As lead singer of California rock group The Go-Go’s, Belinda Carlisle conclusively proved that she, indeed, had the beat. In her solo career, she applied her powerfully soaring pipes – one minute honeyed, the next smoky – to some of the most iconic pop songs of the era. Edsel has recently repackaged Carlisle’s second through fifth albums as truly deluxe, hardbound 2-CD/1-DVD editions, and they’re a nostalgic trip back to the days when power ballads ruled the radio and one singer stood at the front of the pack. When The Go-Go’s disbanded…
Waterboys Reel In “Fisherman’s Blues” Box for October, November
In their heyday as one of Europe’s premiere post-punk bands, there were three words associated with The Waterboys: “the big music.” The Scottish-Irish-English band, led and anchored by singer/songwriter Mike Scott, hit it big on the other side of the Atlantic with emotionally resonant rock, awash in ringing guitars and evocative lyrics. Leave it to someone like Scott to break the mold with the band’s fourth album, Fisherman’s Blues – which is the subject of an exhaustive box set released today. Recorded over two years in Dublin and Galway, Ireland and Berkeley, California, Fisherman’s…
Omnivore Re-Joins Jellyfish Fan Club with Unreleased Radio Performances
Fans of eternally underrated power-pop outfit Jellyfish have had nothing but friends over at Omnivore Recordings. The label first released the band’s two studio albums, Bellybutton and Spilt Milk, on vinyl. Then there was the unreleased Live At Bogart’s and the Stack-a-Tracks compilation, which featured mostly-instrumental mixes of the two albums uncovered from the vaults. Now, Omnivore prepares Radio Jellyfish, a ten-track compilation of radio broadcasts recorded two decades ago. All but one of the tracks are presented here for the first time (one first surfaced on a long out-of-print Jellyfish box set from 2002), and paint another…
Review: Tony Bennett, “Live at the Sahara: Las Vegas 1964”
It’s been a busy week for Tony Bennett, one of the few artists today for whom “legendary” truly applies. Bennett, 87, supported the release of Live at the Sahara: Las Vegas, 1964 as well as the digital release of his entire Columbia Records catalogue with a “digital day” for the books. Bennett engaged in a HuffPost Live Chat, took questions on Twitter via the hashtag #AskTony, shared videos on Facebook, and even participated in a reddit AMA. Here’s to the next 87, Tony! Though named for one of the driest places on earth, the Sahara…
Special Review: Joe Grushecky, “Somewhere East of Eden”
As these words are being published, we’re in Day 10 of the U.S. government shutdown, with no end apparently in sight. Could Joe Grushecky have picked a better time to release his seventeenth and latest solo album, the poltiically-charged and socially-conscious Somewhere East of Eden (Schoolhouse/Warner Nashville 2-535518, 2013)? Grushecky has always evinced that he cares deeply for America, and for its citizens – particularly the blue-collar, working class. On Eden, the rootsy singer-songwriter (frequently categorized alongside the likes of John Mellencamp and Bob Seger as a proponent of “heartland rock”) directs one track…
Review: Pablo 40th Anniversary Series with Gillespie, Ellington, Tatum, Peterson, Grappelli and Sims
When impresario Norman Granz founded the Pablo label in 1973, fusion, funk and Latin sounds were at the forefront of jazz. Granz, founder of the Verve, Norgran and Clef labels, initially launched Pablo as a platform for his management clients Ella Fitzgerald, Oscar Peterson and Joe Pass, but soon its roster was filled out with the equally starry likes of Duke Ellington, Count Basie and Sarah Vaughan. Granz’ new label was an instant success and a safe haven for traditional jazz in this period of rapid musical change. Pablo’s very first LP…
Review: Harry Nilsson, “Flash Harry”
