “Alternate Monro”
How lovely to sit here in the shade, with none of the woes of man and maid/I’m glad I’m not young anymore! The rivals that don’t exist at all, the feeling you’re only two feet tall/I’m glad I’m not young anymore! Matt Monro recorded those Alan Jay Lerner lyrics in January 1973 at just 42 years of age. But by that point, the golden-voiced singer had already acquired enough experience to interpret them with supreme confidence and natural charm. Monro’s reassuring, crisply impeccable tone earned him early comparisons to Frank Sinatra, but…
Holiday Gift Guide Review: Buck Owens, “Buck ‘Em! The Music of Buck Owens”
No less an eminent personage than American author William Faulkner once said that “a writer needs three things – experience, observation, and imagination – any two of which, at times any one of which, can supply the lack of the others.” Country music legend and Bakersfield Sound pioneer Buck Owens, however, utilized all three of those key elements in his songs, which may help explain their timeless stature. Fifty of those recordings are anthologized on Omnivore’s new Buck ‘Em! The Music of Buck Owens (1955-1967) (OVCD-75), a two-CD alternative history of the…
British Invasion! The Beatles Unveil “The U.S. Albums” Box Set in January
Get ready to revisit the original British Invasion: On January 21 in North America (and January 20 worldwide), The Beatles are coming to America with the release of The U.S. Albums, a 13-CD box commemorating the 50th anniversary of the Fabs’ arrival in New York City on February 7, 1964. Two nights later, 74 million viewers watched the band make history on The Ed Sullivan Show, and Beatlemania was officially in full swing. This new box set includes The Beatles’ U.S. albums from 1964’s Meet the Beatles! to 1970’s Hey Jude, and…
Now Sounds Tip-Toes Thru The Tulips With “God Bless Tiny Tim”
Welcome to my dream, and how are you? Will you be here long, or just passing through? Brush off that stardust, where have you been? Don’t tell me my rainbow was late getting in… When Herbert Buckingham “Tiny Tim” Khaury, 37, married Victoria May “Miss Vicki” Budinger, 17, on December 17, 1969 before Johnny Carson, Ed McMahon, The Rev. William Glenesk and a studio audience filled with 268 of the happy couple’s closest friends, roughly 40 million people were watching. It was a high point for Carson’s Tonight Show, and some 44…
Holiday Gift Guide Review: Bobby Darin, “The 25th Day of December” and Various Artists, “Funky Christmas”
Real Gone Music is ensuring that it’s going to be a merry Christmas, indeed, with a number of holiday-themed releases that practically beg to be enjoyed alongside a glass of egg nog and a warm fireplace. Bobby Darin’s The 25th Day of December, the late singer’s only holiday LP, arrived on the Atco label in 1960. However, the album wasn’t the work of Bobby Darin, the splish-splashin’ rock-and-roller, or Bobby Darin, the finger-snapping, tuxedoed crooner. It’s not even the work of Bob Darin, the folk troubadour. Instead, it displays another side of…
Holiday Gift Guide Review: Frank Sinatra, “Duets: Twentieth Anniversary”
“May you live to be one hundred and may the last voice you hear be mine.” The image of Frank Sinatra, glass in hand, delivering that favorite toast is an indelible one. His wasn’t just a voice, after all. Before he was Ol’ Blue Eyes or The Chairman of the Board, he was simply The Voice. And through all its many changes, The Voice endured. The pure, romantically-charged timbre that set the hearts of bobbysoxers pounding in the forties transformed into the ultimate instrument of ultimate cool during the fifties and sixties. …
BBR Continues Its “Journey” With Salsoul Catalogue
If you’re looking for another chance to “dance your ass off,” look no further. Big Break Records has returned to the mighty catalogue of Salsoul Records for another three “made in Philadelphia” classics from the soulful disco label. “C’mon, Vince, play your vibes!” Loleatta Holloway exclaimed before the leader of The Salsoul Orchestra, Vince Montana Jr., stepped forward for a solo on “Run Away,” the third track on the powerful unit’s third non-holiday long-player. 1977’s Magic Journey follows its predecessors The Salsoul Orchestra and Nice ‘n’ Naasty in receiving the deluxe BBR…