When Harry Nilsson’s The RCA Albums Collection was finally unveiled earlier this year by Legacy Recordings, many finally stood up and took notice of the gifted singer-songwriter whose art deftly blended the high and the low, the angelic and the devilish, the euphoric and the melancholy. That astounding box set included each one of Nilsson’s albums for the RCA label – in other words, his entire solo discography save one album. And now, that final missing link is finally here, on CD to join its brethren. At long last…Flash Harry! A series…
La La Land Has “True Grit” With First Release Of Complete Elmer Bernstein Score with Four Glen Campbell Vocals
When directors Joel and Ethan Coen adapted Charles Portis’ novel True Grit in 2010 for its second big-screen adaptation, one element was noticeably missing: the Academy Award-nominated title song by Elmer Bernstein and Don Black, so winningly introduced by Glen Campbell in the 1969 film version. Campbell’s recording yielded a Top 10 Country and AC/Top 40 Pop single, and remains one of his most beloved songs today. “True Grit” appeared on a brief, 10-track album in which two renditions as sung by Campbell bookended eight tracks of Bernstein’s stirring score. But that…
Varese Offers Up Fab Pair with George Martin’s “Beatles to Bond” and Campbeltown Pipe Band’s “Mull of Kintyre”
With the upcoming release of The Beatles’ On Air: Live at the BBC Volume Two, there’s Beatlemania in the air once again. And the Varese Sarabande label’s Varese Vintage imprint is at the ready with two recent reissues bearing ties to the Fab Four: George Martin’s Beatles to Bond and Bach (1974) and The Campbeltown Pipe Band’s Mull of Kintyre (1978). Both of these are rather unexpected titles and all the more welcome for it! Beatles to Bond and Bach, originally issued on the Polydor label, offered exactly what the title promised. …
Short Takes, Christmas Edition: Glen Campbell, Judy Collins, Al Hirt Bring Holiday Cheer
At long last – Capitol Records has That Christmas Feeling. Glen Campbell’s first Christmas album, from 1968, has long been absent from CD, but the label has rectified that with the new release of Campbell’s ICON Christmas. Though retitled and with new artwork, ICON Christmas is, in fact, That Christmas Feeling as newly remastered by Mike Jones at Universal Mastering. (The previous, now-hard-to-find CD issue, from the Netherlands, also presented the album with new art.) Produced by Al De Lory – who also helmed many of Campbell’s classic singles including “By the…
Hangin’ Out with Henry Mancini and Ferrante and Teicher: Intrada, Vocalion Revisit 1970s Gems
For fans of the legendary composer Henry Mancini, these really are the days of wine and roses. The soundtrack specialists at Intrada have just announced the CD release of Mancini’s score to the 1974 adventure film The White Dawn for the very first time in a deluxe edition with bonus material. And the U.K.-based Vocalion label is looking to the same decade with the reissue of two of Mancini’s never-before-on-CD RCA albums plus another pair from piano duo Arthur Ferrante and Lou Teicher. Ferrante (1921-2009) and Teicher (1924-2008) met while studying at…
Review: Joanie Sommers, “Come Alive! The Complete Columbia Recordings”
On the opening track of Joanie Sommers’ 1966 Columbia LP Come Alive!, the velvet-voiced singer seductively taunted, “You better love me while you may! Tomorrow I may fly away…” True, the Hugh Martin/Timothy Gray tune was originally sung by the late Elvira, a ghost haunting her husband in the musical High Spirits. But it could just as easily have applied to Sommers. Following a string of hit albums and singles for Warner Bros. Records, her home since 1960, the winsome “Pepsi Girl” and “Voice of the Sixties” decamped Warners for Columbia. Though…
Yeah, Yeah, Yeah! The Beatles’ “On Air: Live at the BBC Volume 2” Rocks November
The worst-kept secret of this fall’s upcoming release schedule is finally out – and we’re shouting, “Yeah, yeah, yeah!” After weeks of speculation, Capitol Records has finally confirmed the November 11 arrival of The Beatles’ On Air – Live at the BBC Volume 2. Its 63 tracks – encompassing 40 musical performances (37 of which are previously unreleased) and 23 selections of on-air, in-studio repartee – were all recorded for the Fab Four’s 1963-1964 BBC radio performances on shows such as Pop Go the Beatles and Saturday Club. This new collection, available in 2…
Special Review: Glen Campbell and Jimmy Webb Conjure Old Ghosts On Two New Releases
Since 1967, it’s been difficult to think of Glen Campbell without thinking of Jimmy Webb – and vice versa. When the ace session guitarist interpreted the young songwriter’s “By the Time I Get to Phoenix” on the album of the same name, the result wasn’t just a Grammy-winning hit single, but the beginning of a partnership that’s survived through six decades. Campbell scored successes with a string of Webb’s songs in the late 1960s (“Wichita Lineman,” “Galveston,” “Where’s the Playground, Susie”), celebrated his friend’s ouevre with the 1974 LP Reunion, and tapped…
In His “Reality”: Philly Soul Meets Jazz On Monk Montgomery Reissue
UPDATE 9/10/13: Just yesterday, we published the following review of Monk Montgomery’s 1974 album Reality, produced, arranged, and co-written by a true legend of soul music and architect of The Sound of Philadelphia, Mr. Bobby Martin. Today, word has arrived that Martin, 83, has passed away following a brief illness. A masterful orchestrator of horns and strings with a background steeped in jazz, Martin created music that was sweet and sophisticated, romantic and wrenching. and always positively soulful. Whether with Lou Rawls, Billy Paul, The O’Jays, The Manhattans, L.T.D. or Monk Montgomery,…
Lonely Boy No More: Edsel Honors Andrew Gold with Complete Albums Set
If you’ve been looking for a simple way to acquaint yourself with the soft rock stylings of the late Andrew Gold, Edsel may have just the set for you: a triple-disc, bonus-laden compilation of Gold’s four albums for Asylum Records. The singer/songwriter/multi-instrumentalist enjoyed his greatest successes as one of the pre-eminent smooth pop tunesmiths of the late ’70s. “Lonely Boy” was a Top 10 hit in 1977, while follow-ups “Thank You for Being a Friend” and “Never Let Her Slip Away” enjoyed respective chart successes in the U.S. and the U.K. (the…
Cherry Pop “Thinks It Over” With Two Reissues From Cissy Houston
When Cissy Houston was signed to Private Stock Records in 1977 to record the first of two albums just reissued by the Cherry Pop label, her C.V. spoke for itself. Music practically ran in the veins of the vocalist born Emily Drinkard in Newark, New Jersey, 1933. Cissy first made her mark as a member of The Drinkard Singers, the group said to have recorded the very first major-label gospel album (1959’s A Joyful Noise, on RCA Victor). Among Cissy’s fellow Drinkard Singers was her sister Lee Warrick, mother of Marie Dionne…
Hot Stuff: Donna Summer’s Legacy Celebrated with New Remix Album
The sudden passing of Donna Summer in 2012 had fans old and new flocking to her music to hear some of the finest disco music imaginable. This fall, Verve Records will bring that legacy into a new era with Love to Love You Donna, a set featuring new remixes of her most enduring tracks. Happily, Love to Love You Donna features more than its share of enduring remixers to give Summer’s hits the respect they deserve. Electronic funk duo Chromeo tackles her 1982 hit “Love is in Control (Finger on the Trigger),” England’s Hot…
Really Saying Something: Bananarama Reissues Coming from Edsel
“Hot summer streets and the pavements are burning, I sit around…” Summer may be over, but Edsel’s given Bananarama fans quite the reason to sing and dance: on October 22, they will reissue all six of the London girl group’s London Records albums as 2CD/1DVD sets. Known for their spunky, tomboyish image, powerful unison vocals and a style with one foot in both the past and the future – hits included covers of “Really Saying Something” by The Velvelettes, Steam’s “Na Na Hey Hey Kiss Him Goodbye” and Shocking Blue’s “Venus” (not…