Heavy “Drama”: SoulMusic Slate Includes The Dramatics, Nancy Wilson, D.J. Rogers
As the old expression goes, all good things must come to an end. And so Nancy Wilson’s 37-album, 20-year tenure at Capitol Records ended in 1980 with the release of Take My Love. At Capitol, Wilson had proved her mastery of Broadway, Hollywood, traditional vocal jazz, fusion jazz, pop and soul, and had collaborated with the likes of George Shearing, Cannonball Adderley, Kenny Gamble and Leon Huff, Thom Bell, and Oliver Nelson. On her final Capitol LP, Wilson enlisted producers Larry Farrow and Carolyn Johns with whom she had worked on Life,…
Review: Miles Davis, “The Original Mono Recordings”
“Mono featured less audio trickery and fewer audio distractions, so you can actually hear the musical conversation between Miles and the other musicians as it occurred in the studio.” That’s producer George Avakian as quoted in the liner notes for Columbia and Legacy’s new nine-album box set Miles Davis: The Original Mono Recordings. And that purity of sound – further described by the producer of Davis’ first two Columbia albums as “truer to the studio sound and the original intent” – is raison d’etre enough for this compact but substantial box set…
Review: The Beatles, “On Air: Live at the BBC Volume Two”
Meet the Beatles…again. The new Apple/Capitol/Universal release On Air: Live at the BBC Volume Two sets the Wayback Machine at Destination: 1963 and 1964, when four Liverpool lads named John, Paul, George and Ringo ignited a British Invasion that continues to this very day. All 63 tracks (both spoken-word introductions and songs) on this new 2-CD time capsule date back to those two years, when the Fabs recorded unique performances for such BBC programs as Saturday Club and Pop Go the Beatles. A belated follow-up to 1994’s Live at the BBC (which…
Celebrate Good Times, Come On! BBR Reissues, Expands Four Kool and the Gang Classics
You can’t keep a Kool man down. This week, Robert “Kool” Bell (now known as Muhammad Bayyan) leads the legendary funk-soul-R&B-disco outfit Kool and the Gang through its latest studio album, the Best Buy/Wal-Mart exclusive Kool for the Holidays. But for nearly 45 years, the music of Kool and the Gang has been celebrated for all seasons. Big Break Records last revisited the Kool catalogue in 2011 with an expanded edition of 1976’s Open Sesame, but the label is returning to the group in a big way with deluxe reissues of all…
BBR Completes Pointer Sisters’ Planet Catalogue with “Priority” and “Black and White” Remasters
Between 1978 and 1988, The Pointer Sisters recorded a stunning series of nine albums with producer Richard Perry (Barbra Streisand, Harry Nilsson), first for his Elektra-distributed Planet Records label, and then for RCA, to whom Perry eventually sold Planet. During this period, June, Ruth and Anita finally were able to Break Out on the U.S. charts – to quote the title of the group’s multi-platinum 1983 album which introduced four U.S. Top 10 hits. Previously the Pointers had mastered jazz, blues, funk and even country – the latter with the Grammy-winning “Fairytale.” …
Review: Bob Dylan, “The Complete Album Collection Volume One”
Tucked away on Bob Dylan’s 23rd studio album Empire Burlesque, the troubadour sings simply but sternly, “Trust yourself/Trust yourself to do the things that only you know best/Trust yourself/Trust yourself to do what’s right and not be second-guessed…” Dylan had trusted himself since he first arrived on the scene in 1962, engaging in a series of transformations that enthralled, angered, transfixed and bewildered those that followed his career – from folk troubadour to electric rocker to cowboy crooner to confessional singer-songwriter to born-again song-slinger to distracted artist to grand old man and…