Review: The Beach Boys, “Made in California”
If everybody had an ocean… Rarely have five simple words in pop music held such promise. The message at the time was an invitation squarely aimed at teens: “If everybody had an ocean, across the USA/Then everybody’d be surfin’ like Califor-ni-a…” But ultimately, the promise and California dream embodied by Hawthorne, CA’s native sons came to mean so much more than mere surfin’. The sound of The Beach Boys – Brian Wilson, Mike Love, Carl Wilson, Dennis Wilson, Al Jardine, David Marks, Bruce Johnston, Blondie Chaplin and Ricky Fataar – has crossed…
SoulMusic Records Delivers the Love with Phyllis Hyman’s “Buddah Years”
SoulMusic Records, an imprint of the Cherry Red Group, continues its non-chronological tour through the catalogue of the late Phyllis Hyman with the release of The Buddah Years. Despite the compilation title, this 13-track CD is actually a straight reissue of Hyman’s very first solo album, recorded for Buddah Records, plus four bonus tracks. Though she had previously recorded a single for Private Stock Records, the statuesque soul singer’s first major splash came as guest vocalist for producer Norman Connors. Hyman’s deliberate, sensual reinvention of Thom Bell and Linda Creed’s “Betcha by…
Take the Midnight Train to Eight New Gladys Knight and the Pips Reissues from FTG
Funkytowngrooves is leaving on the midnight train to Georgia with a series of six expanded reissues from the catalogue of Gladys Knight, both solo and with the Pips. September 16 and 30 are the dates to mark for the label’s reissues of four vintage albums originally released on Buddah (Imagination, I Feel a Song, 2nd Anniversary and The One and Only…), one on Bell (In the Beginning) and three on Columbia (Gladys Knight, Visions and Life). It’s a good time to be a fan of Gladys’ ouevre; the U.K.’s winning Big Break…
Favorite Things: Concord Reissues, Expands John Coltrane’s “Afro Blue Impressions”
When John Coltrane’s Afro Blue Impressions was released on LP by Pablo Records in 1977, it marked the tenth anniversary of the saxophone great’s 1967 passing. Capturing his classic quartet in its prime, Afro Blue was recorded live in 1963 in Stockholm and Berlin. Now, on the occasion of the fiftieth anniversary of its recording, and the fortieth anniversary of Pablo, Concord Music Group has remastered and expanded Afro Blue Impressions. The roots of Coltrane’s great quartet can be traced to 1960. By fall of that year, Coltrane’s group had coalesced with…
Review: Dionne Warwick, “We Need to Go Back: The Unissued Warner Bros. Masters”
We need to go back to the songs we used to sing… – Nickolas Ashford and Valarie Simpson, “We Need to Go Back” What’s remarkable about the 19 outtakes on Dionne Warwick’s We Need to Go Back: The Unissued Warner Bros. Masters (Real Gone Music RGM-0170) is that they’re every bit as good as – and in many cases, superior to – the music actually released during Warwick’s stormy five-year stay at the label. Every one of the soulful stylist’s Warner albums is represented with outtakes save 1972’s debut Dionne, the final…
Review: Dionne Warwick, “The Complete Warner Bros. Singles”
Dionne Warwick’s 1972-1977 tenure at Warner Bros. Records has long been a subject of much confusion. Why couldn’t the Burbank giant yield any hit records with the superstar artist after signing her to a record-breaking deal? Sure, the “triangle marriage” of Warwick, Burt Bacharach and Hal David was breaking up, but Warner paired her with some of the most famed names in soul music: Holland-Dozier-Holland, Jerry Ragovoy, and Thom Bell among them. Bell scored a hit for Warwick with “Then Came You,” and the Spinners duet earned her – unbelievably – her first…
Frank Zappa and The Mothers of Invention
September 25, 2026
